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Status Quo Live Mp3, Flac, Wma
Status Quo Live mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Live Country: Indonesia Style: Soft Rock, Pop Rock MP3 version RAR size: 1654 mb FLAC version RAR size: 1964 mb WMA version RAR size: 1894 mb Rating: 4.6 Votes: 237 Other Formats: TTA ADX AIFF AC3 MP4 VQF DMF Tracklist Hide Credits Junior's Wailing 1.1 5:21 Written-By – White*, Pugh* Backwater 1.2 (a) 8:28 Written-By – Lancaster*, Parfitt* Just Take Me 1.2 (b) Written-By – Lancaster*, Parfitt* Is There A Better Way 1.3 4:17 Written-By – Lancaster*, Rossi* In My Chair 1.4 3:36 Written-By – Young*, Rossi* Little Lady 1.5 (a) 7:19 Written-By – Parfitt* Most Of The Time 1.5 (b) Written-By – Young*, Rossi* Rain 1.6 4:53 Written-By – Parfitt* Forty Five Hundred Times 1.7 16:42 Written-By – Rossi*, Parfitt* Roll Over Lay Down 2.1 6:04 Written-By – Lancaster*, Young*, Rossi*, Coglan*, Parfitt* Big Fat Mama 2.2 5:22 Written-By – Rossi*, Parfitt* Don't Waste My Time 2.3 4:05 Written-By – Young*, Rossi* Roadhouse Blues 2.4 14:21 Written-By – Morrison*, Densmore*, Manzarek*, Krieger* Caroline 2.5 6:43 Written-By – Young*, Rossi* Bye Bye Johnny 2.6 6:22 Written-By – Berry* Companies, etc. Recorded At – Apollo Theatre, Glasgow Phonographic Copyright (p) – Mercury Records Copyright (c) – Mercury Records Pressed By – EDC, Germany – 52328220 Pressed By – EDC, Germany – 52329188 Credits Engineer – Steve Lillywhite Graphics – Alwyn Claydon* Harmonica – Bob Young Keyboards – Andy Bown Liner Notes – Garry Fielding* Performer – Alan Lancaster, Francis Rossi, John Coghlan, Richard Parfitt* Photography – Robert Ellis , Terry O'Neil* Producer – Status Quo Producer [Assistant], Mixed By – Damon Lyon-Shaw Sleeve [Sleeve Co-ordination] – Jack Wood Sleeve [Sleeve Design] – Hipgnosis Notes Recorded live at the Apollo Theatre, Glasgow, 27/28/29 October 1976 with Stones Mobile. -
Swinging Blue Jeans
1 Chairman’s voice of appreciation Here we go again! As the years go by we are getting bigger and better without losing the friendly family atmosphere. Over the years we have raised thousands of pounds for various charities. This year we are concentrating on helping local homes that look after patients suffering from Alzheimer’s Disease and other types of dementia. We will also be donating additional money to Manton Village Hall to help towards the re-furbishment. It is our intention to concentrate on local charities where the money raised can make a difference to the local community. This year we are welcoming back the first professional act to perform at MantonFest, The Swinging Blue Jeans. They give me a chance to wander down memory lane and back to my wild youth! We are so fortunate to have Fred and Emma Goltz living in Manton Grange. They not only allow us use of the water meadow but, once again, are our main sponsor thus allowing us to develop this music festival, giving everyone a fantastic day out! Our dedicated volunteers and supporters have come up trumps again. The committee MantonFest Chairman - Roger Grant - Stuart Whant, Anne Morgan, Linda Yeardley and Becky Banning with the help of Denise Grant have made sure that all is running smoothly. Without them I could not organise this event. I would also like to give a big thanks to marlborough.news for all their support particularly Neil Goodwin who has put this programme together and Marina Rae who has tirelessly encouraged the advertisers to present their advertisements to you in this programme. -
Butler Hansen a Trailblazing Washington Politician John C
