Vol. 15 No 36 Sept 26 2019
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Trauma, Dissociation, and Amnesia: Myths and Reality in Cinema and Life
Trauma, Dissociation, and Amnesia: Myths and Reality in Cinema and Life A look at the psychological responses to trauma that include dissociation and amnesia, phenomena which are often misunderstood in the media and public perception. After looking at models that explain common responses to trauma, including post-traumatic stress, traumatic amnesia, and dissociative identity disorder (formerly called multiple personality disorder), we will screen five films that portray these conditions in various contexts. All are Hollywood produced. The stories have sometimes been manipulated to add drama so as to appeal to popular audiences, which is one of the dynamics this course will examine. Session 1 / Jan 31, 2020: Lecture/discussion: An overview of the mechanisms and dynamic of memory and the ways in which it is subject to traumatic distortion, dissociations and episodes of amnesia. We will focus on understanding dissociative and amnestic responses to trauma as defensive and self-protective mechanisms. When seen in this context, behaviors that often seem bizarre begin to make sense. Session 2 / Feb 7: Prince of Tides (1991) / the screen adaptation of Pat Conroy’s portrayal of the range of responses to childhood trauma in a dysfunctional, violent family. Starring Barbra Streisand and Nick Nolte, the film was also directed and produced by Streisand. Session 3 / Feb 14: The Three Faces of Eve (1957) / The Hollywood portrayal of a real-life case of dissociative identity disorder. This is the film that brought the phenomenon of multiple personalities to public attention, was highly acclaimed when it was released, and set up beliefs about multiplicity that lasted for decades. -
The Talk of the Town Continues…
The Talk of the Town continues… “Kay Thompson was a human dynamo. My brothers and I were constantly swept up by her brilliance. Sam Irvin has captured all of this in his incredible book. I know you will thoroughly enjoy reading it.” – DON WILLIAMS, OF KAY THOMPSON & THE WILLIAMS BROTHERS “It’s an amazing book! Sam Irvin has captured Ms. T. to a T. I just re-read it and liked it even better the second time around.” – DICK WILLIAMS, OF KAY THOMPSON & THE WILLIAMS BROTHERS “To me, Kay was the Statue of Liberty. I couldn’t imagine how a book could do her justice but, by golly, Sam Irvin has done it. You won’t be able to put it down.” – BEA WAIN, OF KAY THOMPSON’S RHYTHM SINGERS “Kay was the hottest thing that ever hit the town and one of the most captivating women I’ve ever met in my life. There’ll never be another one like her, that’s for sure. A thorough examination of her astounding life was long overdue and I can’t imagine a better portrait than the one Sam Irvin has written. Heaven.” – JULIE WILSON “This fabulous Kay Thompson book totally captured her marvelous enthusiasm and talent and I’m delighted to be a part of it. I adore the cover with enchanting Eloise and the great picture of Kay in all her intense spirit!” – PATRICE MUNSEL “Thank you, Sam, for bringing Kay so richly and awesomely ‘back to life.’ Adventuring with Kay through your exciting book is like time-traveling through an incredible century of showbiz.” – EVELYN RUDIE, STAR OF PLAYHOUSE 90: ELOISE “At Metro… she scared the shit out of me! At Paramount… while shooting Funny Face… I got to know and love her. -
Wel·Come to Beverly
ailable now ... secretary ... for 24-hour-a-day duty ... 7 days a week ... no vacations ... salary $12.50 month ... never misses a call or forgets a message . This "Position Wanted" advertisement may sound SEPTEMBER, 1954 fantastic- but it's actually a factual description of new City in the Country by the Sea 2 automatic telephone answering equipment that's now Lowell's New Telephone Neighborhood 6 available. His Home in New Hampshire 8 This almost-human "secretary" is a wonderful Engineering Our RTS Program . 9 boon to the small bus.inessman or professional person Restoration Control Center 10 who needs to be in two places at once. For now, when he An Explosive Demonstration 12 has to leave his office unattended, he simply turns on his Whazzit? 12 automatic telephone answering device. It's equally valu New M icrowa.ve Tower . 12 able in the home: for the busy modern woman who's Blind Golf Tournament on TV 13 Engineering and Employment 13 very active in community affairs, or the business person Are You a Wise Guy About Fires? 14 whose residence is also an office. Here's what happens: W.E . ... Behind the New Sale~ Program 16 Incomjng calls are answered by his own voice e}Cplaining A New Star for Show Biz 17 that he is away and asking the caller to leave a message New Equipment for Answering Bureau 17 .. even telling when he'll be back or where he can be Bedridden Editor Uses Special Telephone 18 reached. Then ~he machine records the caller's message. -
Douglas K. Anderson Joins Savings Bank of Manchester As Vice
