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Exhibition Booklet EXHIBITION BOOKLET “La Luce” is an itinerant exhibition constantly growing, where new editions and new “We believe that, when designing architecture and objects, we are obliged to look discoveries, like newly restored original pieces, are added at each new opening”, says forward and to look back at the same time, between traces of the past and ambitions the curator Valentina Folli who designed the exhibition with her Studio UNA. for the future, to reach the idea of “good project”, that inspires our work. La Luce exhibition, originally conceived as a chronological path intertwining Le When speaking of Le Corbusier and Charlotte Perriand, Nemo is the contemporary Corbusier's and Charlotte Perriand's selected works on lighting had to be re-arranged interpreter of the projects suggested by them. Le Corbusier and Charlotte Perriand’s for the Saint-Pierre church, due to the open masterplan of the church’s basement. lamps were designed to be absolute projects, but they were realized exclusively for As the basement composition of adjoining rooms leaves the visitor free to move around the architectures for which they were designed. and contemplate the space from different angles, so the exhibition flow was organized into thematic areas, connected to each other. Nemo, the Le Corbusier Foundation and Pernette Perriand took together the original suggestion and realized projects that are and will be a reference in the design world. The rhythm of the exhibition is also designed to follow the façade succession of Quality of product is found in its discreet presence in every environment. Its being windows and walls and the building floor shifts: Le Corbusier on the ground floor, does not need aesthetic justifications and it lives simply by doing its job. In the same Perriand in the mezzanine. A stretched out visiting pace, to discover the original way, those lamps, created for innovative and strongly modern architectural and inte- prototypes through the exhibition, to explore the space, and to immerse into the rior projects, suggest a timeless quality that makes them simple, iconic and always Masters pioneering visions. authentic. Nemo’s job, along with Le Corbusier Foundation and Charlotte Perriand’s Archives, consisted in calibrating details, finishes and technical updates, without ever betraying For the first time, in Firminy, there will be also a parallel path for children, the original essence of the products, in order not to fall in the nostalgic or in the vin- a series of illustrated panels will tell the story and anecdotes for a selection of lamps, tage and not to change the spartan and sophisticated nature that makes them unique. explaining the importance of design and the ideas behind them. For this reason, Nemo, after the studies and selection of these last years, wishes to share this exclusive material, for the first time, in an exercise that we believe it is beautiful, useful and new.” Federico Palazzari, CEO of NEMO. Illustrations by Giulia Rossena LE CORBUSIER : INDUSTRIAL FORMS Quite early in his career, Le Corbusier payed a particular attention to the interior L’ APPLIQUE decoration of his buildings. He created himself furniture and lamps in order to ESPRIT NOUVEAU / LA ROCHE accomodate every special need. The first creations were mostly inspired by the functionalism of the industrial era: Le Corbusier rejected ornements and worked on "machines" to light (see quote). THE SCHWOB LAMPS This applique (wall lamp) was conceived for the Pavillon de l’Esprit Nouveau presented during a decorative arts exhibition in 1924. It was then remade for the staircase of the Maison La Roche - a private house near Paris - in 1925. In 1916, Le Corbusier designed the Villa Schwob, located in La Chaux-de-Fonds, his birthtown in Switzerland. The 19-year- This lamp is an example of a creation made with old architect created two surprising lamps : existing items, also called "ready-made" technique. • The chandelier (top right picture), which original Le Corbusier chosed to use Chalier lamps shape was designed copying the plan of the villa. originally conceived to light shop windows. The naked light bulbs are willingly unhidden on a He used only the tube and added two simple metallic grid. brackets. • The floor lamp (exhibited here) was inspired by The lack of ornements shows the object in its purest urban lighting furniture. Le Corbusier transformed a form and highlights its functionnality, as described functional object into a interior decorating item. The light by Arthur Ruegg, a Professor of architecture, and bulb he chose was a car headlight in order to get more light. author of several reference books about Le Corbusier's design (see quote). The item presented here is the original lamp created for the Maison La Roche, where it was replaced by a