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‚Every Day Is 9/11!•Ž: Re-Constructing Ground Zero In
JUCS 4 (1+2) pp. 241–261 Intellect Limited 2017 Journal of Urban Cultural Studies Volume 4 Numbers 1 & 2 © 2017 Intellect Ltd Article. English language. doi: 10.1386/jucs.4.1-2.241_1 MARTIN LUND Linnaeus University ‘Every day is 9/11!’: Re-constructing Ground Zero in three US comics ABSTRACT KEYWORDS This article analyses three comics series: writer Brian K. Vaughan and artist Tony comics Harris’ Ex Machina (August 2004–August 2010); writer Brian Wood and artist Ground Zero Riccardo Burchielli’s DMZ (November 2005–February 2012); and writer Garth 9/11 Ennis and artist Darick Robertson’s The Boys (October 2006–November 2012). archifictions Taking literary critic Laura Frost’s concept of ‘archifictions’ as its starting point, the War on Terror article discusses how these series frame the September 11 attacks on New York and architecture their aftermath, but its primary concern is with their engagement with the larger social ramifications of 9/11 and with the War on Terror, and with how this engage- ment is rooted in and centred on Ground Zero. It argues that this rooting allows these comics’ creators to critique post-9/11 US culture and foreign policy, but that it also, ultimately, serves to disarm the critique that each series voices in favour of closure through recourse to recuperative architecture. The attacks on September 11 continue to be felt in US culture. Comics are no exception. Comics publishers, large and small, responded immediately and comics about the attacks or the War on Terror have been coming out ever since. Largely missing from these comics, however, is an engagement with Ground Zero; after depicting the Twin Towers struck or falling, artists and writers rarely give the area a second thought. -
The Criminalization of Free Speech in DMZ Angus Nurse School of Law, Middlesex University, GB [email protected]
Angus Nurse, ‘See No Evil, Print No Evil: The Criminalization of THE COMICS GRID Free Speech in DMZ ’ (2017) 7(1): 10 The Comics Grid: Journal Journal of comics scholarship of Comics Scholarship, DOI: https://doi.org/10.16995/cg.88 RESEARCH See No Evil, Print No Evil: The Criminalization of Free Speech in DMZ Angus Nurse School of Law, Middlesex University, GB [email protected] This article examines contemporary notions on free speech and the criminalisation of journalistic expression since 9/11, via discussion of Brian Wood’s DMZ comics (DC Vertigo). Free speech and the importance of a free press are widely accepted notions, yet journalistic and artistic freedom is arguably under attack in our post-9/11 world (Ash, 2016; Article 19, 2007). State responses to global terror threats have criminalised free speech, particularly speech seen as ‘glorifying’ or ‘supporting’ terrorism via anti-terror or restrictive media laws. This article examines these issues via DMZ ’s discussion of a second American civil war in which freedom of the press has all but disappeared, arguing that DMZ ’s ‘War on Terror’ narrative and depiction of controlled news access serve as allegories for contemporary free speech restrictions. DMZ illustrates contemporary concerns about a perceived social problem in its representation of corruption, abuse of power and restrictions on the public’s right to know. Keywords: 9/11; censorship; free speech; human rights; press freedom Welcome to the DMZ This article examines contemporary notions on free speech and the criminalisation of journalistic expression in a post-9/11 world via discussion of Brian Wood and Riccardo Burchielli’s DMZ comics (DC Vertigo November 2005 to February 2012). -
Growing up with Vertigo: British Writers, Dc, and the Maturation of American Comic Books
