By John Mccutcheon Adam’S Apple and a Banjo
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FFS Board of Directors
Volume 46 Edition 1 January 2017 Submit articles to: [email protected] By the 15th of each month FFS Board Of Directors President A Non-Profit Corporation for Traditional Arts Denise Sciandra [email protected] Notes from Board President, Denise Sciandra Vice President Introducing Leland and Fina Vander Poel. They are new to the Kenny Paul Starcevich Hall’s Jam on Wednesday nights at the Basque but they are not new to [email protected] music. This father and his 12-year-old daughter most often play the Secretary Sue Wirt guitar and mandolin at the Basque but they are proficient on other [email protected] instruments as well. Treasurer Leland says that he grew up in a home where his family listened to a lot of Jim Ross [email protected] country music including Johnny Cash, Hank Williams, Porter Wagoner, Buck and Roy and the whole Hee-Haw gang. He took his first formal music lessons in grade Concert Master Steve Ono school on the violin for about two years. He then took piano lessons for a couple [email protected] of years. He got into rock/pop music as a young teen. By high school, he was Membership playing some guitar and piano in garage bands. While attending Fresno City Patty Bennett [email protected] College, he sang in the college choir and chamber singers. He even traveled to Romania and Bulgaria one summer with them on an exchange tour. “I practically Lifetime Member Alan Hubbart lived in the music building at FCC for a couple of years, taking music theory as Members At Large well as piano and choir classes,” he says. -
January / February
CONCERT & DANCE LISTINGS • CD REVIEWS FREE BI-MONTHLY Volume 7 Number 1 January-February 2007 THESOURCE FOR FOLK/TRADITIONAL MUSIC, DANCE, STORYTELLING & OTHER RELATED FOLK ARTS IN THE GREATER LOS ANGELES AREA “Don’t you know that Folk Music is illegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers MARIAMARIA MULDAURMULDAUR GIVESGIVES DYLANDYLAN AA SHOTSHOT OFOF LOVELOVE inside this issue: BY REX BUTTERS inside this issue: aria Muldaur’s latest release, Heart of Mine: Love Songs of Bob Dylan adds PraisingPraising PeacePeace another notch on an enviable creative upswing. A bona fide national treasure, AA TributeTribute toto PaulPaul RobesonRobeson her artistic momentum since the nineties has yielded a shelf full of CDs covering M roots music, blues, love songs, and Peggy CalifoniaCalifonia IndianIndian Lee, each with Muldaur’s faultless aesthetics overseeing the production as well. Graciously, she took a break from Tribal Culture her relentless performance-rehearsal-recording schedule Tribal Culture to chat about her recent projects. FW: It was great to hear you back on fiddle on You Ain’t Goin Nowhere, a very exuberant reading of that song. PLUS:PLUS: MM: Thank you. We just kind of got down with a low down Cajun hoedown on the whole thing. It reminded me RossRoss Altman’sAltman’s of the kind of stuff the Band was playing over at Big Pink when we all lived in Woodstock. It had that vibe to it. Bob HowHow CanCan II KeepKeep FromFrom TalkingTalking [Dylan], in the last ten years or so, every time I would see him backstage at a gig, he started asking me, “Hey are you ever playing your fiddle anymore?” And I’d say, oh no, && muchmuch more...more.. -
The Barns at Wolf Trap Welcomes the Milk Carton Kids; John Mccutcheon
March 27, 2014 Contact: Camille Cintrón, Manager, Public Relations 703.255.4096 or [email protected] The Barns at Wolf Trap Welcomes The Milk Carton Kids; John McCutcheon; Hawaiian Slack Key Guitar Festival artists Patrick Landeza, LT Smooth, and Paul Togioka; and Tom Paxton All Shows at The Barns at Wolf Trap 1635 Trap Road, Vienna, VA 22182 The Milk Carton Kids Special Guest: Brian Wright Monday, April 21, 2014 at 8 pm $25 In 2011 Kenneth Pattengale and Joey Ryan formed The Milk Carton Kids, a band that amuses and entertains audiences with their hilarious on-stage dialogue, their impressionistic guitar melodies, and their soft, harmonized vocals. Since then, they have toured with other folk rock groups like The Lumineers, k.d. lang, Old Crow Medicine Show, and Punch Brothers. This past year, the duo released The Ash & Clay, an album that is said to be “a further example of the duo’s ability to create songs that are both intimate and powerful, bittersweet and inspiring” (Performer Magazine.) Last May, The Milk Carton Kids performed at The Filene Center at Wolf Trap as part of a live broadcast that ran on A Prairie Home Companion with Garrison Keillor. This upcoming performance will be their first appearance at The Barns at Wolf Trap. Brian Wright is a Texas-born singer/songwriter who began his career by performing on the Austin/Waco/Dallas bar circuit, playing whatever audiences were willing to hear. Wright then decided to move to either Los Angeles or New York – a decision that he determined with a coin toss. -
Plowshares Coffee House
PLOWSHARES COFFEE HOUSE: PEOPLE, MUSIC AND COMMUNITY A University Thesis Presented to the Faculty of California State University, East Bay In Partial Fulfillment of the Requirements for the Degree Master of Arts in Interdisciplinary Studies By Susan Burnice Fuller Wageman March 2017 Copyright © 2017 by Susan Burnice Fuller Wageman ii ABSTRACT The Plowshares Coffee House Concert series ran for twenty years—presenting 686 concerts and dances between 1977 and 1998. Many of the performers, audience members, volunteers and other supporters of this effort continue to be involved with music and with each other—effectively forming complex interwoven networks of people and communities that connect Plowshares with other music communities in the past and the present. This thesis focuses, in particular, on Plowshares as a place of music making that built and nurtured community and contributes to an expanding literature about places of music making that build community and function as community centers. Ideally, this research will provide a foundation for deeper investigation of music communities in the future. Approaching the research from the perspectives of music, history, and anthropology (folkloristics and ethnography), the data collection and analysis employed an emic, or insider, perspective. Informal ethnographic interviews, oral history interviews, and an online survey provided first-hand information on how different people experienced Plowshares. Ongoing participation in contemporary music communities helped reveal additional information and insights about Plowshares, its operation, and its influences. The San Francisco Folk Music Club's newsletter, the folknik, provided information on the concert schedules, vision, development, and challenges of Plowshares. The San Francisco Folk Music Center's organizational papers—particularly the meeting minutes—provided detail on how the organization operated. -
Fall Coffeehouse………….…………….……Page 2 Member Recognition.…
Harp For Sale………………................. Fall Coffeehouse………….…………….……Page 2 Member Recognition.…................. Sun, Nov 1 • Join us online for a live-streamed edition of our Photo Collage..……………................. popular series of performances by regional artists. Enjoy songs and tunes performed by Paul Wegmann and Beth Greenberg, Russ and Paulette Matthews, and Chris Purcell. Resource List Subscribe to eNews Sponsor an Event Del Rey………………….…………………....Page 2 Sat, Nov 7 and Sun, Nov 15 • An old-time performer of blues, jazz and ragtime with an exquisite fingerpicking style Executive Director Jess Hayden on guitar and ukulele returns to Central Pennsylvania on 378 Old York Road consecutive weekends for a live-streamed concert and New Cumberland, PA 17070 conversation and a ukulele workshop. [email protected] (717) 319-8409 More information at www.sfmsfolk.org David Jacobs-Strain………………..……......Page 3 Sat, Nov 21 • A singer-songwriter brings an eclectic mix of blues and indie-folk lyricism, along with a fierce slide- guitar, for a live-streamed concert and conversation. .Page 4 Sun, Dec 6 • Five groundbreaking female Klezmer musicians join forces for a unique residency exploring the roots, development and modern expressions of traditional songs and instrumentals. “Artist to Artist: A Residency Exploring Jewish Music Traditions” is a free program of workshops via Zoom. John McCutcheon………...…………...…....Page 5 Sun, Dec 13 • A true “Renaissance man” of folk music presents a free, live-streamed concert and conversation exclusively for SFMS members, thanks to a generous contribution by long-time members Bruce and Joan Kolka. SFMS’s Expanded YouTube Channel …....Page 3 Explore SFMS’s growing video archive of online performances, in-person concert and festival clips, “Meet the Masters” interviews and much more. -