Julia Butler Hansen A trailblazing Washington politician John C. Hughes Julia Butler Hansen A trailblazing Washington politician John C. Hughes First Edition Second Printing Copyright © 2020 Legacy Washington Office of the Secretary of State All rights reserved. ISBN 978-1-889320-45-8 Ebook ISBN 978-1-889320-44-1 Front cover photo: John C. Hughes Back cover photo: Hansen Family Collection Book Design by Amber Raney Cover Design by Amber Raney and Laura Mott Printed in the United States of America by Gorham Printing, Centralia, Washington Also by John C. Hughes: On the Harbor: From Black Friday to Nirvana, with Ryan Teague Beckwith Booth Who? A Biography of Booth Gardner Nancy Evans, First-Rate First Lady Lillian Walker, Washington State Civil Rights Pioneer The Inimitable Adele Ferguson Slade Gorton, a Half Century in Politics John Spellman: Politics Never Broke His Heart Pressing On: Two Family-Owned Newspapers in the 21st Century Washington Remembers World War II, with Trova Heffernan Korea 65, the Forgotten War Remembered, with Trova Heffernan and Lori Larson 1968: The Year that Rocked Washington, with Bob Young and Lori Larson Ahead of the Curve: Washington Women Lead the Way, 1910-2020, with Bob Young Legacy Washington is dedicated to preserving the history of Washington and its continuing story. www.sos.wa.gov/legacy For Bob Bailey, Alan Thompson and Peter Jackson Julia poses at the historic site sign outside the Wahkiakum County Courthouse in 1960. Alan Thompson photo Contents Preface: “Like money in the bank” 6 Introduction: “Julia Who?” 10 Chapter 1: “Just Plain Me” 17 Chapter 2: “Quite a bit of gumption” 25 Chapter 3: Grief compounded 31 Chapter 4: “Oh! Dear Diary” 35 Chapter 5: Paddling into politics 44 Chapter 6: Smart enough, too 49 Chapter 7: Hopelessly disgusted 58 Chapter 8: To the last ditch 65 Chapter 9: The fighter remains 73 Chapter 10: Lean times 78 Chapter 11: “Mrs. -
Smash Hits Volume 24
November 1-14 1979 30p m> POLICE SPi im BATS LPs to be won Uover forbidden 1 *-.,. Records Mv" Rec . __.. ,«i»i Atlantic L^rs^ur^tohavevou onn !*»-»- »*' BY Chic at verv love you Chorus . er d MV no other *°^lr We'll just ?JJK» no o^er and everv *nev You're 'cause " do * « anc ' <e :«•want to your beckner- "VTn'tI - „ at I didn t tr oe And love" indeed That your ^neW ves to and the you are You «Y AppearanceapP That sinister a«W» Repeat chorus Those ur love dQ ^ forbidden .... ,o«e is : ooh " NlyK hidden g^— iV.WeeVo«r»ov. indeed yes chorus to Vou are a.neat D»ne at chorus U" Hello, I'm Page 3. I'm the page that gives the rundown on the rest of the issue, makes it all sound utterly fantastic and desirable, gets to crack a joke or Nov 1-14 1979 two, and generally acts all snappy and hot to trot. It's a piece of cake in this magazine, 'cause the other pages work so hard to come up with the goods — Vol 1 No 24 now my cousin, who's Page 3 of The Sun, he has a rotten time trying to dream up captions for pictures of nude ladies. (Get on with it — Ed.) OK OK, this time around Page 24 has asked me to tell you about his Quiz; Page 31 has Editorial address; Smash Hits, Lisa 52-55 asked me to remind you about his terrific badge offer — the complete set of House, Carnaby Street, London five W1V 1PF. -
Celebrating the Life, Works, and Legacy of Henry David Thoreau
THOREAU SOCIETY BICENTENNIAL ANNUAL GATHERING 2017 Celebrating the Life, Works, and Legacy of Henry David Thoreau Be it life or death, we crave only reality. Henry D. Thoreau JULY 11TH-16TH 2017 CONCORD, MA THOREAU SOCIETY STAFF ANNUAL GATHERING STAFF Michael J. Frederick, Executive Director Clarissa Eaton, Registration Coordinator & Program Editor Chynna Lemire, Business Manager Rachel Gulick, Registration Coordinator Magdalena Bermudez, Annual Gathering Coordinator Finley Janes, Director of Hospitality Jon Fadiman, Shop Supervisor William Bermudez, Audio-Visual Technician Richard Smith, Shop Manager & Thoreau Living History Conrad Demasi, Audio-Visual Technician HONORARY ADVISOR Edward O. Wilson BOARD OF DIRECTORS Michael Schleifer, CPA Brooklyn, New York Tom Potter President Martinsville, IN Robert Clarke Rochelle Johnson, PhD Woodbury, CT Caldwell, ID Treasurer Paul Schacht, PhD Gayle Moore Rochester, NY Martinsville, IN Clerk Michael Stoneham, PhD Washingtonville, NY Barry Andrews, D.Min. Bainbridge Island, WA Andrew Celentano Stoneham, MA Harrison A. Glasgow Manassas, VA Allen Harding Matamoras, PA Ronald Hoag, PhD Grimesland, NC Michael Lorence Williamsburg, VA The Thoreau Society Annual Gathering & Bicentennial EVENT MAP Old Manse Thoreau Farm & Thoreau Birthhouse 341 Virginia Road Monument Street Bedford Street Virginia Road Lowell Street Colonial Inn Masonic Temple Old Bedford Road Keyes Road Alcott House Keyes Road Parking Lot First Parish Church Lexington Road Concord Museum Main Street Emerson House Concord Free Public Library -