CORE Metadata, citation and similar papers at core.ac.uk Provided by ScholarWorks @ UVM GROWING UP WITH VERTIGO: BRITISH WRITERS, DC, AND THE MATURATION OF AMERICAN COMIC BOOKS A Thesis Presented by Derek A. Salisbury to The Faculty of the Graduate College of The University of Vermont In Partial Fulfillment of the Requirements For the Degree of Master of Arts Specializing in History May, 2013 Accepted by the Faculty of the Graduate College, The University of Vermont, in partial fulfillment of the requirements for the degree of Master of Arts, specializing in History. Thesis Examination Committee: ______________________________________ Advisor Abigail McGowan, Ph.D ______________________________________ Melanie Gustafson, Ph.D ______________________________________ Chairperson Elizabeth Fenton, Ph.D ______________________________________ Dean, Graduate College Domenico Grasso, Ph.D March 22, 2013 Abstract At just under thirty years the serious academic study of American comic books is relatively young. Over the course of three decades most historians familiar with the medium have recognized that American comics, since becoming a mass-cultural product in 1939, have matured beyond their humble beginnings as a monthly publication for children. However, historians are not yet in agreement as to when the medium became mature. This thesis proposes that the medium’s maturity was cemented between 1985 and 2000, a much later point in time than existing texts postulate. The project involves the analysis of how an American mass medium, in this case the comic book, matured in the last two decades of the twentieth century. The goal is to show the interconnected relationships and factors that facilitated the maturation of the American sequential art, specifically a focus on a group of British writers working at DC Comics and Vertigo, an alternative imprint under the financial control of DC. -
John Constantine Hellblazer: in the Line of Fire Volume 10 Pdf, Epub, Ebook
JOHN CONSTANTINE HELLBLAZER: IN THE LINE OF FIRE VOLUME 10 PDF, EPUB, EBOOK Sean Phillips,Paul Jenkins | 288 pages | 24 Feb 2015 | DC Comics | 9781401251376 | English | United States John Constantine Hellblazer: In the Line of Fire Volume 10 PDF Book And in the story "Difficult Beginnings," Constantine must reconnect with the darker side of his own nature - a journey that leads him to the "most evil man in the world. Be the first to ask a question about Hellblazer, Volume See more details at Online Price Match. Sarah J. Basically, this story line follows Constantine's search for himself, a search that leads him back to Ravenscar, and then to Hell to see Ellie, the succubus demon he helped mask from her master, The Devil. John gave up his dark side to save a child's soul, but now finds himself needing to regain it once again. In this new Hellblazer collection, John Constantine comes to the aid of his downstairs neighbor, a dimwitted, epileptic giant whose home is haunted by a persistent ghost. From Neil Gaiman, the bestselling novelist and creator of the world-renowned comics title The Sandman, comes a mesmerizing tale of the dangers and opportunities of youth, and its endless possibilities. Jun 26, Quentin Wallace rated it it was amazing. In this new Hellblazer collection, John Constantine comes to the aid of his downstairs neighbor, a dimwitted, epileptic giant whose home is haunted by a persistent ghost. Sign in. Aside from a terrible story about Hooligans, this was filled with good to great stories and careful, quiet characterization. -
The Rewriting Ethos of the Vertigo Imprint: Critical Perspectives on Memory-Making and Canon Formation in the American Comics Field
Comicalités La bande dessinée : un « art sans mémoire » ? ................................................................................................................................................................................................................................................................................................ Christophe Dony The rewriting ethos of the Vertigo imprint: critical perspectives on memory-making and canon formation in the American comics field ................................................................................................................................................................................................................................................................................................ Avertissement Le contenu de ce site relève de la législation française sur la propriété intellectuelle et est la propriété exclusive de l'éditeur. Les œuvres figurant sur ce site peuvent être consultées et reproduites sur un support papier ou numérique sous réserve qu'elles soient strictement réservées à un usage soit personnel, soit scientifique ou pédagogique excluant toute exploitation commerciale. La reproduction devra obligatoirement mentionner l'éditeur, le nom de la revue, l'auteur et la référence du document. Toute autre reproduction est interdite sauf accord préalable de l'éditeur, en dehors des cas prévus par la législation en vigueur en France. Revues.org est un portail de revues en sciences humaines et sociales développé par le Cléo, Centre pour l'édition -
