50 disques à gagner / 50 CDs to win LaScena Le guide canadien de la musique classique Canada's Guide to Musicale Classical Music La Scène musicale • The Music Scene http://www.brenrose.com/~scena GRATUIT / FREE GRATUIT Vol. 3.7 - mai / May 1998 Gerald Finley Richard Caniell Abroad Immortal Performances

Recorded Music Society Montréal • Québec Toronto Ottawa Winnipeg

Denis Brott Le troisi•me Festival de musique de chambre de MontrŽal Third Montreal Chamber Music

Festival

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et instrumentale. Chaque numŽro contient un calendrier de concerts, de confŽrences, de films, dÕŽmissions ainsi que des critiques et des Sommaire / Contents articles. LSM est publiŽ par La Sc•ne Gerald Finley...... 3 musicale, une organisme ˆ but non-lucratif. La Scena Musicale is dedicated to the enjoy- Denis Brott ...... 4, 5 Mai 1998 - May 1998 ¥ Vol. 3, no. 7 ment of classical music. It is published ten Richard Caniell ...... 6,7 times per year. Inside readers will find listings ƒditeur/Publisher La Sc•ne musicale, of live concerts, lectures, films, broadcasts as Disques du mois / Discs of the Month ...... 8 Directeurs: Wah Keung Chan (PrŽsident), well as articles and reviews. LSM is published Critiques / Concert Reviews ...... 9,21-23 Philip Anson(Vice-PrŽsident), Tom by La Sc•ne musicale, a registered non-profit Le calendrier / Calendar ...... 10-17 Holzinger (TrŽsorier) organization. Le laryngologue / The Throat Doctor ...... 19 RŽdacteurs/Co-Editors Philip Anson, Wah Keung Chan Abonnements/Subscriptions: Questionnaire ...... 20 LÕabonnement postal (Canada) cožte 20$/an Editor, English Text Philip Anson (taxes incluses). S.V.P. envoyez votre nom, Les disques / CD reviews ...... 24 Contributeurs/Contributors Rodrigue Audet, adresse, no. tŽlŽphone/tŽlŽcopieur et courrier Pierre Bellemare, Fran•oise P. Chagnon, Žlectronique. Tous les dons seront apprŽciŽs. Mots croisŽs / Crossword ...... 29 Jacques Desjardins, Eric Legault, Peter Les livres...... 30 Phoa, Joseph So, Jean-Claude ThŽreault, Surface mail subscriptions (Canada) cost Richard Turp $20/yr (taxes included) to cover postage and Traduction / Translation Isabelle Dugas, handling costs. Please mail, fax or email your Mich•le Gaudreau, Alain Pinard, Annie name, address, telephone no., fax no., and Prothin email address. Donations and volunteers are RŽvision Marie Faucher, Tom Holzinger, Eric always welcome. Legault, Annie Prothin, Fran•oise Thomas Calendrier / Calendar Eric Legault, WKC PublicitŽ / Advertising Informez-vous des Mise en page / Typesetting W.K. Chan tarifs publicitaires. Page couverture / Cover page W.K. Chan, Ask for our rates for display and classified ads. HŽl•ne Lamarche Prochain numŽro / Next Issue Scanning Assistant Debra Wright Juin / June 1998 PublicitŽ / Advertising Elisabeth Starenkyj, @http Wayne Collins, Vincent Turp Date limite/Deadline: Version internet Distribution La Sc•ne musicale (MontrŽal, Le 19 mai / May 19, 1998 Toronto, Winnipeg), Distribution Affiche- Tout (QuŽbec), Diffusart (Ottawa) Ver: 1998-04-29 © La Sc•ne musicale. Le con- http://www.brenrose.com/~scena Web page Brandon Kander tenu de La Scena Musicale ne peut •tre repro- Staff Fernando Revolledo duit, en tout ou en partie, sans autorisation de BŽnŽvoles / Volunteers Charles Baulu, Lise l'Žditeur. La direction n'est responsable d'aucun email: [email protected] Pelletier, Natalie Rebelo, Phyllis Stewart, document soumis ˆ la revue. Erin Thrall All rights reserved. No part of this publication Remerciements ˆ / Thanks to Wah Wing may be reproduced without the written permis- Chan, Martin Kamela, Vinh-Kim Nguyen, sion of La Sc•ne musicale. Payette et Simms ISSN 1206-9965 Version imprimŽ/Printed Imprimeur / Printer Payette et Simms ISSN 1206-9973 Version internet Tirage/Circulation 30 000 Photo de couverture / Cover Photo Gerald Finley, photo credit: Winnie Klotz Prochain numŽro sortira Adresse/Address Next Issue 5411 Waverly, Montreal, Quebec, CANADA, Juin / June 1998 McGill Chamber Orchestra H2T 2X8, (514)274-1128/Fax: (514)274-9456, email:[email protected] Web:http://www.brenrose.com/~scena Date limite/Deadline: CONDUCTOR: ALEXANDER BROTT La Scena Musicale, publiŽe dix fois par annŽe, Le 19 mai / May 19 est consacrŽe au plaisir de la musique vocale SOLOIST: RICHARD STOLTZMAN Notaire Clarinet Notary Joseph Silverstone, 5585 Monkland B.A., B.C.L. suite 150 ROSSINI: Montréal, Québec Introduction H4A 1E1 and Variations TÉL: (514) 481-6699 FAX: (514) 481-8133 MOZART: Clarinet concerto in A major

May 11, 1998 Theatre Maisonneuve, 8 pm Tickets: 25$, 18$ THEATRE MAISONNEUVE (students 15$) Place des Arts 844-2112 Admission 790-1245 La Scena Musicale - mai 1998 ¥ May 1998 - Vol. 3, No. 7 - Page 3

thong-rich language, the "ings", the deep "l"s, "d" Canadians Abroad: Gerald Finley and "g" and so on, without corrupting the voice. This BY PHILIP ANSON sional debut in German. Soon after, Tom Graham of is achieved through modification and delay. But if IMG became Finley's agent and English mezzo you sing English the same way you learned to sing Louise Winter became his liebes Weibchen. French or Italian, people will have the feeling it Finley was honored to sing Figaro at the 1994 would have sounded better in French or Italian." opening of Glyndebourne's new opera house, but Finley doesn't have much affinity for modern Papageno became Finley's vehicle to international American song but he hopes to add compositions renown. In 1990 he did the Glyndebourne tour in by Canadians John Greer and Derek Holman to his Peter Sellar's controversial Flute and in 1995 John repertoire. Eliot Gardiner invited Finley to tour Europe in his Does Finley feel threatened by the new spate Flute (recorded on DG Archiv). It was in Amsterdam of excellent young German baritones such as during that tour that Metropolitan Opera artistic Holzmair, Goerne, and Quasthoff? "Not really. administrator Jonathan Friend heard Finley and There have always been many good German bari- offered him his Met debut. tones. I am not German but I have excellent As well as opera, lieder have been important German diction coaches. I have encountered resis- to Finley from the beginning of his career (he has tance to me as an anglophone singing German performed lieder recitals with Julius Drake, Malcolm roles. John Eliot Gardiner got several expert opin- Martineau, and Roger Vignolles). His recent CBC ions on my German diction from the Deutsche ontreal-born baritone Gerald Finley made disc Songs of Travel reveals a sensitive and experi- Grammophon people before I was asked to record a critically-praised Metropolitan Opera enced interpreter of art song. Finley loves lieder Papageno." M debut as Papageno in Mozart's Die because they are challenging and have unlimited The Mozart baritone roles continue to be Zauberflšte last February. La Scena Musicale talked potential for refinement. "Lieder require superb Finley's bread and butter. He has done Guglielmo, with Finley in New York between two Met perfor- technique, a huge resource of colour and depth of Papageno and Masetto Ñ Don Giovanni awaits. He mances. understanding. I learned so much from hearing enjoys Benjamin Britten and wants to sing Billy Gerald Finley received his formative musical Fischer-Dieskau, Prey and Schreier, who all had a Budd. He sang the Count and Olivier in Strauss' training in Ottawa, Ontario. Like singers Daniel marvellous span of color, dynamics and intensity. I Capriccio; he is keen on the Barber in Die Taylor, Kevin Reeves, and David Thompson, Finley began by singing Wolf's very characterful songs. I Schweigsame Frau and perhaps Jochanaan. He received his first introduction to choral music from sang my first Winterreise five years ago and I've dreams of singing Onegin, a perfect lyric middle Brian Law, choir director of St. Matthew's Church in done it a dozen times since then. I won't pretend to baritone role for him. Ottawa. After Finley's voice broke he continued to have mastered it yet. I regard it as a dramatic piece, Finley has appeared on several Deutsche sing in the Ontario Youth Choir, Ottawa Music and I am a dramatic performer. I'm not one to invest Grammophon recordings through his work with Festival, Ottawa Cantata Singers, Ottawa Choral Winterreise with delicate poetic inflections. My life John Eliot Gardiner. Future recording projects Society, and the NAC Opera Chorus, where he got experience is still na•ve and raw, and that's how I include Vaughan Williams' Pilgrim's Progress for his first taste of opera during the now-defunct sing it." Chandos, a shared disc (with Canadian tenor Festival Ottawa. Finley regards the recent spate of lieder Michael Schade) in Hyperion's Schubert series, and Though Finley intended to study science at recordings by very young singers with bemuse- a French melodies album for CBC Records to be the University of Western Ontario or the University ment. "Lieder interpreters get better with age. Older recorded in June 1998. of Toronto, he auditioned in 1978 for David Wilcox, singers with a lifetime of experience interest me Finley's future engagements include Figaro, former director of London's Royal Conservatory of most. When singers reconstruct or deconstruct Papageno and Sharpless at the OpŽra de Paris and Music (RCM). Finley was accepted in 1979, com- Schubert and perform new versions, that certainly Figaro at Covent Garden. The Met has offered him pleting a final year of music school at Ottawa adds a reason to listen to their recordings. In some Papageno again in 1999 and Marcello in 2000. In University before he left for England, where he now cases it is the only reason. I suppose whatever December 1989, Finley will sing Mr. Fox in San lives with his wife and two young sons. attracts new audiences to classical music is good. Francisco's world premiere of Tobias Picker's Finley found the RCM system ideal because After all, we are in the entertainment business." Fantastic Mr. Fox. Finley is particularly excited students could perform on weekends with profes- Finley considers English song as difficult to about a new production of The Magic Flute at the sional choirs and orchestras. "One day I'd be perform as German lieder. "The English language is Lyric Opera of Chicago in 2002. Finley has no opera singing close harmony and Elizabethan madrigals not easy to sing. If you are a native English speak- scheduled in Canada ("It is unfortunate, but at the Lord Mayor's Supper in the Guildhall, the next er you have to overcome many habits of spoken Canadian opera houses don't ask far enough in in a small opera chorus in the country. I can't imag- English Ñ stress, vocal production, and vowel for- advance and then they often want you to sing for ine a better way to learn the profession." After the mation. Spoken habits don't work for singing. You less than usual") but there are plausible rumours RCM, Finley sang with the Cambridge Singers dur- have to get the unique English flavour of our diph- that Finley will perform a song recital in Montreal ing his three years at that university, where he also next season. studied French, Italian, and theology. In 1986 Finley gave up his other choral work to join the Glyndebourne Opera chorus. Then as now, Glyndebourne's year was divided into the sum- mer festival season, where Finley did chorus work and understudy roles, and the winter tour, where he sang roles he had previously understudied. In 1988 he took on bit parts, as a sunglass vendor in Carmen or as Flora's servant in La Traviata, also covering Guglielmo, Sid in Albert Herring (which he sang on tour) and Nick Shadow. Meanwhile Glyndebourne paid Finley's tuition at London's National Opera Studio, a private training institute. The next year (1989) was Finley's annus mirabilis. Roger Norrington hired him as Papageno for The Magic Flute, Finley's first Papageno and his profes- La Scena Musicale - mai 1998 ¥ May 1998 - Vol. 3, No. 7 - Page 4 Rite of Spring: The Third Montreal Chamber Music Festival Rite du printemps : Le troisième Festival de musique de chambre de PAR/ BY PHILIP ANSON Montréal

l y a trois ans, on inaugurait le premier Festival de hree years ago the Montreal musique de chambre de MontrŽal avec une sŽrie Chamber Music Festival inaugurat- I de concerts audacieux au Chalet du Mont-Royal. T ed a daring series of concerts in the Ces concerts avaient ŽtŽ donnŽs en septembre pour Chalet at the Mount Royal lookout. The first co•ncider avec les couleurs de lÕautomne. Mais le festival was held in September 1995 to coin- Festival de 1997 a ŽtŽ reportŽ ˆ la fin du mois de mai cide with the autumn colors on Mount Royal, afin que le public puisse profiter de la chaleur du temps but the second Festival (1997) was moved to et pour lancer la saison estivale montrŽalaise. Tout le late May, to catch the warmer weather and to monde s'est alors demandŽ pourquoi on n'avait pas launch MontrealÕs summer festival season. pensŽ plus t™t ˆ organiser un tel festival au Chalet de la Given the ChaletÕs beautiful site and surpris- montagne Žtant donnŽ la beautŽ du site et une bonne ingly good acoustics, everyone wondered acoustique. En effet, le Chalet avait ŽtŽ insuffisamment why a Festival hadnÕt been done sooner. The utilisŽ avant que Dennis Brott ait su convaincre le maire Chalet had been underused during the Dore Bourque de lui permettre d'utiliser gratuitement les administration, but Festival director Dennis lieux. D•s le dŽbut, les sceptiques prŽdisaient que per- Brott convinced Mayor Bourque to offer the sonne ne sÕaventurerait la nuit en haut de la montagne Chalet at no cost. From the beginning there pour Žcouter de la musique de chambre. Les organisa- were naysayers who predicted that no one teurs ont contournŽ cet obstacle en offrant beaucoup would trekk up the mountain at night for dÕespace de stationnement ainsi quÕun service de chamber music. The Festival countered navettes et les gens sont venus en grand nombre. scepticism with lots of parking and a free LÕŽdition 1997 du Festival sÕest avŽrŽe un immense succ•s artistique et la pro- shuttle service - and the people came. The 1997 Festival was a critical and portion de billets vendus a doublŽ pour atteindre 75 pour cent. Depuis le print- artistic success, and since spring of 1997, Dennis Brott has pulled together an emps 1997 Brott a rŽuni une Žquipe extraordinaire de commanditaires et outstanding team of sponsors and artists to guarantee a strong third Festival, dÕartistes pour assurer le succ•s de ce troisi•me Festival qui dŽbutera le 28 mai which opens on May 28 this year. prochain. Dennis Brott never loses sight of the need for a Festival to be, well, fes- Dennis Brott est conscient quÕun festival se doit de ressembler ˆ une f•te, tive. ÒWe are offering something people donÕt get during the regular concert ÒNous offrons quelque chose que les gens ne peuvent pas trouver lors d'une season: a different assembly of musicians, a beautiful location and a friendly saison rŽguli•re de concerts : un assemblage diffŽrent de musiciens, un endroit approach to music making.Ó Brott rightly points out that the FestivalÕs biggest superbe et une mani•re sympathique dÕaborder la musique.Ó Brott mentionne draw is the magical atmosphere of the Chalet, Òa sanctuary from Montreal right avec raison que lÕambiance magique du Chalet constitue la plus grosse attrac- in the middle of the city.Ó The musicians who perform are friends and colleagues tion du Festival, c'est Òun sanctuaire en plein coeur de la ville.Ó Les musiciens who are more interested in playing together than making big money. ÒI have to qui participeront ˆ lÕŽvŽnement sont des amis et des coll•gues bien plus depend on the kindness of colleagues because we donÕt really pay a fee, it is intŽressŽs ˆ jouer ensemble quÕˆ faire de lÕargent : Òje dois mÕen remettre ˆ la more of an honorarium.Ó The ensembles unite old friends and strangers who gŽnŽrositŽ de mes coll•gues parce quÕon ne paie pas vraiment de cachets, il will, he hopes, become friends, Òlike a musical match-making serviceÓ, he jokes. sÕagit plut™t dÕhonoraires.Ó dit Brott. Les ensembles rŽunissent de grands amis, This yearÕs musicians include Kathleen Winkler, Marcus Thompson, Doug mais aussi des Žtrangers qui, espŽrons-le, deviendront des amis. Cette McNabney, Jerome Lowenthal, James Vandermark, James Campbell, Marc- annŽe, la liste de musiciens comprendra Kathleen Winkler, Marcus Thompson, AndrŽ Hamelin,Lydia Artymiw and the Quatuor Arthur Leblanc. Lara and Scott Doug McNabney, Jerome Lowenthal, James Vandermark, James Campbell, St. John will play together on two Stradivarius violins from the Canada Council Marc-AndrŽ Hamelin, Lydia Artymiw et le Quatuor Arthur Leblanc. Lara et Scott instrument bank. St. John joueront tous les deux sur des violons Stradivarius provenant de la In an effort to break down the barrier betweeen the stage and the audi- banque d'instruments du Conseil des arts du Canada. ence, Brott has developed interactive programming around the theme ÒWords Brott a ŽlaborŽ un programme interactif autour du th•me "La musique et and MusicÓ. Each of the six concerts will feature a reading or dramatic enact- les mots" afin de faire tomber la barri•re entre le public et la sc•ne. Chacun des ment related to the music on the program. All of the FestivalÕs readings will be six concerts comportera une lecture ou une petite reprŽsentation dramatique en translated in both official languages in the programs. Actor Jean Marchand will lien avec la musique qui sera jouŽe. Dans les programmes, ces textes seront read from the book of Revelations and MessiaenÕs text describing the creation traduits dans les deux langues officielles. Avant que ne soit jouŽ leQuatuor pour of Quatuor Pour La Fin du Temps in a concentration camp, before that quartet la Fin du Temps , Jean Marchand lira des extraits de "RŽvŽlations" et du texte is played. Marchand will also read VerlaineÕs La Bonne Chanson before sopra- de Messiaen qui dŽcrit la crŽation de son oeuvre dans un camp de concentra- no Karina Gauvin sings FaureÕs Song cycle of the same name. Before Marc- tion. Il lira Žgalement La Bonne Chanson de Verlaine avant l'interprŽtation par AndrŽ Hamelin and Jacques Drouin play StravinskyÕs four-hand piano arrange- la soprano Karina Gauvin de la pi•ce de FaurŽ portant le m•me nom. Un ment of Sacre du Printemps, a reader (possibly Pierre Trudeau) will read from lecteur (possiblement Pierre Trudeau) lira quelques-unes des premi•res cri- the original critical responses to StravinskyÕs Sacre. To introduce Jan‡cekÕs tiques Žmises au sujet du Sacre du Printemps de Stravinsky. Suivra lÕexŽcution Intimate Letters Quartet, Veronica Tennant and Jean-Louis Roux will read de l'oeuvre par les pianistes Marc-AndrŽ Hamelin et Jacques Drouin dans English, French and Czech selections from Jan‡cekÕs love letters. Members of l'adaptation pour piano ˆ quatre mains qu'en fit le compositeur. Pour introduire the National Theatre School will reenact the famous debate over words and le Quatuor des Lettres Intimes de Jan‡cek, Veronica Tennant et Jean-Louis music (ÒPrimo le parole, doppo la musicaÓ) from StraussÕ opera Capriccio, fol- Roux liront en anglais, en fran•ais et en tch•que des passages choisis parmi lowed by the sextet from that opera. TchaikovskyÕs letters from Florence to his les lettres dÕamour de Jan‡cek lui-m•me. Certains membres de lÕƒcole Russian patron precede his Souvenirs de Florence. The highlight of the Festival nationale de thŽ‰tre rejoueront le cŽlŽbre dŽbat au sujet des mots et de la will be certainly Canadian tenor Jon VickersÕ narration of StraussÕs 55-minute musique (ÒPrimo le parole, doppo la musicaÓ) de lÕopŽra Capriccio de Strauss; tear jerker Enoch Arden, played by pianist Marc-AndrŽ Hamelin. Brott tracked les musiciens encha”neront avec le sextuor de cet opŽra. Les lettres que Vickers down at his retirement home in Bermuda and sold him the Enoch Arden Tchaikovsky Žcrivit de Florence ˆ son mŽc•ne russe prŽcŽderont son oeuvre idea between two golf games. It has been decades since the legendary tenor Souvenirs de Florence. AssurŽment, le clou du Festival sera lÕEnoch Arden de last appeared publically in Montreal. Strauss, une oeuvre empreinte de tristesse, qui dure cinquante-cinq minutes ; Artistically, the Festival has done a terrific job and Brott has worked finan- La Scena Musicale - mai 1998 ¥ May 1998 - Vol. 3, No. 7 - Page 5 la narration en a ŽtŽ confiŽe au tŽnor canadien Jon Vickers et l'exŽcution de cial wonders. This year the Festival received enhanced funding from CACUM, l'oeuvre au piano ˆ Marc-AndrŽ Hamelin. Brott a relancŽ Vickers jusque dans the Gazette offered the Festival half-price advertising, and the Montreal Tourist sa maison de retraite aux Bermudes pour lui proposer, entre deux parties de bureau is paying to fly in foreign journalists to cover the festival. Fonorola spon- golf, lÕidŽe du Enoch Arden. Sa prŽsence constitue un Žv•nement puisqu' il y a sored a one-year appprencticeship bursary, which was awarded to an out- tr•s longtemps que le cŽl•bre tŽnor nÕa pas fait dÕapparition en public. standing cellist, one of Dennis BrottÕs graduate students. All of last yearÕs cor- Le nombre de concerts et le nombre d'artistes participant au Festival cette porate sponsors have returned and many more have joined, including Power annŽe demeurent inchangŽs par rapport ˆ l'annŽe derni•re. Par contre, le bud- Corporation, Herm•s, the Bank of Montreal and Alcan, who will sponsor sever- get, lui, est passŽ de 200 000 $ ˆ 300 000$ principalement ˆ cause d'une aug- al New Orleans-style brass band walkabout concerts in downtown Montreal. mentation des cožts d'organisation et de personnel, selon Brott. Celui-ci a fait Since Brott wants to keep the festival in the smallish 500-seat Chalet, even des merveilles quant au financement. Ainsi, cette annŽe, le CACUM. a aug- sold-out houses will never replace corporate support. The number of chamber mentŽ le montant de sa subvention au Festival, la Gazette pour sa part, va lui music concerts and artists involved remains the same as last year but the bud- allouer des espaces publicitaires ˆ moitiŽ prix et le Bureau de tourisme de get has ballooned from $200,000 to $300,000 largely due to increased organi- MontrŽal dŽfraiera le cožt des billets dÕavion des journalistes Žtrangers afin sational and staff costs, says Brott. And of course Corby Distilleries will supply quÕils mŽdiatisent lÕŽvŽnement. Fonorola a quant ˆ elle constituŽ une bourse free sparkling wine after each concert. With this yearÕs Festival practically a dÕŽtude dÕun an, bourse dŽcernŽe ˆ un violoncelliste exceptionnel, un des Žtu- guaranteed success, next yearÕs Festival is already in the works. Martin Beaver diants de Dennis Brott. Tous les commanditaires de lÕan passŽ participent une is invited, and Dennis Brott hopes to introduce Canadian premieres of new fois de plus au financement du Festival et de nombreux autres s'y sont rajoutŽs, chamber works, and perhaps even a commission. incluant Power Corporation, Herm•s, La Banque de MontrŽal et Alcan qui com- manditera aussi plusieurs concerts populaires donnŽs par des ensembles de cuivres au centre-ville de MontrŽal. Bien sžr, comme l'annŽe derni•re les Distilleries Corby fourniront du mousseux gratuitement apr•s chaque concert. traduction: Isabelle Dugas et Marie Faucher

Premi•re quŽbŽcoise F. Mendelssohn ORATORIO ÇPAULUSÈ Direction : Marthe Lacasse Solistes : Louise Marcotte, RenŽe Lapointe, Hugues St-Gelais, Claude LŽtourneau ______CONCERT -BƒNƒFICE PRODUIT CONJOINTEMENT PAR Association Diab•te QuŽbec Ñ ChÏur classsique de MontrŽal Ñ Orchestre symphonique de Laval ¥ Samedi 6 juin, 20h , ƒglise Saint-Pie X, Chomedey, Laval Ð COMPLET ¥ Mardi 9 juin, 20h, ƒglise St-Jean-Baptiste de MontrŽal ¥ Samedi 13 juin, 20 h, ƒglise St-Pierre-Ap™tre, Longueuil Ñ> BILLETS : 25$ ƒtudiants 18$ ¥ (514) 321-0791

L’ECM et la Bande Magnétik EN CONCERT Montréal, mercredi 6 mai 1998, Les Arts du Maurier présente 20h00 Salle Pierre-Mercure (Centre Pierre-Péladeau) 1/4 page 300, boul. de Maisonneuve est (métro Berri) Billetterie : 987-6919 Information : 524-0173 15$ étudiant 20$ adulte (taxes incl.) tarifs de groupe disponibles I musici

