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Music Video As Black Art
IN FOCUS: Modes of Black Liquidity: Music Video as Black Art The Unruly Archives of Black Music Videos by ALESSANDRA RAENGO and LAUREN MCLEOD CRAMER, editors idway through Kahlil Joseph’s short fi lm Music Is My Mis- tress (2017), the cellist and singer Kelsey Lu turns to Ishmael Butler, a rapper and member of the hip-hop duo Shabazz Palaces, to ask a question. The dialogue is inaudible, but an intertitle appears on screen: “HER: Who is your favorite fi lm- Mmaker?” “HIM: Miles Davis.” This moment of Black audiovisual appreciation anticipates a conversation between Black popular cul- ture scholars Uri McMillan and Mark Anthony Neal that inspires the subtitle for this In Focus dossier: “Music Video as Black Art.”1 McMillan and Neal interpret the complexity of contemporary Black music video production as a “return” to its status as “art”— and specifi cally as Black art—that self-consciously uses visual and sonic citations from various realms of Black expressive culture in- cluding the visual and performing arts, fashion, design, and, obvi- ously, the rich history of Black music and Black music production. McMillan and Neal implicitly refer to an earlier, more recogniz- able moment in Black music video history, the mid-1990s and early 2000s, when Hype Williams defi ned music video aesthetics as one of the single most important innovators of the form. Although it is rarely addressed in the literature on music videos, the glare of the prolifi c fi lmmaker’s infl uence extends beyond his signature lumi- nous visual style; Williams distinguished the Black music video as a creative laboratory for a new generation of artists such as Arthur Jafa, Kahlil Joseph, Bradford Young, and Jenn Nkiru. -
1 Inanna Research Script
INANNA RESEARCH SCRIPT (to be cut and shaped for performance) By Peggy Firestone Based on Translations of Clay Tablets from Sumer By Samuel Noah Kramer 1 [email protected] (773) 384-5802 © 2008 CAST OF CHARACTERS In order of appearance Narrators ………………………………… Storytellers & Timekeepers Inanna …………………………………… Queen of Heaven and Earth, Goddess, Immortal Enki ……………………………………… Creator & Organizer of Earth’s Living Things, Manager of the Gods & Goddesses, Trickster God, Inanna’s Grandfather An ………………………………………. The Sky God Ki ………………………………………. The Earth Goddess (also known as Ninhursag) Enlil …………………………………….. The Air God, inventor of all things useful in the Universe Nanna-Sin ………………………………. The Moon God, Immortal, Father of Inanna Ningal …………………………………... The Moon Goddess, Immortal, Mother of Inanna Lilith ……………………………………. Demon of Desolation, Protector of Freedom Anzu Bird ………………………………. An Unholy (Holy) Trinity … Demon bird, Protector of Cattle Snake that has no Grace ………………. Tyrant Protector Snake Gilgamesh ……………………………….. Hero, Mortal, Inanna’s first cousin, Demi-God of Uruk Isimud ………………………………….. Enki’s Janus-faced messenger Ninshubur ……………………………… Inanna’s lieutenant, Goddess of the Rising Sun, Queen of the East Lahamma Enkums ………………………………… Monster Guardians of Enki’s Shrine House Giants of Eridu Utu ……………………………………… Sun God, Inanna’s Brother Dumuzi …………………………………. Shepherd King of Uruk, Inanna’s husband, Enki’s son by Situr, the Sheep Goddess Neti ……………………………………… Gatekeeper to the Nether World Ereshkigal ……………………………. Queen of the -
Michael Jackson the Man and the Message
