'Dandiya Night with Mehendi' at Nelum Pokuna
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44Th Convocation University of Sri Jayewardenepura
44th Convocation University of Sri Jayewardenepura Gamhewa Manage Pesala Madhushani Gamage Wijayalathpura Dewage Poornimala Madushani FACULTY OF HUMANITIES Hansani Nisansala Gamage Madugodage Dinusha Madushani AND SOCIAL SCIENCES Meepe Gamage Chathurika Hansamali Gamage Peduru Hewa Harshika Madushani Panawenna Ranadewage Thayomi Dulanji Gansala Amaraweera Wikkrama Gunawardana Lasuni Madushika Liyanagamage Gayan Diyadawa Gamage Niluka Maduwanthi Parana Palliyage Thisara Gayathri Herath Mudiyanselage Shanika Maduwanthi Kongala Hettiarachchige Koshila Gimhani Hewa Rahinduwage Ruwani Maduwanthi Kalubowila Appuhamilage Nipuni Wirajika Gunarathna Sikuradhi Pathige Irosha Maduwanthi Aluth Gedara Champika Prabodani Gunathilaka Wijesekara Gunawardhana Gurusinha Arachchige Maheshika Ahangama Vithanage Maheshika Gunathilaka Dissanayake Mudiyanselage Nadeeka Malkanthi Mestiyage Dona Nihari Manuprabhashani Gunathilaka Hewa Uluwaduge Nadeesha Manamperi Withana Arachchillage Gaya Thejani Gunathilaka Gunasingha Mudiyanselage Rashika Manel Ayodya Lakmali Guniyangoda Widana Gamage Shermila Dilhani Manike Nisansala Sandamali Gurusingha Koonange Mihiri Kanchana Mendis Kariyawasam Bovithanthri Prabodha Hansaji Nikamuni Samadhi Nisansala Mendis Kanaththage Supuni Hansika Warnakulasooriya Wadumesthrige Nadeesha Chathurangi Ranagalage Pawani Hansika Mendis Gama Athige Harshani Morapitiyage Madhuka Dhananjani Morapitiya Rambukkanage Kaushalya Hasanthi Munasinghe Mudiyanselage Uthpala Madushani Munasinghe Henagamage Piyumi Nisansala Henagamage Ella Deniyage Upeksha -
Silence in Sri Lankan Cinema from 1990 to 2010
COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Director of Copyright Services sydney.edu.au/copyright SILENCE IN SRI LANKAN CINEMA FROM 1990 TO 2010 S.L. Priyantha Fonseka FACULTY OF ARTS AND SOCIAL SCIENCES THE UNIVERSITY OF SYDNEY A thesis submitted in total fulfilment of requirements for the degree of Master of Philosophy at the University of Sydney 2014 DECLARATION I hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person nor material previously published or written by another person nor material which to a substantial extent has been accepted for the award of any other degree or diploma of a university or other institute of higher learning, except where due acknowledgement has been made in the text. -
Inactive VAT Details Report As at - 2019-07-08
Inactive VAT Details Report As at - 2019-07-08 TIN No Company Name 114287954 21ST CENTURY INTERIORS PVT LTD 114418722 27A TIMBER PROCESSORS PVT LTD 409327150 3 C HOLDINGS 174814414 3 DIAMOND HOLDINGS PVT LTD 114689491 3 FA MANAGEMENT SERVICES PVT LTD 114458643 3 MIX PVT LTD 114234281 3 S CONCEPT PVT LTD 409084141 3 S ENTERPRISE 114689092 3 S PANORAMA HOLDINGS PVT LTD 409243622 3 S PRINT SOLUTION 114634832 3 S PRINT SOLUTIONS PVT LTD 114488151 3 WAY FREIGHT INTERNATIONAL PVT LTD 114707570 3 WHEEL LANKA AUTO TECH PVT LTD 409086896 3D COMPUTING TECHNOLOGIES 409248764 3D PACKAGING SERVICE 114448460 3S ACCESSORY MANUFACTURING PVT LTD 409088198 3S MARKETING INTERNATIONAL 114251461 3W INNOVATIONS PVT LTD 114747130 4 S INTERNATIONAL PVT LTD 114372706 4M PRODUCTS & SERVICES PVT LTD 409206760 4U OFFSET PRINTERS 114102890 505 APPAREL'S