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SƒRIES : RESTORATION SONORE / SOUND RESTORATION L’histoire vivante: Naxos Historical et la filière canadienne History Comes Alive: Naxos Historical and The Canadian Connection PAR/ BY WAH KEUNG CHAN ET/AND PHILIP ANSON l Žtait impossible de se procurer des he idea of historical opera recordings at a reproductions historiques dÕopŽras ˆ des prix budget price was a contradiction in terms I modiques avant lÕarrivŽe des marques Opera T until the recent activities of the Opera Gala (Distribution Pelleas) et Opera dÕOro Gala (Pelleas Distribution) and Opera d'Oro (Distribution Allegro). Les collectionneurs (Allegro Distribution) labels. Now a new initiative accueillent maintenant avec grand enthousiasme between the giant budget CD company Naxos lÕalliance entre Naxos, le gŽant de la vente de and the British Columbia-based Immortal disques compacts, et Immortal Performances Performances Recorded Music Society (IPRMS) Recorded Music Society (IPRMS). La nouvelle has collectors in a state of high excitement. entreprise, Naxos Historical, vient dÕŽditer six Naxos Historical, as the new venture is called, enregistrements radiophoniques du Metropolitan has just released six Metropolitan Opera radio rŽalisŽs dans les annŽes 1930 et 1940, dont la broadcasts from the 1930s and 1940s, previously plupart nÕŽtaient auparavant disponibles que sur available only on pirate labels at five times the low des marques pirates ˆ un prix cinq fois plus ŽlevŽ Naxos price. In many cases these broadcasts are que celui de Naxos. La plupart de ces Žmissions the only existent recordings from the golden age radiophoniques constituent les seuls tŽmoignages of radio of well-known singers in certain roles. existants de plusieurs grands chanteurs de The Canadian behind this exciting initiative l'Žpoque dans certains r™les. is 65-year-old archivist and sound engineer CÕest Richard Caniell, archiviste et ingŽnieur L'Žquipe bŽnŽvole d'Immortal Performances Richard Caniell. Caniell has always been a keen du son canadien, ‰gŽ de 65 ans, qui est ˆ lÕorigine The volunteer staff of Immortal Performances collector of old classical music recordings, but de cette belle initiative. Caniell Žtait depuis toujours un collectionneur back in the 1970s he became fed up with the shady business practices and passionnŽ de vieux enregistrements de musique classique. Au cours des shoddy quality of the products he received from dubbing services and mail- annŽes 1970 il finit par •tre exaspŽrŽ par les pratiques commerciales order houses. In a recent interview from his British Columbia home, Caniell douteuses et la pi•tre qualitŽ des enregistrements quÕil recevait des services de recalled the problems collectors faced back then. "Many of the commercially doublage et d'entreprises de vente par correspondance. Dans une entrevue available recordings were poor 5th, 10th or 15th generation copies. Some rŽcente, rŽalisŽe chez lui en Colombie Britannique, Caniell rappelait les recordings offered in the 1960s were actually intentionally degraded by the probl•mes auxquels les collectionneurs Žtaient confrontŽs ˆ cette Žpoque. Ç Un engineer who supplied the source. I know this because I worked as a sound grand nombre des enregistrements disponibles Žtaient de mauvaises copies, technician at RCA Victor from 1949Ð50, and I heard the quality of original produits de 5, 10 et jusqu'ˆ 15 repiquages. Certains enregistrements offerts tapes." dans les annŽes 1960 Žtaient m•me intentionnellement dŽgradŽs par The last straw for Caniell came in 1979 when he ordered a Toscanini lÕingŽnieur qui possŽdait lÕenregistrement source. Je le sais parce que jÕai broadcast from an American dubbing service. His cheque was cashed, but he travaillŽ comme technicien du son chez RCA Victor, de 1949 ˆ 1950, et que jÕai never got the recording. Figuring he could provide a better service himself, he eu l'occasion d'apprŽcier la qualitŽ des bandes magnŽtiques originales È. decided to explore the supply side of the business. En 1979, Caniell commanda un enregistrement de Toscanini dÕun service In 1980 Caniell formed IPRMS, a non-profit educational society based in amŽricain de doublage. Son ch•que fut encaissŽ mais il ne re•ut jamais lÕen- idyllic New Denver, British Columbia (pop. 600). New Denver is nestled in the registrement. CÕŽtait la goutte qui fit dŽborder le vase. Croyant pouvoir offrir lui- pristine Valhalla mountain range, the background for Caniell's other activity, the m•me un meilleur service, il dŽcidait alors dÕexplorer les possibilitŽs de publier Valhalla Wilderness Society, an environmental preservation group against over- lui-m•me. logging in British Columbia. Caniell spends his days lobbying the government En 1980, Caniell fondait l'IPRMS, une sociŽtŽ sans but lucratif, ˆ objectif on environmental issues and his evenings restoring old operas. "If people find pŽdagogique, dans le beau village de New Denver (600 ‰mes), en Colombie our office's window display of environmental concerns and opera singer photos Britannique. New Denver est nichŽ dans la magnifique cha”ne de montagne an odd combination, I tell them we are dedicated to preserving both our envi- Valhalla, site de lÕautre activitŽ exercŽe par Caniell, la Valhalla Wilderness ronmental and musical heritage." Society, groupe environnemental qui lutte contre les coupes de bois excessives Caniell's goal at IPRMS is not to produce slightly better copies of pirate en Colombie Britannique. Caniell passe ses journŽes ˆ faire pression sur le recordings but to reproduce the master tapes or shellacs from the original gouvernement sur des questions environnementales, et ses soirŽes ˆ restaur- broadcast sources. Of course, it was difficult to get copies from the Museum of er de vieux enregistrements dÕopŽras. Ç Lorsque les gens croient que notre vit- Broadcasting in New York and the Library of Congress in Washington, D.C., rine de sujets environnementaux et de photos de chanteurs dÕopŽra offre une where most of the original transcripts are housed. Caniell's ten years as a crim- combinaison bizarre, je leur rŽponds que nous nous consacrons ˆ prŽserver ˆ inal investigator in Los Angeles was probably good preparation for tracking la fois notre environnement et notre hŽritage musical È. down rare broadcast material. He spent 1981Ð82 licensing the rights from NBC, D•s le dŽpart lÕobjectif poursuivi par Caniell avec l'IPRMS ne consistait obtaining funding from the Canada Council, and getting endorsement from The pas ˆ publier des copies lŽg•rement amŽliorŽes dÕenregistrements piratŽs, National Library of Canada. mais de reproduire les bandes ma”tresses, ou laques, des sources radio- "In 1983, I obtained written permission from the Vice-President of NBC in phoniques originales. New York, directing all holders of the transcriptions to make copies available to Certes, il a ŽtŽ tr•s difficile de se procurer des copies du Museum of us. After that, I also contacted individuals who had major collections of Met Broadcasting de New York et de la Library of Congress de Washington, D.C., broadcasts." The IPRMS collected about 2000 historic opera broadcasts from o• la plupart des transcriptions originales Žtaient conservŽes. Mais 10 annŽes around the world, including 750 first-generation recordings of Metropolitan passŽes par Caniell comme enqu•teur criminel ˆ Los Angeles lÕont sans doute Opera broadcasts. It also owns an extensive collection of Toscanini broadcasts aidŽ dans sa dŽmarche pour retracer des enregistrements rares. Il a consacrŽ bequeathed to Caniell by the maestro's favourite RCA Victor sound engineer, les annŽes 1981 et 1982 ˆ obtenir les autorisations sur les droits de NBC gr‰ce the late Richard Gardner. aux fonds du Conseil canadien et ˆ lÕappui de la Biblioth•que nationale du With permissions granted and recordings in hand, Caniell started the Canada. labour-intensive job of sound restoration. He recruited thirteen volunteers in the Ç En 1983, jÕai obtenu une ordonnance du vice-prŽsident de NBC ˆ New little town of New Denver by handing out samples of his work. He also built up York, demandant ˆ tous les dŽtenteurs de transcriptions de nous remettre des a mailing list of 200 members from 13 countries around the world, including La Scena Musicale - mai 1998 ¥ May 1998 - Vol. 3, No. 7 - Page 7 copies de celles-ci. JÕai aussi communiquŽ avec des personnes qui possŽdaient many prominent music writers and critics. Caniell supplied over 600 record- dÕimportantes collections dÕenregistrements du Met È. L'IPRMS a ainsi rŽuni ings for Paul Jackson's second book on Metropolitan Opera Broadcasts, environ 2 000 enregistrements historiques dÕopŽras de partout dans le monde, dont Sign-Off at the Old Met (Amadeus Press). notamment 750 enregistrements de premi•re gŽnŽration du Metropolitan Opera. In 1995 the IPRM Society almost ceased operations because a LÕentreprise poss•de une collection importante dÕenregistrements de Toscanini, European pirate label was copying its product. According to Caniell, the lŽguŽs ˆ Caniell par lÕingŽnieur du son favori du maestro, feu Richard Gardner. president of Eklipse records, Robert Horneman, posed as a student to Une fois les droits d'acc•s obtenus et les enregistrements en sa possession, obtain over 125 of the IPRMS's best reconstructions, in flagrant violation of Caniell commen•ait le difficile travail de la restauration sonore. Il a alors recrutŽ his signed membership agreement (three months after IPRMS issued a treize volontaires dans la petite ville de New Denver, en distribuant des Žchantillons 1936 Met GštterdŠmmerung to its members, the same recording was com- de son travail. Il sÕest Žgalement constituŽ une liste postale de 200 membres dans mercially released by Eklipse/Walhall). Caniell rejected the expensive idea 13 pays, parmi lesquels de nombreux Žcrivains et critiques musicaux. Caniell a of suing the UK-based company, and he told at least one person Ñ Texan fourni plus de 600 enregistrements pour le deuxi•me livre de Paul Jackson sur les critic and Callas expert John Ardoin Ñ that he was going to abandon his Žmissions radiophoniques du Metropolitan Opera, Sign-Off at the Old Met work. Two weeks later he got a fax from Jonathan Wearn of Naxos propos- (Amadeus Press). ing that Naxos should issue IPRMS recordings. Caniell had already been En 1995, l'IPRMS a failli devoir mettre un terme ˆ ses activitŽs quand il approached by VAI but chose the Naxos offer because it would make s'avŽra qu'une marque europŽenne pirate copiait ses enregistrements. Selon IPRMS recordings cheaply available to a wider public. The first 21 record- Caniell, le prŽsident dÕEklipse Records, Robert Horneman, se faisant passer pour ings were selected from the IPRMS vault by Caniell, John Ardoin, and the un Žtudiant, obtint plus de 125 des meilleures reproductions de editor of Hamburg's Orpheus maga- l'IPRMS, en violation flagrante de lÕentente quÕil avait signŽe en zine on the basis of the rarity of the devenant membre. (Trois mois apr•s lÕenvoi dÕun enregistrement du artists and repertoire. Ardoin chose Met de GštterdŠmmerung aux membres, le m•me enregistrement fut the 1943 Leinsdorf Tristan und Isolde publiŽ par Eklipse/Walhall.) Caniell rejeta lÕidŽe de poursuivre because there was no other Helen lÕentreprise britannique et dŽclara au critique texan John Ardoin, expert Traubel Isolde on the market. It was de Callas, quÕil allait abandonner ce projet. Deux semaines plus tard il recently named Best Historical Issue recevait Jonathan Wearns de Naxos qui lui proposait de publier des by Opera International magazine. enregistrements de l'IPRMS. Caniell avait dŽjˆ re•u une proposition de Since signing the deal with VAI, mais choisit Naxos puisque les enregistrements de l'IPRMS Naxos, Caniell has been spending seraient ainsi disponibles ˆ prix modique ˆ un plus large public. Les 21 his nights and weekends restoring premiers enregistrements ont ŽtŽ triŽs sur le volet dans la vožte de tapes for transfer to CD. He admits l'IPRMS par Caniell, par John Ardoin et par lÕŽditeur de la revue that his remastering techniques are Orpheus de Hambourg, en tenant compte de la raretŽ des artistes et not state of the art, but he hopes the du rŽpertoire. Ardoin a choisi lÕenregistrement de Tristan und Isolde de success of the Naxos series will Leinsdorf parce que cÕest le seul qui permet dÕentendre Helen Traubel allow him to update the IPRMS dans le r™le dÕIsolde. Ce disque a rŽcemment ŽtŽ choisi le meilleur equipment and to learn digital enregistrement historique par le magazine Opera International. restoration technology. Restorations Depuis la signature de cette entente avec Naxos, Caniell passe can take from three hours to weeks ses nuits et fins de semaines ˆ restaurer des bandes magnŽtiques quÕil or months (he spent over two years transf•re sur disques compacts. Il admet que ses techniques de rŽŽdi- on Act III of a 1948 tion ne sont pas les plus avancŽes, mais il esp•re que le succ•s de la Richard Caniell, 1984 GštterdŠmmerung ). Voltage varia- sŽrie Naxos lui permettra de moderniser lÕŽquipement de l'IPRMS et de tions in the original recording equip- s'initier ˆ la technologie de restauration numŽrique. Une restauration peut deman- ment often produce pitch variations, which must be corrected section by der quelques heures, des semaines ou m•me des mois (il lui a fallu plus de deux section. Caniell avoids noise-reduction technology that can reduce the ans pour restaurer le troisi•me acte de GštterdŠmmerung ). Les variations de volt- bloom of the voice (frequencies from 5000-10000 hertz), and he occasion- age dans lÕŽquipement dÕenregistrement original produisent souvent des variations ally boosts the bloom to recreate the excitement of the live performance. de diapason, qui doivent •tre corrigŽes section par section. Caniell Žvite dÕutiliser When Caniell uses two original sources, he uses separate machines to mix la technologie de rŽduction du bruit, qui peut diminuer lÕonctuositŽ de la voix to a third machine, all in the analog domain. Then the recordings are treat- (frŽquences de 5 000 ˆ 10 000 hertz) et il accentue occasionnellement lÕonctuositŽ ed in England with the Cedar System to remove loud successive pops and pour recrŽer lÕexaltation de la performance en direct. Lorsque Caniell utilise deux clicks. sources originales, il utilise des appareils diffŽrents et effectue le remixage ˆ lÕaide Caniell is generally satisfied with the Naxos issues so far. "There are dÕun troisi•me appareil, tous fonctionnant selon le syst•me analogique. Puis les still some teething problems: a couple of recordings have too much or too enregistrements sont traitŽs en Angleterre avec le syst•me Cedar qui Žlimine les little bass, but that will be corrected for the next pressing," he assured us. bruits insolites. Future liner notes will also include photos, a plot synopsis, and biographies Caniell est gŽnŽralement satisfait des Žditions Naxos jusquÕˆ maintenant. Ç Il of the singers. y a encore des ajustements ˆ faire : quelques enregistrements ont trop ou pas Caniell is currently working on restoring a 1944 I Pagliacci with Raoul assez de basse, mais ceci sera corrigŽ dans un prochain enregistrement È, nous Jobin, Licia Albanese and Leonard Warren, which he tracked down in the assure-t-il. DŽsormais les notes accompagnatrices comporteront Žgalement des National Library of Canada's Jobin collection. It is of interest to collectors as photos, un rŽsumŽ de lÕintrigue et la biographie des chanteurs. Albanese's only recorded Nedda, but Caniell was also pleasantly surprised Caniell travaille prŽsentement ˆ la restauration dÕI Pagliacci de 1944, avec by Jobin's Canio. Raoul Jobin, Licia Albanese et Leonard Warren, quÕil a trouvŽ dans la collection Naxos plans to release approximately twenty operas and twenty Jobin de la Biblioth•que nationale du Canada. LÕenregistrement est dÕintŽr•t pour Toscanini broadcasts per year (all over 50 years old, for copyright reasons). les collectionneurs, parce quÕil est le seul enregistrement conservŽ tel quel de la Caniell also hopes to publish his book on the Toscanini broadcasts. The next Nedda de Licia Albanese, mais Caniell a Žgalement ŽtŽ agrŽablement surpris de la batch of Naxos Historical recordings will be released in Canada this sum- qualitŽ du Canio de Jobin. mer. Naxos compte publier environ vingt opŽras et vingt enregistrements de Toscanini par annŽe (tous datant de plus de cinquante ans, ˆ cause des droits dÕau- teur). Caniell esp•re Žgalement publier un livre consacrŽ aux enregistrements de Toscanini. La prochaine sŽrie dÕenregistrements de Naxos Historical para”tra au PROCHAIN NUMƒRO / NEXT ISSUE : JACOB HARNOY Canada cet ŽtŽ. traduction : Alain Pinard La Scena Musicale - mai 1998 ¥ May 1998 - Vol. 3, No. 7 - Page 8

Donizetti: La Fille du rŽgiment directs the orchestra with energy and flexibility. Good Lily Pons, Raoul Jobin, Salvatore Baccaloni, Irra sound quality. Great! - Richard Turp Petina Metropolitan Opera, Genno Papi, conductor, 1940 Ce repiquage dÕune matinŽe historique au Met, Naxos 8.110018-9 2CDs en 1940, ne pouvait pas arriver ˆ un meilleur moment. This recent release Non seulement 1998 marque-t-il le 150e anniversaire of a historic matinŽe at de la mort de Donizetti, mais cet enregistrement rap- the Met in 1940 could not pelle lÕexcellence des deux interpr•tes principaux : la have come at a better soprano Lily Pons et le tŽnor quŽbŽcois Raoul Jobin. time. Not only does 1998 Pons rŽv•le une technique Žblouissante -- quel Ç Salut mark the 150th anniver- ˆ la France È ! -- mais aussi une rondeur de voix, voire sary of Donizetti's death, une douceur de timbre, une ŽlŽgance, un charme but this recording brings vocal presque introuvables aujourdÕhui. La Marie back the excellence of quÕelle interpr•te est ˆ la fois Žmouvante et pŽtillante. the two principal singers: Vous nÕavez quÕˆ Žcouter Ç Il faut partir È... Pour sa the soprano Lily Pons and the tenor from QuŽbec, part, Jobin, comme Pons dÕailleurs, fait preuve dÕune Raoul Jobin. Pons gives us a marvelous technique -- ma”trise totale du style opŽra-comique, mais ce nÕest just listen to "Salut ˆ la France!" -- but also a smooth- pas tout. Son Tonio est chavirant par lÕaisance, lÕŽclat ness of tone, a sweetness of timbre, an elegance and et la beautŽ de la voix et par le ton dramatique. Il faut vocal charm that are difficult to find today. Her Marie is Žcouter Jobin chanter la cavatine Ç Ah ! mes amis ! È both moving and sparkling. You need only listen to "Il pour rŽaliser ˆ quel point les tŽnors modernes sont faut partir"... Jobin (and Pons for that matter) exhibits parfois mŽdiocres. Quelle tragŽdie alors que cette pro- complete mastery of the comic-opera style, but that's duction inclue les coupures traditionnelles, tels la not all. His Tonio is overwhelming for its ease, bright- cabalette de cette m•me cavatine et lÕair sublime de ness and beauty of voice and for its dramatic tone. Tonio Ç Pour me rapprocher de Marie È. En revanche, One must listen to Jobin sing the cavatina, "Ah mes le Sulpice de Salvatore Baccaloni n'a pas la m•me amis!" to realize how mediocre modern tenors some- dimension idiomatique et son incarnation est dŽcidŽ- times are. How unfortunate, then, that this production ment exagŽrŽe. Quant au chef italien Gennaro Papi, il has the traditional cuts such as the cabaletta of that dirige lÕorchestre avec vigueur et souplesse. Je lance cavatina and Tonio's sublime aria, "Pour me rap- un dernier bouquet ˆ la firme Naxos qui a pris lÕinitia- procher de Marie". On the other hand, Salvatore tive de commencer une sŽrie historique qui compte Baccaloni's Sulpice does not have the same idiomatic dŽjˆ neuf titres et de produire un repiquage dÕune dimension, and his incarnation is decidedly exaggerat- grande qualitŽ technique. Merveilleux. - Richard Turp ed. As for the Italian conductor, Gennaro Papi, he Discs of the Month/ Disques du mois J.S. Bach: Cantates pour alto BWV 35, 54 & 170 Hans Werner Henze: Undine Andreas Scholl, countertenor Oliver Knussen / London Sinfonietta Philippe Herreweghe / Orchestre du Collegium Deutsche Grammophon 453-467-2 Vocale It is hard to harmonia mundi HMC 901644 / SRI believe that this is It is always a the world premiere pleasure to recom- recording of mend a new recording HenzeÕs impres- featuring 31-year-old sive three-act bal- German countertenor let Undine, written Andreas Scholl. His for the English previous album, choreographer German Baroque Frederick Ashton in 1957 and premiered by Margot Songs (HMC 901505), Fontaine in 1958. This is great music -- program- remains one of the matic, as ballet music often is -- but also potent, most ravishing early music recordings of all time sophisticated, atmospheric and accessible. The and since then he has gone from strength to fairy tale of the water sprite in love with a mortal strength. Now he offers three of BachÕs four can- man has inspired numerous musical creations tatas for solo alto (probably written for an excep- (DvorakÕs Rusalka, ZemlinskyÕs Die Seejungfrau, tional boy soprano). The liner notes tell us that the LortzingÕs Undine, etc.). Undine, which Henze soaring alto voice in 18th century German church called a Òwonderful Nocturne about Love and music represented the Holy Ghost. In these can- Beauty,Ó belongs with the masterpieces of Debussy, tatas the ecclesiastical message is of the dreary Ravel and Stravinsky. Henze, a German resident in Protestant sort -- sinfulness, guilt, damnation -- but Italy since 1953, imbues his evocative score with the music is fascinating and dramatic, running the Mediterranean light and shadow, scents and gamut from simple recitative to ravishing lullaby sounds of water, forest and air. The rich, shifting (ÒVergnŸgte RuhÕ!Ó BWV 170) to coloratura arias neoclassical orchestration displays fertile invention (ÒMir ekelt mehr zu lebenÓ BWV 170, ÒIch wŸnsche and conjures up a panoply of visual tableaux. nur bei Gott zu lebenÓ BWV 35) that are quite at Knussen and the London Sinfonietta give a defini- odds with the prudish texts. HerrewegheÕs leader- tive performance. The recording is very clean, ship is spirited, the Collegium Vocale orchestra acoustically ravishing, detailed, balanced, with fine plays impeccably, and the organ and harpsichord spatial distribution of the sections. Excellent notes continuo is a delight. A free 35-minute Portrait of (including excerpts from HenzeÕs own diary) in Andreas Scholl CD with highlights from his previ- English, French and German complete this superb ous harmonia mundi recordings completes this irre- offering. sistible offering. La Scena Musicale - mai 1998 ¥ May 1998 - Vol. 3, No. 7 - Page 9

Critique: en concert dŽgagŽe favorise les nombreux dŽplacements des minutes de pur ravissement. Stephen Powell nous personnages. Et on fŽlicite Serge Denoncourt sŽduit par la justesse de son jeu et de sa voix. Son UN PUR d'avoir rŽussi ˆ faire jouer ses chanteurs avec personnage de Figaro lui va comme un gant, bien autant de naturel. Les dimensions plus modestes qu'on aimerait que sa prononciation italienne soit RAVISSEMENT du ThŽ‰tre Maisonneuve permettent d'apprŽcier plus claire par moments. Sa compatriote Christine davantage le jeu des protagonistes et favorisent Brandes campe une Susanna pleine de verve et CES NOZZE DI une meilleure projection vocale. ƒvidemment, on d'esprit. La voix pure et jeune continuera de mžrir et FIGARO. n'est pas encore dans une vraie salle d'opŽra, mais nous souhaitons la rŽentendre ˆ MontrŽal. Seule on peut espŽrer qu'un jour, peut-•tre, MontrŽal l'ob- membre de l'Atelier Lyrique ˆ obtenir un r™le dans tiendra son amphithŽ‰tre vouŽ exclusivement ˆ l'art cette production, Michelle Sutton nous dŽvoile ˆ lyrique. nouveau un instrument rempli de chaleur et d'inten- Cette coproduction de l'OpŽra de MontrŽal et sitŽ. Tout ˆ fait ˆ sa place parmi les vŽtŽrans, son de l'OpŽra de QuŽbec brille par la qualitŽ de sa dis- jeu scŽnique Žtonne par sa fra”cheur et son tribution. Brett Polegato et Lyne Fortin en comte et dynamisme. Hugues Saint-Gelais rŽussit ˆ faire comtesse Almaviva dominent une Žquipe qui aime bonne impression en dŽpit d'apparitions trop cour- se donner la rŽplique : •a bouge et •a se rŽpond du tes et de certains maniŽrismes (pourquoi cet accent tac au tac. En ce sens, les nombreux rŽcitatifs dŽfi- fran•ais chez Basilio et ce zŽzaiement chez Curzio lent avec Žlan et l'usage d'un piano-forte, une qui emp•chent de bien comprendre les mots ?). rŽplique d'un instrument en vogue au temps de Colette Boky a rŽussi son retour ˆ l'OdM apr•s Mozart, au lieu de l'habituel clavecin, nous prŽsente quinze ans d'absence. Sa voix est plus sombre, photo: Yves DubŽ photo: Yves cette musique sous un autre jour, sans aucune plus veloutŽe, mais la projection y est toujours, et PAR JACQUES DESJARDINS entorse ˆ la pratique instrumentale de l'Žpoque. surtout Madame Boky nous communique son plaisir D•s les premi•res mesures, on savait que ces Lyne Fortin et Brett Polegato font dŽjˆ partie de se retrouver sur sc•ne. Noces auraient de l'Žnergie ˆ revendre. Bernard de l'Žlite internationale de l'art lyrique . Leur tech- L'OpŽra de MontrŽal a fait un bon coup en Labadie dirigeait ses Violons du Roy avec une fer- nique impeccable leur permet de chanter d'une s'associant avec l'OpŽra de QuŽbec. Cette produc- veur ˆ la limite de la fŽbrilitŽ. Son tempo de dŽpart, mani•re qui ne laisse transpara”tre aucun effort. tion s'impose jusqu'ici comme la meilleure de la sai- nerveux et endiablŽ, aurait pu nous essoufler s'il Chez lui, le timbre sŽduit dans tous les registres. son. Souhaitons que de semblables collaborations l'avait maintenu au-delˆ de l'ouverture. Son jeu scŽnique et l'ampleur de sa voix suivent les engendrent ˆ l'avenir des projets d'aussi grande Heureusement, les choses se sont placŽes d•s le prescriptions du r™le : voilˆ un grand baryton mozar- qualitŽ. lever du rideau. On surprend alors Figaro et tien. Ë quand son premier Don Giovanni ? Lyne (ci-haut: j.ˆ.d. Christine Brandes, Lyne Fortin, Brett Susanna, emp•trŽs dans leurs draps, s'offrant un Polegato) Fortin nous dŽmontre sa profonde comprŽhension Le Nozze di Figaro ˆ l'OpŽra de QuŽbec, les 9, 12, avant-gožt de leurs Žbats nuptiaux. La sc•ne du style dans le tr•s difficile Dove sono du troisi•me 14, 16, 19 mai 1998 ˆ QuŽbec.Voir calendrier. dŽclenche quelques rires mŽritŽs : elle rŽv•le dŽjˆ acte : elle ornemente la reprise avec tant de gr‰ce l'efficacitŽ et la souplesse de la mise en sc•ne de que sa prestation sid•re le public, qui n'a d'autre Serge Denoncourt. La scŽnographie sobre et choix que de retenir son souffle durant ces longues The International School Master-classes and Seminars (partial listing) Gary Burgess — General Director, Greater Buffalo Opera Mo. Thomas Conlin — Artistic Director, West Virginia Symphony and of Performing Arts Opera Joseph Cranzano — Emmy Award winning make-up artist Julia Davidson — Soprano, Producer Seaside Music Theatre Gildo DiNunzio — Conductor, Metropolitan Opera & coach/accompanist to 1998 Music Festival & Summer Session Luciano Pavarotti August 3-15 Dr. Stanford D. Gittlen MD — Pulmonary medicine specialist Mo. J. Ernest Green — Music Director, Annapolis Chamber Orchestra A complete musical experience and evaluation for singers Michael Lowell Larsen — Producer, Opera Scena Productions, Agent: Warden Associates Artists' Management in two intensive weeks that will change your life! Paul McIlvaine — Tenor and consultant for "Opera as a Business" Leonard Moses — Composer and music critic Working with a world-class faculty, each student will receive Katherine Olsen — Highly sought after New York coach weekly private lessons and coachings. Every facet of the career Gina Nichols — Language and diction coach is addressed through seminars, master-classes and workshops in Diana Reed-Warden — Dramatic soprano, founder of ISPA such areas as: Audition Techniques, Résumé Building, Acting Charles Riecker — Metropolitan Opera and Body Movement, Score Preparation, Vocal Health for Mo. Joseph Rescigno — Artistic Director, Florentine Opera Performance Success, Opera as a Business, and A Singer's Life. Stefan Scaggiari — Concert pianist and recording artist The Opera and Musical Theater Workshops provide an oppor- Christian Steiner — Classical-artist photographer tunity for participants to sharpen their performing skills while Leonard Stone — Executive Director, Calgary Philharmonic Orchestra working on scenes and fully staged productions. In addition, every student will have the opportunity to audition for and work Metropolitan Opera Star with our distinguished maestri and guest arstists and will be presented to the public in two concerts. More than 80 hours of Martina Arroyo — Special Guest Artist instruction for less than $10.00 per hour. For information or a brochure, please contact: In addition, performance contracts, management contracts Michael Lowell Larsen and more than $15,000 in cash prizes have been awarded to P.O. Box 537, Holicong, PA 18928 previous participants at the closing Gala Concerts. Phone: (215) 794-3767 / Fax: (215) 794-8627 Email: [email protected] / Web Site: www.ispa-os.com La Scena Musicale - mai 1998 ¥ May 1998 - Vol. 3, No. 7 - Page 10 Calendrier : 1 mai - 7 juin 1998 • Calendar : May 1 - June 7, 1998