Heroes and Superheroes V1.Indb
MASTER LIST OF CONTENTS Volume 1 Contents ...................................................................... v Concrete .................................................................. 187 Publisher’s Note .........................................................xi Cosmic Odyssey ...................................................... 192 Introduction ..............................................................xiii Criminal .................................................................. 197 Contributors ............................................................xvii Crisis on Infinite Earths .......................................... 202 100% ........................................................................... 1 Daredevil ................................................................. 207 100 Bullets .................................................................. 5 Daredevil: Born Again ............................................ 213 Alias .......................................................................... 10 Daredevil: The Man Without Fear .......................... 217 All-Star Batman and Robin, the Boy Wonder ........... 15 Death of Captain America, The .............................. 221 All-Star Superman ..................................................... 20 Death of Captain Marvel, The ................................ 226 Amazing Adventures of the Escapist, The ................. 25 Death: The High Cost of Living .............................. 229 American Flagg! ...................................................... -
British Writers, DC, and the Maturation of American Comic Books Derek Salisbury University of Vermont
University of Vermont ScholarWorks @ UVM Graduate College Dissertations and Theses Dissertations and Theses 2013 Growing up with Vertigo: British Writers, DC, and the Maturation of American Comic Books Derek Salisbury University of Vermont Follow this and additional works at: https://scholarworks.uvm.edu/graddis Recommended Citation Salisbury, Derek, "Growing up with Vertigo: British Writers, DC, and the Maturation of American Comic Books" (2013). Graduate College Dissertations and Theses. 209. https://scholarworks.uvm.edu/graddis/209 This Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks @ UVM. It has been accepted for inclusion in Graduate College Dissertations and Theses by an authorized administrator of ScholarWorks @ UVM. For more information, please contact [email protected]. GROWING UP WITH VERTIGO: BRITISH WRITERS, DC, AND THE MATURATION OF AMERICAN COMIC BOOKS A Thesis Presented by Derek A. Salisbury to The Faculty of the Graduate College of The University of Vermont In Partial Fulfillment of the Requirements For the Degree of Master of Arts Specializing in History May, 2013 Accepted by the Faculty of the Graduate College, The University of Vermont, in partial fulfillment of the requirements for the degree of Master of Arts, specializing in History. Thesis Examination Committee: ______________________________________ Advisor Abigail McGowan, Ph.D ______________________________________ Melanie Gustafson, Ph.D ______________________________________ Chairperson Elizabeth Fenton, Ph.D ______________________________________ Dean, Graduate College Domenico Grasso, Ph.D March 22, 2013 Abstract At just under thirty years the serious academic study of American comic books is relatively young. Over the course of three decades most historians familiar with the medium have recognized that American comics, since becoming a mass-cultural product in 1939, have matured beyond their humble beginnings as a monthly publication for children. -
