Luggage Store Gallery, Where 40% of the Surrounding Neighborhood Population Is of Southeast Asian Descent

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Luggage Store Gallery, Where 40% of the Surrounding Neighborhood Population Is of Southeast Asian Descent Sept 7th 2012 - September 29th 2012 Opening Reception Friday Sept 7th, 6pm - 8pm - Closing September 29th Gallery Hours Wednesday - Saturday, 12 noon - 5pm, or by appointment HINTERLANDS aims to merge faraway places. We have transported the hinterlands of Hanoi, through the art and artists that engage with Nha San Studio, Vietnam’s longest running experimental arts space, to a kindred space in San Francisco - The Tenderloin National Forest / Luggage Store Gallery, where 40% of the surrounding neighborhood population is of Southeast Asian descent. HINTERLANDS is The Luggage Store’s first artistic exchange involving artists born, raised and based in Vietnam. HINTERLANDS constists of a three month residency project in which four artists work in collaboration. This project culminates in an exhibition of new works by two of Hanoi’s most exciting young artists. Nguyen Phuong Linh and Nguyen Tran Nam join Lu Yang, a multi-media artist from Shanghai and Gabby Miller from The Bay Area. Hanoi, which translates to “the hinterland between the rivers” is located in the Red River Delta, in the center of Northern Vietnam. The hinterland is the uncharted areas beyond a coastal district or a river’s banks. It is the part of a country where only a few people live and where the infrastructure is weak. The hinterland is beyond what is visible and known, the back country of the mind, the not yet imagined. It is the far-a-way place. www.luggagestoregallery.org 1007 Market Street Graphic Design by Japheth Gonzalez San Francisco, CA 94103 Tel. 425 255 5971 www.luggagestoregallery.org The Luggage Store - www.luggagestoregallery.org The Luggage Store is one of San Francisco's leading nonprofit multidisciplinary arts organizations established in 1987, with three venues in downtown San Francisco; the luggage store (1007 Market Street), the luggage store annex (aka 509 Cultural Center) at 509 Ellis Street and the adjacent Tenderloin National Forest in Cohen Alley (a green community commons for for public art and social interventions). The luggage store's vital exhibition, performing arts, artist-in- residence, public arts and arts education programs are designed to broaden social and aesthetic networks by encouraging the flow of images and ideas between di!erent cultural and economic communities. Nhasan Studio - www.nhasan.org Luggage Store (top) Founded in 1998, Nha San Studio is the longest running experimental Nhasan Studio (bottom) arts space in Vietnam. It is a Muong ethnic minority house on wooden stilts, transported piece by piece from the mountains in Hoa Binh province to the outskirts of Hanoi. Moonlighting as family home and business, Nha San circumvents the law requiring approval for any public exhibition in Vietnam by registering gatherings as private events. Nha San Studio can been understood in multiple ways as a hinterland of Vietnam – few inhabitants, distinct from but influenced by the state, and a space to go beyond the imagination. www.luggagestoregallery.org Nguyen Phuong Linh. B. 1985, Hanoi. Self-taught. Lu Yang B. 1984, Shanghai, China. 2007 BFA New Lives and works in Hanoi. Media, China Academy of Art. 2010 MFA New My father collects, repairs and reconstructs traditional wooden Media, China Academy of Art. Lives and works in houses, churches and temples. He shipped wood salvaged from Shanghai. a catholic church and the windows from a mental hospital in the “POWER OF WILL 4.0: LAZER LEZ” was shot in a single night countryside outside of Hanoi to Oakland for me. I am building a in Hanoi. Lu Yang directed Gabby’s video performance in a set boat from this wood. Now I can row. built in the porch of Phuong Linh’s small apartment. Power of Will is a long term project started in 2008. Lazer Lez was Nguyen Tran Nam. B. 1979, Hung Yen Province. made in December 2011 when I first time met charming Gabby. 2003 BFA in Painting, Hanoi Fine Arts University. Caution, be careful of the shot by Gabby's charming laser! Lives and works in Hanoi. In preparing to come to San Francisco I thought about what I Gabby Miller. B. 1985, Oakland. 2008 BA should ship to America. What could the people who left Vietnam Anthropology, Reed College. Lives and works in by boat bring with them? What did they expect in the new The Bay Area. country? I decided to ship the basic elements that any human Title: Logistics from Sea to Land (For Giang and Nam). needs to survive: soil, water and earth - things that are both in Materials: Section of a salvaged steel shipping container, one the homeland and the new land. tube of oil paint from Giang’s studio in Hanoi, 2012. Dất nước translates to soil and water. In Vietnamese these words In 1967 the U.S. government contracted Sea-Land Service to together also mean country. At the end of this year my family begin sending container ships from The Port of Oakland to will exhume my mother’s bones for a tradition called bốc mộ - South Vietnam. In November of that year the 685-foot-long we unearth the bones in order to bury them in their final resting ship The Oakland delivered 609 thirty-five foot containers full place. I measured my body and filled these dimensions with of supplies to Vietnam. It is now estimated that 10,000 earth and water from San Francisco. This is how much space my shipping containers fall into the sea every year. In these body uses now. This is how much space I will use when I am spillages a small number of containers wash ashore. buried underground. www.luggagestoregallery.org leaving from these exact from ports in1967. leaving started that War the Vietnam for full supplies of containerships of the route reversing theis artist States, inthe United area the Bay to Hanoi from artwork art and transport to Planning ethnic Miller. the multi- personal for are that arcs narrative are US government the by War the Vietnam of up the ratcheting and transport, of form Oakland Port. through cargo container the history of studied she research, For Hanoi. capital, inthe Vietnamese studio friend’s her from borrowed oils with it sea painted and at beenhad damaged Nam) and Giang (For For container. shipping asteel with sees working her project current Miller’s posters), and installation, painting, sculpture, video, been of inthe form have works (past art realms. positioned as an alternative to the commercial- and state-driven for artistic experimentation, transmission and exposure. is It and political environment, Nha San acts as an open space alternative arts organisation in Vietnam. In a restrictive cultural the was San Nha 1998, in Established con –o relationship afruitful ongoing enjoyed have pair then, the Since generation. her of artists Vietnamese young exciting and important the most of Linh, one Phuong Nguyen met she experimental art inHanoi. on thesis anthropology her wrote she school, to returning inartLater galleries there. work found and Vietnam to ticket aone-way bought she in college, 2005,while In the world. to up open began to single-party state art”. contemporary than skunk deer and “more by surrounded was she up California, growing inBerkeley, compound family American-Vietnamese in amixed Raised down. pin to Quynh-Anh Millerhard is Gabby artist Rising to Roots Return -6*<: WOR S A THE WORK OF AYOUNG VIE T MERICAN AR # medium asignature to herself restricting of intention no With She is also heavily invested in Nha San Studio in Hanoi. when came personal life artistic and inher point important An She A ! :\YMHJL(ZPH D dantes and collaborators. and dantes e connection between the adoption of containerisation as a as containerisation of between thee connection adoption T S ! 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