SPORTS Phone service Whalers, capture eludes the poor f j j wild 8-6 shootout ... page 4 ... page 13 Mmxdmtn ^ Manchester — A City of Village Charm Hrralft Monday, Feb. 2,1987 30 Cents CIA director quits F \ as questions raised E By Terence Hunt Casey testified in closed session The Associated Press before the panel "before the full scope of the situation was known” WASHINGTON - CIA Director and was not under oath, the report - < N William E. Casey, recovering from said. '■ / /' surgery for a brain tumor, has Although the report consistently resigned and will be replaced by his describes Casey as an advocate of deputy, Robert Gates, a 20-year the arms sales, it does not spell out veteran of the spy agency, the his exact role in debates over the White House announced today. matter within administration, nor __- , jrtaaMwfc-' He!''' ” It was Mr. Casey’s decision to does it give his views on the actions < t h S ^ ' ^ - - - ___ — . ' - ~ f resign,” said presidential spokes of CIA officers who assisted in the man Marlin Fitzwater. He said arms transfers and diversion of Casey, a longtime friend of Rea funds to help the Nicaraguan gan’s, would become a presidential guerrillas. Herald photo by Mitchell counselor when he could return to In its conclusion, the report said work. the panel was unable to answer the The resignation came at a time question; “ What role did the CIA Connecticut Chuckles, a groundhog at length of winter. The 3-year-old pre that many questions were being and other U.S. government agen the Lutz Children's Museum, made her dicted, by not seeing her shadow, that asked about the CIA’s middleman cies or their officials play In annual forecast this morning on the spring was imminent. -
Representations of Mental Illness in Women in Post-Classical Hollywood
FRAMING FEMININITY AS INSANITY: REPRESENTATIONS OF MENTAL ILLNESS IN WOMEN IN POST-CLASSICAL HOLLYWOOD Kelly Kretschmar, B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS May 2007 APPROVED: Harry M. Benshoff, Major Professor Sandra Larke-Walsh, Committee Member Debra Mollen, Committee Member Ben Levin, Program Coordinator Alan B. Albarran, Chair of the Department of Radio, Television and Film Sandra L. Terrell, Dean of the Robert B. Toulouse School of Graduate Studies Kretschmar, Kelly, Framing Femininity as Insanity: Representations of Mental Illness in Women in Post-Classical Hollywood. Master of Arts (Radio, Television, and Film), May 2007, 94 pp., references, 69 titles. From the socially conservative 1950s to the permissive 1970s, this project explores the ways in which insanity in women has been linked to their femininity and the expression or repression of their sexuality. An analysis of films from Hollywood’s post-classical period (The Three Faces of Eve (1957), Lizzie (1957), Lilith (1964), Repulsion (1965), Images (1972) and 3 Women (1977)) demonstrates the societal tendency to label a woman’s behavior as mad when it does not fit within the patriarchal mold of how a woman should behave. In addition to discussing the social changes and diagnostic trends in the mental health profession that define “appropriate” female behavior, each chapter also traces how the decline of the studio system and rise of the individual filmmaker impacted the films’ ideologies with regard to mental illness and femininity. Copyright 2007 by Kelly Kretschmar ii TABLE OF CONTENTS Page Chapter 1. INTRODUCTION ......................................................................................... 1 Historical Perspective ........................................................................ 5 Women and Mental Illness in Classical Hollywood ............................... -
CBS, Rural Sitcoms, and the Image of the South, 1957-1971 Sara K
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 Rube tube : CBS, rural sitcoms, and the image of the south, 1957-1971 Sara K. Eskridge Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Eskridge, Sara K., "Rube tube : CBS, rural sitcoms, and the image of the south, 1957-1971" (2013). LSU Doctoral Dissertations. 3154. https://digitalcommons.lsu.edu/gradschool_dissertations/3154 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. RUBE TUBE: CBS, RURAL SITCOMS, AND THE IMAGE OF THE SOUTH, 1957-1971 A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Sara K. Eskridge B.A., Mary Washington College, 2003 M.A., Virginia Commonwealth University, 2006 May 2013 Acknowledgements Many thanks to all of those who helped me envision, research, and complete this project. First of all, a thank you to the Middleton Library at Louisiana State University, where I found most of the secondary source materials for this dissertation, as well as some of the primary sources. I especially thank Joseph Nicholson, the LSU history subject librarian, who helped me with a number of specific inquiries. -
BANK ROBBED of $40L000 Lo Iftt L!3F I5 S Second Incident S on Spencer St
