Press Release 2020
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About the Artists
Scan for Exhibition Guide From March 7th to May 30th, 2017, New York University Shanghai Art Gallery is proud to present “Borders: Us and Them,” an exhibition that probes the emergence and transformation of contemporary global borders, and their socio-political implications. Taking its title from an eponymous song by English progressive rock band, Pink Floyd, the exhibition taps into the separations, discriminations, armed conflicts, and dehumanizing forces bred into existence by borders. The first ever group exhibition at this gallery, “Borders: Us and Them” extends its field of vision beyond the confines of Shanghai and China, drawing together five international artists from three different continents—Rasmus Degnbol (Denmark), John Craig Freeman (US), Lorenzo Pezzani (Italy) & Charles Heller (Switzerland), as well as Reena Saini Kallat (India)—to examine the existential conditions of living between borders in a world increasingly marked by rising nationalism and populism, crumbling democratic values, and sweeping backlash against globalization; and how artists—as critical agents—can alter bordered reality through their practice. These five artists that make up this exhibition share a devoted concern of the negative impacts of geopolitical borders that have haunted both the past, and present. Crease/ Crevice/ Contour (2008), by Reena Saini Kallat, consists of ten photographs. Kallat retraces the evolving L.O.C. (Line of Control) between India and Pakistan from October 1947 to December 1948, on the back of a female body, documenting its movement by camera. This collection of images connotates the armed conflicts between these two newly independent nations over the region of Kashmir at the time. Her deliberate gesture of inscribing on the female body provocatively exposes us to its continued vulnerability, while as the same time, portraying the branding of territorial claim. -
Locating Vietnamese Contemporary Art Scene
Locating Vietnamese contemporary art scene An ethnographic Hong-Ngoc TRIEU attempt from afar TRI14437741 Abstract. Initially, as a student majored in Design Cultures, I was intrigued in Vietnam precisely because I barely knew anything about the art history of my country. Having exposed to the studies of Design Cultures and Histories, I set out to fnd how Vietnamese art history is chronicled by putting it in a complex relationship with the sociocultural and political background. Identifying and locating art from a place like Vietnam that rarely fgures in art history cannot be done overnight as I am thousand miles away from the happenings. This essay, thus, is my humble attempt to look at Vietnam’s contemporary art scene through an afar-ethnographic approach mainly by fexible design methods such as interview, survey, case study, discourse analysis and participant observation. Given how little experience in the real-world research and history learning that I possess, my fndings are based on personal analysis, percep-on and hence, do not necessarily reflect other’s views on the same topic. Entrance to contemporary art scene: tracing the Vietnamese art history In order to investigate the Vietnamese reform in 1986, where restriction on contemporary art scene, I am essentially artistic creativity were steadily relaxed asking the question of how it is and hence allowed artist greater freedom constructed and perceived within the art of expression and facilitating exposure to community and the stream of Vietnamese contemporary trends in both Asian and history of art. While world contemporary Western art. However, unlike the world art had started and risen to prominence contemporary art with its rich outline of since the 1950s - 1960s, its Vietnamese artistic movements in term of quantity, counterpart only came into existence in the diversity and quality, Vietnamese latter decades of the twentieth century; contemporary art scene has barely seen therefore, it is relatively new to the public. -
Luggage Store Gallery, Where 40% of the Surrounding Neighborhood Population Is of Southeast Asian Descent
