Poems by "Y." in Hibernia, 1882-83
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YEATS ANNUAL No. 18 Frontispiece: Derry Jeffares Beside the Edmund Dulac Memorial Stone to W
To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/194 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. In the same series YEATS ANNUALS Nos. 1, 2 Edited by Richard J. Finneran YEATS ANNUALS Nos. 3-8, 10-11, 13 Edited by Warwick Gould YEATS AND WOMEN: YEATS ANNUAL No. 9: A Special Number Edited by Deirdre Toomey THAT ACCUSING EYE: YEATS AND HIS IRISH READERS YEATS ANNUAL No. 12: A Special Number Edited by Warwick Gould and Edna Longley YEATS AND THE NINETIES YEATS ANNUAL No. 14: A Special Number Edited by Warwick Gould YEATS’S COLLABORATIONS YEATS ANNUAL No. 15: A Special Number Edited by Wayne K. Chapman and Warwick Gould POEMS AND CONTEXTS YEATS ANNUAL No. 16: A Special Number Edited by Warwick Gould INFLUENCE AND CONFLUENCE: YEATS ANNUAL No. 17: A Special Number Edited by Warwick Gould YEATS ANNUAL No. 18 Frontispiece: Derry Jeffares beside the Edmund Dulac memorial stone to W. B. Yeats. Roquebrune Cemetery, France, 1986. Private Collection. THE LIVING STREAM ESSAYS IN MEMORY OF A. NORMAN JEFFARES YEATS ANNUAL No. 18 A Special Issue Edited by Warwick Gould http://www.openbookpublishers.com © 2013 Gould, et al. (contributors retain copyright of their work). The text of this book is licensed under a Creative Commons Attribution 3.0 Unported Licence. This licence allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text. -
Journal of Irish and Scottish Studies Cultural Exchange: from Medieval
Journal of Irish and Scottish Studies Volume 1: Issue 1 Cultural Exchange: from Medieval to Modernity AHRC Centre for Irish and Scottish Studies JOURNAL OF IRISH AND SCOTTISH STUDIES Volume 1, Issue 1 Cultural Exchange: Medieval to Modern Published by the AHRC Centre for Irish and Scottish Studies at the University of Aberdeen in association with The universities of the The Irish-Scottish Academic Initiative and The Stout Research Centre Irish-Scottish Studies Programme Victoria University of Wellington ISSN 1753-2396 Journal of Irish and Scottish Studies Issue Editor: Cairns Craig Associate Editors: Stephen Dornan, Michael Gardiner, Rosalyn Trigger Editorial Advisory Board: Fran Brearton, Queen’s University, Belfast Eleanor Bell, University of Strathclyde Michael Brown, University of Aberdeen Ewen Cameron, University of Edinburgh Sean Connolly, Queen’s University, Belfast Patrick Crotty, University of Aberdeen David Dickson, Trinity College, Dublin T. M. Devine, University of Edinburgh David Dumville, University of Aberdeen Aaron Kelly, University of Edinburgh Edna Longley, Queen’s University, Belfast Peter Mackay, Queen’s University, Belfast Shane Alcobia-Murphy, University of Aberdeen Brad Patterson, Victoria University of Wellington Ian Campbell Ross, Trinity College, Dublin The Journal of Irish and Scottish Studies is a peer reviewed journal, published twice yearly in September and March, by the AHRC Centre for Irish and Scottish Studies at the University of Aberdeen. An electronic reviews section is available on the AHRC Centre’s website: http://www.abdn.ac.uk/riiss/ahrc- centre.shtml Editorial correspondence, including manuscripts for submission, should be addressed to The Editors,Journal of Irish and Scottish Studies, AHRC Centre for Irish and Scottish Studies, Humanity Manse, 19 College Bounds, University of Aberdeen, AB24 3UG or emailed to [email protected] Subscriptions and business correspondence should be address to The Administrator. -
Poema De Hibernia: a Jacobite Latin Epic on the Williamite Wars