Status Quo – En Studie Av Ett Rockbands Karriär
“Together We Can Rock´n´Roll” Status Quo – en studie av ett rockbands karriär Eva Kjellander Pedagogiska institutionen/ Avd. för bild, musik och kulturpedagogik Växjö universitet Handledare: Boel Lindberg D-uppsats i Musikvetenskap Ht 2005 2 Abstract Eva Kjellander: “Together we can rock´n´roll”, Status Quo – a study of the career of a rock band. Växjö: Musicology 2005. 80p. The main purpose of this essay is on one hand to try to find and explain the formula of success of the rock group Status Quo, and on the other to elucidate and explain the foundation and essence in the music made by Status Quo, but also to study how, if and why the foundation and essence have changed over the years. The method of investigation is partly based on a musical analysis of three albums from three different periods: Hello! (1973), Ain´t Complaining (1988) and Heavy Traffic (2002), and partly on a sociological study of the group’s career between 1962 and today, 2005. The first part of the essay concerns the period between 1962-1973 with an analysis of the album Hello!; the second part concerns the period 1974-1988 and the album Ain´t Complaining; finally, the third part concerns the years between 1989-2002 with an intensified analysis of the album Heavy Traffic. In the forth part of the essay I discuss the career of Status Quo from a sociological point of view. I run to the conclusion that the essence of Status Quo is the boogie-woogie comp on Fender guitar by Rick Parfitt, the riff on Francis Rossis´ Fender guitar in combination with the base, the piano and the drums. -
Literacy Through Language Arts : Teaching and Learning in Context
DOCUMENT RESUME ED 474 622 CS 511 889 AUTHOR Murphy, Sharon, Ed.; Dudley-Marling, Curt, Ed. TITLE Literacy through "Language Arts": Teaching and Learning in Context. INSTITUTION National Council of Teachers of English, Urbana, IL. ISBN ISBN-0-8141-2966-8 PUB DATE 2003-00-00 NOTE 489p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 29668-1659: $30.95 members, $41.95 nonmembers). Tel: 800-369-6283 (Toll Free); Web site: http://www.ncte.org. PUB TYPE Collected Works General (020) Guides Non-Classrooth (055) Opinion Papers (120) EDRS PRICE EDRS Price MF02/PC20 Plus Postage. DESCRIPTORS *Classroom Communication; *Classroom Techniques; Elementary Education; *Language Arts; *Literacy; *Reading Instruction; Reading Writing Relationship; *Writing Instruction IDENTIFIERS Contextual Learning; *Language Arts (Journal) ABSTRACT This book gathers 25 essays and 80 shorter excerpts from the past 25 years of the K-8 journal "Language Arts." Essays in the book begin with (1)"Introduction" (Sharon Murphy and Curt Dudley-Marling). Under Section I--Opening Contexts for Thinking about Teaching the Language Arts- are the following essays: (2) "How Children Learn or How Teachers Teach? A Profound Confusion" (Judith Wells Lindfors); (3) "Scaffolding: Who's Building Whose Building?" (Dennis Searle). Under Section II--Talking about Talk--are these essays:(4) "Discourse for Learning in the Classroom" (Ken Watson and Bob Young); (5) "Authentic Questions: What Do They Look Like? Where Do They Lead?" (Beverly A. Busching and Betty Ann Slesinger); (6) "What Is Sharing Time For?" (Courtney B. Cazden); (7) "'I Know English So Many, Mrs. -
Status Quo Piledriver - Deluxe Edition