TABLE DES MATIéRES / ABRƒVIATIONS / rŽgional 514) ■ PdA Place des Arts 842-2112: SWP ■ RTH Roy Thompson Hall, 60 Salle Wilfrid-Pelletier, TM ThŽ‰tre Simcoe St., 872-4255 TABLE OF CONTENTS ABBREVIATIONS ■ ASAG Auditorium St-Albert-le-Grand Maisonneuve, 5e Salle ■ SLCA St.Lawrence Centre for the MontrŽal ...... page 12 (Les Dominicains) 2715 ch. C™te- ■ Polyv. CurŽ-Antoine-Labelle, 216 Arts, 27 Front St E (King or Union QuŽbec...... page 15 COMPAGNIES / Ste-Catherine 332-4126 boul. Marc-Aur•le-Fortin, Ste-Rose Subway) 366-7723: JMT Jane Province de QuŽbec ...... page 16 COMPANIES ■ CathŽdrale Christ Church, 1444 Laval Mallett Theatre Ottawa ...... page 16 Union/ Ste-Catherine 842-2112 ■ Salle Tudor, Magasin Ogilvy, 1307 ■ St.Anne's Anglican Church, 270 Toronto...... page 16 COC Canadian Opera Company 363- ■ CCA Centre canadien d'architec- Ste-Catherine ouest Gladstone Ave Ontario ...... page 19 8231, 1-800-250-4653 ture, 1920 rue Baile, comprend: la ■ SCC Salle Claude-Champagne, 220 ■ St.James Cathedral, 65 Church Radio et TV ...... page 19 ECM Ensemble contemporain de Maison Shaughnessy, Salle Paul- av Vincent-d'Indy, Outremont 343- St./King MontrŽal 845-2821 Desmarais 6000 ■ St.Mary Magdalene, Church of, 477 LMMC Ladies' Morning Musical Club ■ CCH Concordia Concert Hall, 7141 ■ UM-MUS UniversitŽ de MontrŽal, Manning Ave 531-7955 AVIS AU LECTEUR 932-6796, 487-2822 Sherbrooke ouest 848-7928, 790- FacultŽ de Musique (suivi du # de la ■ St.Thomas' Church, 383 Huron St NACO National Arts Centre Orchestra 1245 salle), 200 av. Vincent-d'Indy 343- ■ Trinity-St.Paul's Church, 427 Le lecteur devrait confirmer par 594-9400 ■ CHBP voir sous MC Maisons de la 6427 Bloor/Spadina tŽlŽphone les dŽtails de chaque NEM Nouvel Ensemble Moderne (U de culture ■ UofT-MUS University of Toronto concert en cas de changement ou M) 343-5962 ■ CinŽmath•que quŽbŽcoise, rues Ville de / city QUƒBEC et Faculty of Music, Edward Johnson d'annulation. On trouvera les # de OinC Opera in Concert 465-2147 St-Denis/Maisonneuve environs / and area code Bldg, 80 Queen's Park Circle, direct- tŽlŽphone soit dans le calendrier dans OM Orchestre MŽtropolitain 598-0870 ■ CMM Conservatoire de musique de ly behind the McLaughlin la description de l'ŽvŽnement, ou OSL OS de Laval 667-2040 MontrŽal, 100 Notre-Dame est, 873- rŽgional 418 Planetarium at the ROM, accessible 4031, SGC Salle Gabriel-Cusson dans la section "Lieux de concerts", OSM OS de MontrŽal 842-9951 ■ GTQ Grand ThŽ‰tre de QuŽbec, by wheelchair; MMT MacMillan OSMR OS de Mont-Royal 345-9595 ■ CPP Centre Pierre-PŽladeau, 300, SLF Salle Louis-FrŽchette, 269 Theatre; WH Walter Hall; 078 ou sous le nom de la compagnie dans boul. de Maisonneuve est, 987-6919 les "AbrŽviations". Les prix sont OSQ OS de QuŽbec boul. RenŽ-LŽvesque Est (418) 643- Herman Geigen Torel Room, 978- OUM Orchestre de l'UniversitŽ de ■ ƒglise de la Visitation, 1847 boul. 8131 3744, 978-3750x6 arrondis au dollar pr•s. Gouin est MontrŽal 343-6427 ■ Palais Montcalm, 995 pl. d'Youville SMCQ SociŽtŽ de musique contempo- ■ ƒglise St-Denis, 454 rue Laurier (418) 691-7414 OTTAWA est raine du QuŽbec 843-9305 ■ NOTICE TO READERS ■ ƒglise St-Pie-X, 1065 boul. Pie-X, Centrepointe Theatre, Nepean TCC Toronto Children's Chorus 932- PROVINCE DE QUƒBEC Civic Square, 101 Centrepointe Readers should always verify in 8666 Chomedey Laval ■ ƒglise Ste-Famille, 539 rue Notre- ■ Haskell Opera House, 1 Church, Drive, Nepean, 727-6650 advance by phone the details of each TOT Toronto Operetta Theatre 465- ■ NAC National Arts Centre, Centre concert in case of changes or 2912 Dame/ 566 boul. Marie-Victorin, Stanstead Boucherville ■ Victoriaville, Festival international National des Arts, 53 Elgin St., cancellations. You will find the phone TSO Toronto Symphony Orchestra 598- Ottawa (613) 594-9400 (ask about 3375 ■ ƒMVI ƒcole de musique Vincent- de musique actuelle de. LIEUX # either in the calendar within the d'Indy, 628 ch. C™te-Ste-Catherine, SELON L'HEURE: 13h, 17h, 24h: their student specials) ONTARIO event description, or in the "Venues" AUTRES/OTHERS Outremont CŽgep; 15h (sauf le 17), 20h: section, or under the company's name ■ ƒSJB ƒglise St-Jean-Baptiste, 309 CinŽma Laurier; 15h (le 17 seule- GUELPH in the "Abbreviations" section. Prices EL entrŽe libre Rachel est, coin Henri-Julien; ment), 20h30, 22h: ColisŽe des ■ RRC River Run Centre, 35 are rounded off to the nearest dollar. EV Ensemble vocal Chapelle St-Louis, 4230 Drolet Bois-Francs Woolwich St, Guelph 519-763-3000: FA free admission ■ ƒSPL ƒcole secondaire Pierre- -DMT DuMaurier Theatre, -CCH FO freewill offering Laporte 975 Rockland, Ville Mont- TORONTO AND AREA Canada Company Hall, -COOP AVIS AUX PROMOTEURS LP laissez-passer requis/pass required Royal 739-6311 ■ Arts & Letters Club, 14 Elm St Cooperators Hall OC Orchestre de chambre ■ Ges• (Les Salles du), 1200 rue L'inclusion de vos ŽvŽnements OS Orchestre symphonique ■ Betty Oliphant Theatre, 404 Jarvis musicaux dans ce calendrier est Bleury, 861-4036 Street RADIO ET TƒLƒ / RADIO OV offrande volontaire ■ Maison des Arts de Laval, 1395 gratuite. Pour vous assurer que votre r.d.art. rŽcital dipl™me d'artiste ■ Christ Church Deer Park, 1570 AND TV boul. de la Concorde ouest, Laval Yonge St ŽvŽnement paraisse dans un numŽro, r.doct. rŽcital de doctorat ■ MC Maisons de la culture 872-2237 ■ PBS Public Broadcasting Service veuillez nous faire parvenir les dŽtails r.f.b. rŽcital fin de baccalaurŽat ■ Church of St.Leonard, 25 Wanless #631 Ave (Yonge/Lawrence) TV from the USA avant le 15 du mois prŽcŽdant r.f.DESS rŽcital fin de dipl™me d'Žtudes ■ Les concerts gratuits organisŽs par ■ Eastminster United Church, 310 Vermont ETV (part of PBS) l'ŽvŽnement. Les dŽtails requis sont: supŽrieures ■ les Maisons de la culture de Danforth Ave SRC SociŽtŽ Radio-Canada, SRC date, heure, lieu/adresse, titre r.m. rŽcital de ma”trise MontrŽal requi•rent un laissez-pass- CC FM = "La cha”ne culturelle" de SO Symphony Orchestra ■ Fairview Library Theatre, 35 (facultatif), oeuvres, artistes, #tŽl pour er LP, disponible D'UNE Ë TROIS Fairview Mall Dr, North York Radio Canada FM: 100,7 MontrŽal, renseignements et/ou billets. Nous SEMAINES D'AVANCE et pour 95,3 QuŽbec, 90,3 Toronto. L'OpŽra VOIR AUSSI DANS LA SECTION ■ FCPA Ford Centre for the avons aussi besoin des coordonnŽes lequel une preuve de rŽsidence ˆ Performing Arts, 5040 Yonge St., du samedi, 13h30 ˆ 17h00 en "Lieux de concerts" / SEE ALSO MontrŽal est requise; en gŽnŽral les gŽnŽral, selon la durŽe de l'opŽra. compl•tes du promoteur. UNDER "Venues" North York (416) 324-9333: George confŽrences sont avec entrŽe libre Weston Recital Hall, Studio Dans le calendrier, la langue de EL. Theatre l'opŽra est indiquŽe comme suit: [xx] BILLETTERIES / TICKET ■ CHBP Chapelle historique du Bon- o• xx ==> it = italien, al = allemand, NOTICE TO PROMOTERS ■ Glenn Gould Studio, 250 Front St AGENTS Pasteur, 100 rue Sherbrooke est W 205-5555 fr = fran•ais, an = anglais ■ Listings in this calendar are free. To 872-5338 ■ Grace Church-on-the-Hill, 300 CBC Radio2 93.5 FM MontrŽal, PdA 842-2112 ■ MC Frontenac, 2550 Ontario est 94.1 Toronto. Saturday Afternoon at be sure that your event is included, ArticulŽe 844-2172 Lonsdale Rd (near please submit details by the 15th of 872-7882 Spadina/St.ClairW) the Opera, 1:30pm to 6pm (some- Admission 790-1245 ■ MC Plateau Mont-Royal, 465 Mont- times earlier depending on length of the preceding month. Required details OSM 842-9951 ■ LAC Living Art Centre, 201 City Royal est 872-2266 Centre Drive, 4141 Living Arts Drive, opera) are: date, time, venue/address, title Billetech QuŽbec (418) 670-9011 ■ MC Pointe-aux-Trembles 872-2240 ■ TV5 Cable TV (optional), works, artists, phone# for NAC Ottawa (613) 976-5051 Mississauga (905) 306-6000, HH ■ McGill Faculty of Music: PH Pollack Hammerson Hall, T2 Theatre II ■ Bravo! TŽlŽ payante / Pay TV info and tickets. We also need the TicketMaster (416) 872-2262 Hall 555 Sherbrooke W; RH ■ Other FM stations of interest to clas- promoter's name, address, phone#, ■ Massey Hall, Shuter/ Victoria, east Redpath Hall 3461 McTavish; 398- of Yonge 593-4822 sical music lovers in Ontario: CJRT etc. 4547 91.1, Classical 96.3 Toronto, 103.1 MONTRƒAL, LAVAL et ■ McMichael Gallery, 10365 ■ PA Ste-Ad•le Pavillon des Arts de Islington, Kleinburg Eastern Ontario, WQXR NYC environs / and area (code Ste-Ad•le, 1364, ch Ste-Marguerite, ■ Metropolitan United Church, 56 Ste-Ad•le, 514-229-2586, sortie 69 Queen St E, Queen subway de l'autoroute des Laurentides Pauley, chanteurs, Chantal Juillet, ● 14h, 20h. PdA SWP. 20-45$; 20- Lassus, Byrd, Luening. Orpheus Fantaisie sur des th•mes de MONTRƒAL, LAVAL violon, Louise Bessette, Jacques 49$. Les Grands Ballets Singers. 484-7145 l'opŽra "I Puritani" de Bellini; Drouin, Marc Couroux, Rolf Canadiens (voir le 1) ● 20h. Salle Simon-Major, Centre Glinka: Trio pathŽtique en rŽ et environs / and area Bertsch, pianos, McGill Chamber ● 17h. CathŽdrale Christ Church. EL des loisirs, 1375 Grenet, St- mineur; Kovacs: Hommage ˆ Singers, choeur Capella Nueva, (offrande sugg. 5$). Plawutsky Laurent. 10$. Mozart: Nocturnes; Manuel de Falla; Poulenc: Sonate membres de l'OSM, Charles Dutoit Piano Duo. 843-6577 Schubert: SŽrŽnade; Rameau: La "ˆ la mŽmoire d'Arthur Honegger". MAI / MAY (SRC) ● 19h30. Centre d'art la Petite Nuit; oeuvres de la Renaissance. Jean-Fran•ois Normand, clar- ● 20h. PdA SWP. 20-49$. Les ƒglise, 271 rue St-Eustache, St- Ensemble vocal de St-Laurent, inette, Constance Joanis, piano, VENDREDI 1 FRIDAY Grands Ballets Canadiens. Eustache. $. Concert annuel. dir. AndrŽi Bedros. 748-8952 Alexandre Castonguay, violon- Carmina Burana (1966 Nault; RŽpertoire quŽbŽcois. Choeur des ● 20h. ƒglise de St-Eustache. 15$. celle ● 10h-13h. SCC. EL. Cours de Orff), Sinfonietta (1978 Kylian; Iles de St-Eustache, dir. Louise Chanteurs de Sainte-ThŽr•se dir. ● 14h. Maison Beaudry, PAT. LP. Il ma”tre, musique de chambre, Jan‡cek), Urlicht (1976 Forsythe; Couturier. 491-1157 (aussi le 3) J-P. Guindon. 621-5403 Žtait une fois Babylone. Glenn Irvine Arditti Mahler); Cor Perdut (Duato; ● 20h. Auditorium AndrŽ- ● 20h30. ThŽ‰tre du Chenal du LŽvesque, SŽbastien Dufour, ● 12h15. McGill-PH. EL. Bonet). (aussi les 2,7,8,9). 842- Laurendeau, 7450 boul. Moine, 1645 rue du Chenal du guitares. MC Pointe-aux-Trembles Performance exams, voice: 2112, 790-1245 Cousineau, St-Hubert. 10$. Moine, Ste-Anne de Sorel. 12$. 872-2240 12h15 S. Eisenhauer, 13h30 G. ● 20h, ƒSJB Chapelle. $. Musique Concert annuel. Choeur ˆ Coeur, Entre le soleil et les dunes. ● 14h. Ste-Anne de Sorel. Choeur Grossman, 15h S. Mercer, 16h15 ancienne et contemporaine. Les dir. Raymond Thibault. 676-9620 Choeur des Edelweiss, dir. Rose des Edelweiss (voir 2) O. Saragosa, 18h30 L. Caprioles, quatuor de flžtes. ● 20h. ƒSJB Chapelle St-Louis. 10- Risse et Normand Geoffrion. 782- ● 15h. CCH. 5-10$. A Multicultural Mackowycz, 20h P. Roach Billets ˆ la porte 15$. Telemann: cantates; 2770 (aussi le 3) Celebration. Concert de printemps: ● 19h. UM-MUS B484. EL. Pierre- ● 20h30. UM-MUS B484. EL. musique de chambre. Ensemble classique, contemporain et folk- Emmanuel LŽvesque, guitare Chantal Denis, chant (r.f.b.) GalatŽe: Chantal McNeil, soprano, DIMANCHE 3 SUNDAY lore. Chorale de la CEPGM HŽl•ne Boucher, flžte traversi•re (Junior & Senior), dir. Patricia (r.f.b.) ● ● 20h. CPP. 10$/22.75$. Stravinski: SAMEDI 2 SATURDAY baroque, FrŽdŽric Laporte, basson 9h30-17h. CMM SGC. EL. Abbott et Erica Phare, Daniella baroque, Martin Boucher, clavecin Concours OSMR 1998 Voix et Bernstein, piano. 430-5573, 483- Ragtime; l'Histoire du soldat; ● Pribaoutki; Renard; Les Noces. 10h-17h. Ges•. 22$/25$. (Žtudiants UdeM-MUS) 525-1478 instruments ˆ vent. 345-9595 (voir 7234, 620-4781 Rencontres musicales avec ● 20h. McGill-RH. 8$-10$. Music aussi le 17) ● 15h. ƒglise St-Andrew et St-Paul, Johanne Kolomyjec, Annamaria ● Popescu, Gordon Gietz, Hugues Antoine Padilla. Rachmaninov: about Music. Britten, Gould, 11h. PA Ste-Ad•le. $. Concerts et 3415 Redpath, 842-9991. EL OV. St-Gelais, Kevin McMillan, Wilbur son oeuvre, son Žpoque. 1-514- Hindemith, Willcocks, Billings, de croissants. Schubert: Sonate Britten: The Company of 539-4409 "Arpeggione" D821; Bassi: Heaven; Bales: Te Deum La Scena Musicale - mai 1998 ¥ May 1998 - Vol. 3, No. 7 - Page 11

● 20h. PdA TM. 10-25$. Bach: ● 17h. CathŽdrale Christ Church. EL Fantaisie chromatique et Fugue; JEUDI 7 THURSDAY (offrande sugg. 5$). Stravinski: LUNDI 11 MONDAY Brahms: Variations et fugue sur un ● Mass for voices and ● th•me de Haendel; Schumann: 19h. UM-MUS B421. EL. Liszt, woodwinds. The Cathedral 19h. UM-MUS B421. EL. Michael Mathieu, Scriabine. David Leroux, Latour, piano (r.f.b.) Kreisleriana; Liszt: Sonate en si Singers, Patrick Wedd, cond. 843- ● mineur. Jeno Jando, piano. piano (r.doct.) 6577 19h. UM-MUS B484. EL. Marie- ● 20h. CPP. 14-20$. Hermann: ● JosŽe Goyer, cor (r.f.b.) SociŽtŽ Pro Musica 842-2112, 19h30. Maison des Arts de Laval. ● 845-0532 Quintette pour clarinette et cordes Britten: "Le petit ramoneur". 20h. McGill-PH. 5$. McGill Alumni ● 20h. Westmount Baptist Church, (premi•re canadienne); Dompierre: Jeune OpŽra du QuŽbec (voir 8) Series. Schnittke, Feld, Martinu, Sherbrooke ouest/Roslyn. 9-12$. Les Diableries pour violon et ● 20h. ƒglise Ste-Famille, Barber, Walton. Ivan Lazarov, FaurŽ: Requiem; Monteverdi, piano; Glinka: Trio PathŽtique pour Boucherville. 15$-10$. Concert du piano, with S. Arman, violin, A. Mozart, Elgar, Dvorak, Jones, clarinette, violoncelle et piano. printemps. Bizet, FaurŽ et des Brouwer, flute, M. Esseltine, sopra- Musica Camerata MontrŽal. 489- no Britten: Psalms. Chorale Nouvelle auteurs contemporains: Alain ● de MontrŽal, Annie FrŽdŽrique 8713 (aussi le 16) Payette et Jacques Chailley. 20h. McGill-RH. EL. J.S. Bach. ● 20h. ƒSJB. 22$. Orff: Carmina Braunwin Sheldrick, alto VŽzina, soprano, Michael Meraw, Ensemble vocal Polymnie, dir. ● Pianist, Alexander Tselyakov, as baryton, Robert Frederick Jones, Burana; Andrew Lloyd Webber: Jean-Pierre Guindon. 462-4508 20h. PdA TM. Rossini: Introduction winner of one of the International dir., Pit-Ling Hattie Lau, accomp. Requiem (premi•re montrŽalaise). ● 20h. ƒMVI. 10-15$. Ensemble et variations pour clarinette; Tchaikovsky Competition lead 486-3669 Choeur MŽlodium (250 choristes, vocal fŽminin Modulation (voir le Mozart: Concerto pour clarinette; prizes - May 3- Chapelle historique 60 musiciens), dir. Martin 8) Vaughan Williams: Fantasia; MARDI 5 TUESDAY Dagenais. 253-1557 (aussi le 8) ● Scarlatti/Brott: Trois sonates pour ● 20h. McGill-PH. 5$. Knopke, Seta, Laudamus; Owolabi: Weave for us 20h. McGill-PH. EL. McGill Elezovic, Wierckx, Ogre: Musique cordes. Richard Stoltzman, clar- a garment. Choir of the Church ● 10h-16h, 19h20. CHBP. EL. Prix Conservatory Children's Žlectronique. G.EM.S., Alcides inette, Orchestre de chambre of SASP, Bruce Wheatcroft, dir., Joseph-Rouleau, Concours d'art Chorus, Erica Phare, dir Lanza, dir McGill. 487-5190, 842-2112, 790- Kola Owolabi, ass. organist vocal des Jeunesses musicales ● 20h. McGill-RH. EL. Fasch: ● 1245 20h. McGill-RH. 20$/13$/5$. ● ● 15h. ƒglise St-Joseph, 10050 boul. du Canada: 10h-15h20 ƒlimina- Concerto pour trompette en rŽ; Ensemble Arion (voir le 8) 20h. SCC. EL. ƒtudiants en Žlec- Gouin est, Rivi•re-des-Prairies. LP. toires, 19h20 Finale Mendelssohn: Sextuor piano et ● 20h. PA, Ste-Ad•le. 25$. Donizetti, troacoustique (UdeM), profs Jean D'amour et de libertŽ. Lise ● 10h30. PdA SWP. 19$. cordes; Dvorak: Quintette op.77; PichŽ et Marcelle Desch•nes Puccini, Verdi, Rossini, Cilea: Airs ● Christophe, soprano, Marie- Tchaikovsky: Ouverture en fa; Saint-Sa‘ns: Septuor pour piano, d'opŽras et mŽlodies italiennes. 20h20. UM-MUS B421. EL. France Groulx, mezzo, avec Bruch: Concerto pour alto et clar- cordes et trompette. Paul Nathalie Martel, piano (r.f.b.) Louise Marcotte, soprano ● piano, violon. MC RDP inette; Dvorak: Symphonie #9 "Du Merkelo, trompette, Ensemble ● 20h. PdA 5e salle. Ensemble 20h30. UM-MUS B484. EL. ● 15h30. CHBP. LP. Chopin, Nouveau Monde". Neal Gripp, Allegra (cordes, piano). 489-5631 vocal Louis-Pierre Chatelle (voir Christian Beaucher, cor (r.f.b.) ● 20h. PdA SWP. 20-49$. Les Tcha•kovsky, Liszt, Debussy, alto, Robert Crowley, clarinette, 8) MARDI 12 TUESDAY Rosenblatt. Alexandre Tselyakov, OSM, Charles Dutoit. 842-9951 Grands Ballets Canadiens (voir ● 20h30. ƒglise Enfant-JŽsus, 7075 piano ● le 1) 14h. ƒglise des P•res boul. Marie-Victorin, Tracy. 10$. ● ● 18h. ƒMVI. 10$. Bach, Beethoven, Franciscains, 5750 Rosemont. 5$. ● 20h. SCC. EL. Rythmes de Bali. 19h. ƒMVI. EL. JournŽes de la Concert annuel gospel. Choeur musique fran•aise, finales, piano Bellini, Catalani, Doloukhanian, Mozart, FaurŽ, pop. Ensemble Atelier de gamelan (UdeM), dir Gospel de la MontŽrŽgie, dir. Ganatchian, Prokofief, Schumann, vocal Sylvain Mathieu et chant (voir le 10) ● Alain Desc™teaux et Louise ● 19h. UM-MUS B484. EL. Karine Choukhadjian. Zinaida Varosian, ● 19h30. SCC. EL. Bach, Barber, 20h. St.Philip's Church, Beaunoyer. 742-4720 piano, Ana•t Khamroian, soprano, BrockN/SherbrookeW, Montreal Bouliane, chant (r.f.b.) Ewald, Rathaus, Renwick, ● Salle Roland-Brunelle, Centre cul- ● Hagop Boyadjian, piano, dipl™mŽs Wagner. Les Cuivres (UdeM), dir West. 30$/gratuits enfants accom- 20h. PdA SWP. 14-39$. FaurŽ: turel, 20 rue St-Charles-BorromŽe Masques et Bergamasques des Conservatoires de Tbilisi et Albert Devito pagnŽs. Montreal West Concerts sud, Joliette. Ensemble contem- d'Erevan. Association des musi- ● 20h. CCH. EL. Medusa (voir le 4) Gala 98. Brahms, Vivaldi, op.112; Rachmaninov: Concerto porain de MontrŽal, Bande pour piano #3; Stravinski: Sacre ciens armŽniens 276-9479, 339- ● 20h. McGill-PH. EL. Schubert: Paganini, Bach, Kodaly, Villa- MagnŽtik (voir le 4) 759-6202 5729 Winterreise. Vito De Filippo, bass- Lobos. Jan Simons, baryton, ● du printemps. Yefim Bronfman, 20h. Church of the Advent, 4119 piano, OSM, Dutoit. 842-9951 ● 19h. FACE Theatre, 3449 baritone (r.m.), Paul Wyse, piano Richard Roberts, Marianne Dugal, de Maisonneuve W. 30$/gratuit University. 10$. FACE School ● 20h. PdA SWP. 14-39$. Gidon violons, Eugene Plawutsky, piano, (aussi le 13) enfants accompagnŽs. ● 20h. SCC. EL. ƒtudiants en Žlec- Benefit Concert. Nathalie Kremer, violon, OSM (voir le 4) Paul Merkelo, trompette, Davis Westmount Concerts Gala 98. Choquette, Cantare, FACE Junior ● 20h. UM-MUS B421. EL. Joachim, guitare. 481-9133 (voir troacoustique (UdeM), profs Jean Brahms, Bach, Kodaly, Villa- PichŽ et Marcelle Desch•nes & Senior Treble Choirs. 845-6183 Beethoven, Brahms, Franck. aussi le 9) Lobos, Vivaldi, Paganini. Jan ● 19h30. ƒSJB Chapelle. $. Le print- Alexandre Castonguay, violon- VENDREDI 8 FRIDAY Simons, baryton, Richard Roberts, MERCREDI 13 WEDNESDAY emps de la guitare. Musique celle (r.f.DESS), Gregory Marianne Dugal, violons, Eugene d'AmŽrique du Sud. Fortin & Chavardian, piano ● 14h. UM-MUS B421. EL. Plawutsky, piano, Davis Joachim, ● 12h. CHBP. EL. Schumann, Dela, LŽveillŽ, guitares (voir aussi le guitare. 481-9133 (voir aussi le 7) 24). Billets ˆ la porte MERCREDI 6 WEDNESDAY VŽronique Martin, flžte (r.f.b.) Bach, Haydn, Chopin. Steven ● ● 19h30. Maison des Arts de Laval. Warywoda, 12 ans, piano 19h30. St-Eustache. Choeur des DIMANCHE 10 SUNDAY ● Iles de St-Eustache (voir 2) ● 19h. CinŽmath•que quŽbŽcoise. $. 8-15$. Britten: "Le petit 19h. UM-MUS B421. EL. ● 20h. McGill-RH. 5$. Haydn: Piano CinŽma muet en musique. ramoneur" (pour un public de tout ● Alexandre Da Costa, piano (r.f.b.) 11h. CPP. 19-21$. Paroles et ● 19h30. ƒMVI. $15-50. Concours Trios #12, 5, 26, 39 (Hob.XV: 36, Germaine Dulac: La souriante ‰ge). Jeune OpŽra du QuŽbec, dir. Musique (concert commentŽ par 1, 13, 25). Olivier Brault, violon, Mme Budet; RenŽ Clair: Paris qui Gilbert Patenaude, Mariane JournŽes de la musique le chef avec traduction simul- fran•aise, gala de cl™ture (voir le Marcel Saint-Cyr, violoncelle, dort (France 1923) Patenaude, piano. 622-1910 tanŽe). Stravinski: Le Sacre du ● ● 20h. Auditorium du cŽgep 10) Mireille LagacŽ, pianoforte. 398- 19h. UM-MUS B421. EL. Nicolas printemps. OSM, Charles Dutoit. ● 5514 (voir le 19) Raymond-AlamŽ, clarinette (r.f.b.) Ahuntsic, 9155 St-Hubert, MC 20h. McGill-RH. EL. Schubert, 842-9951 Prokofiev, Schumann. Akop ● 20h. UM-MUS B484. EL. ● 20h. CCH. EL. Medusa (voir le 4) Ahuntsic-Cartierville. 15$/10$ ● 13h. ƒMVI. EL. Auditions canadi- Schnittke: Sonate pour violon; ● 20h. CPP. 15-20$. Ensemble con- membres. Festival Musique Multi- Boyadjian, piano (r.m.) ennes: Concours international de ● 20h. PdA SWP. Yefim Bronfman, Tchaikovsky: Trio pour violon, vio- temporain de MontrŽal, Bande MontrŽal. Ensemble UzumŽ Taiko chant du Belvedere, Autriche; loncelle et piano. Les Petites MagnŽtik. 987-6919, 524-0173 (comŽdiens, danseurs, musiciens OSM (voir le 12) Concours international de chant de ● 20h. SCC. EL. Genevi•ve Musiques de chambre, prof (voir le 4) japonais). 856-3787, 844-2172 Bilbao, Espagne; Jeunes Jean-Eudes Vaillancourt ● 20h. ƒglise St-Pie-X. $. Mozart: ● 20h. ƒMVI. 10-15$. Schubert, Charest, fin ma”trise UdeM, chant Ambassadeurs Lyriques, Canada. ● 20h30. UM-MUS B421. EL. Marie- Grande Messe en do mineur; Brahms, Dering, de Lassus, Holst, Concours JournŽes de la LUNDI 4 MONDAY Symphonie #40. Ingrid David Scott Lytle: crŽation. HŽl•ne Papillon-Ferland, piano musique fran•aise, Žlimina- (r.f.b.) SchmithŸsen, Monique PagŽ, Ensemble vocal fŽminin toires, piano seulement. ThŽ‰tre ● 10h-18h. CHBP. EL. Prix Joseph- Benjamin Butterfield, Nathaniel Modulation, Lucie Roy, dir. 385- LyrichorŽgra 20 684-7287 (voir le JEUDI 14 THURSDAY Rouleau, Concours d'art vocal Watson, Choeur de l'OS Laval, OS 6253 (aussi le 9) 12, 13, et Toronto le 9) ● 20h. ƒSJB. 22$. Orff: Carmina des Jeunesses musicales du Laval, J-F Rivest, chef. 622-7222 ● 14h. ThŽ‰tre de la Ville de ● Canada: ƒliminatoires ● Burana; Andrew Lloyd Webber: 19h. UM-MUS B421. EL. Vincent 20h. McGill-PH. EL. Schubert, Longueuil. 20$. Lopez: La Belle Tardrew, piano (r.f.b.) ● 20h. CCH. EL. Medusa, inter-uni- Chopin, Schumann. Julia Requiem (voir le 7) ● de Cadix, opŽrette. 647-5784, ● 19h. UM-MUS B484. EL. Diane versity electroacoustic concert Gavrilova, piano (r.doct.) 20h. McGill-RH. 20$/13$/5$. J.S. 448-5313 Bach: Concertos brandebourgeois Belisle, chant (r.f.b.) (aussi les 5, 6) ● 20h. McGill-RH. EL. Arnold, ● 14h. CCA Salle Paul-Desmarais. ● ● 20h. MC Frontenac. LP. Lundis #3-6. Ensemble Arion (voir aussi 20h. CHBP. LP. Schubert, Villa- Bernstein, Gršndahl, Watkins, 20$/13$/5$. Ensemble Arion (voir Lobos, Schumann. Maria Clodes d'Edgar. Frigon, Gingras, Debussy, Defaye, Poulenc. les 9, 10). 355-1825 le 8) Sokolovic, Herskowitz/Brubeck. ● 20h. PdA 5e salle. 15$-20$. Jaguaribe, piano Cynthia Yuschyshyn, trombone ● 15h30. CHBP. LP. Les coups de ● 20h. ƒglise St-LŽon de Ensemble contemporain de (r.m.), et al Concert annuel "Voyage en chan- coeur d'I Musici de MontrŽal. MontrŽal, VŽronique Lacroix, dir, ● sons": extraits d'opŽras, opŽrettes, Westmount, 4311 Maisonneuve 20h. PdA TM. $. HŽtu: Concerto Beethoven. Sofia Gentile, violon, ouest. 10-28$. Handel: airs Bande MagnŽtik, Matthew pour marimba, vibraphone et comŽdies musicales. Ensemble Alain Aubut, violoncelle, Richard Herskowitz, piano. 524-0173 vocal Louis-Pierre Chatelle. 669- d'opŽra composŽs pour Farinelli. cordes (crŽation); Charlie Chaplin: Raymond, piano Daniel Taylor, contretŽnor, (aussi le 6 CPP, le 9 Joliette) "City Lights" (le film et sa 9534, 842-2112 (aussi 9) ● 19h30. ƒglise St-Germain, 28 ● 20h. McGill-PH. EL. Finzi, Tippett, ● 20h. PdA SWP. 20-49$. Les Studio de musique ancienne de musique). Marie-JosŽe Simard, Vincent-d'Indy, Outremont. 8-15$. MontrŽal, Christopher Jackson, Vaughan Williams. Terence percussions, I Musici de Grands Ballets Canadiens (voir "Ave Maria" polyphonie mariale. Mierau, tŽnor (r.m.), Robin le 1) dir. 861-2626 MontrŽal, Yuli Turovsky. 982- Biebl, Bruckner, Gorecki, ● 20h. McGill-RH. EL. Tomasi, Bach, Wheeler, piano 6037 Palestrina, Parsons, plainsong, ● 20h. McGill-RH. EL. FaurŽ, Lopez. ● SAMEDI 9 SATURDAY Heiden, Dubois, Dautremer. 20h. CPP. 15-20$. Ensemble con- Poulenc, Rachmaninov, Stravinsky, HŽl•ne Raymond, saxophone Jason Lopez, contrebasse (r.m.) temporain de MontrŽal (voir le 4), Tavener, Villette. Musica Orbium, ● ● 10h-17h. Ges•. 22$/25$. (r.m.), Shannon Hiebert, piano 20h. PdA SWP. 14-39$. Respighi: 524-0173 Patrick Wedd, chef. 485-7147 ● Airs et danses antiques suite #3; ● Rencontres musicales avec 20h30. UM-MUS B421. EL. 20h30. UM-MUS B421. EL. ● 20h. SCC. EL. ƒtudiants en Žlec- Emmanuelle Quiviger, flžte (r.f.b.) Henze: Symphonie #8; Patrick Boudrias, trombone Antoine Padilla. Wagner: Parsifal, 2•me partie. 1-514-539-4409 troacoustique (UdeM), profs Jean ● 20h30. UM-MUS B484. EL. Tchaikovsky: Concerto pour violon (r.f.b.) PichŽ et Marcelle Desch•nes op.35; Ravel: La Valse. Gidon ● 14h. PdA SWP. 20-35$. Les Raphaelle Paquette, chant (r.f.b.) Kremer, violon, OSM, Charles Grands Ballets Canadiens (voir Dutoit. 842-9951 (aussi 5) le 1) La Scena Musicale - mai 1998 ¥ May 1998 - Vol. 3, No. 7 - Page 12