Michael Jackson The Man and the Message Getting to know his greatest concerns through his own words “I really do wish people could understand me some day.” Michael Jackson The following text consists of quotes that are taken from radio and TV interviews, speeches and public statements, poems and reflections, song lyrics, handwritten notes and letters. The earliest quote is from 1972, the latest from 2009. Since the media rather concentrated on questions in terms of gossip and scandal, this compilation should provide an opportunity to get a more complete impression of Michael Jackson's message and his most important concerns... L O V E There are two kinds of music. One comes from the strings of a guitar, the other from the strings of the heart. One sound comes from a chamber orchestra, the other from the beating of the heart's chamber. One comes from an instrument of graphite and wood, the other from an organ of flesh and blood. This loftier music [...] is more pleasing than the notes of the most gifted composers, more moving than a marching band, more harmonious than a thousand voices joined in hymn and more powerful than all the world's percussion instruments combined. That is the sweet sound of love. Human knowledge consists not only of libraries of parchment and ink – it is also comprised of the volumes of knowledge that are written on the human heart, chiseled on the human soul, and engraved on the human psyche. Food is something we all need physically, but so is love, the deeper nourishment, that turns us into who we are. -
Pro's Books Tell Clear Story of His Business Gibson Leaves PGA To
although one might think, offhand, that to keep the pro constantly reminded that store competition in the large cities would he has to watch all expenses of opera- keep pro shop business from showing tion. The net also is low enough to keep much of an increase. Our guess is that the pro reminded, he says, of the smart choice of merchandise and attrac- necessity of doing evexything possible to tive display in the larger clubs made the promote a large volume of play. pro shop more of a style center and the Other figures on the per player basis smaller shops couldn't solve the problem indicate that at many of the best oper- of spotlighting the merchandise in a ated public courses, as well as at private strong selling way. clubs, expenses that are strictly for Club sales at most reporting shops were golf are lower than for the other items up but not as much as the increase in such as beverages and snacks. Because play. Numerous pros reported that de- of rapid turnover the investment in stock cided increase in women's play accounted of this merchandise is much lower than for much of the total increase in the num- the investment usually required in pro ber of rounds played. Last year was an shop stock. especially good one for club sales and in Another professional gets a vivid pic- some instances that we happen to know ture of the financial part of his opera- quite well, the explanation for pro shop tions by figuring how many sets of clubs club sales not being up to 1951 figures he has to sell to have the net profit pay was because the pros really shoved the his shop stock fire and theft insurance clubs into the eager, ready-cash buyers premiums, or how much of anything in in 1951. -
Met Open Championship Presented by Callaway 103Rdaugust 21 - 23, 2018 Wykagyl Country Club History of the Met Open Championship Presented by Callaway
Met Open Championship Presented by Callaway 103rdAugust 21 - 23, 2018 Wykagyl Country Club History of the Met Open Championship Presented by Callaway From its inception in 1905 through the 1940 renewal, the Met Open was considered one of the most prestigious events in golf, won by the likes of Gene Sarazen, Walter Hagen, Johnny Farrell, Tommy Armour, Paul Runyan, Byron Nelson, and Craig Wood, in addition to the brothers Alex and Macdonald Smith (who together captured seven Met Opens, with Alex winning a record four times). The second edition of the championship was hosted and sponsored by Hollywood Golf Club, when George Low won in 1906. After an eight-year hiatus overlapping World War II, the Met Open became more of a regional championship, won by many of the top local club professionals, among them Claude Harmon, Jimmy Wright, Jim Albus, David Glenz, Bobby Heins and Darrell Kestner, not to mention such storied amateurs as Chet Sanok, Jerry Courville Sr., George Zahringer III, Jim McGovern, Johnson Wagner, and Andrew Svoboda. The purse was raised to a record $150,000 in 2007, giving the championship added importance. In 2015 the MGA celebrated a major milestone in marking the championship’s 100th playing, won by Ben Polland at Winged Foot Golf Club. In 2017, The MGA welcomed a new Championship Partner, Callaway Golf. Callaway Golf is the presenting sponsor of the Met Open Championship. Eligibility The competition is open to golfers who are: 1. Past MGA Open Champions. 2. PGA Members in good standing in the Metropolitan and New Jersey PGA Sections. -
