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Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 Plus New Additions to the Catalogue
CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CATALOGUE 2018 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany CEO: Jan Mojto Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: February 2018 © UNITEL 2018 All rights reserved Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music. -
Welcome Guide for Researchers Getting Started in Dresden‘S Research Landscape
WELCOME GUIDE FOR RESEARCHERS Getting started in Dresden‘s research landscape 1 INDEX Rector´s statement..................................................................................4 Before arrival Visa and entry..........................................................................................5 Travel health insurance and important documents..............................6 Family After arrival Dual Career Service ...................................................................30 Local registration .....................................................................................8 Childcare.................................................................................... 31 Residence and work permit .......................................................................9 School system........................................................................... 33 Funding...........................................................................................................10 School registration..................................................................... 34 Social security system.............................................................................12 Benefits for families...................................................................35 Health insurance.....................................................................................13 Having a baby............................................................................. 37 General information on housing................................................................14 -
CATALOGUE 2018 This Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 CATALOGUE 2018 Plus New Additions to the Catalogue
CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 CATALOGUE 2018 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany WORLD SALES CEO: Jan Mojto C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager All information is not contractual and subject to change without prior notice. [email protected] & Marketing [email protected] All trademarks used herein are the property of their respective owners. [email protected] Date of Print: February 2018 © UNITEL 2018 All rights reserved Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet [email protected] [email protected] ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES AVAILABLE FOR THE FIRST TIME FOR GLOBAL DISTRIBUTION LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music. -
The Cultural Memory of German Victimhood in Post-1990 Popular German Literature and Television
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Digital Commons@Wayne State University Wayne State University Wayne State University Dissertations 1-1-2010 The ulturC al Memory Of German Victimhood In Post-1990 Popular German Literature And Television Pauline Ebert Wayne State University Follow this and additional works at: http://digitalcommons.wayne.edu/oa_dissertations Part of the European History Commons, European Languages and Societies Commons, and the German Literature Commons Recommended Citation Ebert, Pauline, "The ulturC al Memory Of German Victimhood In Post-1990 Popular German Literature And Television" (2010). Wayne State University Dissertations. Paper 12. This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. THE CULTURAL MEMORY OF GERMAN VICTIMHOOD IN POST-1990 POPULAR GERMAN LITERATURE AND TELEVISION by ANJA PAULINE EBERT DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2010 MAJOR: MODERN LANGUAGES Approved by: ________________________________________ Advisor Date ________________________________________ ________________________________________ ________________________________________ ________________________________________ © COPYRIGHT BY ANJA PAULINE EBERT 2010 All Rights Reserved Dedication I dedicate this dissertation … to Axel for his support, patience and understanding; to my parents for their help in financial straits; to Tanja and Vera for listening; to my Omalin, Hilla Ebert, whom I love deeply. ii Acknowledgements In the first place I would like to express my deepest gratitude to my advisor, Professor Anne Rothe. -