Comic Book Journalists Beyond Clark Kent It’S a Different Era of Anti-Heroes and Realism, but the Reporter Is Still an Effective Device, Comics Insiders Say
138 Matty Roth runs into trouble in Brian Wood’s title DMZ #17 (May 2007). Comic Book Journalists Beyond Clark Kent It’s a different era of anti-heroes and realism, but the reporter is still an effective device, comics insiders say. Bill Knight Professor of Journalism Department of English and Journalism Western Illinois University [email protected] The public respects journalists and holds “the press” in low esteem, according to several surveys – much like Congress’ approval ratings that are low collectively while individual incumbents usually are re-elected. Americans seem dissatisfied with institutions but appreciative of people they know who happen to make up those institutions. A We Media/Zogby Interactive poll released on February 29, 2008, showed that 70% of Americans believe journalism to be important to their communities, but 64% are dissatisfied with its quality. In popular culture, journalists are often featured in novels, films, and other forms of entertainment, but one of pop culture’s most enduring uses of the journalist is in comic books. 139 However, comics’ often shallow journalist characters – embodied by the milquetoast version of Clark Kent – recently have evolved into more full-bodied roles: weak or vain, blustery or cynical, realistic or at least somewhat more credible for twenty-first century audiences. In the last few years, running characters or situations that expand the role of journalists in comic books range from DMZ’s Matty Roth and Transmetropolitan’s Spider Jerusalem to Phantom Jack’s Jack Baxter, Deadline’s Kat Farrell, and Front Line’s Ben Urich and Sally Floyd. This year is the seventy-first anniversary of the publication of Action Comics No. -
Administration of Donald J. Trump, 2019 Remarks to United States
Administration of Donald J. Trump, 2019 Remarks to United States Troops at Osan Air Base in Pyeongtaek, South Korea June 30, 2019 The President. Thank you very much, Osan. Thank you very much. This is great. Oh, that sounds good. But the other, actually, even sounds better, I have to say. Thank you very much. And at ease. At ease, everybody. We're going to have some fun. [Laughter] So we're about 2½ hours late. I understand, instead of losing people, you actually gained people; I don't know how that worked, but I know it worked. You've got a hell of a lot of people here. A lot of great—a lot of great military—military people. So it was a little unexpected. We'll tell you—we're not going to—oh, look at all that media back there. Wow, that's a lot of media. [Laughter] That's a lot. We have a lot of media following us. We're doing a great job. And I'll tell you, you're doing a great job, and so important. But the reason: I met with Kim Jong Un. And we had a great meeting, because we're all in this together. We want to get this thing solved. It's been going on for a long time. And we had a great meeting. And it was unexpected. I put out yesterday: Maybe I'll meet with Chairman Kim. And he saw it. Social media. A pretty powerful thing, social media. And we just left. And I said, "You know, this was unexpected, and we're going to keep a lot of thousands of great military people waiting." But that's what you do; you love your country. -
Astro City Vol. 01: Vida En La Gran Ciudad (2A Edición) Northlanders
Astro City vol. 01: Vida en la gran ciudad (2a edición) Guion: Kurt Busiek Astro City es una urbe inmensa coronada por Dibujo: Brent Anderson rascacielos de cristal y acero. A la sombra de esas torres inmensas, una muchedumbre 192 págs. | Cartoné | Color 9 7 8 8 4 1 8 2 9 3 2 3 8 anónima asiste a diario a un festival de maravillas PVP con IVA: 21,50 € y milagros. Y es que la ciudad rebosa de héroes, Edición original: Kurt Busiek’s Astro City #1-6 USA villanos, monstruos y magos que doblegan la Fecha de salida: 15 de abril realidad bajo el peso de lo extraordinario. Pero las sorpresas no se agotan en el carnaval de enmascarados que se disputa los cielos. Las grandezas y miserias de los ciudadanos de Astro City son el auténtico protagonista de una obra irrepetible. Scalped