Scoring Records for AT&T Pebble Beach Pro-Am
2/7/2021 PGA TOUR Statistical Inquiry Scoring Records for AT&T Pebble Beach Pro-Am Best 18 Hole Score: 60 Player Round Year Sung Kang 2 2016 Best Round 1 Score: 61 Player Year Charlie Wi 2012 Best Round 2 Score: 60 Player Year Sung Kang 2016 Best Round 3 Score: 62 Player Year Tom Kite 1983 David Duval 1997 Jeff Maggert 2011 Scott Brown 2015 Ted Potter, Jr. 2018 Best Round 4 Score: 63 Player Year Davis Love III 2001 Best 36 Holes: 129 Player Year Phil Mickelson 2005 Nick Taylor 2020 Best 54 Holes: 196 Player Year Phil Mickelson 2005 Dustin Johnson 2010 Paul Goydos 2010 Best 72 Holes: 265 Player Year Brandt Snedeker 2015 Holes in One Player Round Hole Year Lou Graham 2 7 1984 Hal Sutton 2 3 1985 Hubert Green 2 7 1985 John Mahaffey 3 7 1985 Rex Caldwell 1 7 1986 Brett Upper 3 5 1988 Nick Price 4 17 1988 Billy Mayfair 2 17 1989 Gil Morgan 2 3 1989 Tom Watson 2 15 1989 Carl Cooper 3 5 1990 John Joseph 3 12 1991 Rocco Mediate 2 15 1991 Greg Hickman 4 12 1992 Olin Browne 3 12 1994 Vijay Singh 2 7 1994 https://statanalysis.pgatourhq.com/inquiry/prod/index.cfm 1/3 2/7/2021 PGA TOUR Statistical Inquiry David Graham 1 7 1995 Sam Randolph 3 5 1998 Brad Fabel 2 15 2000 David Morland IV 2 5 2000 Notah Begay III 1 6 2000 John Senden 1 11 2003 Mike Heinen 2 7 2003 Robert Gamez 1 17 2003 Bill Glasson 3 5 2005 Derek Fathauer 3 15 2009 James Oh 3 15 2009 Troy Matteson 3 17 2009 Adam Scott 3 7 2010 Derek Lamely 1 14 2010 Nick O'Hern 2 12 2011 Sung Kang 3 12 2011 Boo Weekley 3 5 2012 Nick O'Hern 3 14 2012 Jim Herman 1 12 2013 Steven Alker 3 14 2015 Ryan Palmer 2 3 2016 Patrick Cantlay 1 11 2018 Anirban Lahiri 3 3 2020 Viktor Hovland 2 14 2020 Low Finish by a Winner: 63 Player Round Year Davis Love III 4 2001 High Finish by a Winner: 77 Player Round Year Ken Venturi 4 1960 Lon Hinkle 4 1979 Low Start by a Winner: 62 Player Year Phil Mickelson 2005 High Start by a Winner: 75 Player Year Jack Burke, Jr. -
Michael Jackson's Gesamtkunstwerk
Liminalities: A Journal of Performance Studies Vol. 11, No. 5 (November 2015) Michael Jackson’s Gesamtkunstwerk: Artistic Interrelation, Immersion, and Interactivity From the Studio to the Stadium Sylvia J. Martin Michael Jackson produced art in its most total sense. Throughout his forty-year career Jackson merged art forms, melded genres and styles, and promoted an ethos of unity in his work. Jackson’s mastery of combined song and dance is generally acknowledged as the hallmark of his performance. Scholars have not- ed Jackson’s place in the lengthy soul tradition of enmeshed movement and mu- sic (Mercer 39; Neal 2012) with musicologist Jacqueline Warwick describing Jackson as “embodied musicality” (Warwick 249). Jackson’s colleagues have also attested that even when off-stage and off-camera, singing and dancing were frequently inseparable for Jackson. James Ingram, co-songwriter of the Thriller album hit “PYT,” was astonished when he observed Jackson burst into dance moves while recording that song, since in Ingram’s studio experience singers typically conserve their breath for recording (Smiley). Similarly, Bruce Swedien, Jackson’s longtime studio recording engineer, told National Public Radio, “Re- cording [with Jackson] was never a static event. We used to record with the lights out in the studio, and I had him on my drum platform. Michael would dance on that as he did the vocals” (Swedien ix-x). Surveying his life-long body of work, Jackson’s creative capacities, in fact, encompassed acting, directing, producing, staging, and design as well as lyri- cism, music composition, dance, and choreography—and many of these across genres (Brackett 2012). -