Interview with J.D. Bindenagel
Library of Congress Interview with J.D. Bindenagel The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project AMBASSADOR J.D. BINDENAGEL Interviewed by: Charles Stuart Kennedy Initial interview date: February 3, 1998 Copyright 2002 ADST Q: Today is February 3, 1998. The interview is with J.D. Bindenagel. This is being done on behalf of The Association for Diplomatic Studies. I am Charles Stuart Kennedy. J.D. and I are old friends. We are going to include your biographic sketch that you included at the beginning, which is really quite full and it will be very useful. I have a couple of questions to begin. While you were in high school, what was your interest in foreign affairs per se? I know you were talking politics with Mr. Frank Humphrey, Senator Hubert Humphrey's brother, at the Humphrey Drugstore in Huron, South Dakota, and all that, but how about foreign affairs? BINDENAGEL: I grew up in Huron, South Dakota and foreign affairs in South Dakota really focused on our home town politician Senator and Vice President Hubert H. Humphrey. Frank, Hubert Humphrey's brother, was our connection to Washington, DC, and the center of American politics. We followed Hubert's every move as Senator and Vice President; he of course was very active in foreign policy, and the issues that concerned South Dakota's farmers were important to us. Most of farmers' interests were in their wheat sales, and when we discussed what was happening with wheat you always had to talk about the Russians, who were buying South Dakota wheat. -
Press, Radio and Television in the Federal Republic of Germany
DOCUMENT RESUME ED 353 617 CS 508 041 AUTHOR Hellack, Georg TITLE Press, Radio and Television in the Federal Republic of Germany. Sonderdienst Special Topic SO 11-1992. INSTITUTION Inter Nationes, Bonn (West Germany). PUB DATE 92 NOTE 52p.; Translated by Brangwyn Jones. PUB TYPE Reports Evaluative/Feasibility (142) EDRS PRICE MF01/PC03 Plus Postage. DESCRIPTORS Developing Nations; Foreign Countries; Freedom of Speech; *Mass Media; *Mass Media Effects; *Mass Media Role; Media Research; Professional Training; Technological Advancement IDENTIFIERS *Germany; Historical Background; Journalists; Market Analysis; Media Government Relationship; Media Ownership; Third World; *West Germany ABSTRACT Citing statistics that show that its citizens are well catered for by the mass media, this paper answers questions concerning the media landscape in the Federal Republic of Germany. The paper discusses: (1) Structure and framework conditions of the German media (a historical review of the mass media since 1945); (2) Press (including its particular reliance on local news and the creation of the world status media group, Bertelsmann AG);(3) News agencies and public relations work (which insure a "never-ending stream" of information);(4) Radio and Television (with emphasis on the Federal Republic's surprisingly large number of radio stations--public, commercial, and "guest");(5) New communication paths and media (especially communication and broadcasting satellites and cable in wideband-channel networks);(6) The profession of journalist (which still relies on on-the-job training rather than university degrees); and (7) Help for the media in the Third World (professional training in Germany of journalists and technical experts from underdeveloped countries appears to be the most appropriate way to promote Third World media). -
Per Molti Secoli L'uomo Potè Attuare La Trasmissione Di Informazioni A
UNIVERSITÀ DEGLI STUDI DI NAPOLI “FEDERICO II” POLI DELLE SCIENZE E DELLE TECNOLOGIE FACOLTÀ DI ARCHITETTURA DIPARTIMENTO DI CONFIGURAZIONE ED ATTUAZIONE DELL’ARCHITETTURA Dottorato in Tecnologia e Rappresentazione dell’Architettura e dell’Ambiente XVIII Ciclo Indirizzo: Rilievo e Rappresentazione dell’Architettura e dell’Ambiente - Settore Scientifico Disciplinare: ICAR/17- Tesi di Dottorato di Ricerca COMUNICAZIONE, TRASMISSIONE E SEGNI. LE TORRI EMITTENTI E RICEVENTI. Dottorando Docente Tutor Angelo Vallefuoco Prof. Arch. Mariella dell’Aquila Coordinatore d’indirizzo Coordinatore Prof. Arch. Mariella Dell’Aquila Prof. Arch. Virginia Gangemi 1 2 Indice Premessa 5 Capitolo primo LE TELECOMUNICAZIONI origini e sviluppo 9 1.1 - Le origini 9 1.2 - I primi passi delle comunicazioni elettriche 12 1.3 - Gli esordi delle telecomunicazioni in Italia 17 1.4 - Le telecomunicazioni