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Directory of Seminars, Speakers, & Topics
Columbia University | THE UNIVERSITY SEMINARS 2016 2015DIRECTORY OF SEMINARS, SPEAKERS, & TOPICS Contents Introduction . 4 History of the University Seminars . 6 Annual Report . 8 Leonard Hastings Schoff Memorial Lectures Series . 10 Schoff and Warner Publication Awards . 13 Digital Archive Launch . 16 Tannenbaum-Warner Award and Lecture . .. 17 Book Launch and Reception: Plots . 21 2015–2016 Seminar Conferences: Women Mobilizing Memory: Collaboration and Co-Resistance . 22 Joseph Mitchell and the City: A Conversation with Thomas Kunkel And Gay Talese . 26 Alberto Burri: A Symposium at the Italian Academy of Columbia University . 27 “Doing” Shakespeare: The Plays in the Theatre . 28 The Politics of Memory: Victimization, Violence, and Contested Memories of the Past . 30 70TH Anniversary Conference on the History of the Seminar in the Renaissance . .. 40 Designing for Life And Death: Sustainable Disposition and Spaces Of Rememberance in the 21ST Century Metropolis . 41 Calling All Content Providers: Authors in the Brave New Worlds of Scholarly Communication . 46 104TH Meeting of the Society of Experimental Psychologists . 47 From Ebola to Zika: Difficulties of Present and Emerging Infectious Diseases . 50 The Quantitative Eighteenth Century: A Symposium . 51 Appetitive Behavior Festchrift: A Symposium Honoring Tony Sclafani and Karen Ackroff . 52 Indigenous Peoples’ Rights and Unreported Struggles: Conflict and Peace . 55 The Power to Move . 59 2015– 2016 Seminars . 60 Index of Seminars . 160 Directory of Seminars, Speakers, & Topics 2015–2016 3 ADVISORY COMMITTEE 2015–2016 Robert E. Remez, Chair Professor of Psychology, Barnard College George Andreopoulos Professor, Political Science and Criminal Justice CUNY Graduate School and University Center Susan Boynton Professor of Music, Columbia University Jennifer Crewe President and Director, Columbia University Press Kenneth T. -
THE POLITICS of REPRODUCTION FORMATIONS: ADOPTION, KINSHIP, and CULTURE Emily Hipchen and John Mcleod, Series Editors the Politics of Reproduction
THE POLITICS OF REPRODUCTION FORMATIONS: ADOPTION, KINSHIP, AND CULTURE Emily Hipchen and John McLeod, Series Editors The Politics of Reproduction Adoption, Abortion, and Surrogacy in the Age of Neoliberalism Edited by Modhumita Roy and Mary Thompson THE OHIO STATE UNIVERSITY PRESS COLUMBUS Copyright © 2019 by Th e Ohio State University. Th is edition licensed under a Creative Commons Attribution-NonCommercial-NoDerivs License. Library of Congress Cataloging-in-Publication Data is available online at catalog.loc.gov. Cover design by Nathan Putens Text design by Juliet Williams Type set in Adobe Minion Pro Th e paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48-1992. We dedicate this volume to the memory of our fathers, Richard E. Thompson Jr. (1924–2011) and Birendra Narayan Roy (1926–2011), and to our mothers, Barbara J. Thompson and Pranati Roy, with love and thanks. CONTENTS Acknowledgments ix INTRODUCTION MODHUMITA ROY AND MARY THOMPSON 1 CHAPTER 1 Precarity and Disaster in Jesmyn Ward’s Salvage the Bones: A Reproductive Justice Reading MARY THOMPSON 25 CHAPTER 2 Privileging God the Father: The Neoliberal Theology of the Evangelical Orphan Care Movement VALERIE A. STEIN 42 CHAPTER 3 White Futures: Reproduction and Labor in Neoliberal Times HEATHER MOONEY 61 CHAPTER 4 One Woman’s Choice Is Another Woman’s Disobedience: Seguro Popular and Threats to Midwifery in Mexico ROSALYNN VEGA 82 CHAPTER 5 The Work/Life -
History and Emotions Is Elsa Morante, Goliarda Sapienza and Elena
NARRATING INTENSITY: HISTORY AND EMOTIONS IN ELSA MORANTE, GOLIARDA SAPIENZA AND ELENA FERRANTE by STEFANIA PORCELLI A dissertation submitted to the Graduate Faculty in Comparative Literature in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2020 © 2020 STEFANIA PORCELLI All Rights Reserved ii Narrating Intensity: History and Emotions in Elsa Morante, Goliarda Sapienza and Elena Ferrante by Stefania Porcell i This manuscript has been read and accepted for the Graduate Faculty in Comparative Literature in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. ________ ______________________________ Date [Giancarlo Lombardi] Chair of Examining Committee ________ ______________________________ Date [Giancarlo Lombardi] Executive Officer Supervisory Committee: Monica Calabritto Hermann Haller Nancy Miller THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Narrating Intensity: History and Emotions in Elsa Morante, Goliarda Sapienza and Elena Ferrante By Stefania Porcelli Advisor: Giancarlo Lombardi L’amica geniale (My Brilliant Friend) by Elena Ferrante (published in Italy in four volumes between 2011 and 2014 and translated into English between 2012 and 2015) has galvanized critics and readers worldwide to the extent that it is has been adapted for television by RAI and HBO. It has been deemed “ferocious,” “a death-defying linguistic tightrope act,” and a combination of “dark and spiky emotions” in reviews appearing in popular newspapers. Taking the considerable critical investment in the affective dimension of Ferrante’s work as a point of departure, my dissertation examines the representation of emotions in My Brilliant Friend and in two Italian novels written between the 1960s and the 1970s – La Storia (1974, History: A Novel) by Elsa Morante (1912-1985) and L’arte della gioia (The Art of Joy, 1998/2008) by Goliarda Sapienza (1924-1996). -
Art Is Political”: John Keene's Black Historical Resistance
“ALL ART IS POLITICAL”: JOHN KEENE’S BLACK HISTORICAL RESISTANCE IN COUNTERNARRATIVES “TODA ARTE É POLÍTICA”: A RESISTÊNCIA HISTÓRICA NEGRA DE JOHN KEENE EM COUNTERNARRATIVES Marcele Aires* * [email protected] Pós-Doutorado em Estudos Literários da Universidade Estadual de Londrina (UEL-2019). Doutorado em Literatura Brasileira (USP-2009). Professora do Departamento de Teorias Linguísticas e Literárias (DTL) da Universidade Estadual de Maringá (UEM). ABSTRACT: This article deals with the engaged writing of pro- RESUMO: Este artigo aborda questões relacionadas à escrita en- se writer, poet, translator, and Professor John Keene. The Black gajada do prosaísta, poeta, tradutor e Professor John Keene. O North-American author clashes of political struggles, for he seeks autor negro norte-americano trava embates políticos, pois busca to rewrite history as a literary witness, bringing assessments, reescrever a história como testemunha literária, trazendo análi- evaluations, and social issues of the bygone ages – and their ses, avaliações e problemas sociais do passado e seus subse- following outcome in the present. Keene’s historical approach quentes desfechos no presente. A abordagem histórica e a ati- and critical attitude uphold the line in his awarded short sto- tude crítica de Keene são as linhas condutoras em seu premiado ries, Counternarratives, published by New Directions in 2015. livro de contos, Counternarratives, publicado em 2015 pela edi- Concerns about canon, rewriting history, Afro-descendent voi- tora New Directions. Questões referentes ao cânone, à reescrita ce, and resistance will be approached, backed by writers and re- da história, à voz afrodescendente e à resistência serão aborda- searchers such as Fanon (1963), Spriggs (1965), Baraka (1969), das, amparadas por escritores e estudiosos como Fanon (1963), T’Shaka (2012), among others. -
Postmodern Humanism and the "Exhaustion of Easy Life" Mason Beets University of Northern Iowa
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Northern Iowa University of Northern Iowa UNI ScholarWorks Electronic Theses and Dissertations Graduate College 2013 Postmodern humanism and the "exhaustion of easy life" Mason Beets University of Northern Iowa Copyright 2013 - Mason Beets Follow this and additional works at: https://scholarworks.uni.edu/etd Part of the English Language and Literature Commons Let us know how access to this document benefits oy u Recommended Citation Beets, Mason, "Postmodern humanism and the "exhaustion of easy life"" (2013). Electronic Theses and Dissertations. 64. https://scholarworks.uni.edu/etd/64 This Open Access Thesis is brought to you for free and open access by the Graduate College at UNI ScholarWorks. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. POSTMODERN HUMANISM AND THE “EXHAUSTION OF EASY LIFE” An Abstract of a Thesis Submitted in Partial Fulfillment of the Requirements for the Degree Master of Arts - English Mason Beets University of Northern Iowa August 2013 ABSTRACT The twenty-first century appears to herald a new epoch, one in which religion and other similar belief systems appear to have run their course. However, this should not necessarily mean that other forms of spirituality and interconnectedness must fade away. Within America, there is a humanistic undercurrent that is gaining strength within our postmodern condition, even as we begin to challenge several of the tenets of postmodernity itself. The groundswell of American humanism has a notable and wholly unintended effect: it ideologically rehabilitates modes or vehicles of thought that might otherwise be labeled as defunct, or inapplicable to the changing world around them. -