● apr•s-midi. CMM SGC. EL. ● 20h. McGill-PH. EL. Abe, Thomas, ● 20h. CPP. 21-33$. Spectacle de AndrŽ Doran, orgue (SRC). MC VENDREDI 15 FRIDAY Concours OSMR 1998 Voix et Globokar, Klatsow, PichŽ. danse baroque fran•aise: dans- Ahuntsic-Cartierville ● ● instruments ˆ vent, finales. 345- Catherine Meunier, percussion es de bal, de cour & de thŽ‰tre 20h. ƒglise St.Patrick on the 18h30, 20h. McGill-RH. EL. 18h30 9595 (voir aussi le 3) (r.m.), Lucie Veillette, piano de l'Žpoque de Louis XIV. Island, 278 rue Shamrock, Alexandre Drugov, hautbois ● 20h. SCC. EL. Debussy, Franck, ChorŽgraphies historiques de Pincourt. 10$. "Musique des (r.d.art.), Julia Gavrilova, piano. LUNDI 18 MONDAY Liszt, Shostakovich. Fanny Roy, Messrs PŽcour, Feuillet & Ballon, AmŽriques". Choeur Vaudreuil- 20h Sarah Stack, hautbois fin ma”trise UdeM, piano et chorŽgraphie originale dans le Soulanges, dir. Diane Geoffrion. (r.d.art.), Pamela Reimer, piano, ● 19h, 20h30. UM-MUS B484. EL. ● 20h30. UM-MUS B421. EL. Karine style baroque "Les Folies fran•ois- 453-2303 Simon Turner, violoncelle, FrŽdŽric Gagnon, trompette Saucier, flžte (r.f.b.) es ou Les Dominos" de Mme ● 20h. ƒglise Ste-Famille, StŽphane LŽvesque, basson (r.f.b.); 20h30 Dan Tremblay, ● ● 20h30. UM-MUS B484. EL. Claire- Lalonger; Musique de Messrs Boucherville. $. Concert annuel 19h. CinŽmath•que quŽbŽcoise. $. trompette (r.f.b.) Isabelle Maufette, chant (r.f.b.) Campra, Lully, Colasse, "Chants sacrŽs et chants CinŽma muet en musique. V. d'Anglebert, di Gatti, Charpentier, d'amour". Ensemble vocal Poudovkine: La M•re (URSS MARDI 19 TUESDAY JEUDI 21 THURSDAY Couperin & Marais. Thomas Baird Amabilis de Boucherville, dir. 1926). Gabriel Thibeaudeau, piano ● (New York), Anne-Marie Gardette Richard Ducas. 655-3877 19h. UM-MUS B421. EL. RenŽe- ● 14h30. UM-MUS B421. EL. ● 18h. CHBP. EL. SMQP SQRM (MontrŽal), ƒdith Lalonger (Paris), ● 20h. McGill-RH. EL. Shchedrin, Paule Gauthier, violon (r.f.b.) MŽlanie Vaugeois, violon (r.f.b.) (voir le 19) ConfŽrence: J'ai tant ● chorŽgraphes-danseurs; Chayes, Haydn, Telemann. Brian 19h. UM-MUS B484. EL. ● 16h30. SCC. EL. Brahms, dansŽ, j'ai tant sautŽ: la danse Ensemble Les IdŽes heureuses, Zanier, trompette (r.m.), Hugh Christiane Jean, chant (r.f.b.) Prokofiev, Schumann. Jimmy baroque en Nouvelle-France. ● Genevi•ve Soly, clavecin & com- Cawker, piano 19h30. ƒSPL. EL. RŽcital de per- Bri•re, piano (r.doct.) Claude Nadeau, claveciniste mentaires (Prix Opus PersonnalitŽ ● 20h. PA, Ste-Ad•le. 25$. Mozart, cussions, classe de Mario Venditti ● 19h. UM-MUS B484. EL. Sylvain ● 19h. Club St.James de MontrŽal, ● de l'AnnŽe 1997 du CQM). 987- Schubert, Spohr: Airs d'opŽras et 20h. ƒcole sec. des Rives, 400, Lapointe, trompette (r.f.b.) 1145 Union, 866-7474. $. 100 Ans 6919 Lieder. Claudine C™tŽ, soprano, MontŽe Dumais, Lachenaie. 12$. ● 19h30. PdA SWP. 13-29$. Adams: de Tango. Piazzola et airs tradi- ● 20h. ƒglise Ste-Genevi•ve, 16037 Jean-Guy Boisvert, clarinette, Ensemble vocal Music-o- Nixon in China, The Chairman tionnels du tango argentin. boul. Gouin ouest, Ste-Genevi•ve. Suzanne Goyette, piano Choeur, dir. Bernard Houde. 964- Dances; Bernstein: The Age of Ensemble Romulo Larrea. 845- 5-15$. Petite suite quŽbŽcoise; ● 20h. ThŽ‰tre de la Vieille 1906 (aussi le 16) Anxiety; Rachmaninov: Prince 0532 ● FaurŽ: In Paradisum; Vivaldi: Ave Chapelle, 270 boul. de l'Ange- 20h. McGill-PH. EL. Bach, Rostislav; Tchaikovsky: RomŽo et ● 19h. UM-MUS B484. EL. Steeve Verum; Gloria. Ensemble vocal Gardien, L'Assomption. 10$. Penderecki, de Falla, Ravel, Juliette. Jean-Yves Thibaudet, Michaud, chant (r.f.b.) Floril•ge de Pierrefonds, dir. Concert printanier. Choeur Le Barber. Amanda Keesmaat, vio- piano, OSM, Charles Dutoit. 842- ● 19h30. Maison Lacha”ne, 37 FrŽdŽric Vogel. 694-4235 Carillon de Repentigny, dir. Lucie loncelle (r.d.art.), Nadine Thiru- 9951 (aussi le 20) Blainville est, Ste-ThŽr•se. 5$. ● 20h. ƒglise Unitarienne, 5035 d'Argencourt. 585-7282 (aussi le Chelvam, piano ● 19h30. SCC. EL. FaurŽ, HŠndel, SociŽtŽ de musique viennoise du ● Maisonneuve ouest. Musiques du 24) 20h30. UM-MUS B421. EL. Mozart, Rodrigo, Strauss, Vivaldi. QuŽbec. ConfŽrence par Dr XXe si•cle. Gougeon, Sokolovic, ● UM-MUS. EL. Concert de fin d'an- VŽronique Vychytil, violon (r.f.b.) Kerry-Anne Kutz, fin ma”trise Eduard Strauss: La dynastie des ● Chostakovitch, Bart—k. Quatuor nŽe. Chorale de l'ƒcole des 20h30. UM-MUS B484. EL. Julien UdeM, chant, Louise-AndrŽe Baril, Strauss. 435-1611 Molinari. 527-5515 (aussi Trois- jeunes, dir. Julie Couture. 343- Patenaude, chant (r.f.b.) piano ● 20h. CHBP. LP. SMQP SQRM (voir Rivi•res le 15) 7572 ● 20h. CHBP. LP. Semaine de la SAMEDI 16 SATURDAY le 19) Boudreau: Les Plan•tes ● 20h. McGill-RH. EL. Bach, musique quŽbŽcoise pour le piano, (crŽation); BrŽgent: Variations par- Schubert, Poulenc, Britten, Cage. DIMANCHE 24 SUNDAY SociŽtŽ quŽbŽcoise de recherche ● all•les. Louis-Philippe Pelletier, Frances Farrell, soprano (r.m.), CCC PrŽvost, 794, rue Maple, en musique, CHBP 19-23/5/98. piano (SMCQ) ● 14h. L'Assomption. Choeur Le PrŽvost 224-4484. SŽrie Shannon Hiebert, piano Hyland, Morin, Palmieri, Pelletier, ● 20h. CPP. 12-26$. Quatuor ● 20h. Salle Le Palace, 1717 Le Carillon de Repentigny (voir 23) "Fernande Chiocchio propose" Pepperall, Provost, Ubertelli. ● ● Claudel. 987-6919 Corbusier, Chomedey. $. Airs et 15h. ƒglise de la Visitation. EL. 13h-17h. CHBP. EL. Ateliers d'in- AndrŽ Ristic, piano (ECM) ● 20h. MC Frontenac. LP. Musique Beethoven, Debussy, terprŽtation: hautbois. David choeurs d'opŽra. Au profit de ● 20h. CPP. 13-26$. L'aventure contemporaine. Brady: l'Association du diab•te de Shostakovich. Olga Ranzenhofer, Walter, hautbois, prof. quŽbŽcoise. Vigneault, Mercure, Escapement (crŽation); Double violon, Jean Saulnier, piano Conservatoire national de Paris et Laval. Natalie Choquette, sopra- Daunais, Gagnon, Carignan, Helix; The Time of Drumming; no/textes, Choeur de Laval, (SRC). MC Ahuntsic-Cartierville Guild Hall de Londres Cirque du Soleil, HŽtu, Mathieu, ● ● Revolutionary Songs, excerpts; Yannick NŽzet-SŽguin, dir, Louise 15h30. CHBP. LP. Hummel, 14h. Atelier de Guido Molinari, etc. Ensemble Amati, Raymond Paul Cram: Halifax Calling (crŽa- Granados, Schumann. Artistes en 3288 Ste-Catherine est. Dialogues Pelletier, piano. 668-0662, 255- Dessaints, dir. art., Pierre Verville, tion). Bradyworks: Tim Brady, 6863, 967-9241 rŽsidence: Le Trio GagnŽ-Richard: ˆ l'atelier. Gougeon, Sokolovic, humoriste, Robert Blondin, anima- compositeur, guitare, Marie-JosŽe ● Claude Richard, violon, HŽl•ne Chostakovitch, Bart—k. Quatuor 20h. UM-MUS B484. EL. Brady, teur, avec projections sur grand Simard, percussion, Louise- Jolivet, Tremblay, Stockhausen. GagnŽ, violoncelle, ƒlise Molinari. 527-5515 Žcran. 987-6919 AndrŽe Baril, piano, Gordon Richard, piano ● 19h. Centre culturel, 15 rue Maple, Catherine Issalys, fin ma”trise, ● 20h. McGill-RH. 5$. Haydn: Piano Cleland, violoncelle, AndrŽ Leroux, flžte, Jenny Perron, piano ● 16h. St.Andrews-Dominion- Ch‰teauguay. 5$-7$. Chansons Trios (Hob.XV: 38, 6, 27, 32). saxophone, Annie Tremblay, Douglas Church, 687 Roslyn Ave.. quŽbŽcoises. Les Fantaisies Olivier Brault, violon, Marcel Saint- soprano (aussi le 27 CHBP) 10$. Pachelbel, Fischer, Muffat, musicales du Suro”t, dir. Lyse Cyr, violoncelle, Mireille LagacŽ, ● 20h. McGill-PH. EL. Explorations Buxtehude, Bach. John Grew, Archambault. 692-4010 pianoforte. 398-5514 (voir le 3) ● Philippines. Haydn, J. RenŽ, orgue. 486-1165 20h. CPP. 15-21$. Musica ● 20h30. UM-MUS B484. EL. Handel, Britten, Santiago, Elgar, ● 19h30. ƒglise St-Ignace, 339, Camerata MontrŽal (voir le 7) Haydn, Schumann, Shostakovich. ● Gagnon. Leander Mendoza, chemin du Fleuve, C™teau-du-Lac. 20h. Lachenaie. Ensemble vocal Cliodhna Ni Aodain, fin ma”trise, tŽnor, Orchestre de chambre de Choeur Vaudreuil-Soulanges Music-o-Choeur (voir 15) violoncelle ● MontrŽal, Wanda Kaluzny, chef. (voir 23) ThŽ‰tre Lac-Brome, 267 Knowlton 871-1224 ● 20h. ƒglise Ste-Famille, Rd, Knowlton. $. Gilbert & MERCREDI 20 WEDNESDAY ● 20h. Salle Pratt & Whitney, 150 Boucherville. Ensemble vocal Sullivan: The Gondoliers. rue de Gentilly, Longueuil. $. Amabilis de Boucherville (voir Montreal West Operatic Society ● 17h. SCC. EL. Debussy, Mozart, Concert du printemps. Coeur 23) (also 23) 514-242-227 Ravel, Scriabine. Angela Kim, fin EnchantŽ, dir. Carmen Girard. ● ƒSJB Chapelle. $. Le printemps ma”trise UdeM, piano 653-3960 de la guitare. Rodrigo. Michel DIMANCHE 17 SUNDAY ● 19h. UM-MUS B421. EL. Nadia ● 20h. Salon Versailles, ancien H™tel Beauchamp, guitare, Daniel Lavoie, flžte (r.f.b.) Windsor. 100$ bŽnŽfice. Un si•cle Boucher, piano (voir aussi le 3). ● 11h. PA Ste-Ad•le. Concerts et ● 19h. UM-MUS B484. EL. Moojang croissants. Kalman, Sieczynski, de tango. Ensemble Romulo Billets ˆ la porte Kim, chant (r.f.b.) Larrea. SociŽtŽ Pro Musica 845- Straus, Strauss, Lehar, Messager: ● 19h30. PdA SWP. 13-29$. Jean- LUNDI 25 MONDAY airs et duos d'opŽrettes; Gounod, 0532 Yves Thibaudet, piano, OSM ● 20h. UM-MUS B421. EL. Bach, Mozart, Rossini: airs et duos (voir le 19) ● 20h. McGill-PH. EL. Mozart, d'opŽra. Chantal Parent, sopra- Mozart, Tchaikovsky. Gyehwa ● 20h. ASAG. 4-7$. Le plaisir du Kim, piano (r.doct.) Martinu, Brahms. Soo-Hyun Ahn, no, Dion Mazerolle, baryton bel canto avec Donizetti. ● ● 20h30. UM-MUS B484. EL. piano (r.m.), K. Sugden, P. Paull, 13h30, 14h30, 15h30. Ch‰teau ConfŽrence par Claire Villeneuve, C. Perron Ramezay (MusŽe du), 280 Notre- Damase, Feld, Loeb, Messiaen, Luc BeausŽjour - 22 mai 1998 musique et diapositives. 332-4126 Reineke. JosŽe Desautels, fin ● 20h. PdA TM. 18$/30$. "One Dame est, Vieux MontrŽal. 3$/5$ Ass. cult. T.X. Renaud ˆ 20h15 Chapelle Saint-Louis Heart, Many Voices". Classical, (= acc•s au musŽe). Les Petits ma”trise, flžte, RenŽe Lavergne, ● 20h. CHBP. LP. SMQP SQRM (voir piano jazz and pop music of Jewish Chanteurs de St-Hyacinthe, dir. le 19) ConfŽrence Musicologie et ● 20h15. ƒSJB Chapelle St-Louis. composers. I Musici de MontrŽal, Marie-ThŽr•se Blais. 861-3708 musique du QuŽbec. Zones inter- VENDREDI 22 FRIDAY David Amram, composer-musician, ● 14h30. PdA SWP. 13-19$. Haydn: dites, dŽlires oniriques, tran- 10-15$. D'Anglebert: Suite en rŽ majeur; Forqueray: 5e suite "La Timothy Hutchins, flute. Concert Symphonie #91; Mendelssohn: scendance pragmatique, une ● 17h30. CHBP. EL. SMQP SQRM Society JPPS 731-2944 Concerto en rŽ mineur pour violon rŽvolution tranquille dans la Rameau". Luc BeausŽjour, (voir le 19) Projection-vidŽo clavecin. 748-8625 MARDI 26 TUESDAY et cordes; Dvorak: Symphonie #9 musique quŽbŽcoise de piano. "AndrŽ Mathieu, musicien", film ● 18h. CCA Maison Shaughnessy. "Du Nouveau Monde". Richard Marc Couroux, pianiste, con- de Jean-Claude Labrecque SAMEDI 23 SATURDAY 125$. ƒvŽnement-bŽnŽfice: Un Roberts, violon, OSM, Charles fŽrencier. 277-7466 ● 19h. CinŽmath•que quŽbŽcoise. $. conte en musique. Ensemble Dutoit. 842-9951 ● 20h. CPP. 13-21$. Histoires CinŽma muet en musique. ● Arion, Carole Chatel, invitŽe. 355- ● 15h. ƒglise de la Visitation. EL. 14h, 20h. CCH. $. d'eaux. Handel, Telemann: Water Reisner: Steamboat Bill Jr., avec Barbershoppers' Pirate Show. 1825 Musique baroque. David Walter, Music; Lesage (crŽation). Buster Keaton (ƒ-U 1928). Gabriel ● 20h. ƒglise ImmaculŽe- Dimiter Jordanov, hautbois, Island City Chorus of the Orchestre Baroque de MontrŽal, Thibeaudeau, piano Greater Montreal Chapter of Conception, 4201 Papineau Mathieu Lussier, basson, Luc Jo‘l Thiffault, dir. 987-6919 ● 19h30. UM-MUS B421. 5$. /Rachel. EL. Bach, Bruhns, Liszt. BeausŽjour, clavecin (SRC). MC SPEBSQSA. 684-7499, 695-3303 ● 20h. ƒglise Notre-Dame, 116 OpŽramania, projection sur grand ● 20h. CHBP. LP. SMQP SQRM (voir Erik Reinart, orgue (r.doct., Ahuntsic-Cartierville Notre-Dame ouest. 20-35$. ● Žcran. Puccini: Manon Lescaut. le 19) Tremblay, Frigon, Lassonde, UdeM) 19h30. Salle AndrŽ-Mathieu, 475 Wagner: Die WalkŸre, acte 1; Der Metropolitan Opera 1980, Scotto, ● 20h. McGill-PH. EL. Bach, Giuliani, boul. de L'Avenir, Laval-des- Schryer, Drouin, Normandeau, Fliegende HollŠnder, ouverture; Domingo, J. Levine Marcel. Carte blanche ˆ Jacques Brouwer, Torroba, Tedesco. Rapides. 15$. Spectacle annuel: Die Meistersinger von NŸrnberg, ● 20h. CHBP. LP. SMQP SQRM (voir MŽlanie Bilodeau, guitare (r.m.) extraits de "Grease". Les Enfants Drouin, piano, avec Olivier ouverture. Linda Roark-Strummer, le 19) Harley, Ferguson, Loubry, danseur ˆ claquettes. ● 20h. PdA SWP. 14-39$. Brahms: de la Chanson, dir. Johanne Mark Lundberg, Edward Russell, Gonneville, Lesage, Oesterle. Rhapsodie pour alto, choeur Poirier-Ledoux. 689-2735 Collab. NEM OM, Joseph Rescigno. 842-2112, Marc Couroux, piano (Centre de ● 20h. ƒglise de la Visitation. EL. d'hommes et orchestre op.53; 598-0870 musique canadienne) AndrŽ Henry, trompette, Marc- Bartok: Cantata profana; La Scena Musicale - mai 1998 ¥ May 1998 - Vol. 3, No. 7 - Page 13

Beethoven: Symphonie #9. ● 19h. UM-MUS B484. EL. Chopin, musique ha•tienne. Lamothe, ƒlie, ● 20h. ƒcole polyv. Louis-Philippe- Christine Brewer, Janis Taylor, Debussy, Haydn, Liszt. Jean- Dauphin, Lecuona, Cervant•s MERCREDI 3 WEDNESDAY ParŽ, 235 boul. Brisebois, Stanford Olsen, John Cheek, Fran•ois Proulx, piano (r.f.DESS) (compositeurs cubains et ha•- ● Ch‰teauguay. 12$-15$. Concert Choeur OSM, OSM, Charles ● 19h30. UM-MUS B421. 5$. tiens). Jorge Gomez-Labrana, 12h. Place Ville-Marie, anniversaire "30 ans de r•ves". Dutoit. 842-9951 (aussi le 27) OpŽramania, projection sur grand piano. 487-8721 UniversitŽ/RenŽ-LŽvesque. EL. Choeur La Boh•me, dir. Alain ● 20h. UM-MUS B484. EL. Miki, Žcran. Puccini: Manon Lescaut. ● 20h. ƒglise St-Matthieu, 1014 FMCM Concerts dans la rue (voir Lanct™t. 698-1019 Serry Jr, Thibault, Tremblay, Covent Garden 1983, Te Kanawa, boul. Richelieu, Beloeil. 10$. le 27/5). Quintette de cuivres, Alain ● 20h. ƒglise St-Denis. Choeur de Trudel, dir Yuyama. Michel Viau, fin ma”trise, Domingo, G. Sinopoli Choeur Monte Vibrato, dir. ● l'Art Neuf (voir 5) percussion ● 20h. CCH. $. Lakeshore Concert Ghislain Bouchard, avec la chorale 13h30-18h30. CHBP. EL. ● 20h. ƒglise St-Henri de Band. 848-7928 Tri-Lys d'Ottawa, dir. GŽrard Concours du Prix d'Europe. Mascouche, 3000 boul. Ste-Marie, MERCREDI 27 WEDNESDAY ● 20h. CHBP. EL. Festival de Brunelle. 446-0957 Auditions publiques. Collab. Mascouche. $. Les Voix des ● AcadŽmie de musique du QuŽbec musique du QuŽbec. Concert des 20h. PdA SWP. 30-94$. Puccini: ● Moulins (voir 31/5) ● 12h. Basilique St.Patrick's, 460 laurŽats du concours (voix, piano, Manon Lescaut. L'OpŽra de 20h. McGill-PH. EL. Denissov, ● 20h. ƒglise St-Pie X, Laval. 18- boul. RenŽ-LŽvesqueW, jardin der- cordes, cuivres, musique de cham- MontrŽal, Diana Soviero, Fabio Bach, Creston, Steprans. Janis 25$. Mendelssohn: Paulus (ora- ri•re. EL. Festival de musique de bre) Armiliato, John Fanning, Peter Steprans, saxophone (r.doct.), torio) op.36 (premi•re quŽbŽ- chambre de MontrŽal 3e Ždition ● 20h. ƒglise St-Viateur, 183 Strummer, OM, Edoardo MŸller, avec Y. Hirota, A. White, D. Laing, coise). Louise Marcotte, RenŽe (FMCM): "Les Paroles et la Bloomfield, Outremont. 12$-10$. dir. 985-2258, 842-2112, 790-1245 A. Walkington Lapointe, Hugues St-Gelais, Musique". Concerts dans la rue. Vivaldi: Gloria RV 589; oeuvres (aussi 1, 4, 6, 10, 13/6) JEUDI 4 THURSDAY Claude LŽtourneau, Choeur Quintette de cuivres, Alain Trudel, religieuses. Choeur de Radio- Classique de MontrŽal, dir. Marthe dir. (autres "dans la rue" 29/5, 1, 3, Canada, dir. FrŽdŽric Vogel. 597- DIMANCHE 31 SUNDAY ● Lacasse, avec orchestre. 321- 5/6; aussi concerts au Chalet de la 13h30-17h30, 19h30-21h30. 6016. (aussi ˆ QuŽbec le 31/5) CHBP. EL. Concours du Prix 0791 (aussi les 9, 13) Montagne, voir le 28 ˆ 20h) ● 20h. ƒMVI. 6-15$ (12$ avant le ● 11h. PA, Ste-Ad•le. 12$. Concert ● 20h. ƒglise St-Rapha‘l de l'Ile ● 20h. ASAG. 4-7$. Dialogues de la des finissants ƒSPL. 229-2586 d'Europe. Auditions publiques. 16). EnvolŽes romantiques. Collab. AcadŽmie de musique du Bizard, 495 rue Cherrier, Ile Musique et de la Nature ˆ travers Brahms: Liebeslieder op.52, ● 14h. ƒglise St-Pie X, Laval. $. Les Bizard. 8$-12$. "Vive l'ŽtŽ". Suite l'oeuvre de grands compositeurs. Voix des Moulins, dir. Alexandra QuŽbec Quatuor op.92; Bruckner: Tota pul- ● 20h. Chalet du Mont-Royal. "Beau Dommage", Les MisŽrables, ConfŽrence par Antoine Ouellette, chra es; Raminsh: Magnificat. Boulianne, OS des Jeunes Laval- chants populaires et classiques. musique et diapositives. 332-4126 Laurentides, dir. AndrŽ Gauthier. FMCM. Prokofiev: Sonate pour Ensemble vocal Musica Viva, deux violons op.56; Choeur Bizaillon, Ensemble Ass. cult. T.X. Renaud Dean Jobin-Bevans, dir, Anne- 961-2009 (aussi le 6 juin) vocal Arsis, dir. Yvan Sabourin. ● 20h. CHBP. LP. Bradyworks (voir ● 14h. Maison des Arts de Laval. $. Moszkowski: Suite op.71 (vio- Marie Denoncourt, Pierre McLean, lons, piano); Sarasate: Navarra 696-4747 aussi 21 MC Frontenac) piano. 376-9884 "Le glaive de feu et la rose des ● 20h. PdA SWP. 30-94$. Manon ● 20h. McGill-PH. EL. Chorale des ● mers", Troupe Fantasia (voir 30) (violons, piano); Lecture: 20h. McGill-PH. EL. Conservatoire Critiques mondiales sur "Le Lescaut, OpŽra de MontrŽal (voir jeunes du Conservatoire, Erica de musique de McGill prŽsente: ● 14h30. McGill-PH. EL. Concert le 30/5) Phare, dir Suzuki, Jean Grimard, dir. Sacre du printemps"; Stravinski: ● les LaurŽats du Concours de Le Sacre du printemps (piano 4 20h. Polyv. CurŽ-Antoine-Labelle, ● 20h. PdA SWP. 14-39$. Brahms, Concertos 1998, avec l'OS des Conservatoire de musique Laval. Troupe des Vagabonds de Bartok, Beethoven, Choeur McGill mains) (CBC). S. St.John, L. jeunes du West Island, Joey St.John, violons, Hamelin, Drouin Boisbriand (voir 5) OSM, OSM (voir le 26) Pietraroia, chef ● 16h, 17h. St.Matthias Church, ● 20h. ThŽ‰tre Palace, 135 rue ● 20h. SCC. EL. Chopin, Liszt. ● C™te St-Antoine & Metcalfe, (Stravinski), pianos; membres de 20h. McGill-RH. EL. Gaultier, l'ƒcole Nationale de ThŽ‰tre, nar- Principale, Granby. 15$-7.50$ <12 Patrice LarŽ, piano (r.doct., Couperin, Forqueray, Westmount. EL offrande vol. 16h ans. Spectacle 10e anniversaire UdeM) Evensong: Bryan Kelly: Evening ration (critiques) (voir le 28/5) Chambonni•res. Johanne ● 20h. McGill-PH. EL. Mozart, "Au bout de nos r•ves". Ensemble Couture, clavecin (r.doct.) Service in C; Purcell: Jehova vocal Plus de Granby, dir. JEUDI 28 THURSDAY ● quam multi sunt hostes; 17h Beethoven, Chopin, Ravel, Louie. 20h30. MC Plateau Mont-Royal. Linda Brady, piano, prof FrŽdŽric Vogel. 293-2080 LP. DŽboussolŽ (voir le 28) organ recital: Genevi•ve Soly. ● h. SCC. $. Stravinski: Quatre ● 11h, 17h45. Salle Tudor. $. Autour ● 933-4296 Conservatoire McGill 20h30. UM-MUS B484. EL. Bach, ● 20h. PdA SWP. 30-94$. Manon Žtudes pour orchestre; de Verdi: Dupin, Verdi. I Musici de Beethoven, Brahms, FaurŽ. ● 19h30. CCH. $. Coll•ge Notre- Mendelssohn: Concerto pour MontrŽal, Eleonora Turovsky, vio- Dame Student Concert. 848-7928 Lescaut, OpŽra de MontrŽal (voir Fran•oise Papillon-Ferland, le 30/5) violon; Dvorak: Symphonie "du lon, Yuli Turovsky, dir. 982-6037 piano (r.f.DESS) ● 19h30. ƒglise Erskine & American, Nouveau Monde". Jean-Yves (aussi le 29) SherbrookeW/du MusŽe. 12$-15$. VENDREDI 5 FRIDAY Chevrolat, violon, OS de la ● 19h. UM-MUS B421. EL. Bach, SAMEDI 30 SATURDAY Janequin, Rameau, Mozart, FaurŽ; CommunautŽ de MontrŽal, dir. Clementi, FaurŽ, Liszt. Annie Denis BŽdard: Messe br•ve; folk- ● 12h. Place du Canada, 1010 Daniel Constantineau. 989-1547 Lavoie, fin ma”trise, piano ● 10h. Nouvelle Acropole, 6753 St- lore quŽbŽcois. Ensemble vocal ● 19h. UM-MUS B484. EL. delaGaucheti•reW. EL. FMCM Denis. $. Au coeur de la musique, Ganym•de, dir. Yvan Sabourin. Concerts dans la rue (voir le DIMANCHE 7 SUNDAY Bethzaida Thomas, chant (r.f.b.) brunch musical. Musique du 20e 597-0222 ● 19h30. ƒSPL. EL. Musique de ● 27/5). Quintette de cuivres, Alain ● si•cle: Debussy, Schoenberg, 20h. SCC. 12$-20$. Beethoven: Trudel, dir 14h. Maison Trestler, Dorion. 10$. chambre. ƒl•ves de sec.2 ˆ 5 chant choral. 277-5404 Fantaisie chorale op.80; ● Concert des finissants ƒSPL. ● 20h. Chalet du Mont-Royal. ● 12h30-15h30, 18h. CHBP. EL/LP. 19h30. CCH. $. Ramacharitham: Schubert: Symphonie #4 Concours du Prix d'Europe. 455-6290 25$/22$/12.50$ (passeport 150$). The Story of Lord Rama. "Tragique" D.417; Schumann: ● 15h, 19h. CHBP. LP. Festival du FMCM. Mozart: Trio "Kegelstatt" 12h30 EL Auditions publiques. 18h Nrithyalaya Foundation of Indian Missa sacra op.147. Leslie LP RŽcital du laurŽat 1997, Olivier Printemps, Concert des laurŽats K.498; Lecture: Verlaine: La Classical Dance and Music. 848- Michaels, soprano, Choeur du concours. Collab. Association bonne chanson; FaurŽ: La Thouin, violon; Proclamation du 7928 Polyphonique de MontrŽal, dir. laurŽat 1998. Collab. AcadŽmie de des professeurs de musique du Bonne Chanson op.61; ● 19h30. Maison des Arts de Laval. Yannick NŽzet-SŽguin, avec 40 QuŽbec Mendelssohn: Sextuor op.110 musique du QuŽbec ● 8$-15$. "Le glaive de feu et la musiciens. 389-1138 ● 19h30. ƒSPL. EL. Concert des 19h30. ƒMVI. 10$. Pergolesi, (SRC). Thompson, Campbell, rose des mers", comŽdie musi- ● 20h. St-Roch de l'Achigan. Les Handel, Mozart, Bellini, Boito, Lowenthal, Winkler, Dugal, finissants cale traitant de pirates du XVIII Voix de l'Achigan (voir 30) ● 20h. ƒglise St-Denis. $. Concert Puccini, Verdi, Obradors, Hahn. Juraskova, McNabney, Brott, si•cle. Troupe Fantasia, dir./mise Concert de l'atelier de chant Vandemark, chambristes; Karina annuel. Rutter: Magnificat. en sc•ne Ghislaine Burque- Choeur de l'Art Neuf, dir. Pierre Aria. 337-2742 Gauvin, soprano; Jean Marchand, BŽlanger; Marie-Claire Baigner, JUIN / JUNE ● 20h. Chalet du Mont-Royal. narrateur. 489-7710 (autres con- Barrette. 376-6692 (aussi le 6) chorŽgr.; Richard Gingras, ● 20h. McGill-PH. EL. Bach-Busoni, FMCM. "Les mots vs la certs au Chalet, les 30/5; 2, 4, 6, accomp. 628-2285 musique", Žvocation de sc•nes 7/6, tous suivis d'une rencontre ● LUNDI 1 MONDAY Rachmaninov, Gallant, Poulenc. 20h. AcadŽmie SacrŽ-Coeur, Marina Kolbas (r.m.), Alexia de l'opŽra "Capriccio"; R. avec les musiciens et dŽgustation Rosem•re. 12$-5$. Ensemble Strauss: Sextuor tirŽ de de vin; Concerts dans la rue, voir ● 12h. Place d'Armes, Vieux- Preston, pianos vocal l'Accroche-choeur de ● 20h. Polyv. CurŽ-Antoine-Labelle, "Capriccio" op.85; Dvorak: Trio le 27). 489-7710, 842-2112 Rosem•re, dir. Diane Geoffrion. MontrŽal. EL. FMCM Concerts op.65; Lecture: Lettres ˆ/de ● 20h. CHBP. LP. Bach, Berio, dans la rue (voir le 27/5). Laval. $. 14e revue musicale fan- 965-0821 taisiste. Troupe des Vagabonds Tchaikovsky, souvenirs de son Henze, Walton. Antonio Lysy, vio- ● 20h. Auditorium de l'Žcole sec. de Quintette de cuivres, Alain Trudel, voyage ˆ Florence; loncelle. Collab. Institut culturel dir de Boisbriand, dir. StŽphane l'Achigan, MontŽe Henri, St-Roch Leroux. 435-7008 Tchaikovsky: Sextuor ˆ cordes italien de MontrŽal de l'Achigan. 10$-5$. "C'est beau ● 20h. PdA SWP. 30-94$. Manon op.70. Quatuor Arthur Leblanc; ● 20h. McGill-RH. EL. Forqueray, le monde". Les Voix de Lescaut, OpŽra de MontrŽal (voir SAMEDI 6 SATURDAY McNabney, Juraskova; Drucker, Bach, Couperin. Olivier Fortin, l'Achigan, dir. Luc Locat. 588- le 30/5) Brott, Artymiw; Dugal, St.John, clavecin (r.d.art.) 4640 (aussi 31) ● Cooper, instrumentistes; Veronica ● MARDI 2 TUESDAY 19h30. ƒglise du Tr•s-St-Nom-de- 20h30. MC Plateau Mont-Royal. ● 20h. Auditorium Notre-Dame-de-la- JŽsus, 1645 av. Desjardins. 15$. Tennant, Jean-Louis Roux, narra- LP. Musique actuelle. Merci, 555 boul. Gouin ouest. 20$. "Musiques de femmes", oeuvres teurs (voir le 28/5) DŽboussolŽ, performance-instal- 34e concert annuel. Choeur Fleur ● 13h30-18h30. CHBP. EL. ● 20h. ƒglise de la Visitation. 15$. Concours du Prix d'Europe. composŽes par des femmes, du lation. Groupe L'oreille ˆ Vincent, de Lys, dir. Theodor Runcie, Moyen åge ˆ nos jours, plusieurs Choeur Alarica, dir. Bernard Jean-Pierre Gauthier, sculpteur Germaine Thibault, piano. 387- Auditions publiques. Collab. Houde. 745-4870 AcadŽmie de musique du QuŽbec premi•res dont Les chants sonore (aussi le 29) 4376 liturgiques d'Anne Lauber. Choeur ● 20h. ƒglise Ste-Gemma, 2555 rue ● 20h. CafŽ Beaux-Instants, Place ● 20h. Chalet du Mont-Royal. Holt. $. Choeur Bizaillon, VENDREDI 29 FRIDAY FMCM. Lecture: Tolsto•: "La Enharmonique de MontrŽal, dir. du Centre culturel, Tracy. 8-12$. Gilbert Patenaude. 661-1534 Ensemble vocal Arsis (voir 6) Choeur de la Paix, dir. Orietta Sonate Kreutzer", extraits; ● ● 12h. CathŽdrale Christ Church, Beethoven: Sonate pour violon 20h. Chalet du Mont-Royal. Bourdages. 743-6279 FMCM. Dvorak: Terzetto, op.74; jardin du clo”tre. EL. FMCM ● 20h. Chalet du Mont-Royal. "Kreutzer" op.47; R. QUƒBEC Concerts dans la rue (voir le 27). Strauss/Tennyson: Enoch Lecture: Jan‡cek: "Lettres FMCM. Mozart: Quintette K.515; intimes", extraits; Jan‡cek: Quintette de cuivres, Alain Trudel, Lecture: RŽvŽlations, texte de Arden, op.38 (CBC). St.John, vio- et environs / and area dir lon, Hamelin, piano; narrateurs: Quatuor ˆ cordes #2 "Lettres Messiaen; Messiaen: Quatuor intimes"; Schumann: Quatuor ● 17h45. Salle Tudor. $. I Musici de pour la fin du Temps (SRC). Jean-Louis Roux (Tolsto•), Jon MontrŽal. (voir le 28) Vickers (Enoch Arden) (voir le 28) pour piano et cordes op.47. Winkler, Dugal, Thompson, Quatuor Arthur Leblanc; St.John, MAI / MAY ● 19h. CinŽmath•que quŽbŽcoise. $. McNabney, Lysy; Brott, Campbell, ● 20h. McGill-PH. EL. Beethoven, CinŽma muet en musique. Fritz Brahms, Cherney. Simon Turner, Dugal, St.John; Drucker, Brott, 1 20h. Palais Montcalm. $. Lowenthal, instrumentistes; Jean Artymiw, chambristes; Veronica Lang: Metropolis (Allemagne Marchand, narrateur (voir le 28) violoncelle (r.m.), Brigitte Poulin, "Chansons nomades" inspirŽes de 1926). Gabriel Thibeaudeau, piano piano Tennant, Jean-Louis Roux, Misha cultures diverses. AngŽlique ● 20h. CHBP. $15-25. SociŽtŽ de Fuchs, narrateurs (voir le 28) recherche et de diffusion de la Ionatos, chanteuse, Henri Agnel, La Scena Musicale - mai 1998 ¥ May 1998 - Vol. 3, No. 7 - Page 14