POEMA DE HIBERNIA: A JACOBITE LATIN EPIC ON THE WILLIAMITE WARS (DUBLIN CITY LIBRARY AND ARCHIVE, GILBERT MS 141) Commission Edited by PÁDRAIG LENIHAN AND KEITH SIDWELL Manuscripts Irish Copyright IRISH MANUSCRIPTS COMMISSION 2018 Published by Irish Manuscripts Commission 45 Merrion Square Dublin 2 Ireland www.irishmanuscripts.ie ISBN 978-1-906856-59-7 Commission Copyright © Irish Manuscripts Commission 2018 Keith Sidwell has asserted his right to be identified as the author of the English translation, the Latin indices (Index Auctorum, Index of LatinManuscripts Names, Index of Notable Latin Words) and the literary and textual footnotes and endnotes and as the editor of the Latin text and apparatuses contained in this volume, and as co-author of the Introduction and Glossary of Biblical and Classical Allusions in accordance with Irishthe Copyright and Related Rights Act 2000, Section 107. Pádraig Lenihan has asserted his right to be identified as the author of the historical notes and as co-author of the Introduction and Glossary of Biblical and Classical Allusions in accordance with the Copyright and Related Rights Act 2000, Section 107. Copyright No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission of the publisher. Cover image and frontispiece: Henri Gascar ‘James, Duke of York’, 1672–73 (BHC2797, © National Maritime Museum, Greenwich, London, Greenwich Hospital Collection) -
Yeats As Precursor Readings in Irish, British And
Yeats as Precursor Readings in Irish, British and American Poetry Steven Matthews Yeats as Precursor Copyright material from www.palgraveconnect.com - licensed to Universitetsbiblioteket i Tromso - PalgraveConnect - 2011-03-18 - PalgraveConnect Tromso i - licensed to Universitetsbiblioteket www.palgraveconnect.com material from Copyright 10.1057/9780230599482 - Yeats as Precursor, Steven Matthews Also by Steven Matthews IRISH POETRY: Politics, History, Negotiation LES MURRAY (forthcoming) REWRITING THE THIRTIES: Modernism and After (co-editor with Keith Williams) Copyright material from www.palgraveconnect.com - licensed to Universitetsbiblioteket i Tromso - PalgraveConnect - 2011-03-18 - PalgraveConnect Tromso i - licensed to Universitetsbiblioteket www.palgraveconnect.com material from Copyright 10.1057/9780230599482 - Yeats as Precursor, Steven Matthews Yeats as Precursor Readings in Irish, British and American Poetry Steven Matthews Copyright material from www.palgraveconnect.com - licensed to Universitetsbiblioteket i Tromso - PalgraveConnect - 2011-03-18 - PalgraveConnect Tromso i - licensed to Universitetsbiblioteket www.palgraveconnect.com material from Copyright 10.1057/9780230599482 - Yeats as Precursor, Steven Matthews First published in Great Britain 2000 by MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 6XS and London Companies and representatives throughout the world A catalogue record for this book is available from the British Library. ISBN 0–333–71147–5 First published in the United States of America 2000 by ST. MARTIN’S PRESS, INC., Scholarly and Reference Division, 175 Fifth Avenue, New York, N.Y. 10010 ISBN 0–312–22930–5 Library of Congress Cataloging-in-Publication Data Matthews, Steven, 1961– Yeats as precursor : readings in Irish, British, and American poetry / Steven Matthews. p. cm. Includes bibliographical references and index. ISBN 0–312–22930–5 1. -
The Art of William Butler and Jack Yeats. Artsedge Curricula, Lessons and Activities
DOCUMENT RESUME ED 477 330 CS 511 355 AUTHOR Karsten, Jayne TITLE Magic Words, Magic Brush: The Art of William Butler and Jack Yeats. ArtsEdge Curricula, Lessons and Activities. INSTITUTION John F. Kennedy Center for the Performing Arts, Washington, DC. SPONS AGENCY National Endowment for the Arts (NFAH), Washington, DC.; MCI WorldCom, Arlington, VA.; Department of Education, Washington, DC. PUB DATE 2002-00-00 NOTE 25p. AVAILABLE FROM For full text: http://artsedge.kennedy-center.org/ teaching_materials/curricula/curricula.cfm?subject_id=LNA. PUB TYPE Guides Classroom Teacher (052) EDRS PRICE EDRS Price MF01/PCO2 Plus Postage. DESCRIPTORS *Art Expression; Class Activities; *Classroom Techniques; *Cultural Context; *Foreign Countries; Interdisciplinary Approach; Learning Activities; *Poetry; Secondary Education; Student Educational Objectives; Teacher Developed Materials; Units of Study IDENTIFIERS Ireland; *Yeats (William Butler) ABSTRACT This curriculum unit, designed for grades 7-12, integrates various artistic disciplines with geography, history, social studies, media, and technology. This unit on William Butler Yeats, the writer, and Jack Yeats, the painter, seeks to immerse students in a study of the brothers as voices of Ireland and as two of the most renowned artists of the late 19th and early 20th centuries. The unit is dedicated also to helping students see how the outlook of an age controls cultural expression, and how this expression is articulated in similar ways throughout genres of art. To help effect these major goals, focus in the unit is placed on: the impact of geography, place, and family on both William Butler Yeats and Jack Yeats; the influence of personalities of the time period on the two artists;. -