i 'i-uLi 1II ■ ii 11'l [., !■ "rfTTwrrrrT” Our Neighbors ... Happy Holidays! Hanrlj^Hl^r iUrralft Saturday, Dec. 24, 1988 Manchester, Conn. — A City of Village Charm 30 Cents BANK ROBBED OF $40l000 lO Iftt l!3f I5 S Second incident S on Spencer St. ____________ S The second bank robbery in two months occurred ---------- Z on Spencer Street Friday afternoon when an armed Z man robbed a branch of Manchester State Bank of about $40,000. The gunman, wearing a dark blue mask, according to initial police radio reports, reportedly brandished a small, black handgun. He robbed the z bank at 185 Spencer St. shortly after 1:30. z Nathan Agostinelli, president of the bank, z . J- -V.. confirmed late Friday that the robber made off with r L j " about $40,000. Agostinelli said he was confident the z robber was filmed by the bank's camera. z The film was being developed Friday night, he z said. Initial police radio reports described the robber z -j T ■z as a white man, possibly a teen-ager, with dark hair. ‘Z Reports also described the robber as approxi mately 5 feet 10 inches tall and weighing 165 pounds. z He was initially reported over the police radio to be z wearing a gray wool jacket, denim pants, and white z sneakers. z Friday night police would not give a description of the suspect. They would confirm only that the z suspect is a white male, who was carrying a gun and z left the scene on foot. z Richard Lauzier, vice president and security z tr officer at the bank, said the gunman "cam e in, z jumped over the counter, demanded the money, z jumped over the counter and left.” The alarm was set off as the robber left, he said. -
Movies and Mental Illness Using Films to Understand Psychopathology 3Rd Revised and Expanded Edition 2010, Xii + 340 Pages ISBN: 978-0-88937-371-6, US $49.00
New Resources for Clinicians Visit www.hogrefe.com for • Free sample chapters • Full tables of contents • Secure online ordering • Examination copies for teachers • Many other titles available Danny Wedding, Mary Ann Boyd, Ryan M. Niemiec NEW EDITION! Movies and Mental Illness Using Films to Understand Psychopathology 3rd revised and expanded edition 2010, xii + 340 pages ISBN: 978-0-88937-371-6, US $49.00 The popular and critically acclaimed teaching tool - movies as an aid to learning about mental illness - has just got even better! Now with even more practical features and expanded contents: full film index, “Authors’ Picks”, sample syllabus, more international films. Films are a powerful medium for teaching students of psychology, social work, medicine, nursing, counseling, and even literature or media studies about mental illness and psychopathology. Movies and Mental Illness, now available in an updated edition, has established a great reputation as an enjoyable and highly memorable supplementary teaching tool for abnormal psychology classes. Written by experienced clinicians and teachers, who are themselves movie aficionados, this book is superb not just for psychology or media studies classes, but also for anyone interested in the portrayal of mental health issues in movies. The core clinical chapters each use a fabricated case history and Mini-Mental State Examination along with synopses and scenes from one or two specific, often well-known “A classic resource and an authoritative guide… Like the very movies it films to explain, teach, and encourage discussion recommends, [this book] is a powerful medium for teaching students, about the most important disorders encountered in engaging patients, and educating the public. -
Applying a Rhizomatic Lens to Television Genres
A THOUSAND TV SHOWS: APPLYING A RHIZOMATIC LENS TO TELEVISION GENRES _______________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by NETTIE BROCK Dr. Ben Warner, Dissertation Supervisor May 2018 The undersigned, appointed by the dean of the Graduate School, have examined the Dissertation entitled A Thousand TV Shows: Applying A Rhizomatic Lens To Television Genres presented by Nettie Brock A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. ________________________________________________________ Ben Warner ________________________________________________________ Elizabeth Behm-Morawitz ________________________________________________________ Stephen Klien ________________________________________________________ Cristina Mislan ________________________________________________________ Julie Elman ACKNOWLEDGEMENTS Someone recently asked me what High School Nettie would think about having written a 300+ page document about television shows. I responded quite honestly: “High School Nettie wouldn’t have been surprised. She knew where we were heading.” She absolutely did. I have always been pretty sure I would end up with an advanced degree and I have always known what that would involve. The only question was one of how I was going to get here, but my favorite thing has always been watching television and movies. Once I learned that a job existed where I could watch television and, more or less, get paid for it, I threw myself wholeheartedly into pursuing that job. I get to watch television and talk to other people about it. That’s simply heaven for me. A lot of people helped me get here. -
Twentieth Century Fox: 1935-1965