accompagnements variŽs. 670- 22 20h. ƒglise St-Roch. 22$. Verdi: Groupe vocal La Cantil•ne, dir. 16 20h30. Haskell Opera House. 14$. 9 8:00 pm. NAC Opera. Nexus, 9011 (aussi le 2) Extraits d'opŽra; Borodine: Les Chantal Desbiens. 418-296-3052 Raoul (4 musicians, adaptation of NACO (see May 7) 2 20h. Chapelle du MusŽe des Danses Polovtsiennes; Mahler: 2 20h. Val d'Or. 12$/15$. Chorale le Jewish & Eastern European 13 8:00 pm. NAC Opera. Brahms: AmŽriques, 3, C™te de la Fabrique. Symphonie #2 "Resurrection", Petit Bonheur (voir le 1) melodies) Piano concerto no.1; Koprowski: 10$. Groupe Vocal Aux 4 Vents, finale; Beethoven: Symphonie #9 4 20h. ƒglise St.Joseph, Aylmer. 17 13h-minuit. Victoriaville. $. FIMAV. Ancestral Voices; Beethoven: dir. Gilbert Bouchard et l'orchestre "Ode ˆ la joie", extrait. Choeur de Viktor Ullmann: Song cycles. 4e jour: 13h RenŽ Lussier solo Symphony no.8. Grigory Sokolov, Sinfonia, dir. IrŽnŽe Lemieux. 683- l'UniversitŽ Laval, dir. Guy Donna Brown, soprano, Andrew 14$; 15h Mike Patton (au ColisŽe) piano, NACO, Trevor Pinnock, 5348 Lavigne, avec 70 musiciens et 140 Tunis, piano (SRC) 18$; 17h Miya Masaoka solo 14$; conductor. Pre-concert talk with 2 20h. Palais Montcalm. $. choristes. 656-2131 poste 8668 8 20h30. Haskell Opera House, 1 20h Doppelmoppel 20$; 22h Ikue J.J. van Vlasselaer, 7pm Salon AngŽlique Ionatos (voir le 1) 23 20h. ƒglise St-Roch. Choeur de Church, Stanstead. 14$. Concert Mori, Mike Patton, John Zorn 24$; 14 8:00 pm. NAC Opera. Grigory 3 20h. GTQ SLF. 25-50$. Club l'UniversitŽ Laval (voir le 22) bŽnŽfice, musique de chambre. De 24h Kletka Red 14$. 819-752- Sokolov, NACO (see May 13) Musical de QuŽbec. Maxim 24 L'Anglicane, 33 rue Wolfe, LŽvis. La Fronti•re Chamber Ensemble 7912 (voir le 14 pour lieux) 15 NAC Opera. Gil Shaham, violin, Vengerov, violon. 643-8131 $. Bach, Berlioz, Verdi, Brahms. (musiciens du QuŽbec et du 17 13h30. Alma. Chorale Aquilon NACO 3 L'Anglicane, 33 rue Wolfe, LŽvis. Marie-HŽl•ne Couture, contralto, Vermont), Susan Reininger, chef. d'Alma (voir 16 mai) 19 8:00 pm. NAC Opera. Handel: $. Platti, Schumann, Debussy. Louise Delisle-Bouchard, piano, 819-876-2020, 819-868-2225 17 14h. Haskell Opera House. 7- Orlando, overture and airs; Claude Brisson, saxophone. Suzanne Villeneuve, violoncelle. 9 20h. Salle J.A.Thompson. 18- 8.50$ ˆ l'entrŽe. Ballet Arts: Sammartini: Concerto for soprano Brahms: Trio op.114. Classicus 838-6000 32.50$. Dionne: Suite galactique Dance Concert. Info 802-326- recorder; Vivaldi: Gloria; Concerto de QuŽbec (piano, clarinette, vio- 30 20h. Chapelle historique du Bon- (crŽation); Orff: Carmina 4430 for sopranino recorder. Kathleen loncelle). 838-6000 Pasteur, 1080 rue de la Burana. Aline Kutan, soprano, 18 13h-20h30. Victoriaville. $. FIMAV. Brett, Teresa van der Hoeven, 6 20h. Palais Montcalm. 15$. Chevroti•re. 9.50$-14$. Ramirez: Matthew White, tŽnor, Marc 5e jour: 13h Braaxtaal 14$; 15h sopranos, Patricia Bardon, Festival Musiques au prŽsent. Missa Criolla; oeuvres tradition- Boucher, baryton, OSTR, Choeur Matthew Shipp Trio 18$; 17h The mezzo, Michala Petri, recorder, Hommage ˆ Frank Zappa. nelles de Cuba. Choeur Les polyphonique OSTR, Gilles Nihilist Spasm Band 16$; 20h30 Ottawa Regional Youth Choir, Dangerous Kitchen Ensemble, Rhapsodes, dir. AndrŽ Chiasson. Bellemare. 819-380-9797, 819- The Ex (au ColisŽe) 22$. 819-752- Cantata Singers of Ottawa, Walter Boudreau, chef. 670- 688-3118 373-5340 (aussi le 10) 7912 (voir le 14 pour lieux) NACO, Trevor Pinnock, conduc- 9011(jusqu'au 9) 31 20h. Chapelle historique du Bon- 10 14h. ThŽ‰tre Centennial, 23 14h30, 20h. Haskell Opera House, tor 6 23h. Bar-spectacle d'Auteuil. 8- Pasteur. Ramirez: Missa Criolla. UniversitŽ Bishop, Lennoxville. 4$- Stanstead. 10-14$. Gilbert & 22 8:00 pm. NAC Opera. In the Spirit 15$. Festival Musiques au Choeur Les Rhapsodes (voir 30 8$. Concert de printemps. Choeur Sullivan: The Gondoliers. of Sir Thomas Beecham. Handel: prŽsent (voir le 6). Les Nouveaux mai) Jeunesse de Sherbrooke, dir. Montreal West Operatic Society Solomon, sinfonia "Entrance of the Manipulateurs, collectif de crŽation 31 ƒglise Chalmers-Wesley, 112 rue Jacinthe Dion. 819-562-6022 819-876-2020 Queen of Sheba"; Mozart: Don Avatar P•re-Arnaud. EL. Vivaldi: Gloria 10 19h30. Haskell Opera House. 14$. 23 20h. Le Patriote, Chemin Tour du Giovanni, overture; Field: Piano 7 20h. Palais Montcalm. 8-15$. RV 589; oeuvres religieuses. Nostalchics. Musique de salon Lac, Ste-Agathe des Monts. 10$- concerto no.2; Bizet: Symphony in Festival Musiques au prŽsent Choeur de Radio-Canada, dir. fin du si•cle 7$. Concert annuel. Ensemble C; Delius: A Song Before Sunrise; (voir le 6). Les Classiques des FrŽdŽric Vogel. 683-9194 (voir 10 20h. Salle Lucien-Bellemare du vocal Cadence, dir. Sylvain DubŽ. Two Aquarelles (arr. Fenby); contemporains. Stravinski, Ligeti, MontrŽal 29/5) CŽgep de Matane, 616, av. St- 819-326-3655 GrŽtry (arr. Beecham): ZŽmire et Berio, Penderecki, Plamondon. RŽdempteur, Matane. 12$-5$. 24 20h. ƒglise Ste-CŽcile, 568 rue St- Azor Suite. John O'Conor, piano, Sonia Racine, Marc Couroux, Concert annuel. Choeur Vocalia Paul, Trois-Rivi•res. $. "Pro NACO, Victor Feldbrill, conduc- Ensembles de l'OSQ, Gilles Auger, JUIN / JUNE de Matane, dir. Louise Simard. Organo". Louis Vierne: Messe. tor Denys Bouliane, chefs 418-562-4212 Choeur Pro Musica (1984), dir. 24 NAC. Alain Trudel, trombone, 7 23h. Bar-spectacle d'Auteuil. 8- 5 20h. ƒglise St-Mathieu, 3155 ch 10 20h. Salle J.A.Thompson. 18- Claude Godbout. 819-374-8709 NACO 15$. Festival Musiques au des Quatre-Bourgeois, Ste-Foy. 32.50$. Dionne, Orff; OSTR (voir 24 20h. H™tel du Jardin, St-FŽlicien. 26 8:00 pm. NAC Opera. Dance prŽsent (voir le 6). VidŽo et Žlec- 15$. Pour Dieu et pour le Roy. le 9) 10$-15$. "Clin d'oeil culturel", Theatre of Harlem, NACO troacoustique. Association pour la Delalande: Symphonie pour les 13 20h. Auditorium du CŽgep Beauce chant choral, ballet, instruments, 27 8:00 pm. NAC Opera. Dance crŽation et la recherche Žlectroa- soupers du Roy; Regina Coeli; De Appalaches, 1055, 116e rue, St- poŽsie. Les Amis d'la Chanson Theatre of Harlem, NACO coustique au QuŽbec, Alain Profundis; Jean Gilles: Requiem. Georges. 8$/10$- 12$/14$. de St-FŽlicien, dir. Christine 28 8:00 pm. NAC Opera. "Welcome to Thibault, dir. art Choeur de FideArt, Ensemble ˆ Spectacle annuel. L'ƒcho Dallaire. 418-679-5831 My Living Room" Scottish and Irish 8 20h. Palais Montcalm. 8-15$. cordes Romance, Žtudiants en Beauceron, dir. Vincent Quirion. 29 14h30. ƒglise de Pointe-au-P•re, ballads and more. John Festival Musiques au prŽsent chant de l'UniversitŽ Laval, dir 418-228-7991 (aussi le 16) Bas St-Laurent. 5$. "Chante la McDermott, tenor, NACO (voir le 6). Du contemporain au Alain Vadeboncoeur. 687-3210 14 20h-minuit. Victoriaville. FIMAV paix! Je te chanterai l'an 2000...". 29 8:00 pm. NAC Opera. John jazz. Xenakis, Rea, Cherney, (aussi le 6) 15e Festival international de Chants sacrŽs. Chorale Arc-en- McDermott, NACO (see May 28) Mikhashoff, Antheil. Ensembles de 6 20h. Auditorium du Coll•ge de musique actuelle de ciel, dir. Marise Desch•nes, 250 30 8:00 pm. NAC Opera. John l'OSQ, Gilles Auger, Denys LŽvis, rue Mont-Marie, LŽvis. 10$. Victoriaville. $ selon ŽvŽnement jeunes de 7 chorales de la rŽgion. McDermott, NACO (see May 28) Bouliane, chefs, Louise Bessette, Concert de printemps. Choeur (des passeports-rabais sont 418-723-2487 31 Schubert: Sonatina in a; FaurŽ: piano Polyphonique de LŽvis, dir. disponibles pour la durŽe du festi- 29 20h30. Haskell Opera House. 14$. Violin Sonata no.1; Prokofiev: Five 8 23h. Bar-spectacle d'Auteuil. 8- Jean-Eudes Beaulieu. 835-5680 val). Lieux selon l'heure (voir sous Daniel Thonon Trio Melodies for Violin and Piano; 15$. Festival Musiques au 6 20h. ƒglise St-Dominique, 175 LIEUX DE CONCERTS, 30 20h30. Salle Georges-Beaulieu, Prihoda: Rosenkavalier Waltzes; prŽsent (voir le 6). Les genres Grande-AllŽe ouest. 15$. Choeur PROVINCE DE QUƒBEC). 1er CŽgep de Rimouski, 60 rue de Shaham/Eguchi: Fantasy on ŽclatŽs. InterfŽrences Sardines, de FideArt, Romance (voir le 5) jour: 20h Normand Guilbeault 20$; l'ƒv•chŽ ouest, Rimouski. 12$- Bizet's Carmen; Copland: Ukulele Philippe Venne, dir. art 22h Hard Rubber Orchestra 22$; 20$. Du classique au negro spiritu- Serenade. Gil Shaham, violin, 9 16h30. Palais Montcalm. 15$. 24h InterfŽrence Sardines 12$. al. Chorale de Rimouski, dir. Akira Eguchi, piano Festival Musiques au prŽsent PROVINCE DE QUƒBEC Renseignements concerts, Yannick Gagnon. 418-723-5257 (voir le 6). BŽdŽphonie. Adams, hŽbergement, camping, transport: 31 14h. CŽgep de Victoriaville, 475 Zorn, Oswald, Lussier. SMCQ, 819-752-7912 (jusqu'au 18) rue Notre-Dame est, Victoriaville. JUIN / JUNE Walter Boudreau (voir aussi MAI / MAY 15 13h-minuit. Victoriaville. $. FIMAV. 8$-3$. "Ë la dŽcouverte de nos Sherbrooke le 1) 670-901 2e jour: 13h Arturo Parr A po•tes quŽbŽcois". Les P'tits 3 8:00 pm. NAC Opera. Mozart: 9 19h. GTQ. 24-57$. Mozart: Le 1 20h. Polyv. Le Carrefour, 125 rue Cousmatique 12$; 17h Queen Coeurs, dir. Lyne Dusseault. 819- Serenade no.13 "Eine kleine Nozze di Figaro. OpŽra de Self, Val d'Or. 12$/15$. 25 ans Mab 12$; 20h Crispell Hauser 357-7614 Nachtmusik"; Piano concerto QuŽbec, Stephen Powell, enchantŽs. Chorale le Petit LŽandre Leimgruber 20$; 22h no.20; Brahms: Symphony no.2. Christine Brandes, Lyne Fortin, Bonheur, dir. Jasmine Rondeau. Clusone Trio, Gerry Hemingway Stewart Goodyear, piano, NACO, Brett Polegato, Mich•le Sutton, 819-874-0578 (aussi le 2) Quartet 24$; 24h VolapŸk 14$. OTTAWA Gabriel Chmura, conductor Gary Relyea, Hugues Saint-Gelais, 1 20h. Salle Bandeen, Bishop's 819-752-7912 (voir le 14 pour 4 8:00 pm. NAC Opera. Stewart ƒthel GuŽret, Marc Boucher, Univ., Sherbrooke. 8-17$. lieux) Goodyear, NACO (see June 3) Colette Boky, Choeur de l'OpŽra BŽdŽphonie. Adams, Zorn, 15 20h. Salle Rodophe-Mathieu, MAI / MAY 5-1 Centrepointe Theatre. Orpheus de QuŽbec, Les Violons du Roy, Oswald, Lussier. SMCQ, Walter UQTR. Musiques du XXe si•cle. Musical Theatre Society: "Joseph Bernard Labadie. 529-4142, 643- Boudreau (voir aussi QuŽbec, le Bartok, Chostakovich, Gougeon, 1 8:00 pm. NAC Opera. $28-55. and the Amazing Technicolor 8131, 514-790-1245 (aussi les 12, 9). Collab. Ensemble Musica Sokolovic. Quatuor Molinari. 514- Prokofiev: Cinderella. Moscow Dreamcoat". 727-6650 14, 16, 19) Nova, 819-822-9692 527-5515 (aussi MontrŽal le 22) Classical Ballet, NACO (see 6-13 NAC and streets of Ottawa-Hull. 9 20h00. Palais Montcalm. 8-15$. 1 20h30. Haskell Opera House. 14$. 16 ThŽ‰tre Lac-Brome, Knowlton. $. Apr.29) Canada Dance Festival 1998 Festival Musiques au prŽsent Skal•ne (MontrŽal) Gilbert & Sullivan: The 2 8:00 pm. NAC Opera. $28-55. (voir le 6). Concert de cl™ture. 2 20h. Auditorium des Soeurs de Gondoliers. Montreal West Moscow Classical Ballet (see 1) Bouliane, Boudreau, Glass. Marc- l'Assomption, 251, rue St-Jean- Operatic Society (see 23) 4 7:30 pm. NAC Opera. $37-57. TORONTO AndrŽ Hamelin, piano, Ang•le Baptiste, Nicolet. 10$. Concert du 16 13h-minuit. Victoriaville. $. FIMAV. Virsky Ukrainian National Dance Dubeau, violon, OS QuŽbec, printemps. Les Semeurs de Joie, 3e jour: 13h Martin TŽtreault solo Company et environs / and area Walter Boudreau, Denys Bouliane, dir. Aline Martin, avec Choeur En 12$; 15h Chris Burn Ensemble 7 8:00 pm. NAC Opera. $27-57. chefs Liesse de Sorel, dir. Frans 18$; 17h Malcolm Goldstein solo "Teddy at the Throttle", Mack 10 20h. Manoir Richelieu, 181, av. Liessens. 819-293-5680 14$; 20h Accordion Tribe 22$; 22h Sennett silent film 1916 with MAI / MAY Richelieu, Pointe-au-Pic. 10$. 2 20h. Haskell Opera House. 10$- John Zorn 26$; 24h Pavel Fajt & musical accompaniment; plus Groupe Vocal Aux 4 Vents, 15$. RŽcital chant et piano. Pluto 14$. 819-752-7912 (voir le ragtime and song hits from orchestre Sinfonia. 665-7444 StŽphanie Pothier, soprano, 14 pour lieux) 1890s to 1920s. Nexus (percus- VENDREDI 1 FRIDAY 12 20h. GTQ. 24-57$. OpŽra de Yannick NŽzet-SŽguin, piano 16 20h. Auditorium d'Alma, 850 rue sion ensemble), NACO, Boris ● QuŽbec: Le Nozze di Figaro (voir 2 20h. Salle Maurice-O'Bready, BŽgin sud, Alma. 15$. "Histoires Brott, conductor (also 8-9) 8:00 pm. 12 Alexander St. $24-45. le 9) Sherbrooke. 15$. OS des Jeunes de Choeur", chanson quŽbŽcoise, 8 8:00 pm. NAC Opera. $27-57. Tapestry Music Theatre/ 14 20h. GTQ. 24-57$. OpŽra de de Sherbrooke. 819-821-1000 comŽdie musicale, classique, Nexus, NACO, silent film, rag- Vancouver New Music/ NAC. QuŽbec: Le Nozze di Figaro (voir 2 20h. ThŽ‰tre de Baie-Comeau, negro spiritual et langues time (see May 7) Sharman/Egoyan: le 9) 1660, rue de Bretagne, Baie- Žtrang•res. Chorale Aquilon 9 2:00 pm. NAC Opera. $10.50-$16. Elsewhereless (new opera). 16 20h. GTQ. 24-57$. OpŽra de Comeau. 17$. "MŽli-MŽlo...dies". d'Alma, dir. Francine Fortin. 418- Young People's Concert: Benoit Boutet, Willy Grenzberg, QuŽbec: Le Nozze di Figaro (voir Groupe vocal La Cantil•ne, dir. 662-6030 "Adventures in Africa and Asia". Marcus Nance, Fides Krucker, le 9) Chantal Desbiens. 418-296-3052 16 20h. Auditorium du CŽgep Beauce Nexus, percussion ensemble, Curtis Sullivan, singers, Wayne 19 20h. GTQ. 24-57$. OpŽra de 2 20h. ThŽ‰tre de Baie-Comeau, Appalaches. L'ƒcho Beauceron NACO, Boris Brott, conductor. Pre- Strongman, cond. 872-1212, 800- QuŽbec: Le Nozze di Figaro (voir 1660 rue de Bretagne, Baie- (voir le 13) concert activities Foyer 1pm 461-3333 (until 16, except Mon) le 9) Comeau. 17$. "MŽli-MŽlo...dies". La Scena Musicale - mai 1998 ¥ May 1998 - Vol. 3, No. 7 - Page 15