Sept 7th 2012 - September 29th 2012 Opening Reception Friday Sept 7th, 6pm - 8pm - Closing September 29th Gallery Hours Wednesday - Saturday, 12 noon - 5pm, or by appointment HINTERLANDS aims to merge faraway places. We have transported the hinterlands of Hanoi, through the art and artists that engage with Nha San Studio, Vietnam’s longest running experimental arts space, to a kindred space in San Francisco - The Tenderloin National Forest / Luggage Store Gallery, where 40% of the surrounding neighborhood population is of Southeast Asian descent. HINTERLANDS is The Luggage Store’s first artistic exchange involving artists born, raised and based in Vietnam. HINTERLANDS constists of a three month residency project in which four artists work in collaboration. This project culminates in an exhibition of new works by two of Hanoi’s most exciting young artists. Nguyen Phuong Linh and Nguyen Tran Nam join Lu Yang, a multi-media artist from Shanghai and Gabby Miller from The Bay Area. Hanoi, which translates to “the hinterland between the rivers” is located in the Red River Delta, in the center of Northern Vietnam. The hinterland is the uncharted areas beyond a coastal district or a river’s banks. It is the part of a country where only a few people live and where the infrastructure is weak. The hinterland is beyond what is visible and known, the back country of the mind, the not yet imagined. It is the far-a-way place. www.luggagestoregallery.org 1007 Market Street Graphic Design by Japheth Gonzalez San Francisco, CA 94103 Tel. 425 255 5971 www.luggagestoregallery.org The Luggage Store - www.luggagestoregallery.org The Luggage Store is one of San Francisco's leading nonprofit multidisciplinary arts organizations established in 1987, with three venues in downtown San Francisco; the luggage store (1007 Market Street), the luggage store annex (aka 509 Cultural Center) at 509 Ellis Street and the adjacent Tenderloin National Forest in Cohen Alley (a green community commons for for public art and social interventions). -
PDF Schedule
PROGRAMME EXTRAORDINARY REALITIES:SHAHZIA DEEP RIVERS RUN QUIET & SIKANDER EPICYCLES: REENA SAINI JUNE 18-SEPTEMBER 26, 2021 KALLAT & JITISH KALLAT THE MORGAN LIBRARY & MUSEUM, 225 JUNE 18-SEPTEMBER 26, 2021 MADISON AVENUE, NEW YORK, NY, USA NORRTÄLJE KONSTHALL, GALLES GRÄND 7, NORRTÄLJE, SWEDEN The Morgan Library & Museum is proud to presentPakistani American artist Shahzia Sikander’sExtraordinary Realities. Norrtalje Konsthall, is pleased to present two Shahzia Sikander is internationally celebrated for bringing concurrent solo exhibitions by Mumbai-based miniature painting… artists Reena Saini Kallat and Jitish Kallat. Their first institutional solos in Sweden… https://indiaartfair.in/programme/extraordinary-realities- shahzia-sikander https://indiaartfair.in/programme/deep-rivers-run- quiet-epicycles-reena-saini-kallat-jitish-kallat LOCK. UNLOCK : A GROUP SHOW TREMORS: VISAKH MENON JUNE 18-SEPTEMBER 26, 2021 JUNE 18-SEPTEMBER 26, 2021 GALLERIE NVYA, GENERAL AVIATION BLUEPRINT12, C-66 ANAND NIKETAN, TERMINAL, BEHIND NEW UDAAN NEW DELHI, DELHI, INDIA BHAWAN, NEW DELHI, DELHI, INDIA Over the last decade, Visakh Menon has been In association with Bird Execujet, Gallerie Nvya exploring the impact of human-machine interaction on presents a group exhibition Lock . Unlock showcasing perception. His meditative and repetitive practice an eclectic selection of artworks and sculptures that focuses on the visual… bring together… https://indiaartfair.in/programme/tremors-visakh-menon https://indiaartfair.in/programme/lock-unlock-a-group- show HONEY PEAK: SANTIAGO GIRALDA UNKNOWN: BHOLEKAR SRIHARI JUNE 18-SEPTEMBER 26, 2021 JUNE 18-SEPTEMBER 26, 2021 GALERIE ISA, KAMANI CHAMBERS, RAMJI DHI ARTSPACE, ONLINE KAMANI MARG, BALLARD ESTATE, FORT, MUMBAI, MAHARASHTRA, INDIA Dhi Artspace presents Unknown, a solo exhibition of the late Bholekar Srihari. -
THU APRIL 21 – SUN APRIL 24 in TQW / Studios and TQW / Halle G
THU APRIL 21 – SUN APRIL 24 in TQW / Studios and TQW / Halle G ARCHIVES TO COME SCORES N°11 / / ATELIER EDN — EUROPEAN DANCEHOUSE NETWORK Perjovschi (c) Dan CALENDAR ----------------------------------- ----------------------------------- ----------------------------------- ----------------------------------- MON 18 – SAT 23 APRIL FRI 22 APRIL SAT 23 APRIL SUN 24 APRIL 10.45 h – 12.30 h in TQW / Studios 14.00 h – 17.30 h in Leopold Museum / ongoning at TQW / Studios Passage ongoning at TQW / Studios Passage SHANNON COONEY unteres Atrium DAN PERJOVSCHI DAN PERJOVSCHI TRAINING Legible Archive SIOBHAN DAVIES DANCE Black Belt Drawing Black Belt Drawing Table of Contents ----------------------------------- 12.00 h – 17.30 h in