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FY14 Tappin' Study Guide
Student Matinee Series Maurice Hines is Tappin’ Thru Life Study Guide Created by Miller Grove High School Drama Class of Joyce Scott As part of the Alliance Theatre Institute for Educators and Teaching Artists’ Dramaturgy by Students Under the guidance of Teaching Artist Barry Stewart Mann Maurice Hines is Tappin’ Thru Life was produced at the Arena Theatre in Washington, DC, from Nov. 15 to Dec. 29, 2013 The Alliance Theatre Production runs from April 2 to May 4, 2014 The production will travel to Beverly Hills, California from May 9-24, 2014, and to the Cleveland Playhouse from May 30 to June 29, 2014. Reviews Keith Loria, on theatermania.com, called the show “a tender glimpse into the Hineses’ rise to fame and a touching tribute to a brother.” Benjamin Tomchik wrote in Broadway World, that the show “seems determined not only to love the audience, but to entertain them, and it succeeds at doing just that! While Tappin' Thru Life does have some flaws, it's hard to find anyone who isn't won over by Hines showmanship, humor, timing and above all else, talent.” In The Washington Post, Nelson Pressley wrote, “’Tappin’ is basically a breezy, personable concert. The show doesn’t flinch from hard-core nostalgia; the heart-on-his-sleeve Hines is too sentimental for that. It’s frankly schmaltzy, and it’s barely written — it zips through selected moments of Hines’s life, creating a mood more than telling a story. it’s a pleasure to be in the company of a shameless, ebullient vaudeville heart.” Maurice Hines Is . -
Now That She's Gone
The Carl Cherry Center for the Arts presents... Layne Littlepage in BROADWAY LEADING LADIES: Viva the Divas! With Rick Yramtegui at the piano July 27th – August 19th, 2012 Fridays and Saturdays at 7:30 pm, Sundays at 3 pm Layne Littlepage returns to the Carl Cherry Center with a new and delightful show about the leg- endary female stars of Broadway’s greatest musicals: Julie Andrews, Ethel Merman, Mary Mar- tin, Barbra Streisand, Fanny Brice, Beatrice Lillie, Carol Channing, Elaine Stritch and more! Un- forgettable songs and stories. What makes a legend a legend? And what happens when legends collide, or fight for the same role? Find out! Tickets: $25 Information and Reservations: (831)238-0092, or ticketguys.com Now That She’s Gone Written & Performed by Ellen Snortland Friday, August 24th at 7:30 pm Saturday, August 25th at 7:30 pm Sunday, August 26th at 2:00 pm & 7:30 pm “Now That She’s Gone” is a play that explores Ellen Snortland’s often hilarious, irreverent and sometimes torturous relationship with her Norwegian-American mother. “Now That She’s Gone” has been described as a Lily Tomlin / Garrison Keillor hybrid… passionate, poignant and funny in turns. A memoir piece with Eleanor Roosevelt, sex, drugs and lutefisk, the play and performance has received rave reviews and standing ovations in California, Minnesota, New York, and Washington, D.C., as well as France, Holland, Scotland… and Norway. Tickets are $20, and will be available at the door (if space is available), or can be purchased online at carlcherrycenter.org For more info, email [email protected] or call 626-798-8421, or visit Ellen’s website at http://www.snortland.com “An Evening with William Blake” with Norma and Richard Mayer, and Bill Minor Friday, August 31st, at 7:30pm Soprano Norma Mayer and flutist Richard Mayer will perform poems of William Blake set to music by Ralph Vaughan Williams and other composers. -
Twisted Trails of the Wold West by Matthew Baugh © 2006