● 8:00 pm. FCPA. $30-45. Anne ● 8:00 pm. Grace Church-on-the-Hill. Competition for Opera Singers, Rd/Bloor, Museum Subway. $15- Sofie von Otter, mezzo (Metro $14-17. Liturgy to Laud and LUNDI 4 MONDAY Austria; Bilbao International Voice 25. Musically Speaking. Arbor Toronto debut), Bengt Forsberg, Laugh. Vivaldi: Gloria; Glick: ● Competition, Spain; Jeunes Oak Trio, 10th anniversary. piano Moments in Time. The Oriana 11:00 am. UofT-MUS 078. FA. Ambassadeurs Lyriques, Canada. Toronto Early Music Centre 966- ● 8:00 pm. Glenn Gould Studio. $12- Singers, William Brown, cond, 11am recital; 12 noon master JournŽes de la musique 1409 20. Soundstreams Encounters Ruth Watson Henderson, Ian class. Kevin MacMillan, baritone. fran•aise, first round, voice and ● 3:30 pm. Trinity-St.Paul's. $20- 98. T. Ad•s: Living Toys; Sadler, accomp. 742-7006 978-3744 piano. 514-684-7287 (see $40. Tafelmusik (see 7) Darknesse Visible; Five Eliot ● 8:00 pm. UofT-MUS MMT. $10/$5. MARDI 5 TUESDAY Montreal May 10) ● 8:00 pm. 12 Alexander St. $24-45. Landscapes; Heather Schmidt U of T Opera Division (see 1) ● 1:30 pm, 3:30 pm. RTH. $14. Sharman/Egoyan: (Can.): Broken Columns; Solus; La ● 8:00 pm. Willowdale United ● Mozart: Marriage of Figaro, over- Elsewhereless (see 1) 11:00 am. UofT-MUS MMT. FA. ● nuit verte. Valdine Anderson, Church, 347 Kenneth Ave., near 11am recital; 12 noon master ture; Mendelssohn: Violin Concerto 8:00 pm. Glenn Gould Studio. $10- soprano, Rita Costanzi, harp, Max Finch/Yonge. $10-15. Voices of the class. Theodor Baerg, baritone. in E minor, 3rd movt, op.64; 20. Fred Gaviller Memorial Fund. Christie, clarinet, Heather Schmidt, Heart. Teatro Flamenco, Claire 978-3744 Prokofiev: Romeo and Juliet, Brahms: Sonata op.5; Chopin: piano, Thomas Ad•s, guest cond., Carberry, cello, All The King's ● 8:00 pm. 12 Alexander St. $24-45. excerpts; Adam: Giselle, excerpts; Barcarolle: op.60; Beethoven: piano, Encounters Chamber Voices, David J. King, Sharman/Egoyan: Tchaikovsky: Symphony #4, 4th Sonata op.111. Vadim Ensemble, G. Kulesha, cond. 205- conductor. 757-5512 Elsewhereless (see 1) movt. Shane Kim, violin, Toronto Serebryany, piano. 205-5555 5555 ● Symphony Youth Orchestra, ● DIMANCHE 3 SUNDAY 8:00 pm. FCPA. $5-15. Falla: El LUNDI 11 MONDAY 8:00 pm. LAC T2. $27.50. Amor Brujo; Boccherini, Sor, David Zafer, conductor, Mendelssohn, Elgar, Ridout, Students of the National Ballet ● 11:00 am. St.Mary Magdalene. FA. Franck: duos, and more. Manuel ● 12:00 noon. RTH. FA. Parry, Britten. Tony Flint, violin, Barrueco, guitar, Nancy Allen, School. Concert for children age 5 Elizabeth Allen, piano, Sinfonia Easter IV. Willan: Missa Brevis to 12. 593-4828 Stanford, Holst, Vaughan Williams. XIV, St.Asphege; Viadana: harp. Guitar Society of Toronto ● Amadeus Choir of Greater Mississauga 922-8002, 324-9333 2:00 pm, 7:30 pm. du Maurier ● 8:00 pm. St.Thomas' Church. Exsultate Justi Theatre, Harbourfront. $12-19.50. Toronto, Lydia Adams, conduc- $18/$15/$10. Rachmaninoff: ● 1:30 pm. McMichael Gallery. $ MERCREDI 6 WEDNESDAY Malcolm Williamson: Julius tor, Eleano Daley, organ Vespers. Exultate Chamber included with Gallery admission. Caesar Jones. Canadian ● 8:00 pm. Casa Loma. $11. Singers, John Tuttle, conductor. World Music, Parabolica and ● 5:15 pm. Metropolitan United Children's Opera Chorus, John Wurlitzer Pops. Arnold Loxam 961-8382 Sami Da. 905-893-1121 Tuttle, cond., Marily Gronsdal (Blackpool Tower Ballroom, ● Church. FA. Gerald Martindale, ● 8:00 pm. UofT-MUS MMT. $10/$5. 2:00 pm. Fairview Library Theatre. carillon; student organ recital. Powell, dir. 973-4000. (also 10) England). 323-1304, 870-8000, Operettas and musical comedies $. A Little Night Music, Stage 363-0331 ● 5:30 pm. St.Mary Magdalene. FA. 905-526-6000 excerpts. U of T Opera Division. Centre (see 2) ● The Eve of Easter V. Solemn ● 8:00 pm. 12 Alexander St. $24-45. MARDI 12 TUESDAY 978-3746 (also 2) 2:00 pm. Meadowvale Theatre, Sharman/Egoyan: Evensong, Benediction, Ritual ● 8:00 pm. UofT-MUS WH. $. 6315 Montevideo Rd, Mississauga. Elsewhereless (see 1) Choir Farrenc: Trio op.44; Poulenc: $ (benefits local charities). "It don't ● 7:30 pm. Metropolitan United ● 8:00 pm. 12 Alexander St. $24-45. Clarinet Sonata; Debussy: Cello mean a thing if it ain't got that JEUDI 7 THURSDAY Church. $. Annual Spring Concert. Sharman/Egoyan: Sonata; Chan Ka Nin: I think that I swing". Peter Appleyard, Metropolitan Silver Band. 363- Elsewhereless (see 1) ● shall never see. Peggy Baker, Mississauga Pops Concert ● 8:00 pm. 12 Alexander St. $24-45. 0331 8:00 pm. Arts & Letters Club. 5$ dancer, Joaquin Valdepenas, Band, Denny Ringler, dir. 905- Sharman/Egoyan: ● 7:30 pm. Redeemer Lutheran members/$10. Toronto Wagner clarinet, David Hetherington, 821-0090, 338-7772 Church, 1691 Bloor W. $7-10. High Society. Michelle Nevill, soprano Elsewhereless (see 1) ● cello, Patricia Parr, piano. Amici ● 2:00 pm. SLCA JMT. $. Dandies ● 8:00 pm. Betty Oliphant Theatre. Park Recital Series. Juniper 8:00 pm. Glenn Gould Studio. $12- 766-6943 of the Stage: Tribute to No‘l $17-22. Stravinsky: The Rake's Locilento, soprano. Concentus 20. Soundstreams Encounters Coward and Cole Porter. Toronto Progress. Opera Anonymous, Arts 964-8293 98. Joseph Schwantner: In SAMEDI 2 SATURDAY Operetta Theatre: Kristine Daniel Chamandy, Steven ● 8:00 pm. 12 Alexander St. $24-45. Memories Embrace; Music of Anderson, Peter Blanchet, Richard Pitkanen, Heidi Breier, Nina Scott- Sharman/Egoyan: Amber; Two Poems of Agueda ● Hamilton Place, 50 Main St. W., Davidson, Curtis Sullivan Stoddart and Paul Grindlay, Kevin Elsewhereless (see 1) Pizarro; Alexina Louie (Can.): Hamilton. Verdi: Rigoletto. Opera ● 2:00 pm. St.Michael's College, Rm Mallon, cond., Edward Franko, dir. ● 8:00 pm. Betty Oliphant Theatre. Nightfall; Demon Gate; Distant Ontario. 905-526-6556 400, 121 St.Joseph St. $. Lecture: 535-0654 (also 9, 10) $17-22. Opera Anonymous: The Thunder. Erika Tanner, soprano, ● 7:30 pm. Metropolitan United Two Operas of Mozart. Father ● 8:00 pm. Fairview Library Theatre. Rake's Progress (see 8) Lawrence Cherney, oboe, Church. $12-20/$8-14. "Spring the Owen Lee, speaker. 926-7260 $. A Little Night Music, Stage ● 8:00 pm. Fairview Library Theatre. Encounters Chamber Ensemble, Sweet Spring". Buhr: Season of ● 2:30 pm. FCPA. $24-35. Centre (see 2) $. A Little Night Music, Stage G. Kulesha, cond., Alex Pauk, Spring Days; Halley: Song for Beethoven: Sonatas 9, 10, 16, 4, ● 8:00 pm. FCPA. $14-20. Mozart, Centre (see 2) guest cond. 205-5555 Canada; Mathias: Learsongs; 26 "Les Adieux". Louis Lortie, Beethoven, Enescu: Sonatas. ● 8:00 pm. Glenn Gould Studio. $15- MERCREDI 13 WEDNESDAY Mulholland: Life has Loveliness to piano Erika Raum, violin 20. Beethoven Society for Pianists. Sell; Sirett: Two Songs of ● 3:00 pm. Eastminster United ● 8:00 pm. Trinity-St.Paul's. $20- Beethoven, Chopin, Bach, Liszt. Innocence; Telfer: Bleu Eye of Church. $5-15. 17th century ● 8:00 pm. 12 Alexander St. $24-45. $40. Zelenka: Orchestra Suite; Valery Lloyd-Watts, piano. 205- Sharman/Egoyan: God. TCC Senior & Intermediate Italian and German music. Rona J.S. Bach, W.F. Bach: Concertos 5555 Choirs, Jean Ashworth Bartle, Goldensher, violin, David Sandall, ● Elsewhereless (see 1) for 2 harpsichords, BWV1061, 8:00 pm. Grace Church-on-the-Hill. ● 8:00 pm. Fairview Library Theatre. conductor. 932-8666. (also 3) harpsichord. Academy Concert F.10; Vivaldi: Concerto for 2 violins $12-15. Mendelssohn: Elijah. ● 8:00 pm. 12 Alexander St. $24-45. Series 778-1941 $. A Little Night Music, Stage RV 506; Fasch: Quartet. Charlotte Pax Christi Chorale, with soloists & Centre (see 2) Sharman/Egoyan: ● 3:00 pm. George Ignatieff Theatre, Nediger, Marie Bouchard, harp- orchestra, Stephanie Martin, cond. Elsewhereless (see 1) 15 Devonshire Place (St.George sichords, Tafelmusik. 964-6337 484-9149 JEUDI 14 THURSDAY ● 8:00 pm. Birchmount Park Subway). $12-15. Haydn, (also 8, 9, 10) ● 8:00 pm. LAC HH. $25-30. Saint- Collegiate, 3663 Danforth. $8-16. Schubert, Bartok: String Sa‘ns: Organ Symphony; Bruch: ● 8:00 pm. 12 Alexander St. $24-45. Applebaum, Mozart, Mahler. Quartets. Metro String Quartet. VENDREDI 8 FRIDAY Violin Concerto #2; Weinzweig: Sharman/Egoyan: Scarborough Philharmonic, Canadian Chamber Academy 538- Barn Dance from Red Ear of Corn. Elsewhereless (see 1) Jason Li, piano, Jerome 4342 ● 8:00 pm. 12 Alexander St. $24-45. Peter Togni, organist and host, ● ● 8:00 pm. Fairview Library Theatre. Summers. 261-0380 3:00 pm. Metropolitan United Sharman/Egoyan: Tony Flint, violin, Mississauga $. A Little Night Music, Stage ● 8:00 pm. Christ Church Deer Park. Church. $12-20/$8-14. TCC Elsewhereless (see 1) Symphony ● Centre (see 2) $10-20. Purcell: odes, sacred Senior, Junior and Cherub 8:00 pm. Fairview Library Theatre. ● 8:00 pm. St.Thomas' Church. $10- ● 8:00 pm. Glenn Gould Studio. $25. verse anthems, instrumental Choirs (see May 2) $. A Little Night Music, Stage 15. Bernstein: Chichester Psalms; Besharah (Brandon Scott, gui- interludes; Welcome to All the ● 3:00 pm. UofT-MUS WH. $15/$10. Centre (see 2) Gould: So you want to write a ● tar, Lizzie Shanks, vocal), guest Pleasures, My Beloved Spake, Winners of the Canadian Music 8:00 pm. FCPA. $24-35. Classical fugue; Barber: Agnus Dei; Ravel: musicians and The Amazing Rejoice in the Lord Always; Competition. Mooredale Concerts potpourri, Gershwin, tango Trois chansons; Kulesha: Settings Kreskin, magician. 205-5555 excerpts from The Tempest. 922-3714 crossover. Catherine Wilson and of Emily Dickinson poems; Bergs, ● 8:00 pm. RTH. $20-65. Berlioz: Eugene Burke, tenor, Paul ● 4:00 pm. Christ Church Deer Park. Friends Buhr, etc. Concertsingers, ● Roman Carnival Overture; Saint- Grindlay, John Pepper, basses, $12-15. Mendelssohn: Elijah. 8:00 pm. RTH. $33-102 ($425 din- Robert Bergs, dir. 769-7991 Sa‘ns: Piano Concerto #5; Ravel: Toronto Chamber Society, Aradia Patricia O'Callaghan, Michele ner + rec). President's Evening, ● 8:00 pm. Trinity-St.Paul's. $20- Mother Goose Suite; Respighi: Baroque Ensemble. 694-2354 DeBoer, Sandra Boyes, Lenard fundraising concert to support $40. Tafelmusik (see 7) ● Pines of Rome. Jean-Yves 8:00 pm. Eastminster United. $4- Whiting, Bruce Kelly, Toronto TSO. Dvorak: Slavonic Dance ● 8:00 pm. Yorkminster Park Baptist Thibaudet, piano, TSO, Charles 10. Dvorak: Gypsy Songs; Classical Singers, Talisker Players, op.46 #1; Schumann, Haydn: Cello Church, 1585 Yonge. $10-20. The Dutoit, conductor. (also 16). 593- Songs op.73. Joanne Kolomyjec, Jurgen Petrenko, conductor. 443- concertos; Sibelius: Swan of Best of Bell'Arte 10th anniv. gala 4828 soprano; Robert Kortgaard, piano; 0312 Tuonela; Lemminkinen's Return. concert. Bell'Arte Singers, Ian Carol Ann Savage, flute. Music ● 4:30 pm. St.Anne's Anglican Yo-Yo Ma, cello, TSO, Jukka- Sadler, organ. 699-5879 VENDREDI 15 FRIDAY Umbrella Chamber Concerts 461- Church. FA. Beethoven, Pekka Saraste, conductor. 593- 6681 Rachmaninoff, Chopin. 4828, 593-7769 ext.316 DIMANCHE 10 SUNDAY ● 8:00 pm. 12 Alexander St. $24-45. ● 8:00 pm. Fairview Library Theatre. Christopher Cotton, piano. 536- ● 8:00 pm. St.Patrick's Church, 141 Sharman/Egoyan: $. A Little Night Music. Stage 3160 McCaul St. $20. Elmer Iseler ● 11:00 am. St.Mary Magdalene. FA. Elsewhereless (see 1) Centre. 299-5557, 395-5750 (also ● 7:30 pm. FCPA. $24-35. J.S. Singers, Canadian Brass. 483- Easter V. Bissell: Missa brevis; ● 8:00 pm. Fairview Library Theatre. 3, 7-10, 13-16) Bach: Partitas #2-3, Sonata #3. 5549 Purcell: O God Thou art my God $. A Little Night Music, Stage ● 8:00 pm. FCPA. $24. Opera gala: Christian Tetzlaff, violin ● 8:00 pm. Trinity-St.Paul's. $20- ● 2:00 pm. Betty Oliphant Theatre. Centre (see 2) arias. Singers, York S.O ● 8:00 pm. 12 Alexander St. $24-45. $40. Tafelmusik (see 7) 20$/15$. The Rake's Progress, ● 8:00 pm. Knox College Chapel, 59 ● 8:00 pm. Glenn Gould Studio. $15- Sharman/Egoyan: Opera Anonymous (see 7) St.George St. $6-10. Baroque 18. Music from Three Continents. Elsewhereless (see 1) SAMEDI 9 SATURDAY ● 2:00 pm. du Maurier Theatre, chamber music. Purcell, Biber, Mozetich (Can.): Oboe concerto; ● 8:00 pm. Glenn Gould Studio. $15- Harbourfront. $12-19.50. Julius ● Buxtehude, Marais. Linda Fikret Amirov (Azerb.): Shour; 25. Tchaikovsky: Serenade op.48; St.Mary's Catholic Church, 66A Caesar Jones, Canadian Melsted, Sergei Istomin, Rodrigo (Sp.): Concierto de Schubert: Rondo for violin; Main St S, Brampton. $6-10. Children's Opera Chorus (see 9) Charlotte Nediger, Julie Aranjuez. Joseph Salvalaggio, Forsyth: Serenade for strings. Water Music. Peel Choral ● 2:00 pm. Fairview Library Theatre. Baumgartel. 657-0693, 652-9817 oboe, Alwin Tong, guitar, Amadeus Ensemble, Moshe Society. 905-874-2800 $. A Little Night Music, Stage ● ● 8:00 pm. Massey Hall. $5-15. Toronto Sinfonia of Nations, Hammer. 205-5555 1:00 pm. Trinity-St.Paul. FA. Centre (see 2) Paco Pena, guitar. Guitar Society Mehdi Javanfar, dir. 205-5555 Canadian Lyric Audition: ● 2:30 pm. Royal Ontario Museum, of Toronto 922-8002, 872-4255 International Belvedere Queen's Park Rd/Avenue La Scena Musicale - mai 1998 ¥ May 1998 - Vol. 3, No. 7 - Page 16

#6 "PathŽtique"; Stravinsky: The Kreisler, Wieniawski. Eugene Schubert. Linda Melsted, violin, harp, Metropolitan Choir, SAMEDI 16 SATURDAY Firebird. North York SO, Kerry Nakamura, violin (13 y.o. Can. Julie Baumgartel, violin, Patricia Lackey, poet. 363-0331 ● ● Stratton, dir. 499-2204, 324-9333 Music Comp. winner), Ronald Stephen Marvin, viola, Christina 8:00 pm. Arts & Letters Club. $. 4:30 pm. St.Anne's Anglican ● 8:00 pm. Glenn Gould Studio. $10- Turini, piano accomp. 205-5555 Mahler, cello, Sergei Istomin, Turandot, Barber of Baghdad, Church. FA. Brahms: 16. Grainger: Concerto for piano cello. Academy Concert Series Kismet: highlights. Premiere Liebeslieder waltzes; other love and winds; Stravinsky, Husa, LUNDI 25 MONDAY 778-1941 Opera Company, Raisa songs. Soloists of St.Anne's Choir. Kulesha, Coakley. James Parker, ● 8:00 pm. Fairview Library Theatre. Nakhmanovich, music dir. 926- 536-3160 ● 8:00 pm. RTH. $33-66. Mostly ● piano, Toronto Wind Ensemble, $. Our Town, Civic Light Opera 9643 (also 7) 8:00 pm. 12 Alexander St. $24-45. Mark Hopkins, dir. Pre-concert Movies and Music: Out of Africa, A (see 21) ● 8:00 pm. Glenn Gould Studio. $10- Sharman/Egoyan: chat 7:15 pm. 205-5555 Room with a View, Singin' in the ● 8:00 pm. Leah Posluns Theatre, 15. Andrew P. Macdonald: The Elsewhereless (see 1) ● Rain, West Side Story; Bernstein, ● 8:00 pm. RTH. $20-65. Dvorak: 4588 Bathurst St. $15-18. Mahler: Eleusinian Mysteries, op.47 (for 8:00 pm. Fairview Library Theatre. Symphony #9; Bruch: Violin Borodin, Brown, Douglas, Symphony #3. Contralto soloist harp and gamelan); works by L.C. $. A Little Night Music, Stage Concerto #2; Gershwin, Jenkins, Mozart, (winner of Kiwanis Award), East Smith, R. Smith, J. Gzowski, B. Centre (see 2) Puccini, Saint-Sa‘ns, Widor, ● Shostakovich/Atovmyan: Ballet York SO, Toronto Children's Parsons. Erica Goodman, harp, 8:00 pm. RTH. Jean-Yves Suite #3. Jacques Israelievitch, Williams. Richard Stoltzman, Chorus, Amadeus Choir of Greater John Gzowski, cat's cradle, Bill Thibaudet, piano, Charles violin, TSO, Dmitry Kitaenko, clarinet, TSO, Wayne Marshall, Toronto, Douglas Sanford, cond. Parsons, electric guitar, William Dutoit, TSO (see 14) conductor, organ. 593-4828. ● conductor. (also 23). 593-4828 467-7142 Beauvais, Stephen Wingfield, 8:00 pm. St.Anne's Anglican ● 8:00 pm. Trinity-St.Paul's. $20- (also 26, 27) ● 8:00 pm. SLCA JMT. $39.50-62. acoustic guitars, Evergreen Church. $9-12. Bach, Mozart, $40. Handel, Haydn: choral music. OpŽra Atelier (see 27) Club Contemporary Gamelan Beethoven. Gladstone Sinfonia. Tafelmusik (see 20) MARDI 26 TUESDAY ● 8:00 pm. St.James Cathedral. $12- ensemble. 205-5555 536-3160 ● ● 16. DuruflŽ: Requiem; Four 8:00 pm. Massey Hall. $22-71. 8:00 pm. St.George the Martyr VENDREDI 22 FRIDAY ● 8:00 pm. LAC HH. $40-60. Motets; Vierne: Mass for double Beethoven: Fidelio Overture; Church, Stephanie/McCaul Puccini: Tosca (also 28). Opera choir. Tallis Choir, Peter Walker, Quintet in E flat piano & winds; Streets. $17/$12. Baroque Music ● 8:00 pm. Fairview Library Theatre. Mississauga, COC Orchestra, dir, Choir of St.James Cathedral. Piano Concerto #4. Emanuel Ax, Beside the Grange. Vivaldi, $. Our Town, Civic Light Opera Dwight Bennett, conductor. 306- 483-0559, 691-8621 TSO members; Jurgen Gothe, Schmelzer, Purcell, Telemann, (see 21) 6000 host. 593-4828 Couperin: Sonatas. Marie ● 8:00 pm. Trinity-St.Paul's. $20- ● 8:00 pm. RTH. $33-66. Mostly DIMANCHE 31 SUNDAY ● 8:00 pm. Premiere Dance Theatre, Bouchard, harpsichord, Rona $40. Handel, Haydn: choral music. Movies and Music, TSO (see 25) Harbourfront. 15-18$. Menotti: The Goldensher, violin, Washington Tafelmusik (see 20) ● 11:00 am. St.Mary Magdalene. FA. Unicorn, the Gorgon and the McClain, oboe, Alison Melville, MERCREDI 27 WEDNESDAY The Day of Pentecost, Procession Manticore; Earl George: Songs of recorder, Margaret Gay, cello. 588- SAMEDI 23 SATURDAY and Solemn Mass. Palestrina: ● 2:00 pm, 8:00 pm. RTH. 2pm $20- Innocence; John Clements: set- 4301 Missa Aeterna Christi Munera; tings of the poetry of Robert ● St.Paul's United Church, 30 Main 43.50, 8pm $33-66. Mostly Plainsong: Veni Creator DIMANCHE 17 SUNDAY Movies and Music, TSO (see 25) Herrick. Orpheus Choir, Sidgwick St S, Brampton. $0-12. Dream a Spiritus; Anderson: Come, I Scholars (Tanya Turner, Jessica Little Dream. Brampton Festival ● 8:00 pm. FCPA. $40-60. Lieder Pray Thee ● 11:00 am. St.Mary Magdalene. FA. recital. Thomas Hampson, bari- Lloyd, Mark Rainey, Scott Singers. 905-874-2800 ● 2:00 pm. Fairview Library Theatre. Belluz), Brainerd Blyden-Taylor, Easter VI. Palestrina: Missa ● 7:30 pm. Eden United Church, tone $. Our Town, Civic Light Opera Regina Coeli; Tallis: If Ye Love ● 8:00 pm. SLCA JMT. $39.50-62. conductor, Judith Miller, chore- 3051 Battleford Dr, Mississauga. (see 21) ography. 530-4428. (also 6, 7) Me $15. Last Night of the Proms. M.A. Charpentier: ActŽon; ● ● 2:30 pm. Arts & Letters Club. $17- 4:30 pm. St.Anne's Anglican Rossini, Holst, Arnold, Sparke, Moli•re/Lully: Le Bourgeois 28. Off Centre Music Series. SAMEDI 6 SATURDAY Church. FA. Choral Evensong. Elgar, Brand, Bernstein, Graham: Gentilhomme. OpŽra Atelier. 366- Schubertiad. Anita Krause, Stanford: Magnificat; Nunc Orchestral pieces; Mozart, Handel, 7723 (until 30) mezzo, Vladimir Pritsker, violin, ● 7:30 pm. Metropolitan United dimittis; 23rd Psalm. 536-3160 Sullivan: Arias and songs. Sharla JEUDI 28 THURSDAY Boris Zarankin, Inna Perkis, piano. Church. $15. Recital. Thomas MERCREDI 20 WEDNESDAY Nafziger, soprano, Intrada Brass, 466-1870 Murray, organ. 363-0331 Bram Gergson, dir. 905-821-0090 ● 3:00 pm. RTH. $. Finnish ● 8:00 pm. Church of St.Leonard. ● 8:00 pm. Fairview Library Theatre. ● 8:00 pm. Fairview Library Theatre. ● 7:00 pm. Trinity-St.Paul's. $20- $. Our Town, Civic Light Opera Connection, TSO (see 30) $8-12. Toronto Camerata (see $. Our Town, Civic Light Opera May29) $40. Handel: Dixit Dominus; (see 21) (see 21) ● Haydn: Nelson Mass. Ann ● 8:00 pm. Glenn Gould Studio. $10- 8:00 pm. Premiere Dance Theatre, ● 8:00 pm. Glenn Gould Studio. $15- JUIN / JUNE Harbourfront. 15-18$. Orpheus Monoyios, Rosemary van der 22. Karayan Arts benefit concert. 18. Works by Barbara Croall, Hooft, Michael Colvin, William Michael Hynes. con.Takt Choir, Sidgwick Scholars (see 5) Bach, Mozart, Beethoven, ● 8:00 pm. RTH. Emanuel Ax, Sharp, Tafelmusik Chamber Choir Schubert, Debussy, Mendelssohn. Ensemble. 205-5555 MERCREDI 3 WEDNESDAY & Orchestra, Ivar Taurins, cond. ● 8:00 pm. LAC HH. $40-60. piano, TSO. (+ "Evening Shulamit Mor, piano. 205-5555 Overtures") (see 4) 964-6337 (also 21-24) ● 8:00 pm. RTH. $. Israelievitch, Puccini: Tosca, Opera ● 8:00 pm. RTH. $22-71. Murphy ● ● 8:00 pm. FCPA. $27-40. "Lost Mississauga (see 26) 8:00 pm. St.Mark's Anglican TSO (see 21) (Can.): From the Drum...; Church, 51 King St, Port Hope. $8- Composers from World War II". ● 8:00 pm. Trinity-St.Paul's. $20- ● 8:00 pm. SLCA JMT. $39.50-62. Beethoven: Piano Concerto #4; Schulhoff: Double concerto for OpŽra Atelier (see 27) 12. Exsultate Justi. Renaissance $40. Handel, Haydn: choral music. Symphony #6 "Pastoral". Emanuel Motets for Seasons & Occasions flute, piano, strings, horns; Weiner: Tafelmusik (see 20) Ax, piano, TSO, Jukka-Pekka Concerto for flute, viola, piano, VENDREDI 29 FRIDAY by Batten, Morley, Purcell, Saraste, conductor. (also 4, 6). Tomkins, Tye. Gallery and Ritual strings; Smit: TBA. Robert Aitken, DIMANCHE 24 SUNDAY 593-4828 flute, New Music Concerts ● 8:00 pm. Church of St.Leonard. Choirs of Church of St.Mary Ensemble; readings by Anne $8-12. Spring Returns. Bach, Magdalene, Toronto. 905-885- ● 11:00 am. St.Mary Magdalene. FA. JEUDI 4 THURSDAY 4071 (also 7 Toronto) Michaels, poet and novelist Easter VII. Byrd: Mass for Three Brahms, Chatman, Debussy, ● 8:00 pm. Sunderland Hall, 175 Voices; Daley: Christ Whose Druckman, Morley, Schickele. ● 2:00 pm. St.Andrew's Presb. DIMANCHE 7 SUNDAY St.Clair W. FA Mozart Society of Glory Toronto Camerata. 905-841-6482 Church, King & Simcoe. $10. Toronto members, sugg. $10 non- ● 2:00 pm. Fairview Library Theatre. (also Jun.6-7) Sandra Boyes, mezzo, Toronto ● ● 8:00 pm. Fairview Library Theatre. 11:00 am. St.Mary Magdalene. FA. members. Mozart, Beethoven, $. Our Town, Civic Light Opera Senior Strings, Victor Feldbrill, Trinity Sunday, Procession and Kromer: chamber music. (see 21) $. Our Town, Civic Light Opera cond. 488-9452 (see 21) Solemn Mass. Willan: Missa bre- Amadeus Winds ● 2:00 pm. FCPA Studio Theatre. $. ● 8:00 pm. RTH. Emanuel Ax, vis X, in dedicatione SMM; ● 8:00 pm. The Music Gallery, 179 North York Student String ● 8:00 pm. SLCA JMT. $39.50-62. piano, TSO. (6:45pm "Evening OpŽra Atelier (see 27) Victoria: Duo Seraphim Richmond St W. $5-15. Continuum Orchestra. 872-2222, Les Amis Overtures", chamber music: free ● 1:30 pm. McMichael Gallery. $ Contemporary Music, "Collusion", Concerts 905-773-7712 SAMEDI 30 SATURDAY with 8pm ticket, $5 without) (see 3) included with Gallery admission. Music for string quartet. Kurtag, ● 2:00 pm. Victoria Hall, 55 King St Agnasson & Kinton, pianos. Smith, Neceski, Prezament, W, Cobourg. $20-25 (includes 905-893-1121 Knight, Cameron. The Modern ● Heritage Theatre, 86 Main St N, reception). An Irish Spring. Brampton. $15-18. Cinema ● 2:00 pm. St.James Cathedral. Quartet. 481-3418 Operatic favorites, Irish folk songs. ● Classics. Brampton SO. 905-874- $18/$12. International 8:00 pm. York Woods Public Regina Nathan, soprano, Brian Conductors Symposium Library, 1785 Finch Ave W. $10. 2800 Finley, piano. 905-372-2210 ● Concert. Britten: Missa Brevis; Tchaikovsky: 1812; Beethoven: ● 10:00 am. St.Mary Magdalene. FA. 3:00 pm. FCPA George Weston May Festival of Our Lady, Solemn Freedman: Keewaydin; Watson Wellington's Victory; Saint-Sa‘ns: Recital Hall. $25-75. Women's Henderson: Creation's Praise; Cello Concerto #1; etc. North Mass and Outdoor Procession. Musical Club of Toronto centennial Palestrina: Missa Assumpta est Mathias: Salvator Mundi; Tallis: York Concert Orchestra, celebration (Concert + Benefactors Glory to Thee, My God, This Night; Stephen McNie, cello, Northdale Maria; Des PrŽs: Ave Maria Luncheon $250). Michael Schade, ● 7:30 pm. RTH. $22-59.50/ $13- Willcocks: Psalms 23 and 150. Concert Band, Stephen tenor, Russell Braun, baritone, Judy Loman, harp, TCC Senior Chenette, cond. 481-1406 30.50. "Finnish Connection". Catherine Robbin, mezzo, Sibelius: Karelia Suite; Finlandia; and Intermediate Choirs, Sir JEUDI 21 THURSDAY James Ehnes, violin, Angela Humoresque 1 & 2; Belshazzar's David Willcocks, guest conduc- Hewitt, Stephen Ralls, piano. Feast incidental music; King tor/clinician. 932-8666 923-7052 ● 3:00 pm. Church of St.Leonard. ● 6:00 pm. St.Mary Magdalene. FA. ● Christian II Suite; Sc•nes his- 3:30 pm. Trinity-St.Paul's. $20- toriques Overture; Stenhammar: $8-12. Toronto Camerata (see Ascension Day, Procession and $40. Handel, Haydn: choral music. Solemn Mass. Plainsong: Mass Two Sentimental Romances. May29) Tafelmusik (see 20) Erica Goodman - Glenn Gould ● 3:00 pm. St.Mary Magdalene. $8- VII, Kyrie Rex Splendens; Ritual ● Marc-AndrŽ Savoie, violin, TSO, 8:00 pm. FCPA Studio Theatre. Jukka-Pekka Saraste, Studio - June 5, 1998 12. Exsultate Justi, Gallery and Choir $10. Schnittke, Feld, Martinu, ● 8:00 pm. Fairview Library Theatre. conductor. (also 31). 593-4828 Ritual Choirs. 416-769-7991 (see Barber. Melanie Esseltine, sopra- ● 8:00 pm. Christ Church Deer Park. VENDREDI 5 FRIDAY 6, Port Hope) $. Our Town. Civic Light Opera. no, Albert Brouwer, flute, Milan ● 421-1267, 395-5750. (also 22-24, $18-32.50. "Deo Gloria". J.S. 7:30 pm. FCPA. $24-28. Viva la Milisavljevic, violin, Ivana Bach: Cantatas. Aradia Chamber ● 7:30 pm. Metropolitan United diva!. Greer/Binks: Songs for 28-31) Lazarov, piano. 872-2222, Les ● 8:00 pm. FCPA George Weston Choir & Baroque Ensemble, Kevin Church. $10. Festival Concert, soprano and choir; others. Amis Concerts 905-773-7712 Mallon, dir. 969-1640 Celtic music; Opening of Visual Amadeus Choir, Mary Lou Fallis, Recital Hall. $24-28. A Russian ● 8:00 pm. Glenn Gould Studio. $10- Reverie. Tchaikovsky: Symphony ● 8:00 pm. Eastminster United Arts Exhibit. Lucy Carrick-Wedel, soprano, Eleanor Daley, piano, 16. Mozart, Grieg, Saint-Sa‘ns, Church. $5-15. Beethoven and soprano, Janet Gadeski, celtic Lydia Adams, cond. 446-0188 La Scena Musicale - mai 1998 ¥ May 1998 - Vol. 3, No. 7 - Page 17