Leopold Museum / 10.30 h – 15.00 h in Leopold Museum / 15.00 h in TQW / Studios Passage unteres Atrium unteres Atrium THU 21 – SAT 23 APRIL DAN PERJOVSCHI SIOBHAN DAVIES DANCE SIOBHAN DAVIES DANCE 13.00 h – 15.30 h in TQW / Studios Black Belt Drawing Table of Contents Table of Contents CLAUDIA BOSSE + GUESTS WORKSHOP The archive as a body, 16.00 h – 21.00 h in TQW / Studios 16.00 h – 21.00 h in TQW / Studios 12.00 h in TQW / Studios the body as an archive DANIEL ASCHWANDEN + DANIEL ASCHWANDEN + FUTURE ARCHIVES CONNY ZENK CONNY ZENK with ARKADI ZAIDES, ----------------------------------- INSTALLATION OPENING INSTALLATION Mobil[e]_migration DAN PERJOVSCHI, Mobil[e]_migration SIOBHAN DAVIES + THU 21 APRIL 16.00 h – 21.00 h in TQW / Studios SCOTT DELAHUNTA, PENELOPE 16.00 h – 21.00 h in TQW / Studios 16.00 h – 21.00 h in -
An Atlas of Mirrors” Marks the Fifth Edition of the Singapore Biennale
Media Release Singapore Art Museum Announces Singapore Biennale 2016 Title “An Atlas of Mirrors” marks the Fifth Edition of the Singapore Biennale Singapore, 16 March 2016 - The Singapore Art Museum (SAM) today unveiled the title for the fifth edition of the Singapore Biennale - An Atlas of Mirrors. Through this title, Singapore Biennale 2016 (SB2016) will explore curatorial and artistic themes that pivot on Southeast Asia, but also encompass East and South Asia. Taking place from 27 October 2016 to 26 February 2017, the four-month long international contemporary art exhibition is organised by SAM and commissioned by the National Arts Council of Singapore. SB2016 will feature several site-specific and commissioned contemporary works never seen before on the biennale circuit. SB2016 Title - An Atlas of Mirrors For centuries, atlases and mirrors have been instrumental in humankind’s exploration of the world as we navigate and map our journeys into the unknown. While the atlas helps to chart paths of discovery, the mirror offers reflections and perspectives which can be, at times, skewed and distorted. Bringing together the atlas and mirror as an imagined new ‘device’ creates possibilities for unexpected ways of thinking and seeing. An Atlas of Mirrors will draw on diverse artistic viewpoints that trace the migratory and intertwining relationships within the region, and reflect on shared histories and current realities with East and South Asia. SB2016 examines the challenges of the region’s contemporary conditions, and positions Southeast Asia as the vantage point from which the world can be pictured anew. The full curatorial statement can be found in Annex A. -
2005 Martell Contemporary Art Research Grant R
MEDIATINGMEKONG THE 2005 Martell Contemporary Art Research Grant R. Streitmatter-Tran for the Asia Art Archive Ho Chi Minh City, Vietnam Contents Precursors: A River Runs Through It Mediating the Mekong The Mekong Vacuum Infrastructures and Superstructures Cambodia Myanmar Vietnam Laos Thailand The Future Flow References The research for this report, made possible by the 2005 Martell Contemporary Asian Art Research Grant and the Asia Art Archive in Hong Kong, was conducted between July 2005 and September 2006. I would like to thank the team at the Asia Art Archive for their support, in particular Phoebe Wong and Claire Hsu for their encouragement and advice throughout the life of the project and for the opportunity to have presented the research in Hong Kong in June 2006. The report would not have been realized without the contributions of the many artists, curators and arts organizations in Cambodia, Vietnam, Laos, Myanmar and Thailand who provided information, media and honest opinion. It is my hope that this report may assist as an entry point for those wishing to explore further this unique and often overlooked region. Richard Streitmatter-Tran, artist Ho Chi Minh City, Vietnam September 2006 Mediating the Mekong It begs to ask why what a Thai actress allegedly says about Cambodia really matters at all? For those familiar Martell Contemporary Asian Art with this region of the world, it is clear. Economically, Research Grant the mass exportation of Thai culture (programming, entertainment and media) has increasingly become an Final Report for the Asia Art Archive issue of national concern for Laos and Cambodia who share close cultural and linguistic similarities. -
Vietnam's Virtual Charm Offensive
