A film by Agnieszka Smoczyńska

She can’t recall her life. She will live it again. Original title: FUGA English title: FUGUE Poland / Czech Republic / Sweden – 2018 100 min – HD 1:2.35 – 5.1 – Polish Logline

Alicja has no memory of her past, but has managed to build a new life and identity. When her family finds her, she doesn’t want her old life, until bits of memories begin to come back. Gradually, her new and old identities merge allowing for an unsettling self-discovery.

Synopsis

Alicja has no memory and doesn’t know how she lost it. During two years of living with amnesia, she manages to build her new, independent self away from home. She doesn’t want to remember what she was before. So when her family finally finds her, she’s suddenly forced to fit into the roles of the mother, the daughter and the wife, and relate to people who are now complete strangers. Similarly, her husband managed to piece a new life back together, because in a way, the former Alicja was “dead” to both him and to their son. Fugue poses a question: What would happen, if it was me? If given an opportunity to reinvent myself, what would I do? Is love for a child unconditional if, with losing our memory, we also lose our attachment to others? Can a person ever regain the feelings that were lost with memory? The film also grapples with the cultural taboos around maternity. It looks at the social pressure to accept and desire motherhood unconditionally, just by means of physiology. But does the biological capacity of giving birth mean that every woman is supposed to be willing to become a mother

2 / 13 Cast Crew

Alicja/Kinga Director Producer Gabriela Muskała Agnieszka Smoczyńska Agnieszka Kurzydło MD4 Krzysztof Scriptwriter Łukasz Simlat Gabriela Muskała Czech Producer Karla Stojáková Ewa Director of photography Axman Production Małgorzata Buczkowska Jakub Kijowski psc Swedish Producer Father of Alicja Art director Jonas Kellagher Zbigniew Waleryś Jagna Dobesz Common Ground Pictures

Mother of Alicja Editor Co-producers and partners Halina Rasiakówna JarosławKamiński psm Odra-Film (Poland) Mazowiecki i Warszawski Doctor Michał Sound Fundusz Filmowy (Poland) Piotr Skiba Maria Chilarecka Magic Lab (Czech Republic) Michal Křeček Daniel Sound designer Film i Väst (Sweden) Iwo Rajski Niklas Skarp Tomas Eskilsson Marcin Lenarczyk and Katarina Krave

Music composer Filip Míšek With the financing support of Polish Film Institute Line producer Czech Film Fund Kamila Kuś Eurimages The Lower Silesia Film Fund from the funds of City of Wrocław and Lower Silesia Region

3 / 13 Director’s note

Fugue is inspired by a true story. A few years back, the main actress Gabriela Muskała (who also wrote the script) and I watched a TV program about a woman who couldn’t remember her name or where she was from, nothing. During the broadcast a family member called the studio claiming that he was her father. She didn’t recognize the man’s voice, she didn’t even remember that she had a family. She wasn’t sure if she wanted to meet them. We decided to visit this woman and find out how and why her old self and her old life had been erased from her memory. How had it happened that one day she left home and vanished for many months? Why was nobody looking for her? How was it possible that she forgot her own child? How did she manage to go back to her old life after such a traumatic experience? How did she deal with coming to terms with the fact that she had been somebody else and that one day her love for her husband and son vanished and she became a totally new person? We found out that this woman was suffering from dissociative fugue disorder, a rare psychiatric condition that can manifest itself in unplanned travel, leaving the family home, partial memory loss and change of personality. In one moment a life becomes a blank slate again. We took this condition as the starting point for our character Alicja. She has the chance to create life anew and she uses this opportunity to the fullest and then is suddenly thrown back into her forgotten past life. In my previous film, The Lure, I explored issues of female identity by means of experimenting with musical and horror genres. In Fugue, I focused on recreating the internal world experienced by Alicja, which is often dreamlike, surreal, and uncanny. When I create a movie, a crucial part of my process is taking inspiration from paintings and photography. Here, I was drawing from the works of the Polish painter Alex Urban and American photographers: Brookie Didonato, Cristina Coral and Evelyn Benicova. The archetypes of female subjugation and redefining women’s role in society are the core of their work. To me, the story of Alicja touches on the themes of the essence of identity and personal freedom. To what extent is our thinking about ourselves, influenced by our environment and our past.