Twisted Trails of the Wold West By Matthew Baugh © 2006 The Old West was an interesting place, and even more so in the Wold- Newton Universe. Until fairly recently only a few of the heroes and villains who inhabited the early western United States had been confirmed through crossover stories as existing in the WNU. Several comic book miniseries have done a lot to change this, and though there are some problems fitting each into the tapestry of the WNU, it has been worth the effort. Marvel Comics’ miniseries, Rawhide Kid: Slap Leather was a humorous storyline, parodying the Kid’s established image and lampooning westerns in general. It is best known for ‘outing’ the Kid as a homosexual. While that assertion remains an open issue with fans, it isn’t what causes the problems with incorporating the story into the WNU. What is of more concern are the blatant anachronisms and impossibilities the story offers. We can accept it, but only with the caveat that some of the details have been distorted for comic effect. When the Rawhide Kid is established as a character in the Wold-Newton Universe he provides links to a number of other western characters, both from the Marvel Universe and from classic western novels and movies. It draws in the Marvel Comics series’ Blaze of Glory, Apache Skies, and Sunset Riders as wall as DC Comics’ The Kents. As with most Marvel and DC characters there is the problem with bringing in the mammoth superhero continuities of the Marvel and DC universes, though this is not insurmountable. -
2019 EVITA Lloyd Webber & Rice the Marriage of Figaro Mozart the Manchurian Candidate Puts & Campbell Oklahoma! Rodgers & Hammerstein
seagle music colony 2019 EVITA Lloyd Webber & Rice The Marriage of Figaro Mozart The Manchurian Candidate Puts & Campbell Oklahoma! Rodgers & Hammerstein Vespers Monkey & Francine Concerts in the City of Tigers * seaglecolony.org Bringing Music to the Adirondacks Since 1915 The Beechwood Group of Wells Fargo Advisors is proud to support The Seagle Music Colony Joseph Steiniger Senior Vice President - Investment Officer CERTIFIED FINANCIAL PLANNER™ [email protected] Mary E. McDonald First Vice President - Investments [email protected] The Beechwood Group 845-483-7943 www.thebeechwoodgroup.com Investment and Insurance Products: NOT FDIC Insured NO Bank Guarantee MAY Lose Value Wells Fargo Advisors, LLC, Member SIPC, is a registered broker-dealer and a separate non-bank affiliate of Wells Fargo & Company. ©2013 Wells Fargo Advisors, LLC. All rights reserved. 1113-02329 [74127-v4] Table of Contents General Information About Seagle Music Colony Restrooms are located in the Shames Rehearsal Notes from the Directors 3 Studio. Handicapped accessible restroom Seagle Music Colony Board of Directors 4 is at the rear of the theatre lobby. Seagle Music Colony Guild 4 History of Seagle Music Colony 7 Refreshments are provided in the theatre lobby 2018-2019 Seagle Music Colony Donors 8 by the Seagle Music Colony Guild. Donor Opportunities 12 2018-19 Alumni Updates 35 So that all our patrons may enjoy the performance, please turn all cell phones and pagers The Seagle Music Colony Gala 17 to the silent or off positions. The Productions Thank you for attending today’s performance. Evita 14 Monkey & Francine in the City of Tigers 16 The Marriage of Figaro 18 The Manchurian Candidate 22 Seagle Music Colony Oklahoma! 24 999 Charley Hill Road 2019 Fall Season 26 PO Box 366 Schroon Lake, NY 12870 2019 Faculty/Staff & Emerging Artists (518) 532-7875 Faculty & Staff 27 Emerging Artists 33 seaglecolony.org [email protected] Our Mission To identify, train and develop gifted singers and to present quality opera and musical theatre performances to the public. -
Pastel Journal December 2014
INSPIRED BY INDIA | 3 ARTISTS’ TIPS FOR CAPTURING THE COLOR & MOOD your ultimate creative resource DECEMBER 2014 STREET SPIRIT PAINTING THE LIFE & ENERGY OF URBAN SCENERY US $7.99 A Foolproof Trick for 12 Simplifying a Subject An Artist’s Solution 0 FnL1 04 0120 01 JUYrVyBQdWJsaWNhdGlvbnMsIEluYyAo 02 SW9sYSBkaXZpc2lvbikPR3JlZ29yeSBL 03 cnVlZ2VyAFKpwYUEMTAuNAI4MAExBVVQ Qy1BDDAwOTI4MTAyOTU1NwA= 09281 02955 7 for Staying Inspired Displaypy until Januaryy, 5, 2015 pastel journal.com C1_PAS1214_COVER.indd 1 9/30/14 12:20 PM For celebrated actress Kim Novak, painting has always provided a wonderful escape, allowing her to explore the world of nature and her own imagination. BY ANNE HEVENER an inner