PVT LTD 114072079 505 MOTORS PVT LTD 409150578 555 EGODAGE ENVIR;FRENDLY MANU;& EXPORTS 114265780 609 PACKAGING PVT LTD 114333646 609 POLYMER EXPORTS PVT LTD 409115292 6-7 BATHIYAGAMA GRAMASANWARDENA SAMITIYA 114337200 7TH GEAR PVT LTD 114205052 9.4.MOTORS PVT LTD 409274935 A & A ADVERTISING 409096590 A & A CONTRUCTION 409018165 A & A ENTERPRISES 114456560 A & A ENTERPRISES FIRE PROTECTION PVT LT 409208711 A & A GRAPHICS 114211524 A & A HOLDINGS PVT LTD 114610569 A & A TECHNOLOGY PVT LTD 409118887 A & B ENTERPRISES 114268410 A & C CREATIONS PVT LTD 114023566 A & C PVT LTD 409186777 A & D ASSOCIATES 114422819 A & D ENTERPRISES PVT LTD 409192718 A & D INTERNATIONAL 114081388 A & E JIN JIN LANKA PVT LTD 114234753 A & -
Parliamentary Election - 2020 Electoral District - 1 - Colombo
Parliamentary Election - 2020 Electoral District - 1 - Colombo Name of each Recognized Political party/Independent Group Names of Candidates as setout in the Nomination Paper United National Party Sandres Raveendra Karunanayake Daya Dharmapala Kilittuwa Gamage Ranil Wickramasinghe Sunethra Ranasinghe Mohomed Sherif Mohomed Fairoos Shanmuganathan Kuhawaradan Ajantha Perera N.D.Chandima Wijegunawardhena Jinasiri Dadallage Ukwatte Loku Liyanage Titus Perera Sendanayake Arachchige Binara Sandaruwan Jayawardhena Aruna Krishmaal Sumeda Warnasooriya Sudath Ajitha Samaradivakara Jayasundara Upulsiri Weerasinghe Ruwan Kithsiri Liyana Gunawardhena A.S.P.Liyanage Amal Nishantha Silva Pussellage Susil Kumar Kindelpitiya Jeran Jegadeesan Udara Sathyajith Ratnayake H.D.Oshala Lakmal Anil Herath Mohomed Sanus Hilir Mohomed United Left Front P. Samarasinghe Aruna Dahanayake Lalith Kokila Daas Kahapola Asraf Mohammed Mafeer Mahesh Thilakarathne Sumith Jayalal Ransika Pasanjith Ananda Pushpa Kumara Epa Amila Samarasooriya Gunathilake Siriwardhanage Madusanka Gulawitage Geethan Sanjeewa Janaka Susantha Gamini Ariyarathne Ayodhya Upamali Perera Rasil Yasodh Thelakshana Tasheema Dinuruwani Samarasinghe Eranga Lakmal Perera Charith Gishan Wijesundara Aruna Roshan Kaldera Mark Sirilath Fernando P.V.G. Perera Chandramarakkalage Chamith Dilshan Silva United Socialist Party Srinath Perera Ponnaiya Thilesh Kumar Fathima Shabeena Thrimahavithana Chithrananda Rajaratnam Weerasinghe Pathirage Roshan Dinesh Perera Sardakumara Manjula Pathiraja Abdul Ansar Mohommadu -
Ivan Alvis a N a D N A
12 Thursday 6th August, 2015 atasha Rathnayake is certainly a head- turner! It’s not only her voice, that Nhas got the attention of many, but also the glam side of this vivacious singer. Obviously, the ladies envy her figure, while the guys tend to go ga-ga! Now, how does Natasha, in spite of her heavy schedule, connected with her profes - sional career, manage to maintain her figure! Says Natasha: “My beauty secrets, and tips, are no beauty secrets at all. It can be done by anyone, if they are willing to follow some simple habits. She went on to say that as much as possible, she keeps her diet clean, and eat healthy, and Extremely workout 4-5 times a week. hard working Natasha Rathnayake “I have a personal trainer who pushes me to considering the perception people have about achieve my fitness goals and, most importantly, celebrities. stay fit and healthy.” “I’m an extremely hard working individual who Natasha avoids, as much as possible, loves to live life on my terms – freely and to my