DIPLOMAT MAGAZINE November 2020 Vietnam’s Virtual Charm Offensive Vietnam made the best of a difficult situation in carrying out its ASEAN chairmanship amid a pandemic. By Nguyen Phuong Linh and Nguyen Khac Giang When Vietnam’s Prime Minister Nguyen Xuan Phuc received the symbolic gavel from his Thai counterpart Prayut Chan-o-cha in the ASEAN chairmanship handover ceremony in November 2019 in Bangkok, he did not know what challenges his country would face just a few months later. Vietnam, despite its success in fighting against the COVID-19 pandemic, has had an unprecedentedly difficult year as the ASEAN chair. The year’s theme was “Cohesive and Responsive ASEAN,” yet the chaos of the pandemic threatens to throw the country’s hopes away. Despite Hanoi’s lobbying for a traditional form of physical ASEAN meetings to be held in Da Nang in April, the event eventually took place via video conferencing for the first time since the founding of ASEAN in 1967. The new format challenged the host country’s ability to set the agenda and process important negotiations. “ASEAN diplomacy is privately led; it is famously known for making major agreements on the golf courses, at the karaoke halls, and having drinks on sideline meetings... When you don’t have these actual in-person meetings... virtual events will dilute the ‘ASEAN way’ of doing thing and ASEAN will suffer for it,” a Bangkok-based, Southeast Asia-focused scholar noted earlier this year, expressing low expectations for Vietnam’s achievements during its ASEAN chairmanship. However, while its neighbors are still struggling with the pandemic, Hanoi has been surprisingly creative in its diplomatic actions and made the best out of the situation, not only for itself but also for the ASEAN community. -
A Gift for Khoj Edition III
a gift for khoj edition III 18 artists have contributed 5 original signed artworks as a gift for khoj 5 unique portfolios with 18 original artworks are available*. DETAILS OF DONATION The drawing/painting portfolio can be booked on a 50% advance donation. It will be shipped against full payment. Shipping costs will be extra. All donations are exempt from Income Tax under 80G (5) (VI) of the Income Tax Act, 1961. ALL PROCEEDS WILL GO TOWARDS Acquring & refurbishing the Khoj buildings in Khirkhee. Developing a corpus fund for KHOJ which will allow KHOJ to function independently in the long term. FOR BOOkiNG PLEASE CONTACT Email: [email protected] / [email protected] Phone: +91 11 29545274 / +91 11 65655873 Mobile: +91 9810327436 / +91 9871308043 *The portfolio of original artworks may not be sold until December 31, 2013 Adip Dutta Aditya Pande Archana Hande Ashim Purkayastha Debnath Basu Gargi Raina Hema Upadhyay Imran Qureshi contributing artists Jagannath Panda Madhvi Parekh Manisha Parekh Manu Parekh Prajakta Potnis Paula Sengupta Reena Saini Kallat Rohini Devasher Sarnath Banerjee Vasudha Thozhur Adip Dutta Drawings from Khasta Katha, adapted from plebian, salacious literature brush & ink on paper, silk screen | 12” x 9” | 2011 Adip Dutta was born in 1970. He received a Bachelor’s and Master degree from Rabindra Bharati University, Kolkata. He is currently a member of Faculty of Visual Arts at Rabindra Bharati University, Kolkata. He also received the Rabindra Bharati Annual Exhibition Award for Sculpture (1998, 2000) and the Charles Wallace Scholarship (2002). His public installation Celestial Angels was installed in New Delhi at IGI Airport Metro Link (2010). -
Exhibition Essay by Gabby Quynh Anh Miller
Exhibition Essay by Gabby Quynh Anh Miller Toi khoc nhung chan troi khong co nguoi bay Toi lai khoc nhung nguoi bay khong co chan troi I cry when skylines do not have flying people I cry again when flying people do not have skylines -Tran Dan (Written 1987/8, published 2007) This tiny poem paints a bleak portrait of a place with no room for the imagination, a muffled lament for a landscape purged of artists. It was written in the early years of doi moi, the set of ‘open door’ economic policies that catapulted Vietnam into becoming one of the fastest growing economies in the world. At that time, Hanoi was a city ‘in the dark’, isolated from the world outside the communist block, impoverished, with few streetlights illuminating the night. As Tran Dan (1926-1997), the author of this poem, experienced, the cultural landscape was grim. A former soldier-poet, Tran Dan was a central figure in the Nhan Van-Giai Pham movement (Humanism and Works of Beauty)1 - a “brief flourish