Scotch-Irish"
HON. JOHN C. LINEHAN. THE IRISH SCOTS 'SCOTCH-IRISH" AN HISTORICAL AND ETHNOLOGICAL MONOGRAPH, WITH SOME REFERENCE TO SCOTIA MAJOR AND SCOTIA MINOR TO WHICH IS ADDED A CHAPTER ON "HOW THE IRISH CAME AS BUILDERS OF THE NATION' By Hon. JOHN C LINEHAN State Insurance Commissioner of New Hampshire. Member, the New Hampshire Historical Society. Treasurer-General, American-Irish Historical Society. Late Department Commander, New Hampshire, Grand Army of the Republic. Many Years a Director of the Gettysburg Battlefield Association. CONCORD, N. H. THE AMERICAN-IRISH HISTORICAL SOCIETY 190?,, , , ,,, A WORD AT THE START. This monograph on TJic Irish Scots and The " Scotch- Irish" was originally prepared by me for The Granite Monthly, of Concord, N. H. It was published in that magazine in three successiv'e instalments which appeared, respectively, in the issues of January, February and March, 1888. With the exception of a few minor changes, the monograph is now reproduced as originally written. The paper here presented on How the Irish Came as Builders of The Natioji is based on articles contributed by me to the Boston Pilot in 1 890, and at other periods, and on an article contributed by me to the Boston Sunday Globe oi March 17, 1895. The Supplementary Facts and Comment, forming the conclusion of this publication, will be found of special interest and value in connection with the preceding sections of the work. John C. Linehan. Concord, N. H., July i, 1902. THE IRISH SCOTS AND THE "SCOTCH- IRISH." A STUDY of peculiar interest to all of New Hampshire birth and origin is the early history of those people, who, differing from the settlers around them, were first called Irish by their English neighbors, "Scotch-Irish" by some of their descendants, and later on "Scotch" by writers like Mr. -
The True Roots and Origin of the Scots
THE TRUE ROOTS AND ORIGIN OF THE SCOTS A RESEARCH SUMMARY AND POINTERS TOWARD FURTHER RESEARCH “Wherever the pilgrim turns his feet, he finds Scotsmen in the forefront of civilization and letters. They are the premiers in every colony, professors in every university, teachers, editors, lawyers, engineers and merchants – everything, and always at the front.” – English writer Sir Walter Besant Copyright © C White 2003 Version 2.1 This is the first in a series of discussion papers and notes on the identity of each of the tribes of Israel today Some Notes on the True Roots and Origin of the Scots TABLE OF CONTENTS Introductory Remarks 3 Ancient Judah 6 Migrations of Judah 17 British Royal Throne 25 National and Tribal Emblems 39 Scottish Character and Attributes 44 Future of the Scots – Judah’s Union with the rest of Israel 55 Concluding Remarks 62 Bibliography 65 “The mystery of Keltic thought has been the despair of generations of philosophers and aesthetes … He who approaches it must, I feel, not alone be of the ancient stock … but he must also have heard since childhood the deep and repeated call of ancestral voices urging him to the task of the exploration of the mysteries of his people … He is like a man with a chest of treasure who has lost the key” (The Mysteries of Britain by L Spence) 2 Some Notes on the True Roots and Origin of the Scots INTRODUCTORY REMARKS Who really are the Scottish peoples? What is their origin? Do tradition, national characteristics and emblems assist? Why are they such great leaders, administrators and inventors? Is there a connection between them and the ancient Biblical tribe of Judah? Why did the British Empire succeed when other Empires did not? Was it a blessing in fulfillment of prophecies such as that in Gen 12:3? Why were the Scots so influential in the Empire, way beyond their population numbers? Today book after book; article after article; universities, politicians, social workers spread lies about the British Empire, denigrating it. -