New Deal Spring 2021
Local 1000 North American Traveling Musicians New Deal Spring 2021 Anne Feeney ¡Presente! (July 1, 1951 - February 3, 2021) Union maid and Local 1000 member Anne As it did here. Her indiscretion probably Anne was not only admired, but much loved. Feeney, whose business card read, “Singer, hastened the creation of our Local. Here are some tributes from her Local 1000 songwriter, hellraiser,” passed away February 3 brothers and sisters: from Covid-19 at the age of 69. Anne spent much of her time singing at picket lines, union halls, and demonstrations, She was a force of nature, a reservoir of song, A longtime member of the AFM, Anne was performing her own songs or classics by the and she knew why the fight for justice, for elected president of Local 60-471 in Pittsburgh likes of Woody Guthrie and Joe Hill. Her song, working people, for health care, all matter. We and served from 1997 to 1998. She was the first met at my first year at Kerrville. She treated first woman elected head of any AFM local, me with much kindness and inclusiveness. and so far the only woman president of the The last time I saw her was at her stomping Pittsburgh Musicians’ Union. Anne was also grounds—Pittsburgh. She came to see me at an active member of the International Workers Jim and Louise Altes’ house concert. To say of the World (IWW) and a proud Local 1000 I was honored could not possibly begin to member for 22 years. describe it. It was great to hang with her. -
John Mccutcheon Is America's Balladeer. His Songs Sing of The
John McCutcheon is America’s balladeer. His songs sing of the nation’s heritage. His words channel the conscience of our people into streams of poetry and melody. He writes about subjects small and great, from a child’s haircut to freedom and human dignity – issues equally eternal and enduring. Think of McCutcheon as an incarnation of Pete Seeger and Mr. Rogers, Will Rogers and Bruce Springsteen, and above all Everyman, righteously passionate and impishly playful, blessed with gifts as a songwriter, historian, musician and storyteller that have won him praise in Australia as “the most overwhelming folk performer in the English language,” from a Russian critic as “the most versatile and compelling performer this reviewer has ever seen,” and from Johnny Cash as “the most impressive instrumentalist I’ve ever heard.” Add to that the 31 albums in his catalog, and the six Grammy nominations and multiple Parent’s Choice and American Library Association awards they’ve won, stir in the diverse and growing following that has flocked to his shows, around the world and as nearby as a school or concert venue near you, and the point is made clear: John McCutcheon is as timeless as tradition, as immediate as tomorrow’s headlines, and as vital as any artist who seeks to enlighten as well as entertain. By the time of his first album, How Can I Keep from Singing in 1974, McCutcheon as a young man had already drunk deep from America’s well. Born in Wisconsin, he enrolled at St. John’s University in Minnesota and almost immediately felt the call to seek a broader curriculum beyond the classroom walls. -
Guitar Week Greg Ruby Coordinator, Contemporary Folk Week Jim Magill Gathering
JUNE 27 - 30, 2021 AT WARREN WILSON COLLEGE, ASHEVILLE, NC The Swannanoa Gathering, Warren Wilson College, PO Box 9000, Asheville, NC 28815-9000 phone/fax: (828) 298-3434 • email: [email protected] • website: www.swangathering.com shipping address: The Swannanoa Gathering, 701 Warren Wilson Rd., Swannanoa, NC 28778 For college admission information contact: [email protected] or 1-800-934-3536 WARREN WILSON COLLEGE FOUNDER’S AWARD President Dr. Lynn M. Morton Dr. Douglas M. Orr, Jr., President Emeritus – 2006 Vice President for Academic Affairs Dr. Jay Roberts Vice President for Administration and Finance Belinda Burke Vice President for Advancement Zanne Garland Vice President for Applied Learning Cathy Kramer ADVISORY BOARD Vice President for