Nemo reedition. First part: LE CORBUSIER First part: LE CORBUSIER LAMPE ET APPLIQUE ORGANIC FORMS "DE MARSEILLE" The « Marseille » lamps are among Le Corbusier's design masterpieces. Their names After World War II, Le Corbusier's design evolved. He slowly stopped using were chosen for Nemo Lighting marketing. They come from the proximity of shapes right angles and funtional forms and started using more organical shapes. between these two models - even though the applique was never used in Marseille. Le Corbusier liked walking in nature and used to collect rocks, Both lamps are composed of two superimposed cones providing a double emission of shells and plants which he then sketched and used as a source light: of inspiration. He called them "Objets à réaction poétique" • upwards, directed to the ceiling and replacing the natural light. (objects of poetic reaction). • downwards, in order to light the wall paintings or for reading. ESCARGOT [LC I] The snail ("escargot" in French) is one the The "applique de Marseille" was created by Le Corbusier most frequent inspiration in the architect's for his studio-apartment in Paris where he lived from work. 1934 on. Thanks to the peculiar shape of the snail shell, he can hide the light bulb and reflect it at the same time. The light flux is thus more subtle and not dazzlingly bright. The "lampe de Marseille" is an adjustable wall lamp with two joints on the arm and a rotating wall fixing. It was This lamp was meant to be outdoors but sometimes was used designed for the Cité Radieuse in Marseille. indoors, for instance in the Housing Units. You can see it in the hall of Firminy's building. First part : LE CORBUSIER Next room PremièreFirst part: partie: LE CORBUSIER LE CORBUSIER LAMPE EN BÉTON [LC IV] APPLIQUE D’ENTRÉE [LC III] The first model of this Lampe" en béton" (concrete lamp) was designed for The inner streets of the Housing Units are lit up by individual wall lamps ("applique" the park of the Cité Radieuse in Marseille. Several different versions were in French) located on top of each apartment door. conceived afterwards, for instance in the Indian city of Chandigarh (top Facing the doors, these lamps punctuate the architecture by highlighting right picture). their colours. A bigger version was designed for the Maison de la Culture Their profiles was inspired by the shape of a rock and, as with (Cultural Centre) in Firminy. A seat was added to transform the snail shell, provide a diffuse undazzling light. it into a bench/lamp which profile was inspired by the shape of a musical note. In Marseille, each lamp has the same colour as the door it lights up. In Firminy however, they exist only This lamp is now commercialised by Nemo in in dark grey. smaller versions easier to transport and adapt to current interior decors. The exhibited models (under glass) are two of the original lamps from the Housing Unit of Firminy (on loan from the OPH Firminy). This lamp may be one of Le Corbusier's most famous design as evidenced by the world-famous rapper Kanye West's interview (see quote). First part: LE CORBUSIER First part: LE CORBUSIER Next room WALL LAMPS CHANDIGARH LAMPE MAISON DU BRÉSIL In the 1950s, Le Corbusier started to work on the urban plan and the conception of a few buildings of the Indian city of Chandigarh. Lamps were reedited, adapted or created for the innovative architecture. In 1959, Le Corbusier conceived a college campus called the Maison du Brésil in the Cité internationale universitaire de Paris. For the rooms, he PROJECTEUR 365 designed wall lamps to be placed above the beds. With its double emission - upwards and downwards- it lights up This lamp was created for the Palace of Justice. the room and can be used as a reading lamp at the same time. The original version reached a diametre of 365 mm. It was used as a model for a whole range of lamps: fixated onto a wall or a post, placed on the floor in a concrete shell or buried and covered by a glass panel. CABANON LAMPS Its design may seem familiar since it has been a source of inspiration for many contemporary lamps. These two lamps were designed for the Cabanon, a little cabin built in 1951 and located in the South of France near the Mediterranean Sea, where Le Corbusier used to go on vacation. • The "lampe de lecture" (reading lamp) is a wall lamp inspired by the shape of a PARLIAMENT shell with a pivoting slide adapting the light flux. • The "lampe à poser" (table lamp) is a ready-made This item is quite similar to the "lampe de Marseille": two cones providing creation: Thomas Rebutato, a friend of Le Corbusier's, a double emission upwards and downwards. found an exploded shell on the beach. With a copper frame This lamp post version was conceived for the Parliament of and tracing paper, the architect transformed it into a design lamp.
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