Architectures of Freedom: Literary Collaboration in Contemporary American Poetry
ARCHITECTURES OF FREEDOM: LITERARY COLLABORATION IN CONTEMPORARY AMERICAN POETRY by Shelagh Wilson Patterson B.A. in Comparative Literature, City University of New York Hunter College, 1999 M.F.A. in Creative Writing, Poetry, City University of New York Hunter College, 2001 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English University of Pittsburgh 2013 UNIVERSITY OF PITTSBURGH Kenneth P. Dietrich School of Arts and Sciences This dissertation was presented by Shelagh Wilson Patterson It was defended on November 20, 2013 and approved by Don Bialostosky, PhD, Chair and Professor, English Shalini Puri, PhD, Associate Professor, English William Scott, PhD, Associate Professor, English Todd Reeser, PhD, Professor, French and Director, Women’s Studies Program Dissertation Advisor: Don Bialostosky, PhD, Chair and Professor, English ii Copyright © by Shelagh Wilson Patterson 2013 iii ARCHITECTURES OF FREEDOM: LITERARY COLLABORATION IN CONTEMPORARY AMERICAN POETRY Shelagh Wilson Patterson, PhD University of Pittsburgh, 2013 The dissertation, “Architectures of Freedom: Literary Collaboration in Contemporary American Poetry” uses the praxis of the U.S. third world feminists to analyze literary collaborations from a contemporary cohort of writers. As developed by Chela Sandoval, the defining aspect of the praxis of the U.S. third world feminists is differential consciousness. Differential consciousness is the ability to form coalitions within and beyond different communities not just for personal survival, but through personal survival to transform social oppressions. This dissertation animates Sandoval’s apparatus, which she calls a methodology of the oppressed, to analyze how a current cohort of writers are using literary collaboration to decolonize globalization. -
Furiousflower2014 Program.Pdf
Dedication “We are each other’s harvest; we are each other’s business; we are each other’s magnitude and bond.” • GWENDOLYN BROOKS Dedicated to the memory of these poets whose spirit lives on: Ai Margaret Walker Alexander Maya Angelou Alvin Aubert Amiri Baraka Gwendolyn Brooks Lucille Clifton Wanda Coleman Jayne Cortez June Jordan Raymond Patterson Lorenzo Thomas Sherley Anne Williams And to Rita Dove, who has sharpened love in the service of myth. “Fact is, the invention of women under siege has been to sharpen love in the service of myth. If you can’t be free, be a mystery.” • RITA DOVE Program design by RobertMottDesigns.com GALLERY OPENING AND RECEPTION • DUKE HALL Events & Exhibits Special Time collapses as Nigerian artist Wole Lagunju merges images from the Victorian era with Yoruba Gelede to create intriguing paintings, and pop culture becomes bedfellows with archetypal imagery in his kaleidoscopic works. Such genre bending speaks to the notions of identity, gender, power, and difference. It also generates conversations about multicultur- alism, globalization, and transcultural ethos. Meet the artist and view the work during the Furious Flower reception at the Duke Hall Gallery on Wednesday, September 24 at 6 p.m. The exhibit is ongoing throughout the conference, 10 a.m. to 5 p.m. FUSION: POETRY VOICED IN CHORAL SONG FORBES CENTER FOR THE PERFORMING ARTS Our opening night concert features solos by soprano Aurelia Williams and performances by the choirs of Morgan State University (Eric Conway, director) and James Madison University (Jo-Anne van der Vat-Chromy, director). In it, composer and pianist Randy Klein presents his original music based on the poetry of Margaret Walker, Michael Harper, and Yusef Komunyakaa. -
Popular Culture As Pharmakon: Metamodernism and the Deconstruction of Status Quo Consciousness