processed foods, that have long shelf life. fullest potential.” “I generally go for fresh items, and I substitute I guess Natasha is living proof that it can be rice with quinoa, and stay away from wheat, done. dairy, gluten and starch.” “It’s all about what we put in our system. Photographs and articles should be sent to: Natasha says she lives a pretty simple life, “I believe, in the end, health is wealth.” [email protected] Tel: 0776788119 Ivan Alvis a n a d n a h he award-winning drama, ‘Kadulla,’ is being C MAdu AwANThI . -
Saarc Film Festival 2019
Organised by SAARC CULTURAL CENTRE, SRI LANKA Organised by SAARC Cultural Centre. Sri Lanka www.saarcculture.org1 INDEX OF FILMS A LET TER TO THE PRESIDENT (AFGHANISTAN/ FEATURE) GOHRAALHU (Maldives/ Feature) Directed by Roya Sadat Directed by Ahmed Shinan AFGHANISTAN NIGHT STORIES (AFGHANISTAN/ FEATURE) SOUL (Maldives/ Short) Directed by Alka Sadat Directed by Ali Seezan SALARY (Afghanistan/ Short) BULBUL (Nepal/ Feature) Directed by Khadim Hussain Byhname Directed by Binod Paudel SINGLE MOTHER (Afghanistan/ Short) PRASAD (Nepal/ Feature) Directed by Aqila Farahmand Directed by Dinesh Raut LIGHT BREEZE (Afghanistan/ Master) THE MOON IS BRIGHT TONIGHT (Nepal/ Short) Directed by Sahraa Karimi Directed by Abinash Bikram Shah FAGUN HAOAY (Bangladesh/ Feature) THE REMAINS (Nepal/ Short) Directed by Tauquir Ahmed Directed by Manoj Babu Pant KOMOLA ROCKET (Bangladesh/ Feature) HARI (Nepal/ Master) Directed by Noor Imran Mithu Directed by Safal K.C A QUARTER MILE COUNTRY (Bangladesh/ Short) LOAD WEDDING (Pakistan/ Feature) Directed by Noman Robin Directed by Nabeel Qureshi SEE YOU (Bangladesh/ Short) MOTOR CYCLE GIRL (Pakistan/ feature) Directed by Chaitali Somadder, Syful Akbar Khan Directed by Adnan Sarwar ALPHA (Bangladesh/ Master) CHALAY THAY SAATH (Pakistan/ master) Directed by Nasir Uddin Yousuff Directed by Umer Adil THE VESTED ASTROLOGER (Bhutan/ Feature) BURNING BIRDS (Sri Lanka/ Feature) Directed by Kinga Kinley Tshering Directed by Sanjewa Pushpakumara THE WIND OF KARMA (Bhutan/ Feature) THE WIND BENEATH US (Sri Lanka/ Feature) Directed by Karma Lhatrul Dorji Directed by Nuwan Jayathilake A WOMAN OF PURE HEART (Bhutan/ short) THE IMAGE (Sri Lanka/ Short) Directed by Kinga Kinley Tshering Directed by Chathumi Vidhushika ROW (Bhutan/ Short) TRADITION (Sri Lanka/ Short) Directed by Karma Lhatrul Dorji Directed by Lanka Bandaranayake NAGARKIRTAN (India/ Feature) palama yata (Sri Lanka/ Master) Directed by Kaushik Ganguly Directed by H.D. -
Cinematic Excellence 20 Sunday, December 18, 2016 Sunday, December 18, 2016 21
CINEMATIC EXCELLENCE 20 SUNDAY, DECEMBER 18, 2016 SUNDAY, DECEMBER 18, 2016 21 Prime Minister, Ranil Wickremesinghe presents the Best Actor’s Award to Jackson Anthony while Mass Media Minister Gayantha Karunathilaka, Mass Media Deputy Minister Karu Paranawithana, ANCL Chairman Kavan Ratnayaka and Sarasaviya Weekly Editor Aruna Gunaratne look on. Hemal Ranasinghe receiving the Special Jury Awards from Prime Minister Ranil Wickremesinghe. Ranjan Ramanayake greeting Nadeeka Guruge. Ravindra Randeniya The 33rd Sarasaviya Film Awards 2016 culminates with Prasanna Vithanage receiving his award from Media Minister Gayantha Karunathilaka. A STAR-STUDDED Visakesa Chandrasekaram receiving the Dr. Lester James Peries Award NIGHT for his debut film Frangipani. Best