d LEGENDARY FILM ACTRESS KIMworl NOVAK of the pastel medium to present a sense of MAY BE BEST KNOWN for her starring altering states. Surrealism meets traditional roles in Hollywood classics such as the 1958 realism in an eff ect that’s anything but Hitchcock thriller Vertigo and the romantic static. Images meld into other images, and comedy Bell, Book and Candle, but in recent the eff ect is at once classically beautiful and years, the actress has been garnering praise for wondrously mysterious.” another creative talent—painting. Although she’s an accomplished painter in a variety of Making Art a Part of Life media, pastel is a favorite, and Novak’s work in Like many painters, Novak’s fascination with the medium was celebrated this past summer art began in childhood. “I was never a great with a solo exhibition at Th e Butler Institute student in school,” she says, “but I did excel of American Art in Youngstown, Ohio. -
K-Bay Aquarama for HOSPITAL "An Uaisianding Success", Were Scheduled Jan
Property of MAEIN: 79.- Hi.STD:II JAN 1 0 1961 Please Lotu;ii to Room AY/ VOL X, No. I U.S. MARINE CORPS AIR STATION, KANEOHE BAY, HAWAII January 6, 1961 Please, Mr. Weatherman BENEFIT GAME GARNERS $1700 K-Bay Aquarama FOR HOSPITAL "An uaisianding success", were Scheduled Jan. 15 the words used by Mrs. John W. Antonelli, president of the Kane- Plans for Kaneohe Bay's once- the water, release his chute and ohe Marine Officers Wives Club, postponed water ski "Aquarama" begin an underwater swim to in summing up the results of last were once again put on the draw- the beach, emerging directly Monday's benefit football game ing board this week with Jan. In front of the spectator fans. held at Castle High Stadium. 15 set as "target date". The event Another chutist, Cpl. G. N. Despite threatening weather, promises to be the most varied Zigoris, will bailout from the almost 2,000 spectators turned water show ever produced in the same altitude in a real-life demo- out to see the Windward Ma- 50th State. stration of an air-sea rescue by rine All Stars romp over the Taking a long, hard look at helicopter. Leeward Service All Stars. The advance weather predications, sky-diving event fea- final score was 49 to 6. Another show officials told the WIND- tures a 20-second delay free-fall An incomplete tally of pro- WARD MARINE that all events from 5,280 feet by MSgt. R. H. ceeds at press time indicated a originally planned for the Dec. -
Bob Thomas Papers, 1914-2004
http://oac.cdlib.org/findaid/ark:/13030/kt300030cb No online items Bob Thomas papers, 1914-2004 Finding aid prepared by Sarah Sherman and Julie Graham; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2005 The Regents of the University of California. All rights reserved. Bob Thomas papers, 1914-2004 PASC 299 1 Title: Bob Thomas papers Collection number: PASC 299 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 28.5 linear ft.(57 boxes and 3 flat boxes) Date (bulk): Bulk, 1930-1989 Date (inclusive): 1914-2004 (bulk 1930-1980s) Abstract: Since 1944 Bob Thomas has written thousands of Hollywood syndicated columns for The Associated Press and has authored (or co-authored) at least thirty books relating to the entertainment industry. The collection consists of materials related to his professional career as a writer and includes manuscripts, research and photographs for books by Thomas as well as Associated Press columns, research files, and a small amount of printed ephemera. Language of Materials: Materials are in English. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Creator: Thomas, Bob, 1922- Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Use of audio materials may require production of listening copies. -
Pope Protests Expulsion of Archbishop by Haiti