PRUITT, DANIEL JOSEPH, M.A. Popular Culture as Pharmakon: Metamodernism and the Deconstruction of Status Quo Consciousness. (2020) Directed by Dr. Christian Moraru. 76 pp. As society continues to virtualize, popular culture and its influence on our identities grow more viral and pervasive. Consciousness mediates the cultural forces influencing the audience, often determining whether fiction acts as remedy, poison, or simultaneously both. In this essay, I argue that antimimetic techniques and the subversion of formal expectations can interrupt the interpretive process, allowing readers and viewers to become more aware of the systems that popular fiction upholds. The first chapter will explore the subversion of traditional form in George Saunders’s Lincoln in the Bardo. Using Caroline Levine’s Forms as a blueprint to study the interaction of aesthetic, social, and political forms, I examine how Saunders’s novel draws attention to the constructed nature of identity and the forms that influence this construction. In the second chapter, I discuss how the metamodernity of the animated series Rick and Morty allows the show to disrupt status quo consciousness. Once this rupture occurs, viewers are more likely to engage with social critique and interrogate the self-replicating systems that shape the way we establish meaning. Ultimately, popular culture can suppress or encourage social change, and what often determines this difference is whether consciousness passively absorbs or critically processes the messages in fiction. POPULAR CULTURE AS PHARMAKON: -
TORKWASE DYSON Born 1970, Chicago, IL Lives and Works In
TORKWASE DYSON Born 1970, Chicago, IL Lives and works in Jersey City, NJ Education 2003 M.F.A., Painting/Printmaking Yale University, New Haven, CT 1999 B.F.A., Painting/Printmaking Virginia Commonwealth University, Richmond, VA 1996 B.A., Sociology/Social Work Tougaloo College, Tougaloo, MS Solo Exhibitions 2018 Nautical Dusk, Colby College, Waterville, MN Scalar, Bennington College, Bennington, VT James Madison Dyson, Rhona Hoffman Gallery, Chicago, IL Dear Henry, Davidson Contemporary, New York, NY Black Compositional Thought and The Wynter-Wells Drawing School for Environmental Justice, The Drawing Center, New York, NY 2017 Hidden in Plain Site: Black Paintings, Texas Tech University, College of Visual Performing Arts, School of Art, Landmark Gallery, Lubbock, TX 2016 Mine Mind, Second Street Gallery, Charlottesville, VA Unkeeping, Industry City Gallery/Eyebeam, Brooklyn, NY Illegal Abstraction, Hemphill Fine Arts 1700 L St., Washington DC 2014 Mine: Painting and Drawing, Clark University, Worcester, MA 2008 Hereinafter, Meat Market Gallery, Washington DC The Rhymes Cost But the Guck is for Free, 31 Gallery, Corcoran College Art and Design, Washington, DC 2006 Ding, Bling, Splash: Hurray You’re Rich, Ty Stokes Gallery, Atlanta, GA Oil and Water Don’t Mix, Ty Stokes Gallery, Atlanta, GA. Selected Group Exhibitions 2018 The Shapes that Make the Blocks, Museum of Modern Art, New York, NY Out of Easy Reach, Gallery 400, UIC, Chicago, IL Group Exhibition Primary, Korn Gallery, Dorothy Young Center for the Arts, Drew University, Madison, -
Rebellious Mourning / the Collective Work of Grief
REBELLIOUS MOURNING / THE COLLECTIVE WORK OF GRIEF EDITED BY CINDY MILSTEIN AK PRESS PRAISE FOR REBELLIOUS MOURNING In a time when so many lives are considered ungrievable (as coined by Judith Butler), grieving is a politically necessary act. This evocative collection reminds us that vulnerability and tenderness for each other and public grievability for life itself are some of the most profound acts of community resistance. —HARSHA WALIA, author of Undoing Border Imperialism Before the analysis and the theory comes the story, the tale of the suffering and the struggle. Connecting mothers demanding justice for their children killed by the police, to neighbors monitoring the effects of radiation after Fukushima, to activists bringing water to immigrants crossing the borderlands, or fighting mountaintop removal in West Virginia, or keeping the memory alive of those who died of AIDS, Rebellious Mourning uncovers the destruction of life that capitalist development leaves in its trail. But it’s also witness to the power of grief as a catalyst to collective resistance. It is a beautiful, moving book to be read over and over again. —SILVIA FEDERICI, author of Caliban and the Witch: Women, the Body, and Primitive Accumulation Our current political era is filled with mourning and loss. This powerful, intimate, beautiful book offers a transformative path toward healing and resurgence. —JORDAN FLAHERTY, author of No More Heroes: Grassroots Challenges to the Savior Mentality Rebellious Mourning offers thoughtful, artful essays by resisters on the meanings and uses of grief and mourning. This collection encourages us as people and organizers to understand the Phoenix-like power of these emotions. -