The Museum of Modern Art For Immediate Release June 1990 Twentieth Century Fox: 1935-1965 July 1 - September 11, 1990 This summer, The Museum of Modern Art pays tribute to Twentieth Century Fox with a retrospective of over ninety films made between 1935 and 1965. Opening on July 1, 1990, TWENTIETH CENTURY FOX: 1935-1965 traces three key decades in the history of the studio, celebrating the talents of the artists on both sides of the cameras who shaped this period. The exhibition continues through September 11. Formed in 1915, the Fox Film Corporation merged in 1935 with the much younger Twentieth Century to launch a major new studio. Under the supervision of Darryl F. Zanuck, Twentieth Century Fox developed a new house style, emphasizing epic biographies such as John Ford's The Prisoner of Shark Island (1936) and Allan Dwan's Suez (1938) and snappy urban pictures such as Sidney Lanfield's Hake Up and Live (1937) and Roy Del Ruth's Thanks a Million (1935). The studio also featured such fresh screen personalities as Tyrone Power, Alice Faye, and Shirley Temple. From this time on, the studio masterfully anticipated and shaped the tastes of the movie-going public. During World War II, Twentieth Century Fox made its mark with a series of exuberant Technicolor musicals featuring such actresses as Betty Grable and Carmen Miranda. After the war, the studio shifted focus and began to highlight other genres including films noirs such as Edmund Goulding's Nightmare Alley (1947) and Otto Preminger's Where the Sidewalk Ends (1950), wry satirical films such as Joseph L. -
Memory, Trauma, Dissociation and Amnesia
Memory, Trauma, Dissociation and Amnesia OLLI at Illinois Spring Semester 2020 More conversation, anyone? • IF anyone would like to join me for conversation (and maybe some beer or wine) after the class, please come find me at the end of class. Everyone is welcome. Why this course • This course is an exploration of the human experience of memory, trauma, dissociation, and amnesia. It is also about the way in which we talk about these experiences and how we create narratives that make sense of and allow us to share the experience. Movies to help us explore these issues • The prince of tides / 1991 • Three faces of eve / 1957 • Sybil / 1976 • Frankie and Alice / 2010 • Collateral Beauty / 2016 The creation of Narrative Let me tell you what I wish I'd known When I was young and dreamed of glory You have no control Who lives, who dies, who tells your story? And when you're gone, who remembers your name? Who keeps your flame? Who tells your story? Lyrics from the musical Hamilton Players in the creation of narrative • The subject • The observer / psychiatrist (in most of the stories we explore) • The interpreter • The recorder THE PRINCE OF TIDES • Based on a book by Pat Conroy • Film credits screenplay to Pat Conroy and Becky Johnson • Directed by Barbra Streisand • Released in 1991 • Described in Wikipedia as “an American romantic comedy’ (HAH ! ! ! ! ) • NO academy awards but Nick Nolte received three best actor awards from other sources Questions and conversation • Does the film work? • Does it tell a cohesive story? • Does it do justice to the complicated issues of memory, trauma, and amnesia? Diagnose the characters • Tom Wingo • Traumatized • Savannah Wingo • Amnesia • Lila Wingo • PTSD • Henry Wingo • Dissociative Identity • Luke Wingo Question from last week • Toward the end of the film, when they are embracing out on the sidewalk across from her office, she says, • “I gotta find me a nice Jewish boy. -
New on Video &
New On Video & DVD Die Hard Ultimate Collection "Die Hard": A New York City policeman, John McClane, visiting his estranged wife and two daughters on Christmas Eve, joins her at a holiday party in the headquarters of the Japanese-owned business she works for. But the festivities are interrupted by a group of terrorists who take over the exclusive high-rise, and everyone in it. Very soon the cop realizes that there's no one to save the hostages -- but him. "Die Hard 2: Die Harder": An action-packed sequel to the 1989 film 'Die Hard.' While former New York City cop John McClane, now a member of the Los Angeles Police Department, waits to pick up his wife in DC's Dulles Airport, gunmen suddenly commandeer the building. They're intent on rescuing a drug-dealing foreign despot who's being brought to the US to stand trial. And once again McClane finds himself enmeshed in a terrorist plot that only he can pre- vent... "Die Hard with a Vengeance": The third installment of the 'Die Hard' series. Hard-luck New York cop John McClane realizes once again that trouble always has a way of finding him. This time it comes in the form of Simon, whose brother Hans Gruber was the villainous mastermind killed by McClane in the first 'Die Hard.' Simon sets out to avenge Hans's death in a rather perverse manner: periodically, he plants a bomb somewhere in New York City (a subway car or an elementary school, for example). Then he calls McClane with a difficult riddle, and a time allotment for solving it.