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 01805 - 060347 90476 [email protected] STATUS QUO PILEDRIVER - DELUXE EDITION Am 21. März 2014 veröffentlichen Status Quo über USM die “Piledriver Deluxe Edition” – eine liebevoll aufbereitete 2-CD Deluxe Edition ihres legendären Albums von 1972. Die Bonus-CD enthält Liveaufnahmen und Radiosessions und im Booklet finden sich neben einem ausführlichen Covertext von Rockjournalist Dave Ling eine Reihe seltener Künstlerfotos, die der frühere Tourmanager und ‘fünftes Bandmitglied’ Bob Young zur Verfügung gestellt hat. Die 15 fantastischen Tracks auf der Bonus-CD stammen aus den Peel Sessions vom 20. November 1972 und 9. Januar 1973 (nach eigenen Angaben lagerte der Radio-DJ eine Status Quo Single in einer Kiste mit seinen Lieblingsplatten) und einem BBC “In Concert”-Mitschnitt, aufgenommen am 1. März 1973 im Paris Theatre in London. Das komplette Tracklisting finden Sie umseitig. “Piledriver” wurde von der Band selbst produziert und war das erste Status Quo Album auf dem legendären Label Vertigo. Es erreichte # 5 der Charts. Auf diesem Album spielte die Band in der klassischen Besetzung: Francis Rossi, Rick Parfitt, Alan Lancaster und John Coghlan – auch bekannt als die ‘Frantic Four’ – und ging mit einem im Vergleich noch härteren Sound konsequent weiter auf dem Weg, den sie schon mit den ersten beiden Platten eingeschlagen hatten. Den Anfang macht der Track ‘Don’t Waste My Time’ von dem gefeierten Songwriterteam Rossi/ Young. Und das Album endet mit einer atemberaubenden Version von ‘Roadhouse Blues’ von The Doors. Die einzige Single auf dem Album war ‘Paper Plane’: Sie erreichte nach ihrer Veröffentlichung im November 1972 # 8 der Charts und war damit der erste von 33 Top 40 Hits in den britischen Singlecharts. -
Are You Ready to Rock
IS THERE ANYBODY OUT THERE WHO WANTS TO ROCK…? IS THERE ANYBODY OUT THERE WHO WANTS TO ROLL…? AND… IS THERE ANYBODY OUT THERE WHO WANTS TO BOOGIE…? CELEBRATING FOUR DECADES OF STATUS QUO, THE U.K.’S LONGEST RUNNING QUO TRIBUTE ACT -COUNTERFEIT QUO- Counterfeit Quo formed in Essex in early 1995 by four hardened Quo fans who set out to recreate the dynamic Quo performances of old. The band’s reputation spread rapidly and they have now toured every region of the U.K., ventured into Europe and featured on local and national BBC Radio. An adrenaline charged set crashes its way through many of Quo's 22 top ten chart hits including In The Army, Down Down, Whatever You Want and Rocking All Over The World, whilst still paying tribute to glorious earlier albums like Piledriver, Hello and 'Quo' So what you get is Heads Down, No-Nonsense Boogie played on the familiar beaten up green and white Telecasters by the denim clad likenesses of Status Quo. The band has also had the honour of working with original Quo drummer John Coghlan, current bassist John 'Rhino' Edwards, and been given the seal of approval from no less than Quo's very own Francis Rossi and Rick Parfitt. "Counterfeit Quo - They sound FANTASTIC" - talkSPORT Radio " ...from the very first chord, I think it's fair to say they went down an absolute storm..(the audience) were not just happy, they were ECSTATIC." - Alan Burridge, KYPS "I also went along to the Counterfeit Quo gig and had a lot of fun listening to their excellent performance to 4000 happy people of many Quo songs I hadn't heard in a long time. -
Earning Very Release of Piledriver, That Quo Have Made Any Had a Lot of Trouble with Heavies
STATUS QUO up on their feet, they don't sit down again until they the world. But go out and ask the people -see leave the gig. A Quo audience puts as much into a gig what they thought. They were there -we saw as the band themselves, and that's a hell of a lot. 