Eliseo-Policeviolencetranswomen-Cg
! 1 ! ! ! ! ! ! ! ! ! ! ! ! ! ! “These are the axes”: gender coloniality and ! police violence in trans women of color narratives ! ! ! Eliseo Rivas October 2014 Critical Gender Studies Honors ! Advisor: Daphne Taylor-García ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! 2 Abstract: This research study is an attempt to understand under what conditions trans women of color are being killed, and name structures that consent to these deaths. Rather than focus on Transgender Day of Remembrance and moments of death, this study examines autobiographical texts because they allot for a first person voice and personal narratives over corpses and news reports. Although these accounts are exceptional, they nonetheless elaborate on ordinary conversations in trans of color livings. Using conversations and autobiographical texts from Sylvia Rivera, The Lady Chablis, Toni Newman, and Janet Mock, I argue that police violence is an indispensable form of regulation for trans women of color. To analyze these texts, I use phenomenology as a method to give focus to the implicit embodiment and experiences of these women. To give context to larger structures, whose foundation is trans aggression, I develop a concept of Gender Coloniality from concepts of coloniality, visuality, and surveillance. The central argument is that: one condition of being within the context of trans of color lives is that of a life in the dark side of gender coloniality; that existing in these death worlds lend themselves to bodily regulation and extermination as some methods in maintenance of a biological dimorphic society. Introduction: Welcome to the Hereafter Of the few available resources that tally violence against people at the intersections of citizenship, gender identity, HIV status, race, and sexuality, the National Coalition of Anti- Violence Programs (NCAVP) stands as the only national coalition to document and collect the intersections of the latter information.1 Their national report for 2013 attests to multi-year trends of communities that are disproportionately affected by violence. -
Oscillating Towards and Within the Metamodern
Ghent University Faculty of Arts and Philosophy Oscillating Towards and Within the Metamodern Mark Z. Danielewski’s House of Leaves as a Transitional Novel for the New Structure of Feeling within the Contemporary Post-Postmodern Literary Debate Supervisor: Paper submitted in partial fulfillment Dr. Sarah Posman of the requirements for the degree of “Master in de Taal- en Letterkunde: Engels” by Karel Van Ooteghem August 2015 I have seen the future of fiction, and its name is Mark Z. Danielewski. —Larry McCaffery1 1 “Fiction’s Future: Words, Sentences, Quotes.” American Book Review 30.5 (2009): 9. Print. 2 Acknowledgements After four years of studying literature, I wanted my master’s dissertation to be about something that really interested me. Throughout my years as a student at Ghent University, I have developed a taste for the classic American postmodernists and more experimental literature such as Thomas Pynchon and John Barth – definitely not the easiest authors, and I am more than willing to admit that reading those works are often more an endeavour than recreation. When browsing the internet – as we all do, and which is a returning motif in this dissertation – I stumbled upon Mark Z. Danielewski’s work on the one hand and Vermeulen and Van den Akker’s ‘metamodernism’ on the other. After reading House of Leaves, I immediately realized that it might well be one of the books that will be deemed ‘classics’ or ‘turning points’ in about fifty years from now. Truth be said, I primarily recognized its literary qualities, but the work was not really one that I would put on my list of favourites.