4 / 13 Director’s biography

Agnieszka Smoczyńska is a graduate of the Krzysztof Kieślowski Film School in Katowice, Poland and has also participated in master classes at the Wajda Film School. She received a scholarship from The Minister of Culture and National Heritage for outstanding artistic achievement, the “My Talent for Poland” prize and the Golden Pen, awarded by the President of Poland. In 2015 her first feature film The Lure experimented with the musical and horror genres and was recognized as the best debut at the Polish Film Festival in Gdynia. Smoczyńska was hailed as the “Discovery of the year” at the Polish Film Awards. The Lure has received numerous awards at festivals worldwide, including Fantasporto, Sofia, Montreal, Vilnius and the Sundance Film Festival, where she received the Special Jury Prize for “a unique vision and design”, and subsequently released in countries such as the US, Japan and Taiwan (including a Criterion Collection Blu-ray release). In 2017, Smoczyńska was invited by the Sydney Film Festival, Variety and European Film Promotion to participate in the “European Cinema: Ten Women Filmmakers to Watch“ program. She is a recipient of the Global Filmmaking Award at this year’s Sundance Film Festival.

Selected filmography 2018 – Fugue 2015 – The Lure 2010 – Viva Maria! (Short) 2007 – Aria Diva (Short) 2004 – 3 love (Short) 2003 – The Hat (Short)

Photo: Ohtsuka Kazuhiko 5 / 13 Gabriela Muskała – actress / writer

Gabriela Muskała (born 1969) film and stage actress, writer of plays, multi awarded at various film and theatre festivals by both the critics and the audience. For her performance in The Courage by Greg Zgliński she was awarded with the Golden Lions for the best supporting actress at The Polish Film Festival 2011. She was a leading actress in Tout un hivier sans feu, which received SIGNIS award at Venice Film Festival. Her last performances include Volhynia by Wojciech Smarzowski, These Daughters of Mine by Kinga Dębska (awarded with Eagle – Polish Film Academy Award for the Best Actress) and 7 Feelings the newest film by Marek Koterski. She is the only writer of the script Fuga directed by Agnieszka Smoczyńska.

Her plays The Trip to Buenos Aires and Daily Soup, co-written with her sister Monika (they use a pen name Amanita Muskaria) were translated into many languages and are regularly in the programs of various theatres in Poland and abroad. Their third play Silent Night directed by Paweł Paszta received numerous awards at the theatre competition Teatroteka Fest in Warsaw. In December 2017 she debuted as a director of a stage play at the Teatr Ludowy in Krakow with Amanita Muskaria’s last work Wil’s Identity. She runs a cours on improvisation at the Polish National Film, Television and Theatre School in Łódź.

Photo: Pani i Pan Fotograf 6 / 13 Łukasz Simlat – actor

He graduated from the Theater Academy in Warsaw in 2000. He is Television, film and theater actor recently starred in three high-profile films: United States of Love (directed by Tomasz Wasilewski), Satan Said Dance (directed by Katarzyna Rosłaniec), Amok (directed by Kasia Adamik). He has won numerous awards: for the best supporting male role in the movie United States of Love at the Gdynia Film Festival in 2016, for the best supporting role in the movie Amok at the Gdynia Film Festiwal in 2017. For his role in Magma directed by Pawel Maslona, he won a award of Jan Machulski’s Polish Independent Cinema in the category: best actor. He also played planty of chracteristic roles in Television Theater productions, with the one in the lead- the role of Jan Karski in spectacl Karski directed by Magdalena Łazarkiewicz for which he was awarded at the Festival of Two Theaters in Sopot.

Photo: Zuza Krajewska 7 / 13 Iwo Rajski

Born 28.04.2011, one of the most talented and experienced child actor in Poland. He appeared recently in the feature films: Fugue by Agnieszka Smoczyńska and 53 Wars by Ewa Bukowska, at numerous popular tv series at national tv stations like TVN and TVP. From 2017 he’s the actor of the Theatre Guliver which specializes in the repertoire for kids He speaks English fluently and some Spanish. He plays soccer, chess, piano, swims and sails.

Photo: Dominika Wiśniewska FOTOMORFOZA 8 / 13 Agnieszka Kurzydło – producer

Fugue is Agnieszka Kurzydło’s 5th film produced by her production company MD4 (Mental Disorder 4), as the leading producer. One of Agnieszka’s colleagues said about her that she was constantly proving to the local film industry that sky was the limit. She, herself, says that her main goal is that audience will say after watching films made by MD4 that they have seen something they weren’t prepared for, that the film they’ve just watched has changed something in them. 2013 marked a breaking point in her career with two films selected to Berlinale competitions: Malgośka Szumowska’s In the Name of to the main competition and Baby Blues by Katarzyna Rosłaniec to Generation 14+, which has won the main award - CristalBear. This year, her film Fugue will represent Poland in the Critics Week Cannes. Agnieszka choose the projects which are produced by MD4 carefully and she commits fully to each of them. She aims for keeping independent and boutique character of MD4. She is well known for her “discoveries”, new directors that shape the future of Polish cinema. At the moment Kurzydło is finishing the post-production of a debut film Via Carpatia by Klara Kochańska, (student Oscar 2016), and Kasper Bajon. She is also in the middle of shooting the newest film by Grzegorz Jaroszuk - Dear Ones. Also, together with Kinga Krzemińska and Grzegorz Jaroszuk, she is preparing MD4’s next international co-production entitled: The story of a certain letter. She’s a member of European Film Academy, Producer on the Move 2013, EAVE participant 2014.