of dissent which burst forth in 1956”2 Tran Dan was thrown into jail, sentenced to hard labor, expelled from the Artists Association3, banned from publication, publicly denounced and socially ostracized. In her book “A World Transformed: The Politics of Culture in Revolutionary Vietnam” Kim Ninh makes a convincing argument that “Tran Dan became a focal point around which a number of intellectual concerns coalesced, and the state's violent reaction to him marked the moment when simmering intellectual questions burst into the open” 4 Published twenty years after scribbled into his ‘dusty notebooks’, our title poem is one of fifty-odd “mini poems”, many of which are experimentations with sound and meaning, often attempting to create sounds that have no meaning at all. -
Civil Society Regulation and Space in Asia Discussion Paper for The
Civil Society Regulation and Space in Asia Discussion Paper for the Roundtable Discussion on Working Together to Address Civic Space in Asia and the Pacific Bangkok, August 10-11, 20151 Mark Sidel Doyle-Bascom Professor of Law and Public Affairs, University of Wisconsin-Madison Consultant on civil society regulation and space, UNDP Bangkok Regional Hub Consultant (Asia), International Center for Not-for-Profit Law (ICNL) This Discussion Paper for the Roundtable Discussion on Working Together to Address Civic Space in Asia and the Pacific briefly seeks to: Review the role of civil society in relation to proposed Sustainable Development Goal (SDG) 16 to “Promote peaceful and inclusive societies for sustainable development, provide access to justice for all and build effective, accountable and inclusive institutions at all levels” as it applies to a variety of Asian development contexts, and the proposed targets under that goal, identifying positive experiences and trends as well as challenges; Analyse the role (positive and negative) played by regulatory environments for civil society in these contexts, including the environment for registration of civil society organisations, reporting obligations and funding restrictions; and Propose policy recommendations for different development actors, including UNDP, bilateral donors, international and regional organisations (including civil society networks) and civil society organisations at the national level.2 1 This paper is dedicated to the memory of Martha Farrell, a distinguished Indian CSO leader, activist and teacher who was working with Afghan colleagues on workshops on gender in Kabul when she was killed in a terrorist attack in May 2015. See http://pria.org/blogs.php?action=view&blog_id=2932; http://timesofindia.indiatimes.com/india/ Kabul-terror-victim-went-where-others-feared-to-go/articleshow/47303268.cms; http://www.theguardian.com/ education/ 2015/jun/03/martha-farrell-obituary. -
Paris Asian Art Fair
Paris Asian Art Fair Press Release - October 2020 6th Edition 21 - 24 October 2020 Preview 20 October 9, avenue Hoche - Paris 8th Paris Asian Art Fair ASIA NOW 2020 6th edition We are excited to invite you to the 2020 edition of ASIA NOW. The current situation has highlighted our need to experience artworks in real life and the desire to connect and exchange with the artists, gallerists, curators and collectors. It is for this reason that we have decided to maintain the sixth edition of ASIA NOW, which will take place at 9 avenue Hoche, Paris 8e, from 21-24 October, with a VIP preview on 20 October. In order to ensure a safe visit, this edition of ASIA NOW will be held in compliance with the sanitary protocols and the latest recommendations of the French health authorities. An online platform will also highlight the programmes that cannot be physically presented at the fair. We are pleased to welcome the galleries that will be able to travel as well as international galleries that have been established in France. Among them, we are pleased to announce the participation of galleries Almine Rech, Jeanne Bucher Jaeger, Nathalie Obadia, Perrotin, Templon, Georges-Philippe and Nathalie Vallois. For the very first time, ASIA NOW opens its doors to the Indian art scene and a selection of historical and contemporary artists. Several highlights will be presented by international galleries and will bear witness to the vitality of Indian contemporary art: the Nathalie Obadia gallery with artist Rina Banerjee, Perrotin with Bharti Kher, Templon with Jitish Kallat, Atul Dodiya and Anju Dodiya.