Student Life Paul Perrine Interim Vice President for Enrollment Brian Liechti David Holt Tom Paxton Fiona Ritchie Dougie MacLean Barry Poss Tommy Sands David Wilcox Si Kahn Art Menius Mick Moloney John McCutcheon Billy Edd Wheeler Jennifer Pickering THE SWANNANOA GATHERING Director Jim Magill Operations Manager Kimberly Ann Clark Logistics Coordinator Katie Henderson Selph Housing Coordinator Melissa McCormick COVID-19 & THE SWANNANOA GATHERING Dorm Host TBD The Swannanoa Gathering experience encompasses two equally Coordinator, Fiddle Week Julia Weatherford Coordinator, Mando & Banjo Week Jim Magill essential components: musical instruction and musical community. Coordinator, Traditional Song Week Julee Glaub Weems Until the threat from Covid-19 is well behind us and we can again Coordinator, Celtic Week Jim Magill sit beside each other, playing and singing together an old favorite tune ‘knee to Coordinator, Old-Time Music & Dance Week Erynn Marshall knee’, that community will not be possible – and neither will the Swannanoa Coordinator, Guitar Week Greg Ruby Coordinator, Contemporary Folk Week Jim Magill Gathering. -
7369 Old Music 2402
Teacher’s Guide KET, The Kentucky Network 1 This guide accompanies the 16-program instructional television series Old Music for New Ears, a production of KET, The Kentucky Network. The Kentucky Network Teacher’s Guide: Program chapters written by the artists. Editing and additional writing: Nancy Carpenter Design and layout: John Dawahare Production photography: Guy Mendes Special thanks to: Tona Barkley, Barbara Clifton, Mary Duncan, Charlee Heaton, Loralyn Cecil, and Darlene Carl © Copyright 1993, KET Foundation, Inc. 600 Cooper Drive Lexington, KY 40502-2296 (606) 258-7000 ISBN 1-881020-16-9 KET, The Kentucky Network does not discriminate on the basis of race, color, national origin, sex, religion, age, or disability in employment or the provision of services. This publication is available in an accessible format upon request. 2 Old Music for New Ears Teacher’s Guide Introduction ........................................................................................................... 5 Table of About the Teacher’s Guide .................................................................................... 6 An Historical and Musical Background on the Appalachian Region.................... 7 Contents Ideas for the Classroom ......................................................................................... 9 Program 1: Malcolm Dalglish ............................................................................. 12 Program 2: Jean Ritchie....................................................................................... 14 -
Mother Banjo
April 2019 Mother Banjo Special Festival Calendar Inside: From the President 3 | MNBG Calendar of Events 4 | West Bank Revival 5 Cover Story: Mother Banjo 8 | Special Summer Festival Section 13 | Diamond Joe 30 Bluegrass Saturday Morning 33 | Coming Up 34 | Tab: Stone’s Rag 39 April 2019 Thank you, MN Bluegrass members Vol. 45 Membership as of April 2019: 910 No. 3 Newsstand: $3 Subscription: $35 www.minnesotabluegrass.org Silver level: MBOTMA Hot Line Peter Albrecht , Tony & Ann Anthonisen, Lenny & Colleen Baltus Gary & Karen Bartig, Scott Benson, Christopher Boone, (to subscribe and for other information) Clifton Brittain, Barry and Annie Brooks, Doug Chasar 651-456-8919 - [email protected] Katryn Conlin, Laura Cooper, Bob & Marilyn Dodd, P.O. Box 16408, Mpls, MN 55416 Doug Duncan, Craig Evans, William, Fancher, Jennifer Faulkner Twitter: Facebook: @mnbluegrass minnesotabluegrass Mark & Kathleen Fisher, Darrell & Marilyn Fuhr Tom & Jill Furrer, Jon & Sharon Garon, David Glatt Minesota Bluegrass Board of Directors Dale & Diane Gruber, Tom & Marlys Gustafson Michael & Paula Hildebrandt, David & Laurie Hougen-Eitzman President: Laura Cooper - [email protected] Mabel Houle, Ann Iijima & Myles Bakke, Vice President: Nic Hentges Roger & Maggie Jorgenson, Jim Lally, Russel Lane Treasurer: Robbi Podrug Loren Laugtug, Douglas Lohman, Richard Luckeroth, Secretary: Shane Zack Rudy & Jeanne Marti, Rodger McBride, Bill Merrill Board Members: Douglas & Georgene, Nesheim, Lincoln Potter Term expires 2019: Alan Jesperson Brian