THE VOICE HOI Blseayn* Blvd., Miami 3», tim. Return Pottage Guaranteed VOICE Weekly Publication of the Diocese of Miami Covering the 16 Counties of South Florida VOL II, NO. 37 Price $5 a year ... 15 cents a copy DEC. 2, 1960 Pope Protests Expulsion Of Archbishop By Haiti The Holy See has deplored Prince as he sat in his study purple sash and carried only the unjust and disrespectful by six uniformed gendarmes the passport and an airways treatment given to Archbishop and six members of the secret ticket to Paris which"had been Francois Poirier of Port au police. He was placed immedi- handed to him. ately aboard a plane for Mi- Prince by the Haitian govern- The 56-year-old prelate was ami with no personal effects ment when it expelled him met at the Miami International from Haiti on Thanksgiving Day and no money. Airport by Bishop Coleman F. last week. He wore his white robe with (Continued on Page 13) The Vatican expressed its grief in a telegram sent to the Archbishop in the name of Pope John XXIII by Dom- enico Cardinal Tardini, Vati- can Secretary of State. The wire was sent to Archbishop Poirier in his native France to which he returned after first landing in Miami on his forced flight into exile. The telegram said Pope John "is deeply grieved by the vio- lation of the holy rights of the BANISHED FROM HAITI, Archbishop Francois erck Wass, assistant chancellor, after forced Church." It expressed the Poirier is met at Miami's International Airport flight from Port au Prince. -
LISTENING to DRAG: MUSIC, PERFORMANCE and the CONSTRUCTION of OPPOSITIONAL CULTURE DISSERTATION Presented in Partial Fulfillmen
LISTENING TO DRAG: MUSIC, PERFORMANCE AND THE CONSTRUCTION OF OPPOSITIONAL CULTURE DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy In the Graduate School of The Ohio State University By Elizabeth Kaminski, M.A. * * * * * The Ohio State University 2003 Dissertation Committee: Approved by Professor Vincent Roscigno, Advisor Professor Verta Taylor _________________________ Advisor Professor Nella Van Dyke Sociology Graduate Program ABSTRACT This study examines how music is utilized in drag performances to create an oppositional culture that challenges dominant structures of gender and sexuality. I situate this analysis in literature on the role of music and other cultural resources in the mobilization of social movement protest. Drawing from multiple sources of data, I demonstrate that drag queen performers make use of popular songs to build solidarity, evoke a sense of injustice, and enhance feelings of agency among audience members – three dimensions of cognition that constitute a collective action framework, conducive to social protest. The analysis is based on observations of drag performances; content analysis of the lyrics of drag songs; intensive interviews with drag queens at the 801 Cabaret in Key West, Florida; focus groups with audience members who attended the shows at the 801 Cabaret; and interviews with drag queen informants in Columbus, Ohio. I demonstrate how drag performers use music to construct new alliances and understandings of gender and sexuality among gay and heterosexual members of the audience. The data illustrate that drag performers strategically select songs to evoke an array of emotions among audience members. First are songs that utilize sympathy, sorrow, and humor to build solidarity. -
Hates Stucfenf
Bates College SCARAB The aB tes Student Archives and Special Collections 9-27-1961 The aB tes Student - volume 88 number 01 - September 27, 1961 Bates College Follow this and additional works at: http://scarab.bates.edu/bates_student Recommended Citation Bates College, "The aB tes Student - volume 88 number 01 - September 27, 1961" (1961). The Bates Student. 