● 8:00 pm. Arts & Letters Club. $. FA David Occhipinti Trio. 519- Scala Milan, dir. Riccardo Muti. Cassandre), Laurence Dale Theatre, Moscow, Vladimir Premiere Opera Company (see 763-3000 Radio italienne, Milan, 7/12/97 (Enee), Max Emanuel Cencic Matorin, Serge Gaydei, Marina 5) 30 1998 Guelph Spring Festival. 9 20h15. Bravo TV. "McGill, Mahler (Ascagne, Amour), Ensemble Shutova, Yuri Vedeneyev, ● 8:00 pm. Premiere Dance Theatre, 1:30pm RRC-DMT $8.50-12 and Montreal", documents the Pythagoras, dir. Thomas Alexander Naumenko; Peter Harbourfront. 15-18$. Orpheus Aspiring Artists: Catherine May, preparation involved in the perfor- Hengelbrock. Radio allemande, Feranets, cond. (NRU) Choir, Sidgwick Scholars (see 5) soprano, John Medina, baritone, mance of Mahler's Fifth by the stu- Schwetzingen, 26/4/97 6 13h30. SRC. Donizetti: La Christopher Mokrzewski, piano. dents in McGill SO, under Timothy Parisina. [it] Alexandrina 3pm RRC-CCH $8.50 Musicali- Vernon; 21h15 Mahler: Symphony Pendatchanska (Parisina), Ramon GUELPH Tea: Anne Lindsay Duo. 8pm #5, performance by McGill SO, JUIN / JUNE de Andres (Azzo), Amedeo Moretti RRC-DMT $20-22 Hart Rouge. recorded at ƒSJB, MontrŽal, (Ugo), Daniela Barcellona 10pm VASE 9 Wyndham St FA 11.4.97 (also 26 10h) 3 8pm. PBS. Britten: Billy Budd. (Imelda), choeurs R.T. Suisse itali- MAI / MAY Oliver Schroer & the Stewed 10 11h. TV5. Ravel: Le Tombeau de Metropolitan Opera, Philip enne, Ensemble vocal Cantemus, Tomatoes. 519-763-3000 Couperin; Concerto pour piano. Langridge, Dwaye Croft, James Orch Suisse italienne, dir. 19 2-10pm. Dublin Street United 31 1998 Guelph Spring Festival. 1:30, Orchestre de chambre de Morris, Stewart Bedford, cond Emmanuel Plasson. Radio suisse Church, 68 Suffolk St, Guelph. 3pm RRC-COOP $8.50-12 Saigon Lausanne, J.L. Coboz; 11h45 6 13h30. CBC. Prokofiev: The italienne, Lugano, 7/6/97 1998 Guelph Spring Festival (until Water Puppet Theatre. 7pm Mendelssohn: Symphonie; Love for Three Oranges. Bolshoi 31). Edward Johnson Music RRC-CCH FA Meet composer Orchestre de chambre de Wallonie Competition (until 21), for young Chris Paul Harman. 8pm RRC- (aussi le 11) singers, Preliminary rounds. 519- DMT $18-22 Festival Strings of 11 0h45. TV5. Ravel: Le Tombeau Camps musicaux d'été / Summer Music 821-3210 Canada: world premi•re of C.P. de Couperin; Concerto pour 20 2-10pm. Dublin Street United Harman's new piece inspired by piano. Orchestre de chambre de Camps Québec Church. 1998 Guelph Spring nursery rhymes. 10pm RRC-CCH Lausanne, J.L. Coboz; 1h30 Festival. Edward Johnson Music FA Closing Night Party: Jamie Mendelssohn: Symphonie, 15-18 mai 29 juin-7 aožt Competition, Preliminary Rounds Mitges Trio. 519-763-3000 Orchestre de chambre de Wallonie CAMMAC Fin de semaine de Camp musical d'ŽtŽ de MontrŽal, (see 19) (aussi le 10) musique de chambre au Lac UniversitŽ de MontrŽal, FacultŽ de 21 7:30pm. RRC-COOP, Guelph. 11 7h30. Bravo TV. Footnotes: Macdonald, QC musique 343-7512 $8.50-12. 1998 Guelph Spring elsewhere in / ailleurs en Partnerships, host: Frank Frais avec hŽbergement: 147-220$ Cours d'instrument, musique Festival. Edward Johnson Music Augustyn; 8h30 Le Gala des (selon participant, Žtudiant ou obser- d'ensemble, chant choral, crŽation Competition, Finals Concert (see ONTARIO Žtoiles: Faces of Dance vateur) sonore, thŽ‰tre, littŽrature musicale, 19) 11 19h30. Bravo TV. Footnotes: info:486-6010, activitŽs de loirsirs 22 1998 Guelph Spring Festival (until Partnerships; 20h30 National [email protected]; 613-225- Camp de jour pour les 8-17 ans 31). 8pm RRC-DMT $18-22 MAI / MAY Arts: Twyla Tharp 7216, [email protected]; niveaux dŽbutant ˆ avancŽ Opening Gala Concert: 12 3h00. Rudolf Nureyev: Dancing 514-932-8755, 1-888-622-8755 sessions: 29 juin-17 juillet, 20 juillet-7 Primadonna on a Moose. Mary 8 Centre in the Square, 101 Queen through darkness aožt Lou Fallis, soprano buffo. 10pm St. N, Kitchener. Verdi: Rigoletto. 16 6h00. Bravo TV. Isaac Stern, A 26 juillet-9 aožt RRC-CCH FA Reception: Jane Opera Ontario. 519-578-1570 Life CAMMAC Centre musical de Cedar 28 juin-22 aožt Ellenton Trio. 519-763-3000 16 13h30. CBC. Bizet: Les P•cheurs Glen, Ontario Camp musical de Lanaudi•re, C.P. 23 1998 Guelph Spring Festival. de Perles. Lyric Opera of Chicago, instruments, musique de chambre, 44, Joliette QC J6E 3Z3 11am RRC-COOP FA Jazz Clinic: Musique classique Maureen O'Flynn, Paul Groves, chant, thŽ‰tre musical, choeur, jazz, Fernand Lindsay, c.s.v., directeur Freddy Cole, for singers & Radio & TV Gino Quilico; Mario Bernardi, thŽorie, interprŽtation, direction, fla- info 755-2496, fax 755-4385 pianists. 11am-4:30pm downtown cond. (WFMT) menco, musique celte, percussion sessions: 28 juin-11 juillet, 12-25 juil- FA Streetfest. 8pm RRC-DMT $20- Meilleurs moments / 16 13h30. SRC. Schubert: africaine let, 26 juillet-8 aožt, 9-22 aožt 22 Freddy Cole Jazz Quartet. Fierabras. [al] Hans Peter amateurs de tous niveaux Le camp: Lac Priscault, St-C™me, au 10pm VASE 9 Wyndham St FA Highlights Blochwitz (Fierrabras), Soile 26 juillet-2 aožt, 2-9 aožt nord de Joliette J0K 2B0, 514-883- Diego Marulanda & Pacande. Isokoshi (Emma), Peter Lika (roi repas & hŽbergement / food & lodg- 6024 apr•s le 22 juin 519-763-3000 Karl), Rainer Trost (Eginhard), ing: 90$-525$/sem musiciens 9-17 ans 24 1998 Guelph Spring Festival. MAI / MAY choeur et Orch Philh Radio programme musical: 200$ Žtudiants, Cours individuels, travail d'orchestre, 1:30pm RRC-COOP $8.50-12 Itah France, dir. Marek Janowski. 300$ adultes/sem, info 416-444- musique de chambre, initiation au Sadu. 3pm RRC-DMT $8.50-12 2 7h30. Bravo TV. Anna Russell: Radio France, Paris, 21/3/97 0840, [email protected] rŽpertoire, chant choral, concerts Toronto Symphony Youth The Clown Princess of Comedy 16 20h15. Bravo TV. Music in Lecture, ateliers de crŽativitŽ, Orchestra. 8pm RRC-DMT $15-18 2 13h30. CBC. Verdi: Nabucco. Camera: Isaac Stern; 21h15 Isaac 28 juin-23 aožt expression corporelle, jeux, natation, Sommerville Wind Sextet. 10pm Lyric Opera of Chicago, Alexandru Stern in performance CAMMAC Lake Macdonald Music excursions The Bookshelf, 41 Quebec St FA Agache, Maria Guleghina, Samuel 18 7h30. Bravo TV. Footnotes: Centre Choix d'instruments selon la session Itah Sadu. 519-763-3000 Ramey; Bruno Bartoletti, cond. Ballet in Asia, host: Frank instruments, musique de chambre, 25 1998 Guelph Spring Festival. (WFMT) Augustyn; 8h00 Karen Kain: Prima musique baroque, chant, atŽlier Centauri Summer Arts Camp, 10am RRC-COOP FA 2 13h30. SRC. Goldmark: Die Ballerina; 19h30 Footnotes: Ballet d'opŽra, choeur, jazz, thŽorie, inter- near Wellandport, Niagara region Harpsichord & Early Music Koenigin von Saba. [al] Peter in Asia prŽtation, direction 7 Harshaw Ave., Toronto, ON M6S Master Class: Charlotte Nediger. Sidhom (roi Salomon), Matthias 19 3h30. Bravo TV. Paris Dances amateurs de tous niveaux 1X9 2pm RRC-COOP FA Winds Holle (Grand pr•tre), Dagmar Diaghilev Musical vacation, tennis, swimming, 416-766-7124, fax 416-766-7655 Master Class: Jamie Shellenberg (Sulamith), Wolfgang 23 13h30. CBC. Wagner: Parsifal. boating, bilingual theatre, dance, creative writing, visu- Sommerville, for wind ensem- Millgramm (Assad), choeurs et The Royal Opera, London, Placido repas & hŽbergement / food & lodg- al arts, musical theatre, show choir, bles. 8pm RRC-DMT $15-18 Orch Philh Radio Pays-Bas, dir. Domingo, Deborah Polaski, Jukka ing: 74$-378$/sem acting for TV and film, "The Quest" Tactus: Renaissance motets and Daniel Nazareth. Radio nŽer- Rasilainen, Sergei Leiferkus, John programme musical: 210$ Žtudiants, (fantasy arts adventure), cultural day madrigals. 10pm BW-Emerald Inn landaise, Amsterdam, 3/5/97 Tomlinson, Gwynne Howell; Heinz 284$ adultes/sem trips 106 Carden St FA Lester Quitzau. 2 20h00. Bravo TV. Aida: Cheryl Fricke, cond. (BBC) CAMMAC, 1751 Richardson, Suite age 8-18; sessions 10 days to 5 519-763-3000 Studer, Edward Downes, Covent 23 13h30. SRC. Benda: Romeo und 2509, MontrŽal QC H3K 1G6 weeks; professional arts faculty; high 26 8pm. RRC-DMT. $15-18. 1998 Garden 1994 Julie. [al] Heldrun Kordes (Julia), 888-622-8755, 932-8755; fax 932- staff ratio; recreational sports and Guelph Spring Festival. Songs of 3 11h, 11h45. TV5. Musique clas- Scott Weir (Romeo), Claron 9811 non-specialists programs Childhood. Schumann, Britten, sique; Mouvements (Žmissions McFadden (Laura), Hermann [email protected]; www.cam- Mahler: Songs. Monica Whicher, hebdomadaires: concerts, etc., Treusch (Lorenzo), La Stagione de mac.ca 29 juin-10 juillet soprano, Russell Braun, bari- reprises le lundi ˆ minuit 45) Francfort, dir. Michael Schneider. Camps de jour de chorale "Au tone, Carolyn Maule, piano. 519- 4 0h45, 1h30. TV5. Musique clas- Radio allemande, Breme, 26/4/97 6 juillet-14 aožt Choeur de la ville", Louise Lessard, 763-3000 sique; Mouvements (Žmissions 23 20h15. Bravo TV. Vanessa Mae McGill Conservatory of Music Day Genevi•ve Grenier, directrices, 27 1998 Guelph Spring Festival. hebdomadaires: concerts, etc., Live at the Berlin Philharmonic; Camps (9am-4pm) prŽsentŽs par Choeur Polyphonique 10am RRC-COOP FA Voice reprises de la veille) 21h30 Vanessa Mae Live at the students aged 7-15 de MontrŽal et ƒcole de musique Ë Master Class: Monica Whicher, 4 7h30. Bravo TV. Footnotes: Royal Albert Hall workshops: percussion, dance, intro- La PortŽe Russell Braun. 2pm RRC-COOP Music of Ballet, host: Frank 24 20h00. Vermont ETV (33, cable duction to opera; free sports and cre- 2 sessions: FA Cello Master Class: Bryan Augustyn 25). National Memorial Day ative activities "Chansons du monde" 6-9 ans, 29 Epperson. 8pm RRC-DMT $15-18 4 19h30. Bravo TV. Foot notes: Concert 1998, live from the special events: museum visits, pic- juin-3 juillet, 9h-16h, activitŽs divers- Dang Thai Son, piano: Debussy, Music of Ballet, host: Frank Capitol, host Ossie Davis with nic, performance day, end-of-camp es Scriabin, Chopin. 10pm The Augustyn; 20h National Arts: National SO, Erich Kunzel, dir show, barbecue "ComŽdie musicale" 9-13 ans, 6-10 Spiral Club, 122 Woolwich St FA Edward Villela, Miami City Ballet, 25 7h30. Bravo TV. Footnotes: Don optional: private instrument lessons; juillet, 9h-16h, activitŽs diverses Levon Ichkhanian. 519-763-3000 the Balanchine Legacy Quixote, host: Frank Augustyn pre- and after-camp supervision Concert ˆ la fin de chaque session 28 1998 Guelph Spring Festival. 5 4h00. Bravo TV. Ballet favourites 25 19h30. Bravo TV. Footnotes: Don (7:30-9:00am, 4:00-5:30pm) Lieu: CathŽdrale Marie-Reine-du- 10am RRC-COOP FA Piano 6 3h00. Bravo TV. Bach to Bach Quixote; 20h30 The Magic Violin; Montreal Downtown 6-17 juillet, 20- Monde, 1110 Mansfield/RenŽ- Master Class: Dang Thai Son. (France): Jacques Loussier 21h30 Don Quixote ballet 31 juillet LŽvesqueO, info 721-0371 8pm RRC-DMT $15-18 Jane anniversary concert, 25 years of 26 9h15. Bravo TV. McGill Chamber Campus Macdonald, Ste-Anne-de- 20$ inscription, camp 120$ par Bunnett. 10pm The Spiral Club Play Bach Trio, Italian Concerto, Orchestra; 9h45 "McGill Mahler Bellevue 3-14 August semaine (100$ pour 2e enfant), 25$ 122 Woolwich St FA Tim Air on a G string & Montreal"; 10h45 Mahler $295 per session frais de garde Posgate Trio. 519-763-3000 9 13h30. CBC. Mozart: Idomeneo. Symphony #5 (see 9) optional charges: private instrum 29 1998 Guelph Spring Festival. Lyric Opera of Chicago, Placido 26 12h00. Bravo TV. The Boast of lessons 110$ per session; pre/after Du 1er juin au 24 aožt 10am RRC-COOP FA Jazz Clinic: Domingo, Mariella Devia, Carol Kings: King's College Choir camp supervision $5 per hour Domaine Forget, St-KrŽnŽe, Jane Bunnett, for flute & sax. Vaness, Vesselina Kasarova, 30 13h30. CBC. Strauss: Der Info: ClŽment Joubert, dir QuŽbec, Semaines de Cuivres, 7pm RRC-CCH FA Meet compos- Vinson Cole; John Nelson, cond. Rosenkavalier. OpŽra Bastille, McGill Conservatory of Music Day Saxophone, Musique Baroque, Bois, er John Beckwith. 8pm RRC- (WFMT) Paris, RenŽe Fleming, Franz Camp, 555 Sherbrooke St W, Guitaire, Jazz, Cordes, direction DMT $18-22 Kitchener-Waterloo 9 13h30. SRC. Verdi: Macbeth. [it] Hawlata, Susan Graham, Peter Montreal H3A 1E3, 527-2267, fax d'harmonie, Chant Choral Musique SO & Children's Chorus et al.: Renato Bruson (Macbeth), Maria Sidhom, Barbara Bonney; David 398-4293, www.music.mcgill.ca/ con- de Chambre, Info: (418) 452-8111, Beckwith: "Basic Music" (world Guleghina (Lady Macbeth), Carlo Levi, cond. (SRF) servatory Fax: (418) 452-3503, premi•re). 10pm Diana Colombara (Banco), Roberto 30 13h30. SRC. Cavalli: La Didone. http://www.cite.net/~dforget. Restaurant 141 Wydham St North Alagna (Macduff), choeurs et orch [it] Yvonne Kenny (Didon, La Scena Musicale - mai 1998 ¥ May 1998 - Vol. 3, No. 7 - Page 18 Apportez votre soutien à Petites annonces • Classifieds Offre d'emploi / A VENDRE: Portrait de Beethoven (48cmx38cm) avec Help Support Job Opportunity encadrement (1959). Fusain sur 9803 Database and Information papier.Par le peintre portugais Systems Intern. Experience in renommŽ Domingo Rebelo. Database and Internet program- $1500 Tel. 279-5187. 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Analyser, construire, har- Nom / Name ______Qualifications: bilingue, bonne moniser par la voix mŽthode Adresse / Address ______communication, motivation, Serge Wilfart. Stages et con- experience. Programme gou- fŽrences ateliers avec M. Serge Ville / City ______Province ______vernemental ou commission. La Wilfart auteur de "Le chant de Pays / Country ______Code postal ______Scena Musicale. (514) 274- L'•tre" Ed. Albin Michel 1994. 1128. ConfŽrences¥Ateliers: samedi: TŽlŽphone ______Offre d'emploi. Info- 30 mai 1998 de 13h ˆ 17h. e-mail______graphisme, Qualifications: samedi: 10 oct. 1998 de 13h ˆ envoyez ˆ / send to: La Scena Musicale, 5411 Waverly, MontrŽal, QuŽbec, CANADA, H2T 2X8 experience info-graphique. 17h. Stages: 25 au 28 mai 1998, Logiciels: Photoshop et 1 au 5 juin 1998, 5 au 8 octobre

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cdhcdc‡8‰d‡Sced‡dcdddcdcdddcd‡8dvcdccdedceƒddccdfcdc‡8‰Xd„Sed‡dcdcdcdddcdcdddcd‡dcdcdcedcƒddc texte, 2e annŽe de bac. Ë l'U de cdhcdc8dddH‰cedddcdddcdcdddcdddddcddddedddc8ddccdfcdc8ddH‚C‰edddcdcdcdddcdcdddcdddcdddddcdc8ddc cdec

cdec

cd bilingual, good communication c

c

cd cdec

cd cdec

cd cddddchfcdec

tddddv c

ecy8ddddAuchgc

dcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd cyPdddddTuh M. Recherche emploi ˆ temps cdhfdcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd c‡PdddddddddTˆgc‡PdddddddddTˆhcdec

ddddddAˆcfcUdddddddddddIhcdec

cdhfdcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd ‡8ddddd skills, self-motivated. Experience cdhfdcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd UdddddecdddddIcftdddddddddddddhcdec

dcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd ddddddecddddddcfUdddddˆcsRddddhfc

dcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd ddddddecddddddcfddddddAu c

cdhfdcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd QdddddecdddddScfQdddddddddTuhecdec

cdhfdcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd †RdddddddddddH‰cf†9ddddddddddTˆhcdec

cdhfdcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd cdddddddddhc†RddddddddddAˆcgcdec

ddTˆcgcsRdddddddddIchec

dcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd cdddddddddd partiel. Isabelle Dugas, (514) tdddddecdddddIchecs9ddddddchec

cd UdddddecddddddcfdddddTˆccdddddScgcdec

ddddddecddddddcfddddddAc8dddddrcgcdec cd an asset. Government program

cd QdddddddddddddScfQdddddddddddddhcdec

†RdddddddddddH‰cf†RdddddddddHwchfc

csRdddddHwhecs9dddd@wchgc

cdhfdcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd xddddrhfcdec

cdhfdcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd cddddchfcdec

cdhfdcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd ‡Eˆc cdec

dcdc‡PT„PdTˆ c dcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd cdfBdA„Pddc 259-1492.

dcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd cdfxd†9 cdcQ„ScU‰†ddˆƒD c

decdcƒdddcƒd cddddbdd cdec cdhfdcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcdhfcdddd or commission. La Scena

cdhfdcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd cdfcd‡8‰cdcU‚IcQˆcƒd †I cdec

cdhfdcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd cdfcddddddcdcdc†RdH‚Rdd cdec

dcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd c

dcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd c

cd c‡Pddddddcdcec‡PdddeddddddT„Eˆecdhcdec

cd cU`ccdcddcdcecU`cdredccddˆsC‚Ietdvcgcdec

cd cdetScddˆdvecdedcedcgddAuccdedddcgcdec

cdeUrefddIecdedceddHwcs9dcdexdrchec

cdedcecdddecdedcedceGu†dcdecdhfc Musicale. (514) 274-1128.

cdedcecdddecdedcedce†Rddcdhfcdec cd Experienced translator.

cd cQvchecQvchftShfcdec

cdhfdcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcdhfc†Gchec†GchfF‰hfcdec

dcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd c

dcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd c

cdhfdcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcdhfcddddccdddddcdf‡PdddcGˆeA„PdT„E„Eˆgcdec

cdhfdcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd cdrccdeddcdfU`cdrcxIctdd`cfd‚d‚Igcdec

cdhfdcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd tSecdddddˆdvcedccdecdcU‰decdcdcdgcdec

dcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd UrfcdcfddIcedccdecQ„Scdecdcdcdhec

cedccdecxdrcQ„Pddcdcdhec

dcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd dcecG„Seddd English to French. Mich•le cdhfdcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd dccdc†C‰edddcedccdfdcc†Rdddcdcdgcdec

d„Sgcdec

cdhfdcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd Qvhfs9„ Job Offer. Computer graphist. cd †Ghfc†C‚C‰gcdec

c

c

cd cdec

cd cdec

cdhecd dcdc dchedchedchfdc dcdc cdec

c

cd dc dchedchedchfdchec‡8uhdc Gaudreau (514) 441-4689

cdddcdddcddddddccdcdcdddedcdcdddcdddcdddcedddcdddcedddcdcdcdcdddcctSccdddcdddcddddddcedddcGuy8ddddcdddedcdcdddcdddc c

cdec

cdgcdecdcdecddcdccdcdcdddedcdcdcdcdcdcdddcedcdcdddcedcdcdcdcdcQˆecUrccdddecdcdc‡dcdcedddcxdd‰dcdrecdedcdcdcdcdddc Requirements: Good knowledge cdgcd‡dcdcdcddddcdccdcdcdfdcdcdcdcdcdcdcfdcdcdcfdcdcdcdcdcƒddccdecdecdddcd‡8dcdcedcetddˆdcdccdddedcdcdcdcdc cdec

cdgcdddcdcdcddddddccdddcdddedcdcdddcdcdcdddcedddcdddcedddcdcdddc8ddccdecdddcdddcddddcdcedddcFwsRdddccdddedcdcdcdcdddc cdec

dc dc dc c

dc dddc dc c

cd cdec

cd cdec

cd cdec

c

c of Photoshop and QuarkXpress. cdec

cdhfdcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd ƒtudiant opŽra cherche loge- cdhfdcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd cdec

cdhfdcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd cdec

dcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd c

dcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd cddddc c

cdhfdcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd tddddvhfcdec

cdhfdcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd cyPddddTuchecy8ddddAuchecdec

cdhfdcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd c‡Pddddddddddcgc‡PdddddddddTˆhcdec

dcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd ‡8dddddddddddvgcUdddddddddddIhfc

dIgtdddddddddddddhfc

dcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd Udddddedddd Previous Experience. Govern- ment calme, longue durŽe, ˆ cd ddddddeddddddgUdddddˆcsRddddhcdec

cd dddddSgddddddAu cdec

cd dddddrgQdddddddddTuhecdec

cdddddddScg†9ddddddddddTˆhfc

cddddddd‰cgc†RddddddddddAˆchec

cd cddddddddTˆcgcsRdddddddddIcgcdec

cd cdddddIchecs9ddddddcgcdec

cdhfdcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcdhfcdddddTˆecddddddcfdddddTˆccdddddScgcdec

ccdddddScfddddddAc8dddddrchec

dcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcdhfcQdddddAu ment program or on contract. La

dddddddddd@‰cfQdddddddddddddhcdec cdhfdcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcdhfc†9dd MontrŽal, seul ou coloc, pour tra-

cdhfdcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd †RddddddddddH‰g†RdddddddddHwchcdec

cdhfdcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd sRddddddHwhecs9dddd@wchecdec

dcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd xddddr c

dcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd cddddc c

cdhfdcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd ‡Eˆc cdec

cdhfdcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd cdfBdA„Pddcdcdc‡PT„PdTˆ cdec

cd cdfxd†9 cdcQ„ScU‰†ddˆƒD cdec

cdddddecdcƒdddcƒd cddddbdd c Scena Musicale. (514) 274-

cdfcd‡8‰cdcU‚IcQˆcƒd †I c vailler, chanter et vivre. 350$

cd cdfcddddddcdcdc†RdH‚Rdd cdec

cd cdec

cd cdec

c

c

cdhfdcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd cdec

cdhfdcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd cdec

cdec

cdhfdcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd 1128.

c

dcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd max. 948-3770

dcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd c

cdhfdcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd cdec

cdhfdcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd cdec

cdhfdcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd cdec

dcfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgdcfdcfcdfcdgdcfdcfcdfcdfcdgcdfcdfcdgdcfdcfcdfcdgdcfcdfcdfcdgdcfdcfcdgdcfdcfdcfcd c

c

cd cdec

cd cdec

cd cdec

c

c

cd cdhcd dc cdhfcdhedcgcddc cdec

cd cdhcd cAˆcecdheydˆdhedcgtd cAˆc cdec

cdec

cdhddddT„PT„PddcdddecdddcdddecdddcddddcdddccdddddddddddcdAcetSecdddddddddddddc‡PTˆcdddce‡PT„8ddcdddcdddcdcdcddddddddcdddcdAc GŽnŽral ¥ General

c

dcdcdd`fddcdcdddecdcdcdddecdcdecddcdddccdcdcdddddcdcdrceUrecdcdcdddddcdcdcU`fIcdcdceU`fd‰drcdcdcedcQ„Scdcdcddddcdcdcdrc Volunteers Wanted

dcdcddagddcdcdfcdcdcdfcdcdcddddcdcecdcdcddccdcdcdvcedcecdcdcddccdcdcdcQagScdcdceQagScdedcdcdddcxdrcdcdcddecdcdcdvc c

cdhdcdc@‚RH‚Rddcdddecdddcdddecdddcddddcdddccdcdcdddddcdcddcedcecdcdcdddddddcdc†RH‰cdddce†RH‰cdedddcdddccdedcdcddddcdcdcddc cdec

cd cd dcgtS cdec

cd cd dcgF‰ cdec

c

cd c

cdgcdddTˆ c‡8ceyAˆcedc ‡8 cdddTˆfyduc dcecydu dddTˆc yducfcyAˆedchcydu cdec

cdgcdefIecddddddTcPdT„8dcddddAcedcddddT„E„PdTcAˆcA„Fc‡EˆcdT„8d‡dcPdc cdefIe‡PdddTcAˆc‡PddcdcAˆcedcc‡PdddTcduyPddcdc‡Eˆ dccfIcc‡PT„E„PddddddddddTcPddddAedcc‡PddTcPdddddc cdec

cdgcdecdecdcdcdddddcdd‰dcddddrcctScdcdcdd‚ddcdddAcQdrcU‚Icd†d‰dddddrc cdecdeU`cdcdddAcU‰ddcdddAcctSccU`cdcddddd‰ddcdcUdA dcedccU`fd‚ddcdcddcddcddddcdcdrctSccU`cdddddddcdc cdec

cQaccdecdcdcddcddcddˆdcdcddvccUrcdcdcdd„ddcddˆccxdccQ„ScdcQˆddˆcd cQaccdeQacdcddˆeQˆddcddˆecUrccQacdcddˆ‡dˆddcdcQˆc QaedccQagd„ddcdcdd‡ddcdcddcdcdvcUrccQacdcdccddcdc c

c†Rddde†Rddc@‚Rdc†9dddH‚Rdccdec†Rddc@‚RH‚9ddddc†Rd †Rdddcc†RH‚C‚9cdcQd@‚Rdddddcdcddcdec†Rddddddddcdc c

c†Rdddecdcdcdddddc@‚Rdcdddddccdedcdc@‚C‚9c@‚RdctScc†C‰cdc†RH‚Rdd Annual Bazaar - St.Lawrence

cF‰c c†Cw c†Cw c†C‰ cdec

cd Writers, translators, proof-read- cd cdec

cd cdec

c

c

cd cdec

cd cdec

cd cdec

c

c

cd Choir giant fundraiser. Sat. 30 ers, typists, graphists, distribu- cdgcddT„EˆcdddddccdeddddTcPdddTcAˆ cdec

cdgcdcdd‚IcdcdcdctSedcdddddcdcdddA cdec

cdgcdcdd„ScdcdcdcUredcddcddcdcddˆc cdec

cdc@‚C‰cdcdcdcdcedcdddddcdc@‚Rd c

c

cd cdec

cd cdec

cd cdec

c May, 10-4, Webster Hall, corner tions staff wanted for non-profit c

cd cdec

cd cdec

cdhfddddddcddddddddddddcdddddddddcddddddddddddcdddddddddcddddddddddddcdddddddddcddddddddddddcdddddddddcddddddddddddcdddddddddcddddddddddddcdddddddddcddddddddddddcdddddddddcddddddddddddcddddddddddddcdddddddddcddddddddddddcdddddddddcddddddddddddcdddddddddcddddddddddddcdddddddddcddddddddddddcdddddddddchcdec

c

c

cd cdec

cdhec‡8c cdg‡8c‡8u cdec

cdec

cdgcdTuy8dcdT„8cPddddTcAˆecdcdTˆc‡8d‡8ddT„8cPddddd de Maisonneuve /Lansdowne,

c cdddd‰dcd†dddddddddddAetScddIcU‰dd‰dd†ddddddddd organization. La Scena Musicale.