182 Chapter 12 Hibernia: Voices of Dissent, 1968–80 Brian Trench for at Least the Last Decade of Its Existence, Spanning the 1
Chapter 12 Hibernia: voices of dissent, 1968–80 Brian Trench For at least the last decade of its existence, spanning the 1970s, Hibernia had a strong presence in Irish media as an independent, frequently dissenting voice. It provided a platform for a wider range of opinion than was represented in daily and weekly newspapers and in broadcasting. It was a springboard for young graduates into significant careers in journalism. It is often fondly remembered in anecdote but it has not been the subject of extended analysis or even of a personal memoir that offers a broader appraisal or account of its place in Irish media and society.1 In his history of Irish media, John Horgan offers a packed paragraph that recounts: [John] Mulcahy … turned it into a lively, irreverent and often well-informed magazine which specialised in an eclectic but highly marketable mix of political gossip and features, book reviews, and authoritative business and financial journalism. Its tone was crusading and investigative: by 1973 it was already carrying articles alleging conflicts of interest and possible corruption in relation to the activities of local politicians in the Greater Dublin area – an issue which resurfaced with dramatic effect, at the end of the 1990s.2 There are passing references in other works of history and reference, such as MacRedmond’s Modern Irish Lives, which refers to its ‘searching liberal critique of Irish society’ and Morash’s history of media, which describes Hibernia as ‘robustly critical … [and] … in some respects [setting] the agenda for the magazines that would follow it in the 1980s’.3 Journalists’ books covering the 1960s and 1970s, including those by Tim Pat Coogan, T. -
How the Irish Became Settlers: Metaphors of Indigeneity and the Erasure of Indigenous Peoples
Mary L. Mullen ! How the Irish Became Settlers: Metaphors of Indigeneity and the Erasure of Indigenous Peoples In an 1844 article in the London-based Fraser’s Magazine, Morgan Rattler opens his account “Of the Red Indian” with a story of an Irish landlord attending the Greenwich fair to see “a wild man!” This “wild man” seems to be a Native from North America: he appears with “face covered with a profusion of red, shaggy hair, a regular glib, nearly naked, and with a chain about his waist.” But as the landlord gets closer, he realizes that the man is one of his own Irish tenants, ob- serving that “the savage seemed to display towards him some uncouth and un- easy signs of recognition.” This opening anecdote prepares the way for Rattler’s analysis, which depends upon a sustained comparison between the “Ojibbeways” of North America and the “Celtic Irish.” In Rattler’s words, Now, really, when I first gazed on these Indians, an impression, almost amounting to conviction, took possession of my mind, to the effect that the chiefs, braves, squaws, and child before me, were neither more nor less than a party of ‘the fin- est peasantry on the face of the earth’ (as Mr. O’Connell calls them), who were employed in earning the rent for some flinty-hearted Sassenach landlord.1 The language here—“neither more nor less”—tells us much of the colonizer’s gaze. His “impression” transforms the unfamiliar Indians whom he encounters into the more familiar Irish peasants. It is nearly impossible for Rattler to “see” Indigenous peoples: he wants to describe “the Chippeways themselves,” but by viewing them as Irish peasants, he erases actual Ojibwe people.2 1. -
'More Than Glass': Louis Macneice's Poetics of Expansion