1379. http://scarab.bates.edu/bates_student/1379 This Newspaper is brought to you for free and open access by the Archives and Special Collections at SCARAB. It has been accepted for inclusion in The aB tes Student by an authorized administrator of SCARAB. For more information, please contact [email protected]. JT Hates Stucfenf Vol. LXXXVIII, No. 1 BATES COLLEGE, LEWISTON, MAINE, SEPTEMBER 27, 1961 By Subscription Bates Series To Open Phillips Cites Losses WithConcertByKlein The Bates College Concert and Friday, November 3 Lecture Series for 1961-62 will An Evening with the distin- To Communist Threat present five programs for Bates guished actor, Basil Rath- A more aggressive foreign pol- students and interested residents bone icy on the part of the United of the College area, Dr. Charles Friday, February 23, 1961 States is necessary if we are to F. Phillips, Bates president, has "Social Revolution in the check the spread of Commun- announced. South and Racial Progress," ism, said Dr. Charles F. Phillips The first in the series will be Dr. Benjamin E. Mays, Pres- last Friday morning. Speaking to concert on the new Bates ident, Morehouse College, Bates students and faculty at the carillon which was installed in Atlanta, Georgia ninety - ninth Convocation of the College Chapel last year. -
Washington Defendants' New Right of Pre-Trial Flight
NOTE Washington Defendants' New Right of Pre-Trial Flight Christopher T Igielski" As an indoctrinee to criminal law in the first semester of law school, I buried more than one naive assumption about the purpose and workings of criminal law. For instance, I learned that criminal law serves the important and broad societal purposes of retribution, rehabilitation, and deterrence. Yet, I can call to mind a bleached notion that criminal law should mainly serve the interests of crime victims. In the household of my youth, loud after-dinner discussions following the evening news focused not on the deterrence of future crime, the moral imperative of retribution, or the elusive promise of "correction." Rather, we were concerned that the justice system punish criminals for the sake of their victims. We believed that rape victims should not be deprived of "such balm as a conviction of their torturer supplies."1 We felt that families of murder victims have a right to know that the person who took the life of a loved one will also be made to suffer. Law students are taught doctrines of legal philosophy that neatly flank and dismember the common idea that criminal law should punish wrongdoers on behalf of their victims. First, vengeance is identified as a base moral purpose, ill-equipped to meet higher social objectives. For instance, acts of vengeance do not stoically deliver punishment as a moral obligation to the wrongdoer. Nor does vengeance acknowledge the sickness of the wrongdoer as a condition that society must cure. Second, law students learn that, from a historical and practical viewpoint, a foremost purpose of criminal law is to serve the interest * J.D. -
The Inventory of the Beatrice Lillie Collection #1566
The Inventory of the Beatrice Lillie Collection #1566 Howard Gotlieb Archival Research Center 1 Lillie, Beatrice #1566 Box 1 I. Manuscripts. Folders 1-2 A. Plays. 1. “Magdalena,” author unknown, draft of Acts I and II, TS with holo. corrections, approx. 110 p., n.d. Folder 3 2. “You’ll Get Used to It,” by M. Andersen-Kenrick, final draft, TS, 143 p., 1935. Folder 4 3. “Time Remembered,” by Jean Anouilh, final draft, TS, 83 p., 1956; includes TLS to BL from Ethel Adler (Secretary to Roger L. Stevens) re: "Time Remembered." Folder 5 4. “God Bless Our Bank,” by Max N. Benoff, final draft, TS, 145 p., n.d. Folder 6 5. “Cassandra Kelly,” by Ralph Berton and Eugene Berton, final draft, TS, 114 p., n.d. Folder 7 6. “Little Boxes,” by John Bowen, final draft, TS, n.d., includes “Trevor,” 82 p., and “The Coffee Lace,” 74 p. Folder 8 7. "Fumed Oak," by Noel Coward. a. Draft, TS with holograph corrections, 31 p., n.d. 2 Box 1 cont’d. b. Bound copy, final version, TS, 31 p., 1936. Folder 9 8. "Set to Music," by Noel Coward, final version, TS, 64 p., n.d. Folder 10 9. "Hands Across the Sea,” by Noel Coward. a. Final version, approx. 28 p., n.d. b. Final version, subtitled “A Light Comedy in One Act,” TS with holograph notes, 30 p., n.d. Folder 11 10. “A Christmas Carol,” by Charles Dickens, draft, TS with holograph notes, 24 p., n.d. Folder 12 11. “Wait the Phoenix: A Rhythmical-Comedy in Three Acts of Variant Verse,” by Clement ffuller [sic], TS, 132 p., 1963.