italiane dal 1925 al 1945 26 1.5 - La ricostruzione degli impianti dopo gli eventi bellici del 1940/45 30 1.6 - Le telecomunicazioni italiane dal 1948 al 1980 31 1.7 - Le nuove frontiere delle telecomunicazioni ai nostri giorni 38 Capitolo secondo SISTEMI PER TRANS-MITTERE apparati emittenti e riceventi 45 2.1 - Sistemi di trasmissione 45 I segnali 46 I canali di comunicazione a distanza 47 Il "rumore" 50 Modello di un sistema di trasmissione 50 Le reti di telecomunicazione 52 Capitolo terzo FORMA E FUNZIONI evoluzione delle architetture per le telecomunicazioni 55 3.1 - I precursori delle torri di telecomunicazioni 55 3.2 - La torre Eiffel: simbolo della tecnica innovatrice del XIX secolo 56 3.3 - La Fernsehturm di Berlino: metafora e ideologia 62 3.4 - Forma e struttura: la torre di Collserola 69 3.5 - Natura e artificio: le torri per le comunicazioni di Calatrava 76 Conclusioni 81 Appendice: Le torri per le comunicazioni 85 Riferimenti bibliografici 129 3 4 Premessa La costruzione di una torre è uno dei sogni più grandi dell’umanità. -
Television and the Cold War in the German Democratic Republic
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE Revised Pages Envisioning Socialism Revised Pages Revised Pages Envisioning Socialism Television and the Cold War in the German Democratic Republic Heather L. Gumbert The University of Michigan Press Ann Arbor Revised Pages Copyright © by Heather L. Gumbert 2014 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (be- yond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2017 2016 2015 2014 5 4 3 2 A CIP catalog record for this book is available from the British Library. ISBN 978– 0- 472– 11919– 6 (cloth : alk. paper) ISBN 978– 0- 472– 12002– 4 (e- book) Revised Pages For my parents Revised Pages Revised Pages Contents Acknowledgments ix Abbreviations xi Introduction 1 1 Cold War Signals: Television Technology in the GDR 14 2 Inventing Television Programming in the GDR 36 3 The Revolution Wasn’t Televised: Political Discipline Confronts Live Television in 1956 60 4 Mediating the Berlin Wall: Television in August 1961 81 5 Coercion and Consent in Television Broadcasting: The Consequences of August 1961 105 6 Reaching Consensus on Television 135 Conclusion 158 Notes 165 Bibliography 217 Index 231 Revised Pages Revised Pages Acknowledgments This work is the product of more years than I would like to admit. -
City Branding: Part 2: Observation Towers Worldwide Architectural Icons Make Cities Famous
City Branding: Part 2: Observation Towers Worldwide Architectural Icons Make Cities Famous What’s Your City’s Claim to Fame? By Jeff Coy, ISHC Paris was the world’s most-visited city in 2010 with 15.1 million international arrivals, according to the World Tourism Organization, followed by London and New York City. What’s Paris got that your city hasn’t got? Is it the nickname the City of Love? Is it the slogan Liberty Started Here or the idea that Life is an Art with images of famous artists like Monet, Modigliani, Dali, da Vinci, Picasso, Braque and Klee? Is it the Cole Porter song, I Love Paris, sung by Frank Sinatra? Is it the movie American in Paris? Is it the fact that Paris has numerous architectural icons that sum up the city’s identity and image --- the Eiffel Tower, Arch of Triumph, Notre Dame Cathedral, Moulin Rouge and Palace of Versailles? Do cities need icons, songs, slogans and nicknames to become famous? Or do famous cities simply attract more attention from architects, artists, wordsmiths and ad agencies? Certainly, having an architectural icon, such as the Eiffel Tower, built in 1889, put Paris on the world map. But all these other things were added to make the identity and image. As a result, international tourists spent $46.3 billion in France in 2010. What’s your city’s claim to fame? Does it have an architectural icon? World’s Most Famous City Icons Beyond nicknames, slogans and songs, some cities are fortunate to have an architectural icon that is immediately recognized by almost everyone worldwide. -
Diplomprüfung Nebenthemas "Fernsehtürme"