supporting Actress Damitha by Husna Inayathullah Jackson Anthony Abeyratne on stage. with his wife Kumari Munasinghe. t was a special, star-studded Awards and the awardees night at the Sarasaviya Film Fes- Best Producer – Gunapala Rathnasekara (Maharaja Gemunu) tival 2016 awards night which |±š z¹Y£ »fz˜»Y£K Best Director - Prasanna Vithanage (With you without you) was full of music, lights and ~v` Best Actress - Anjalie Patil (With you without you) glamour at the Nelum Pokuna Best Actor - Jackson Anthony (Maharaja Gemunu) ITheatre. Organised by The Associ- Special Jury Awards - Hemal Ranasinghe (Pravegaya) ated Newspapers of Ceylon Limited Best supporting Actress – Damitha Abeyratne (Pravegaya) and Sarasaviya, its weekly newspaper Best supporting Actor – Jayalath Manoratnam (Ho gaana pokuna) featuring cinema and sponsored by Best Cinematographer- Ruwan Costa (Maharaja Gemunu) Sri Lanka Telecom, the specialty of Best screenplay- Prasanna Vithanage (With you without you) this awards ceremony was that it was Best Editor- Ravindra Guruge (Maharaja Gemunu) held after a lapse of eight years with audience really live and interested. -
Parliamentary Election 2020
N.B. - ThisI Extraordinary fldgi ( ^I& GazettefPoh -is YS%printed ,xld in m%cd;dka;s%l Sinhala, Tamil iudcjd§ and English ckrcfha Languages w;s separately. úfYI .eiÜ m;%h - 2020'06'09 1 A PART I : SEC. (I) - GAZETTE EXTRAORDINARY OF THE DEMOCRATIC SOCIALIST REPUBLIC OF SRI LANKA - 09.06.2020 Y%S ,xld m%cd;dka;%sl iudcjd§ ckrcfha .eiÜ m;%h w;s úfYI The Gazette of the Democratic Socialist Republic of Sri Lanka EXTRAORDINARY wxl 2179$7 - 2020 cqks ui 09 jeks w`.yrejdod - 2020'06'09 No. 2179/7 - TUESDAY, JUNE 09, 2020 (Published by Authority) PART I : SECTION (I) — GENERAL Government Notifications THE PARLIAMENTARY ELECTIONS ACT, No. 1 OF 1981 Notice Under Section 24(1) (b) and (d) GENERAL ELECTIONS OF MEMBERS OF THE PARLIAMENT WITH REFERENCE TO THE NOTICE NO. 2167/12 DATED 20.03.2020 ISSUED BY THE ELECTION COMMISSION NOTICE is hereby given under Section 24(1) (b) and (d) of the Parliamentary Elections Act, No. 1 of 1981 that – (I) the order in which the name of each recognized Political Party and the distinguishing number of each Independent Group and the symbol allotted to each such Party or Group appearing in the ballot paper of each such Electoral District shall be in the same order as given in the Schedule hereto ; and the names of candidates (as indicated by the candidates) of each recognized Political Party or Independent Group, placed in alphabetical order in accordance with the Sinhala alphabet, nominated for election as Members of Parliament from each such Electoral District and the preferential number assigned to each candidate, are as specified in the Schedule hereto ; (II) the situation of the polling station or stations for each of the polling districts in each such Electoral District, and the particular polling stations reserved for female voters, if any, are as specified in the Schedule hereto. -
Report on Public Representations on Constitutional Reform