THE CATHOLIC UNIVERSITY OF AMERICA ‘More than glass’: Louis MacNeice’s Poetics of Expansion A DISSERTATION Submitted to the Faculty of the Department of English School of Arts & Sciences Of The Catholic University of America In Partial Fulfillment of the Requirements For the Degree Doctor of Philosophy © Copyright All Rights Reserved By Michael A. Moir, Jr. Washington, DC 2012 ‘More than glass’: Louis MacNeice’s Poetics of Expansion Michael A. Moir, Jr., PhD Director: Virgil Nemoianu, PhD The Northern Irish poet and dramatist Louis MacNeice, typically regarded as a minor modernist following in the footsteps of Yeats and Eliot or living in the shadow of Auden, is different from his most important predecessors and contemporaries in the way he attempts to explode conventional ideas of place, presenting human subjects in transit and shifting, melting landscapes, rooms and buildings that tend to blend in with their sur- roundings. While Yeats, Eliot and Auden evince a siege mentality that leads them to build religious or political Utopias easily separable from the chaos of the contemporary world, MacNeice denies the validity of any such imaginary constructs, instead taking apart the boundaries of imaginary private worlds, from rooms to islands to pastoral landscapes. Mac- Neice’s representations of space favor what Fredric Jameson terms ‘postmodern space’: his poems and radio plays operate outside of ideas of ‘home,’ ‘church,’ or ‘nation,’ opposing the rigidity of such places to the fluidity of travel. MacNeice has been much misunderstood and underestimated, and a reappraisal of his career is due, particularly given the amount of material that has been published or reis- sued since his centenary in 2007. -
Beta Qualifying Exam
The International Geography Bee 2017 Championships Qualifying Exam – Asian Division - Version Beta NAME: _____________________________________________ YEAR:_________ (e.g. 8th, 9th, 10th, etc.) SCHOOL / HOMESCHOOL AFFILIATION: ______________________________________________________ Check here:_______ if you were born before 1 September, 2001 (if so, you are a VARSITY student for IGB Check here:_______ if you were born between 1 September, 2001 and 31 August, 2003 (if so, you are a JV student for IGB) Check here:_______ if you were born on or after 1 September, 2003 (if so, you are a Middle School student for IGB) Email to report score to:________________________________________________________ (print neatly!) Instructions: Print the Correct Answer in the space provided or leave it blank. Write Neatly!!! Correct answers are worth 2 points. Incorrect answers are -1 point. Questions left blank are worth 0 points. You have 20 Minutes to complete this Exam. ________1) The places that the Romans called Gaul best corresponds to what modern country? A) France B) Brazil C) Ireland D) Turkey ________2) Monocle Magazine ranked which world capital as having the highest quality of life in 2017? A) Damascus B) Ulaanbataar C) Dhaka D) Tokyo ________3) This question was written on a flight to Ayers Rock which is also known as… A) Great Zimbabwe B) Uluru C) Matterhorn D) Denali ________4) The Equator and the International Date Line intersect in which ocean? A) Arctic B) Atlantic C) Indian D) Pacific ________5) Which country is not considered part of Indochina? -
Studies in Burke and His Time, Volume 23
STUDIES IN BURKE AND HIS TIME AND HIS STUDIES IN BURKE I N THE N EXT I SS UE ... S TEVEN P. M ILLIE S STUDIES IN The Inner Light of Edmund Burke A N D REA R A D A S ANU Edmund Burke’s Anti-Rational Conservatism R O B ERT H . B ELL The Sentimental Romances of Lawrence Sterne AND HIS TIME J.D. C . C LARK A Rejoinder to Reviews of Clark’s Edition of Burke’s Reflections R EVIEW S O F M ICHAEL B ROWN The Meal at theRegina Saracen’s JanesHead: Edmund Burke F . P. L OCK Edmund Burke Volume II: 1784 – 1797 , Edmund Burke:and The the ScottishMan with Literati Too Many Countries S EAN P ATRICK D ONLAN , Edmund Burke’s Irish Identities M ICHAELDavid F UNK E. White D ECKAR D N EIL M C A RTHUR , David Hume’s Political Theory Wonder and Beauty in Burke’s Philosophical Enquiry Burke, Barry, and Bishop Butler E LIZA B ETH L A MB ERT , Edmund Burke of Beaconsfield R O B ERT H . B ELL Fool for Love: The SentimentalDavid ClareRomances of Laurence Sterne Brian Friel’sS TEVEN Invocation P. M ILLIEof EdmundS Burke The Inner Lightin ‘Philadelphia,of Edmund Burke: Here A Biographical I Come!’ Approach to Burke’s Religious Faith and Epistemology STUDIES IN James Matthew Wilson VOLUME 22 2011 Is Burke Conservatism’s Intellectual Father? REVIEWreviewsS OofF AND HIS TIME F.P.RichardLOCK, Edmund Bourke, Burke: Empire Vol. and II, Revolution:1784–1797; DANIEL I. O’NEILL, The Burke-Wollstonecraft Debate: Savagery, Civilization,The and Political Democracy; Life of Edmund EDWARD FBurkeESER , Locke; SEAN PATRICKP.