FERNSEHTÜRME Anna Lederer Matrikelnr. 11036479 Diplom Nebenthema 2008 Köln International School of Design Betreut von Prof. Michael Gais IM BUCH EINLEITUNG 7 SELBSTDARSTELLUNG 58 Logos 59 TURMBAU 8 Wie soll er denn heissen? 61 Pharos und Turm zu Babel 8 Der Turm im Buch 62 Eiffelturm 10 Der Turm als Werbefträger 68 Die Werbewelle, Donauturm Wien 70 ES FUNKT 12 Vom Funk- zum Fernsehturm 14 DER TURM ALS SYMBOL 72 Berlin 74 stahl versUS betON 16 GUTE TYPEN 17 DAS VERLASSENE SCHIFF 81 DIE BAUMEISTER 19 Viva Colonius? 82 SONDERTÜRME 20 Goldene Zeiten 84 Der Hamburger 90 SCHAFFE, SCHAFFE, TÜRMLE BAUE Die Ruine 92 Der Stuttgarter Fernsehturm 22 Liebe deinen Turm 93 Oft kopiert – nie erreicht? 27 Bürgerturm 94 Der Schaft in Toronto 28 Uhren in Düsseldorf 30 ZUM SCHLUSS 96 Das Ei – Nürnberg 32 Die Kugel – Berlin 34 LITERATUR 98 Im Häusermeer – Frankfurt 36 BILDMATERIAL 99 Nah am Wasser gebaut – Ontario 40 PERSONEN 100 WER HAT DEN HÖCHSTEN? Der Fernsehturm in Ostankino 42 ROTATION UND HYDROKULTUR – DIE DREHRESTAURANTS 44 Florianturm Dortmund 46 Olympiaturm München 48 EINLEITUNG Fernsehtürme stehen in fast jeder größeren Stadt und ziehen Besucher aus der ganzen Welt an. Sie locken mit einer Fahrt in die Höhe, einer tollen Aussicht und einem Stück Kuchen oben im Turmcafé im Charme der 1960er. Das zumindest denke ich, bevor ich mit mei- ner Arbeit zu den Fernsehtürmen beginne. Mich interessiert, welchen Nutzen die Türme heute haben und ob sie für die Funktechnik überhaupt noch gebraucht werden. Dreht sich der Turm oder das Restaurant? Warum stehen so viele Türme leer und was passiert mit ihnen? Was bedeuten die Fernsehtürme für die Bewoh- ner einer Stadt? Diesen und anderen Fragen möchte ich in mei- ner Arbeit auf den Grund gehen. -
Digital Orbital Die Zukunft Des Fernsehens Hat Begonnen the Future of Television Has Begun
Magazin Edition 1_2010 infonova HybridTV Der neue Showcase The new showcase DVB-T2 Der neue Standard auf dem Prüfstand Test in progress – the new standard Digital orbital Die Zukunft des Fernsehens hat begonnen The future of television has begun B on:pulse Die Welt in Zahlen : The world in figures 04 Interview : Die Strategie 2015 Strategy for 2015 10 Digital orbital : Die Zukunft des Fernsehens ist digital 28 Zertifizierung : Certification 2000 The future of television is digital Der TV-Boxencheck (TÜV) der ORS Start Digitales Satelliten-TV The TV-Box-check (TÜV) from ORS in Österreich 18 HybridTV : So sehen wir in Zukunft fern 30 DVB-T2 : The start of digital satellite TV TV of the future 1966 in Austria Die neue Generation The new generation 750.000 Fernsehteilnehmer 19 Technik : Technology in Österreich 2006 Der Sender Pfänder (Poster) 32 Interview : Digital TV via Antenne The transmitter Pfänder (Poster) 750,000 people watch TV Richard Grasl über den ORF startet in Österreich in Austria Richard Grasl on ORF Digital TV via cable starts 25 IPTV : in Austria Fernsehvielfalt für Ihr Unternehmen 34 TMCplus : TV with many options for your company Der schnellste Verkehrsservice Österreichs The quickest traffic service in Austria 26 ServusTV : 1955 Eine österreichische Erfolgsgeschichte 35 P3tv : The austrian way of success Jahr des ersten Fernsehsender- Durchstarten mit DVB-T: P3tv Versuchsbetriebs in Wien Start-up with DVB-T: P3tv The year of the first trial TV 36 LT1 : transmission in Vienna 2009 ORF1 und ORF2 Der Regionalsender in HD-Standard -
Country City on Product 3Dlm
Country City on product 3dlm - lmic Name alb tirana Resurrection Cathedral alb tirana Clock Tower of Tirana alb tirana The Plaza Tirana alb tirana TEATRI OPERAS DHE BALETIT alb tirana Taivani Taiwan Center alb tirana Toptani Shopping Center alb tirana Muzeu Historik Kombetar and andorra_la_vella Sant Joan de Caselles and andorra_la_vella Rocòdrom - Caldea and andorra_la_vella Sant Martí de la Cortinada and andorra_la_vella Santa Coloma and andorra_la_vella Sant Esteve d'Andorra la Vella and andorra_la_vella La Casa de la Vall and andorra_la_vella La Noblesse du Temps aut bischofshofen Paul Ausserleitner Hill aut graz Graz Hauptbahnhof aut graz Stadthalle Graz aut graz Grazer Opernhaus aut graz Merkur Arena aut graz Kunsthaus Graz aut graz Universität Graz aut graz Technische Universität Graz aut graz Universität für Musik und darstellende Kunst Graz aut graz Mariatrost aut graz Mausoleum aut graz Vereinigte Bühnen Schauspielhaus Graz aut graz Heiligen Blut aut graz Landhaus aut graz Grazer Uhrturm aut graz Schloss Eggenberg aut graz Magistrat der Stadt Graz mit eigenem Statut aut graz Neue Galerie Graz aut graz Ruine Gösting aut graz Herz Jesu aut graz Murinsel aut graz Dom aut graz Herzogshof aut graz Paulustor aut graz Franciscan Church aut graz Holy Trinity Church aut graz Church of the Assumption am Leech aut graz Mariahilf aut graz Universalmuseum Joanneum, Museum im Palais aut graz Straßengel aut graz Kirche Hl. Kyrill und Method aut graz Kalvarienberg aut graz Pfarrkirche der Pfarre Graz-Kalvarienberg aut graz Glöckl Bräu aut innsbruck