Report on Public Representations on Constitutional Reform Public Representations Committee on Constitutional Reform May 2016 © Public Representations Committee on Constitutional Reform, May 2016 (Edited & Updated) Public Representations Committee on Constitutional Reform Visumpaya Staple Street Colombo 02 Sri Lanka Acknowledgements As the Chairman I wish to place on record my grateful thanks to all those who took part in the process of carrying out our mandate. Special thanks are due to over two thousand five hundred persons who appeared before us some representing large organizations to make submissions and those who made written representations. It is with deep sense of satisfaction that I place on record my deep gratitude to the Members of the Committee: Mr. S. Winston Pathiraja (Secretary), Mr. Faisz Musthapha, Prof. A. M. Navaratna Bandara, Prof. M. L. A. Cader, Mr. N. Selvakkumaran, Hon. S. Thavarajah, Mr. Kushan D’Alwis, Dr. Harini Amarasuriya, Dr.Kumudu Kusum Kumara, Mr. Sunil Jayaratne, Dr.Upul Abeyratne, Mr. Themiya L. B. Hurulle, Mr. S. Vijesandiran, Mr. M. Y. M. Faiz, Mrs. M. K. Nadeeka Damayanthi, Ms.Kanthie Ranasinghe, Mr. S. C. C. Elankovan, and Mr. Sirimasiri Hapuarachchiall of whom dedicated themselves to the enormous task of reaching the people all over the country, getting their views and last but not the least studying their submissions and preparing the report in a very short period of time under trying circumstances, with extremely limited resources, at great sacrifice, in an honorary capacity. How the members of the Committee handled this difficult task needs to be recorded. Visiting twenty five districts within a period of six weeks in itself was an achievement. -
CIPM Appoints a Brand Ambassador 17Th September
Challenges,Challenges, Adversity Adversity & Resilience & Resilience Annual AnnualReport Report2019/2020 2019/2020 CHALLENGES, ADVERSITY & RESILIENCE In the wake of the COVID 19 pandemic, CIPM has been able to face the challenges and adversities impacting on progress and growth by being resilient during the lockdown. Change of business strategy and the use of state of the art technology enabled CIPM to reach many milestones. We applaud the Governing Council and the staff for the resilience in ‘Bouncing Forward’. Chartered Institute of Personnel Management Sri Lanka (Inc.) Challenges,Challenges, Adversity Adversity & Resilience & Resilience Annual AnnualReport Report2019/2020 2019/2020 01 -01 Cover - CoverStory Story 04 -04 Vision, - Vision, Mission, Mission, Values Values & Objectives & Objectives 08 -08 Milestones - Milestones 10 -10 Financial - Financial Highlights Highlights 11 -11 Operational- Operational Highlights Highlights CHAPTERSCHAPTERS 12 -12 Our - Crowning Our Crowning Achievements Achievements 14 -14 President’s - President’s Message Message 22 -22 Hony. - Hony.Secretary’s Secretary’s Message Message 24 -24 Hony. - Hony.Treasurer’s Treasurer’s Message Message 26 -26 Chief - ExecutiveChief Executive Officer’s Officer’s Review Review ABOUTABOUT US US 32 -32 Executive - Executive Council Council 2019/2020 2019/2020 44 -44 Management - Management Team Team 48 -48 Pictorial - Pictorial Review Review 2019/2020 2019/2020 66 -66 Corporate - Corporate Governance Governance Report Report 68 -68 Report - Report on Risk on Management -
Starry Starry Night