Libro 1 (3a edición) Guion: Jason Aaron Jason Aaron y R.M. Guéra dieron forma a una Dibujo: R.M. Guéra de las obras más destacadas del sello Vertigo con este visceral thriller a medio camino entre el 296 págs. | Cartoné | Color 9 7 8 8 4 1 8 2 9 3 3 0 6 western contemporáneo y el género negro más PVP con IVA: 32 € descarnado. Una aclamada obra que por fin Edición original: Scalped Deluxe volverá a estar disponible en las estanterías de Edition Book One # 1-11 USA vuestros puntos de venta habituales. Fecha de salida: 15 de abril Lucifer: Integral vol. 02 (de 3) (2a edición) Guion: Mike Carey En su intento de emular a Dios, Lucifer ha creado Dibujo: Craig Hamilton, varios autores un cosmos privado cuyos habitantes tienen el derecho (o la obligación) de ser libres. -
Panels and Panelist Descriptions
Graphic Justice Discussions Abstracts 2018 St. Francis College, NYC PANEL .01 Comics, Culture, and Critical Strobl, Staci Hirschmann, Paula Criminology Batman: White Knight Global capitalism is a big mess, but what else is new?: Economic inequality and crime in Jonathan Recent years have seen an increase in critical comic Hickman's Black Monday Murders book scholarship, with particular emphasis on their Castle, Taimi & Meade, Benjamin realist representations of hegemony and social A devil-worshipping financial cabal is the subject of relations of domination. Recurrent critiques, however, Jonathan Hickman’s graphic volume, The Black forget the very historical origins and political nature of We are not vigilantes’: Community activism and Monday Murders (Vol. 1, 2017), a cross between a crime comix and the continual class ‘battleground’ the real-life superhero (RLSH) crime procedural and a horror story for the global that even Iron Age superhero comics afford. Batman: age. In this tale of Wall Street money and magic, White Knight is a series that reflects the dimensional Real-life superheroes (RLSH) are individuals who, Hickman explores the idea that money is magic. If the and ‘impure’ nature of the struggle of hegemony. inspired by comic books and movies, engage in global financial system is one of the biggest illusions While the series reflects a conception of justice community watch actions under the guise of an perpetrated on the planet, then the true crime is that consistent with the actuarial logic of US Criminal adopted superhero persona. While early versions of this self-devouring machine continues to take its Justice, it also conveys subtle but prevalent tones of the subculture can be traced back to the 1970s, the victims: the poor, the marginalized, the social justice and class conflict. -
Prison Magazine List Texas
Texas Prison Approved Magazines March 2020 ReqDate Publication MoDayYr Volume Number 2/1/2008 0:00 N74 Winter 2008 N13 8/26/2016 0:00 Teoria Del Mim Inviernode 1996 N1 5/19/2015 0:00 '68 Bad Sign One Shot 04/15 11/13/2013 0:00 '68 Hallowed Ground 11/13 1/14/2015 0:00 '68 Homefront 12/14 N4 12/19/2014 0:00 '68 Homefront 11/14 N3 10/9/2014 0:00 '68 Homefront 09/14 N1 11/26/2014 0:00 '68 Homefront 10/14 N2 8/18/2014 0:00 '68 Rule of War 07/14 N4 4/30/2014 0:00 '68 Rule of War 04/14 N1 7/10/2014 0:00 '68 Rule of War 05/14 N2 8/26/2014 0:00 '68 V1: Better Run Through the Jungle 2013 V1 8/26/2014 0:00 '68 V2: Scars 2013 V2 4/16/2015 0:00 '68: Jungle Jim: Guts n' Glory One-shot 03/15 2/19/2016 0:00 '68: Last Rites 01/16 N4 8/25/2015 0:00 '68: Last Rites 07/15 N1 10/21/2015 0:00 '68: Last Rites 09/15 N2 4/14/2008 0:00 ( 05/08 V12 N5 N125 1/23/2008 0:00 - voice N78 4/9/2009 0:00 0-60 Winter 2009 7/1/2010 0:00 0-60F Summer 2010 2/20/2009 0:00 002 Houston 02/09 V11 V122 2/20/2009 0:00 002 Houston 01/09 V11 V121 4/12/2012 0:00 002 Houston 01/12 V14 N157 4/19/2013 0:00 002 Houston 04/13 V15 N172 4/12/2012 0:00 002 Houston 02/12 V14 N158 10/29/2010 0:00 51 12/08 N17 7/6/2009 0:00 9 09/09 V38 N9 9/28/2017 0:00 1 World (Hip Hop Underground Magazine) 2017/2018 N3 11/13/2014 0:00 1-800-Homeopathy Catalog 11/14 3/7/2012 0:00 10-4 03/12 V19 N9 9/26/2011 0:00 10-4 10/11 V19 N4 4/3/2012 0:00 10-4 Magazine *AL* 04/12 V19 N10 11/14/2014 0:00 100 Bullets 03/08 N87 11/14/2014 0:00 100 Bullets 11/07 N85 !1 11/14/2014 0:00 100 Bullets 05/05 N59 11/14/2014 0:00 100