'em, everybody else saw 'em. Critics say our From the balcony of the City Hall, the audience is music isn't original, but what is? It's all been like a seething mass of tentacles. Beneath, the Quo done before, everything." just pound out a relentless boogie. Rossi stalks It's been more than five years since Rossi the stage like he owns it, squeezing the last note wrote "Pictures Of Matchstick Men" and the out of his guitar and then, with a quick upward band joined the teenybopper ranks. He looks thrust, flicking his hair back to return to his "We got in back on it with mild amusement. "The fans had original position. Between numbers, he seen us on the box, and they'd come to gigs to achieves a cunning rapport with the audience. have a scream, touch you up and all that, mess "Has anybody got the Dog [0f7lvo Head] a bitof debt about, and pull your hair..." album?" he shouts. The audience responds He looks serious for a moment and adds, automatically. "I want yer all to dance up and - we were "And the place was dead - they weren't getting down and wiggle yer arses." any buzz off what we were doing." Audience reaction is already causing It's only in the past few months, since the promoters grief, as Rossi points out later: "We've earning very release of Piledriver, that Quo have made any had a lot of trouble with heavies. -
With Admiral Byrd's Second Antarctic Expedition
With Admiral Byrd’s Second Antarctic Expedition: H.R.(Bob)Young’s Narrative Account of His Experiences Down South & Returning to Civilization Edited with an Introduction and Postscript by Bruce Young ([email protected]) (Kingston, Ontario, Canada. June, 2008) ([email protected]) 1 CONTENTS 1. INTRODUCTION…………………………………… 3 2. AKNOWLEDGEMENTS…………………………….. 9 3. BOB YOUNG’s NARRATIVE ACCOUNT…………… 11 4. POSTSCRIPT ……………………………………….. 69 APPENDICES l. Bob’s July 3, 1933, letter to Admiral Byrd ……….. 89 2. Bob Recalls The Battle of Jutland…………………. 91 3. Bob’s 1935 Autobiographical Note………………... 96 4. Bob’s Composition “Out of divers suit to the…”…. 99 5. 1985 Appeal for Information re Bob’s Diary…........ 103 6. Mrs Bolling Byrd Clarke’s letter to the Editor…….. 104 7. Editor’s January 8, 2007, letter to Mrs Clarke…….. 105 8. ‘Personal Accounts’: Research at the SPRI………. 107 * I would not argue with readers who feel, at this early stage, that Sections of this paper can be skipped – to be read later, or perhaps never!. If ‘Introductions’ generally don’t spark your interest or prove profitable, and you can’t abide reading ‘Acknowledgements’, go directly to Bob Young’s own words in Section 3. And if my inserted notes in Sections 3 distract or weary you, ignore them. And should you be curious only about Bob’s life post-BAE2, then Section 4 beckons, with notes you also can ignore. Reading my Appendices before anything else is not recommended - but it is not forbidden! (If you do choose to go straight to them, hopefully they won’t put you off returning to the earlier pages). -
1973 STARRING..."We'vepink Alwa S Chit Like a Cult
THE HISTORY OF THROUGHALGOLDEN!THIS MONTHLY ISSU MUSIC'S YEARS E:1973 TRIP STARRING..."We'vePINK FLOMIL'alwa s chit like a cult... BOBROLLINGBRUCEDAVIDLED ZEPPELINDYLAN BOWIE SPRINGSTEEN STONES BOBMILESVANGRAMNEIL MORRISONMARLEYYOUNG PARSONSDAVISV Welcome to 1973 THIS IS A year in which everyone seems to be saying goodbye. At the start of the year, Leonard Cohen comes to London to say that he is deeply troubled by the music business, and that he's planning a dignified exit. Later in the year, Neil Young says much the same. Brian Eno leaves Roxy, as Ronnie Lane does the Faces. David Bowie, meanwhile, apparently quits music altogether. Those that remain, however, reap some rich rewards. Bands like Led Zeppelin, The Who or our cover stars Pink Floyd have now all escaped their niches in the previous decade, to flourish in a new context. Zeppelin play to more people than ever before, duly making an enormous amount of money. Floyd do likewise, but are troubled by their conscience and by their past. For Floyd, the absence of Syd Barrett (and the mental unrest that contributed to it) is articulated in one of the most successful records of all time. Perhaps in homage to a man who was not there, the band fail to appear at the launch for The Dark Side Of The Moon. 1973 also brings dramatic new arrivals. The Wailers and their frontman Bob Marley have suffered hardships in the Jamaican music business, but now finally find a patron who will treat them fairly. In New York, the singer Bruce Springsteen is signed by John Hammond- the man who took a chance on Bob Dylan.