Photo: Adam Golec 9 / 13 Production company

MD4 (Mental Disorder 4) is a film production company based in Warsaw and Kraków. The company was established in 2011 with the Head Producer and CEO Agnieszka Kurzydło. MD4 has produced several feature films which have been very well-received at many international film festivals. The primary mission of MD4 is to work with first and second-time directors, and to create a space for them locally and internationally. MD4 is a creative environment that brings together filmmakers of the up-and-coming generation, who have a passion for making innovative films that deal with contemporary themes. MD4 is a collective of friends working together with Dagmara Piasecka as the managing director and producer, Kamila Kuś as a line producer and other people, who also belong to the MD4 team: Kinga Krzemińska, screenwriter and script- consultant, Krzysztof Komander, director and editor, Grzegorz Jarouszk, director. At the moment we are finishing post-production of Via Carpatia by Klara Kochańska (a winner of the Student Academy Award) and Kasper Bajon. We are also in the middle of shooting the newest film of Grzegorz Jaroszuk: Dear Ones. In the same time we are preparing our first film for the young audience: The Adventure Hunters by Krzysztof Komander. Together with our German partners, we are also working on a next international co-production: The story of a certain letter

10 / 13 Production company MD4 Selected filmography 2021 – The story of the certain letter dir. Grzegorz Jaroszuk (in pre-production) 2021 – The Adventure Hunters dir. Krzysztof Komander (in development) 2019 – Dear Ones dir. Grzegorz Jaorszuk (in pre-production) 2018 – Via Carpatia dir. Klara Kochańska, Kasper Bajon(in post - production) 2018 – The Fugue dir. Agnieszka Smoczyńska 2015 – The Red Spider dir. Marcin Koszałka World premiere in Competition at the 2015 Karlovy Vary IFF; Selected awards: FIPRESCI Prize and Best Director, 16th Go East Wiesbaden IFF; Best Director, 27th East & West Orenburg FF; 2014 – Kebab & Horoscope dir. Grzegorz Jaroszuk World premiere, 2014 Karlovy Vary IFF; Selected awards: Best Debut Film, 2014 Raindance IFF; Best International Film, 2015 Rome Independent FF;Grand Prix, 2015 Kino Polska FF. 2013 – In the name of dir. Małgorzata Szumowska World premiere in Competition at 2013 Berlinale; Selected awards: Teddy Award, Silver Lions, Gdynia FF; Best Film, Dortmund-Koln IFF. 2012 – Baby Blues dir. Katarzyna Rosłaniec World premiere, 2012 Toronto IFF; European premiere, 2013 Berlinale; Selected awards: Crystal Bear and Special Mention, 2013 Berlinale, Generation 14thplus; Special Jury Prize, Taipei IFF; Best Polish Film, Off Camera IFF.

11 / 13 Production contact International Sales International Publicist MD4 Sp. z o.o. Alpha Violet (for Cannes) Agnieszka Kurzydło Virginie Devesa The PR Factory +48 509 459 839 +33 6 20 41 11 37 www.theprfactory.com Dagmara Piasecka Keiko Funato +48 502 326 206 +33 6 29 83 51 08 Marie-France Dupagne [email protected] [email protected] mariefrance@theprfactory. com +32 477 62 67 70 Barbara Van Lombeek [email protected] +32 486 54 64 80

Fugue stills by Jakub Kijowski. Front page photo by Krzysztof Wiktor. Title and poster design: Julia Mirny. Poster designed on the base of work entitled RAW by Alex Urban.

références PANTONE : références CMJN : TRES IMPORTANT ! Pantone fluo 814 Violet C=55% ; M=60 ; J=0% ; N=0% Lors de changement d’échel du logo pensez à agrandir et/ou réduir proportionnellement Pantone Process Black Noir C=40% ; M=0% ; J=0 % ; N=100% le flou gaussien qui est de 12 pix pour le symbole “alpha” et de 8 pix pour le mot “violet”. 12 / 13