1950-1959 Section History
A Chronicle of the Philadelphia Section PGA and its Members by Peter C. Trenham 1950 to 1959 Contents 1950 Ben Hogan won the U.S. Open at Merion and Henry Williams, Jr. was runner-up in the PGA Championship. 1951 Ben Hogan won the Masters and the U.S. Open before ending his eleven-year association with Hershey CC. 1952 Dave Douglas won twice on the PGA Tour while Henry Williams, Jr. and Al Besselink each won also. 1953 Al Besselink, Dave Douglas, Ed Oliver and Art Wall each won tournaments on the PGA Tour. 1954 Art Wall won at the Tournament of Champions and Dave Douglas won the Houston Open. 1955 Atlantic City hosted the PGA national meeting and the British Ryder Cup team practiced at Atlantic City CC. 1956 Mike Souchak won four times on the PGA Tour and Johnny Weitzel won a second straight Pennsylvania Open. 1957 Joe Zarhardt returned to the Section to win a Senior Open put on by Leo Fraser and the Atlantic City CC. 1958 Marty Lyons and Llanerch CC hosted the first PGA Championship contested at stroke play. 1959 Art Wall won the Masters, led the PGA Tour in money winnings and was named PGA Player of the Year. 1950 In early January Robert “Skee” Riegel announced that he was turning pro. Riegel who had grown up in east- ern Pennsylvania had won the U.S. Amateur in 1947 while living in California. He was now playing out of Tulsa, Oklahoma. At that time the PGA rules prohibited him from accepting any money on the PGA Tour for six months. -
Parent Handbook Contents
Child’s Form Tutor All are welcome... Barnston Primary Bedford Drive Primary Bidston Avenue Primary Parent Handbook Contents Bidston Village Primary Brackenwood Juniors Bromborough Pool Primary Brookhurst Primary 04 Welcome to St Mary’s Catholic College Your child’s form tutor is the first point of Castleway Primary Cathcart St Primary Christ Church CE Primary Church Drive Primary Christ the 05 Our College Mission Statement contact with the college Contact Information 06-08 Aspire - Experience King Catholic Primary Dawpool CE Primary Devonshire Park Primary Eastway Primary Egremont 09-10 Learning Programme Cycle College Address St Mary’s Catholic College Primary Fender Primary Gilbrook Primary Greenleas Primary Grove Street Primary Heswall Primary 11 Governing Body Wallasey Village, Wallasey 12 Senior Leadership Team MathsWatch Wirral, CH45 3LN Heygarth Primary Higher Bebington Juniors Holy Cross Catholic Primary Holy Spirit Catholic CE 13-15 Management & Staffing 16 Pastoral Care Username Telephone 0151 639 7531 Primary Ladymount RC Aided Primary Lingham Primary Liscard Primary Manor Primary Mendell 17-19 Tutor Groups Password Primary Mersey Park Primary Millfields Primary Mount Primary New Brighton Primary Orrets 20-24 SMCC Experience Fax 25 Partnership Agreement www.mathswatch.co.uk 0151 201 4514 Meadow Primary Overchurch Juniors Overchurch Primary Our Lady & St Edward’s Catholic Primary 26 Term Dates General Email 27 Timetable Our Lady of Pity RC Primary Oxton St Saviour’s Primary Pensby Primary Portland Primary Poulton [email protected] -
Pga Golf Professional Hall of Fame