Chief Guests Mass Media Minister Lakshman Yapa Abeywardena, ANCL Chairman Bandula Padmakumara, Mass Media and Information and Enterprise Development and Investment Promotion Minister Anura Priyadharshana Yapa and Sarasaviya Editor Gamini Samarasinghe entering the premises Best Actor (2007) Saumya and Best Actress Best Supporting (2007) Sangeetha Cameras panned back and forth to capture the 32nd mesmeric and distinctive Actor (2008) Sarasaviya Film Awards Festival which combined the years 2007 and 2008. Saumya and Best Supporting Actress (2008) Starry starry night Malani 2007 2008 Most popular actor Award not given Most popular actor Wijeya Nandasiri Most popular actress Award not given (Sikuru Hathe) Most popular film Aba Most popular actress Sangeetha Weeraratne Best actor Dharmapriya Dias (Uppalavanna) (Machan) Films in 2008 Most popular film Asai Man Piyambanna Best actress Dulani Anuradha (Aba) 1. Heart FM Senesh Bandara Disanayaka Best actor Saumya Liyanage Best film Machan (Aganthukaya) Best director Vijitha Gunaratne Best Actress (2008) Dulani 2. Weda Beri Tarzan Meti SabayataSunilsoma Peiris Best actress Sangeetha Weeraratne (Wala Patala) 3. Adara Meena Keerthi Bandara (Uppalavanna) Best upcoming actor Dharshan Dharmaraj 4. Hathara denama SoorayoNeil Rupasinghe Best film Aganthukaya (Machan) 5. Sandalutalen Eha H. M. Gamini Pushpakumara Best director Wasantha Obeysekara Best upcoming actress Shani Samanali Fonseka 6. Super Star A. A. Junaideen (Aganthukaya) (Heart FM) 7. Sura Sepa Soya Louis Vanderstraeten Best upcoming actor Tumidu Dodantenna Best supporting actor Saumya Liyanage (Sankhara) (Wala Patala) 8. Rosa Kele Sanjaya Nirmal Best upcoming actress Himali Sayurangi Best supporting actress Malini Fonseka (Aba) 9. Rosa Diganthe Suresh Kumarasinghe (Sikuru Hathe) Best singer Edward Jayakody 10. Nil Diya Yahana Dayaratne Ratagedara Best supporting actor Sanath Gunatilaka (Siri Raja Siri) 11. -
The Dramatics of Trojan Women on Sri Lankan Stage
International Journal of Humanities and Social Science Vol. 5, No. 11; November 2015 The Dramatics of Trojan Women on Sri Lankan Stage Kamani Jayasekera Dept. of Western Classical Culture University of Kelaniya Abstract The attraction of Classical Greek drama to the Sri Lankans in the twenty first centaury is an interesting phenomenon. Among the dramas the Trojan Women of Euripides had become most popular during the later period of the ethnic conflict in the country, namely the thirty years of war with the LTTE, which brought many a suffering to all Sri Lankans. In this study investigations have been made on how the production was translated, staged and received during the years of turmoil. Trojan Kanthavo, the adaptation of Trojan Women attracted many and diverse criticisms from the Sinhalese and the Tamil audiences. There was a notable difference in the reactions of the both racial communities. There were threats not only to the director but to artists who participated in the play as well. A series of interviews and critical analysis of available material from journal and newspaper articles were made in carrying out the research. Personal interviews had to be carefully scrutinized as they revealed much of audience reaction. Findings proved that Greek Drama could be staged irrespective of the difference of time and place to address contemporary problems. The flexibility of the tradition enabled modern artists to experiment based on firm foundations of the Classics. More than a decade had passed since the first staging, of Trojan Kanthavo, yet the drama instigated by it seems to still go on.ie the recent court case against those who led the attacks and the consequent forgiving by the injured parties.