PGA MEDIA GUIDE 2012 PGA GOLF PROFESSIONAL HALL OF FAME On Sept. 8, 2005, The PGA of America honored 122 PGA members who have made significant and enduring contributions to The PGA of America and the game of golf, with engraved granite bricks on the south portico of the PGA Museum of Golf in Port St. Lucie, Fla. That group included 44 original inductees between 1940 and 1982, when the PGA Golf Professional Hall of Fame was located in Pinehurst, N.C. The 2005 Class featured then-PGA Honorary President M.G. Orender of Jacksonville Beach, Fla., and Craig Harmon, PGA Head Professional at Oak Hill Country Club in Rochester, N.Y., and the 2004 PGA Golf Professional of the Year. Orender led a delegation of 31 overall Past Presidents into the Hall, a list that begins with the Association’s first president, Robert White, who served from 1916-1919. Harmon headed a 51-member group who were recipients of The PGA’s highest honor — PGA Golf Professional of the Year. Dedicated in 2002, The PGA of America opened the PGA PGA Hall of Fame 2011 inductees (from left) Guy Wimberly, Jim Remy, Museum of Golf in PGA Village in Port St. Lucie, Fla., which Jim Flick, Errie Ball, Jim Antkiewicz and Jack Barber at the Hall paved the way for a home for the PGA Golf Professional Hall of Fame Ceremony held at the PGA Education Center at PGA Village of Fame. in Port St. Lucie, Florida. (Jim Awtrey, Not pictured) The PGA Museum of Golf celebrates the growth of golf in the United States, as paralleled by the advancement of The Professional Golfers’ Association of America. -
PGA of America Awards
THE 2006 PGA MEDIA GUIDE – 411 PGA of America Awards ¢ PGA Player of the Year The PGA Player of the Year Award is given to the top PGA Tour player based on his tournament wins, official money standing and scoring average. The point system for selecting the PGA Player of the Year was amended in 1982 and is as follows: 30 points for winning the PGA Championship, U.S. Open, British Open or Masters; 20 points for winning The Players Championship; and 10 points for winning all other designated PGA Tour events. In addition, there is a 50-point bonus for winning two majors, 75-point bonus for winning three, 100-point bonus for winning four. For top 10 finishes on the PGA Tour’s official money and scoring average lists for the year, the point value is: first, 20 points, then 18, 16, 14, 12, 10, 8, 6, 4, 2. Any incomplete rounds in the scoring average list will result in a .10 penalty per incomplete round. 1948 Ben Hogan 1960 Arnold Palmer 1972 Jack Nicklaus 1984 Tom Watson Tiger Woods 1949 Sam Snead 1961 Jerry Barber 1973 Jack Nicklaus 1985 Lanny Wadkins 1950 Ben Hogan 1962 Arnold Palmer 1974 Johnny Miller 1986 Bob Tway 1996 Tom Lehman 1951 Ben Hogan 1963 Julius Boros 1975 Jack Nicklaus 1987 Paul Azinger 1997 Tiger Woods 1952 Julius Boros 1964 Ken Venturi 1976 Jack Nicklaus 1988 Curtis Strange 1998 Mark O’Meara 1953 Ben Hogan 1965 Dave Marr 1977 Tom Watson 1989 Tom Kite 1999 Tiger Woods 1954 Ed Furgol 1966 Billy Casper 1978 Tom Watson 1990 Nick Faldo 2000 Tiger Woods 1955 Doug Ford 1967 Jack Nicklaus 1979 Tom Watson 1991 Corey Pavin 2001 Tiger Woods 1956 Jack Burke Jr. -
Michael Jackson Lyrics Trivia Quiz
MICHAEL JACKSON LYRICS TRIVIA QUIZ ( www.TriviaChamp.com ) 1> "I'm gonna make a change for once in my life. It's gonna feel real good, gonna make a difference, gonna make it right..." a. This is it b. They Don't Care About Us c. Man In The Mirror d. This Time Around 2> "Everybody look around 'cause there's a reason to rejoice you see. Everybody come out and let's commence to singing joyfully..." a. We're Almost There b. The Lady in My Life c. Twenty-Five Miles d. A Brand New Day 3> "Your butt is mine. Gonna tell you right. Just show your face in broad daylight..." a. Tabloid Junkie b. Bad c. Thriller d. The Girl Is Mine 4> "She was more like a beauty queen from a movie scene. I said don't mind, but what do you mean, I am the one..." a. Whatzupwitu b. You Can't Win c. Workin' Day and Night d. Billie Jean 5> "They told him don't you ever come around here. Don't want to see your face, you better disappear..." a. Beat it b. Wanna Be Startin' Somethin' c. Too Young d. Unbreakable 6> "The way she came into the place, I knew right then and there, there was something different about this girl..." a. Who Is It b. Dangerous c. What Goes Around Comes Around d. The Girl Is Mine 7> "What about sunrise, what about rain, what about all the things that you said we were to gain..." a. We Are the World b.