cdcddˆdcdcQˆecdeddˆceUrcdcdcQˆddˆddcQˆcedccd c

cdgcddH‚Rdcdc†RddddddH‚Rdedccdddc†RH‚Rddc†Rddddddd cdec

cd cdec

cd cdec

c

c

cd cdec

cdec

cd Westmount.

cdec cd (514) 274-1128.

c

ddddddcddddddddddddcdddddddddcddddddddddddcdddddddddcddddddddddddcdddddddddcddddddddddddcdddddddddcddddddddddddcdddddddddcddddddddddddcdddddddddcddddddddddddcdddddddddcddddddddddddcddddddddddddcdddddddddcddddddddddddcdddddddddcddddddddddddcdddddddddcddddddddddddcdddddddddcddddddddddddcdddddddddchfc

cd cdec

cd cdec

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Le laryngologue : contres publiques beaucoup trop chargŽ. La fatigue marge de manoeuvre du chanteur. vocale qui en rŽsulte se rŽpercute gŽnŽralement sur Bref, les chanteurs doivent se rendre compte L'avantage de tenir un leur voix chantŽe, qui perd de sa vigueur, de son que la voix parlŽe exige un effort des cordes Žtendue et qui se met ˆ ÇoscillerÈ. vocales et prŽvoir des pŽriodes, quotidiennes «journal vocal» Il faut plus qu'une bonne technique vocale autant que saisonni•res, de repos total. Le Çjournal par le Dr Fran•oise P. Chagnon pour rŽussir dans cette profession. Il faut •tre con- vocalÈ peut les aider ˆ acquŽrir de bonnes habi- scient de sa voix parlŽe et organiser ses journŽes tudes ˆ cet Žgard. Chacun doit viser pour lui-m•me Beaucoup de chanteurs souffrant d'un dys- en s'accordant le temps d'un repos vocal et un juste Žquilibre entre l'usage de sa voix parlŽe, de fonctionnement vocal croient et esp•rent qu'une physique complet. De plus, il faut appliquer ses sa voix chantŽe et le repos. dŽficience de leur technique vocale en est la cause. notions de technique vocale et posturale en parlant traduction: Mich•le Gaudreau Ils essaient de mettre le doigt sur le bobo mais, ce aussi bien qu'en chantant, ce que bien des faisant, ils traitent souvent leur voix parlŽe comme chanteurs ignorent. Žtrang•re ˆ eux-m•mes et ˆ leurs difficultŽs. Ils Les chanteurs peuvent-ils donc former leur semblent considŽrer leur voix parlŽe et leur voix voix parlŽe comme leur voix chantŽe? Bien sžr. Les chantŽe comme le produit de mŽcanismes dif- professeurs de chant sont capables de leur fŽrents et distincts. enseigner des notions physiologiques de base sur Cette attitude ne peut qu'aggraver le prob- l'Žmission vocale, qu'elle soit parlŽe ou chantŽe, et l•me. Chez nombre de patients ˆ qui j'ai demandŽ les orthophonistes Žgalement. de tenir un Çjournal vocalÈ Ñ ils y notent le type et Cela Žtant dit, il n'est pas si difficile de se la durŽe des activitŽs vocales de la journŽe et les mŽnager, pendant une journŽe tr•s occupŽe, des conditions ambiantes Ñ je dŽcouvre une tendance moments de repos vocal total. Il suffira de 5 ˆ 20 ˆ abuser de la voix parlŽe plus que de la voix chan- minutes toutes les 2 ˆ 4 heures, selon les Çexi- tŽe. Leur journal indique que rŽpŽtitions, concerts, gences vocalesÈ de son emploi du temps. 2 STUDIOS (514)484-5407 enseignement, relations publiques, marketing et vie Le long terme importe aussi. Entre les sociale leur laissent bien peu de temps pour repos- tournŽes, il est essentiel de s'accorder un repos er leur voix et pour dormir. vocal continu pour permettre aux tissus de la gorge From San Francisco, Beaucoup de tissus du corps humain recou- de se restaurer parfaitement. Le repos vocal est vrent leur intŽgritŽ de fonctionnement apr•s Rhiannon tr•s bŽnŽfique pour corriger des lŽsions bŽnignes offers inventive vocal jazz and improvisation at quelques heures de sommeil, mais ce n'est pas le des cordes comme les nodules, les polypes, l'en- Lion d’Or cas des cordes vocales fatiguŽes et enflŽes. flure et les petits vaisseaux sanguins perforŽs. En 1676 Ontario East Beaucoup de jeunes chanteurs professionnels l'absence de repos vocal, ces anomalies peuvent Thursday, May 21, 1998, 8 p.m. ˆ l'excellente technique et au rŽpertoire bien adap- subsister indŽfiniment ˆ l'Žtat bŽnin, mena•ant sans Tickets: (514) 790-1245 tŽ s'astreignent ˆ un horaire d'entrevues ou de ren- cesse la voix et rŽduisant considŽrablement la $13 ($10 for students) For vocal workshops for all levels call 278-9777 The Throat Doctor : key postural and respiratory techniques. Can a singer's speaking voice be taught or Atelier d'une journŽe Keeping a Voice Diary trained like the singing voice? Of course it can. The same instructors who teach singing are also able to sur la MAGIE DU SON By Dr. Fran•oise P. Chagnon impart fundamental knowledge about the physiolo- Singers who suffer from a vocal dysfunction gy of voicing, whether it be speech or song, as can pour harmoniser often believe that a faulty singing technique is language and speech therapists. Given this knowl- Souffle et Son responsible for their ailment. Searching for their edge, the scheduling of brief yet frequent periods of mistake, they consider their speaking voice to be total voice rest during a hectic day is not a difficult Dimanche, 7 Juin 1998 produced by different and distinct mechanisms from thing to do. The duration of rest should be from 5 to de 9h30 ˆ 16h30 their singing voice. 20 minutes at a frequency of every 2 to 4 hours, tak- Such an attitude may itself be a big part of the ing into account the level of vocal exertion demand- (Tarif pour la journŽe : 50$) problem. When I ask my patients to keep a vocal ed on a given day. diary -- a review of the day's vocal activities, noting Longer-term schedules are also important. au CERCLE l'INSTANT PRESENT the type and duration of voice use together with the Between bouts of touring, it is essential to have con- 9823 boul. St-Laurent. MŽtro SauvŽ day's environmental conditions -- I frequently find tinuous voice rest to allow the full healing of strained that they are more likely to overuse their speaking throat tissues. Voice rest is of great therapeutic ben- Informations et voice than their singing voice. Many talented young efit in the management of such benign vocal cord professional singers with an excellent vocal tech- lesions as nodules, polyps, swelling, and ruptures RŽservations au nique and a suitable repertoire commit themselves of small blood vessels. Without it, these conditions tŽl. (514) 679-4274 to unreasonable public speaking schedules. The may remain present in a non-acute form indefinite- result is vocal fatigue, usually at the expense of a ly, always threatening the healthy voice and sharply avec healthy singing voice, which will lose stamina, have reducing the singer's room to maneuver. CHRISTIANE FORTIER, soprano a diminished vocal range, and acquire a wobbling To sum up: Singers need to be aware of the pitch. demands on the voice made by speaking and the spŽcialiste en ART VOCAL While many tissues of the human body recov- need to schedule both singing and speaking in such 30 ans d'expŽrience professionnelle er their full function after just a few hours of sleep, a way that the voice gets complete rest on both a ( QuŽbec, Ontario, Floride et Europe ) tired and swollen vocal cords may only be begin- daily and seasonal basis. Keeping a voice diary is a ning to heal when the next day's voice overuse valuable tool for establishing good habits in this CHANT CLASSIQUE ET POPULAIRE begins. Succeeding as a professional singer regard. Each singer will find that there has to be a THƒRAPIE PAR LES SONS requires good vocal technique, an awareness of the balance between the singing voice, speaking voice, RƒƒDUCATION VOCALE speaking voice and a daily scheduling of activities and voice rest to produce the best results. bŽgaiement, nodule, voix faible, which gives time to complete vocal and bodily rest. fatiguŽe, nasillarde, rauque Equally important, many singers must carry over from their singing voice to their speaking voice their studio : 70 de la Barre, c™tŽ mŽtro Longueuil PROFIL DÕUN 50 DCs / CDs LECTEUR Ë GAGNER Reader Profile TO WIN Remplissez ce questionnaire, retournez-le nous et courez la chance de gagner Complete and return this questionnaire for a chance to win a CD collection: 50 une sŽrie de disques compacts : 5 prix de 10 disques des collections harmonia Cds to be won! 5 prizes of 10 CDs (harmonia mundi, Hyperion, Chandos, mundi, HypŽrion, Chandos et ATMA, gracieusetŽ de SRI. ATMA) courtesy of SRI. ƒchŽance : le 20 mai 1998 Deadline: May 20, 1998 Faites parvenir ˆ lÕadresse suivante / Return Address : 5411 Waverly, MontrŽal, QC, H2T 2X8, Fax: (514)274-9456, TŽl: (514)274-1128

Votre Sexe / Gender Ë combien de concerts de musique classique ou ❍ Musique de la terre / World music ❍ Homme / Male ❍ Femme /Female dÕopŽras assistez-vous chaque annŽe, ˆ lÕex- ❍ Autre / Other ______t•rieur de votre ville ? / How many live classical Comment vous procurez-vous La Scena music concerts or operas do you attend OUT- Combien dÕheures de musique classique Musicale? SIDE your hometown each year? Žcoutez-vous ˆ la radio, chaque semaine ? / How How do you obtain La Scena Musicale? ❍ 0 ❍ 1-2 ❍ 3-5 ❍ 5-7 ❍ 8-10 many hours each week do you listen to classical ❍ Poste / Mail ❍ Info-Arts Bell ❍ Chorale / Choir ❍ 11-15 ❍ >15 music radio ? ❍ Magasin de disques / Record Store ❍ 0 ❍ 1-2 ❍ 3-5 ❍ 5-7 ❍ 8-10 ❍ Restaurant ❍ Salle de concert /Concert Hall Combien dÕenregistrements de musique clas- ❍ 11-15 ❍ >15 ❍ chaque jour / everyday ❍ ƒcole de musique / Music School sique achetez-vous chaque mois ? / How many ❍ Biblioth•que / Library ❍ autre / other ______classical recordings do you buy each month? Raison pour laquelle vous lisez cette publica- ❍ 0 ❍ 1-2 ❍ 3-5 ❍ 5-7 ❍ 8-10 tion? / Why do you read LSM? Quel ‰ge avez-vous? / Which is your age brack- ❍ 11-15 ❍ >15 ❍ Pour vous initier ˆ la musique classique / et? To learn about Classical music ❍ < 20 ❍ 20-30 ❍ 30-40 ❍ 40-50 ❍ >50 La revue vous a-t-elle dŽjˆ guidŽe dans lÕachat de ❍ Le calendrier / The listings billets de concert ? / Have you ever used our ❍ Les articles / The great articles Quelle est votre revenu total par mŽnage, avant information in buying a concert ticket? ❍ La publicitŽ / Advertising imp™ts? / What is your annual income? ❍ Oui / Yes ❍ Non / No ❍ < 30 000$ ❍ 30 000 $-49 999 $ ❍ > 50 000 $ De quoi voudriez-vous plus ? / What would you La revue vous a-t-elle dŽjˆ guidŽe dans lÕachat de like more of? Quelle est votre derni•re annŽe dÕŽtude com- disques ? / Have you ever used our information ❍ Les articles sur les concerts ˆ venir / plŽtŽe?/ What is your level of education? in buying a CD? concert previews ❍ Niveau secondaire /High School ❍ Oui / Yes ❍ Non / No ❍ Les entrevues / interviews ❍ CEGEP/College ❍ UniversitŽ /University ❍ Les articles de fond / feature articles ❍ ƒtudes supŽrieures / Post-Graduate Suivez-vous des cours de musique ou de chant ? ❍ Les mots croisŽs / crosswords / Are you currently taking any music or singing ❍ La critique des concerts / concert reviews Lisez-vous La Scena Musicale en / Do you read lessons? ❍ La critique des disques / CD reviews La Scena in ❍ Oui / Yes ❍ Non / No ❍ Fran•ais ❍ English ❍ les deux / both? Que souhaiteriez-vous ajouter ˆ la revue ? / What Quelles autres publications musicales lisez-vous new features would you like to see? Combien de numŽros de cette publication avez- ? / What other cultural newspapers/magazines do ______vous lu durant les 12 derniers mois? / How many you read? ______issues of La Scena have you read in the last 12 ❍ Classical Music ❍ Opera Canada months? ❍ Performing A&E ❍ Opera News Nom / Name ______❍ Ce numŽro seulement /This one only ❍ Gramophone ❍ Diapason Adresse / Address ______❍ 2-4 ❍ 5-7 ❍ 8-10 ❍ 11-12 ❍ Le Monde de la musique ❍ RŽpertoire TŽlŽphone ______Fax ______Combien de temps passez-vous ˆ lire cette publi- Quels journaux lisez-vous ? / What general news- e-mail: ______cation par mois? / How much time do you spend papers/magazines do you read? ❍ Je souhaitre mÕabonner ˆ la revue pour un an. reading this magazine per month? ❍ La Presse ❍ Le Devoir ❍ Voir ❍ I am interested in subscribing. ❍ 30 minutes ❍ 30-60 minutes ❍ 1-2 heures ❍ The Gazette ❍ Globe and Mail ❍ 2 heures ou plus Avez-vous acc•s au rŽseau Internet? / Do you En moyenne, combien de fois par mois vous have internet access? rŽfŽrez-vous ˆ cette publication? / How many ❍ Oui / Yes ❍ Non / No SERVICE & QUALITY SINCE 1984 times per month do you look at this magazine? ❍ 1-3 ❍ 4-6 ❍ 7-10 ❍ 11-15 Quel est votre niveau de connaissance musicale 10% STUDENT DISCOUNT FOR ALL ❍ COMPUTER SERVICES! chaque jour / every day ? / How do you describe your musical knowl- OFF Valid Student I.D. required. Cannot be combined with any edge? other promotion. Valid only at Park Ave. Location. Combien de personnes dans votre entourage ❍ Novice ❍ IntermŽdiaire / intermediate ◗ Photocopy Center lisent le m•me numŽro de LSM? / How many ❍ Expert ❍ ƒtudiant en musique / Music Student ® other people in your household read this copy of ❍ Professionel de la musique / Music Professional ◗ Desktop Publishing LSM? ◗ Service Bureau ❍ ❍ ❍ ❍ ❍ 1 2 3 4 5 Quels types de musique aimez-vous Žcouter ? ◗ ❍ 6 ❍ 7 + ❍ 0 (Cochez plus dÕun au besoin) / What types of Commercial Printing ◗ Office Supplies music do you like to listen to? (Check all that Colour Ë combien de concerts de musique classique ou applies) ◗ Internet Services ❍ Large dÕopŽras assistez-vous chaque mois? / How Musique de chambre / Chamber music Format many live classical music concerts or operas do ❍ Musique d'orchestre / Symphonic music ❍ 277-2000 & you attend a month? Musique ancienne / Early music 5041, PARK AVENUE Foam ❍ ❍ ❍ ❍ ❍ ❍ ❍ 0 1-2 3-5 5-7 8-10 Contemporaine / Contemporary OpŽra / vocal MON.TO FRI. 8:30-9:00 p.m. Core ❍ 11-15 ❍ >15 ❍ Jazz ❍ ComŽdie musicale / Show music OPEN 7 DAYS A WEEK ❍ Populaire / Popular ❍ Folklorique / Folk La Scena Musicale - mai 1998 ¥ May 1998 - Vol. 3, No. 7 - Page 21

Concert Reviews while Doug MacNaughton is one tenor whom I look forward to hearing in bigger parts than that of Ottawa Fiorello. Stage director Tom DiamondÕs traditional but intelligent work, aided by stage manager Rossini: Il barbiere di Siviglia Debora Johns, delivered a conventional but suc- National Arts Center Orchestra / Opera Lyra cessful Barbiere. One hopes that Opera Lyra over- Ottawa Male Chorus comes its current financial woes and leadership cri- Donna Brown (Rosina), Theodore Baerg (Figaro), sis, and that the Ottawa public increases its support Allan Monk (Doctor Bartolo), Torin Chiles (Count of well-crafted productions with top-notch Canadian Almaviva), Alexander Savtchenko (Don Basilio), singers, such as this one. Christina Harvey-Finlay (Berta), Doug - Pierre Marc Bellemare MacNaughton (Fiorello). Susan Haig (conductor). National Arts Center. March 14, 1998. Toronto Puccini: Madama Butterfly Marina Mescheriakova (Butterfly), Badry Maisuradze (Pinkerton), James Westman (Sharpless), Anita Krause (Suzuki), Raymond Aceto (Bonze), Jonathan Green (Goro), Doug MacNaughton (Yamadori), Karen Ydenberg (Kate). Maurizio Barbacini (Conductor). Canadian Opera Company Orchestra and Chorus. April 14, 1998.

The COC's recent production of PucciniÕs Madama Butterfly was better the second time around. Not that opening night (April 9) was bad, but by April 14, Russian soprano Marina Mescheriakova had recovered from a cold and gave a stupendous performance. MescheriakovaÕs instrument is exceptional, one of the loudest voices ever to fill the cavernous Hummingbird Centre, yet also capable of a pianissimo high D at ButterflyÕs entrance. Of the many Butterflies I have seen in recent years, including Scotto, Zylis-Gara, Malfitano, Soviero, Pellegrini, Watanabe, and Hartliep, Mescheriakova has the most voice. l. to r.: Theodore Baerg & Allan Monk Dramatically, she was also among the most pas- Opera Lyra recently treated the Ottawa public sionate and italianate. I tend to prefer a shy, inward, to a fine production of RossiniÕs Il barbiere di stoic Butterfly, but MescheriakovaÕs total conviction Siviglia, the second and final staged operatic pro- won me over. duction of its 1997-98 season. That production also marked the company debut of the Ottawa-based soprano Donna Brown (see interview in La Scena Musicale Feb./March 1998), and she was not dis- appointing. The role of Rosina, which calls for a combination of youthful mischievousness and mature technique, is ideally suited to her. The success of any Barbiere rests on a solid team of comic singers / actors who enjoy working together and whose linchpin must be a strong Doctor Bartolo, the lecherous old man who tries to prevent Figaro from getting the girl. In that respect, one could not have wished for a better (i.e. funnier) Bartolo than veteran Canadian baritone Allan Monk, whose instrument has lost nothing of its vir- photo: Michael Cooper ile and impressive power. Canadian bass-baritone l. to r.: Marina Mescheriakova & James Westman Theodore Baerg is an experienced Figaro. Baerg realizes that he has just a few moments to take the Georgian tenor Badry Maisuradze (Pinkerton) stage by storm with his spectacular opening num- is a money-note tenor: loud, a bit unsubtle, but with ber (the so-called "Largo al factotum"). Once Baerg a gorgeous voice. He delivered the goods last night had achieved that objective with resounding suc- and he even acted credibly. It is only a matter of cess, the rest of the evening was smooth sailing. time before the Met snaps him up. Canadian bari- As Almaviva, the light tenor Torin Chiles proved tone James Westman made his major role main- to be an excellent actor but, vocally, he did not stage debut as Sharpless. Westman is a real find, sound perfectly at ease. Basso Alexander with wonderful stage presence, excellent musicality Savtchenko's Basilio had the looks of an and a beautiful voice that is just a tad small for the Hoffmannesque bird of ill omen. His finely shaded 3400-seat Hummingbird Centre. rendition of the ÒCalumniaÓ aria would have been Canadian soprano Anita Krause has become even more appreciated if, on opening night, his a dramatically and vocally superb Suzuki. Though voice had not lacked some of its usual power. the role does not offer Krause many moments to Christine B. Harvey-Finlay, as Berta, was an asset, shine, her voice made one sit up and take notice. La Scena Musicale - mai 1998 ¥ May 1998 - Vol. 3, No. 7 - Page 22

Maurizio BarbaciniÕs conducting was brisk, top vocal honours. It is incredible but true that in Le r omantisme well paced, and more sympathetic to the singers about two years Forbis has graduated from Lensky than on opening night when, in the first act, they to Florestan. The inhuman tessitura of ÒGott! welch allemand were scrambling to catch up to the conductor's dunkel hierÓ and the final measures where so many beat. The minimalist production of director Brian tenors strain held no terrors for him. Word has it that en d o m ineur Macdonald and designer Susan Benson grew on Siegmund is on the horizon: it looks like we have you - the faded look was evocative but not very dra- another Heldentenor in the making... matic. -Joseph So The rest of the cast was variable. Szmytka Dimanche, le 31 mai 1998 à 20 h was a bright-voiced and well-acted Marzelline, a Beethoven: Fidelio nice match physically and vocally for Benoit BEETHOVEN Sophia Larson (Leonore), Clifton Forbis BoutetÕs Jacquino. Aceto made a very good Rocco, Fantaisie chorale op. 80 (Florestan), Raymond Aceto (Rocco), Elzbieta but his deportment (and makeup) was not sufficient SCHUBERT Szmytka (Marzelline), Benoit Boutet (Jacquino), to hide the fact that he was a very young singer Symph. No 4 "Tragique" Kevin Short (Pizarro), John MacMaster (First playing an old man. Though he gets an A for effort, Prisoner), Christopher Cameron (Second Kevin Short lacked the vocal heft and stature to be SCHUMANN Prisoner), Jay Baylon (Don Fernando). - Richard a menacing Pizarro. Missa Sacra op. 147 Bradshaw (Conductor) Director (Richard Monette). The true stars of the evening were the orches- Canadian Opera Company Orchestra and Chorus. tra and the spectacular chorus, led by the COCÕs Choeur polyphonique de Montréal April 8, 1998 (Hummingbird Centre). former chorus master Donald Palumbo, the best in Petits Chanteurs de la Cathédrale the business today. Conductor Richard Bradshaw 70 voix et 40 instrumentistes The COC kicked off its spring season with a presided over a deeply felt, lovingly shaped reading Piano et direction revival of the 1991 production of Fidelio, appropri- of BeethovenÕs masterpiece. -Joseph So ately dedicated to Amnesty International. This pro- Yannick Nézet - Séguin duction is rather standard-issue but, to be fair, it is Paris Leslie Michaels, soprano hard to make a dungeon look glamorous. In Fidelio, Benjamin Britten : Billy Budd. 19 mars 1998 tradition is not necessarily a bad thing. Director Bizet : Carmen. 20 mars 1998 Salle Claude-Champagne Richard Monette, in keeping with this strategy, gave Tchaikovsky : Eugene Onegin. 24 mars 1998 us a rather conventional staging. OpŽra de Paris. 220 Vincent-d'Indy (métro Édouard-Montpetit) Fidelio stands or falls by its Leonore. Sophia Larson, last seen locally as Isolde in 1987, replaced Archambault ■ 19 mars 1998, Billy Budd (Britten, d'apr•s la Billets : Nadine Secunde, who had withdrawn. Larson, a 500 Ste-Catherine Est (métro Berri) nouvelle de Melville), OpŽra Bastille. Sur une sc•ne veteran of 25 productions of Turandot and count- et à l'entrée une heure avant le concert qui ressemble ˆ un radeau perdu dans la temp•te, less Isoldes, Sentas, Leonores, and Sieglindes et sur laquelle se rassembleront jusqu'ˆ 300 Admission: 20 $ ainé-e 16 $ étudiant-e 12 $ worldwide, brought experience and dramatic hommes, le metteur en sc•ne Francesca Zambello strength to her Leonore. Possessing a big, slightly orchestre admirablement ce combat du Bien et du nasal voice somewhat like NilssonÕs, she sang with Mal. Billy Budd (radieux Rodney Gilfry) sera ici intelligence and resourcefulness, if not with tonal l'Agneau sacrifiŽ, vŽritable figure christique comme beauty. Her portrayal had some very fine qualities, le montre on ne peut plus clairement la sc•ne o• il but she was below her best on opening night, often tr™ne en haut du m‰t de misaine, les bras Žtendus flatting at the top, especially on the first high note of sur la grand'vergue. DŽlaissant les r™les mozar- her great scene, ÒAbscheulicher! wo eilst du hin?Ó tiens, Gilfry incarne un Billy Budd tout en innocence Fortunately she was in much better form by the sec- et en suavitŽ; son solo de Billy aux fers n'en est que

ond performance. As Florestan, Clifton Forbis took plus touchant. Incarnant le Mal, le capitaine d'armes

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Claggart (Monte Pederson, mŽconnaissable), (sans bal), un lustre dŽmesurŽ tient lieu de dŽcor les figurants insufflent aux sc•nes de foule une bottes de cuir hautes, cr‰ne rasŽ, fouet ˆ la main, jusqu'ˆ la fin. Tout repose sur les interpr•tes. spontanŽitŽ et un naturel comme on en voit peu. semble tout droit sorti d'un film S-M. Dans le r™le Et Dieu, quelle distribution! Au premier plan, Une rŽussite totale, rare et mŽmorable. -Rodrigue pivot du capitaine Vere, Kim Begley sait jouer d'une Hampson, avec sa voix chaude, au timbre cares- Audet riche palette de tons pour exprimer l'autoritŽ mais sant, incarne un OnŽguine hautain, frisant l'indif- L'OpŽra de Paris prŽsentant ses spectacles aussi l'angoisse qui finira par ronger le personnage. fŽrence. Usant avec intelligence d'une sensibilitŽ (ballets, opŽras et concerts) dans deux lieux dif- Roderick Brydon dirigeait l'Orchestre de l'OpŽra musicale exceptionnelle, Susan Chilcott compose fŽrents, le Palais Garnier et l'OpŽra Bastille, il est National de Paris o• les cuivres ont particuli•rement une Tatiana tour ˆ tour radieuse de jeunesse, tout ˆ fait possible de voir en une semaine plusieurs brillŽ. bouleversŽe lorsqu'elle est en proie aux tourments opŽras et ballets, au cours d'une saison qui ne fait Pour symbolique qu'il soit, le livret de E. M. de l'amour, et dŽchirŽe mais rŽsolue apr•s son rel‰che qu'au mois d'aožt. Il est fortement recom- Forster et Eric Crozier n'est pas dŽpourvu d'ironie. Il mariage. Mais mon coup de coeur de la soirŽe, c'est mandŽ de rŽserver ˆ l'avance, beaucoup de fallait •tre dans la salle pour savourer la rŽaction de le Lenski de Sergei Larin. Est-ce parce qu'il est reprŽsentations affichant complet. Le prix des billets plus en plus amusŽe du public (on est ˆ Paris!) russe? Il chante et joue avec tant de passion et de (places assises) varie de 35 ˆ 635 FF. Billetterie: lorsque les officiers font part de leurs sentiments conviction, qu'on dirait bien qu'il n'incarne pas, mais 130 rue de Lyon - 765012 Paris. Tel: 01 43 43 96 96. anti- fran•ais (ÒDown with the Frenchies! Death or qu'il est Lenski. Ses intonations plaintives et ressen- Internet: http://www.opera-de-paris.fr. Victory!Ó). ties vont droit au coeur, sans affŽterie. Le choeur et ■ 20 mars 1998, Carmen (Bizet, d'apr•s la nou- velle de MŽrimŽe), OpŽra Bastille. PrivilŽgiant selon ses dires le "champ poŽtique, allŽgorique" et se "dŽtournant du rŽalisme", le metteur en sc•ne Alfredo Arias propose en fait une mise en sc•ne assez embrouillŽe et surchargŽe. Ainsi, le trio Carmen-JosŽ-Escamillo est reprŽsentŽ allŽgorique- ment non seulement par un trio de danseurs, mais aussi par un trio de nains. Arias dit vouloir soulign- er que Carmen cherche sa propre mort. On assis- tera donc, dans la sc•ne finale, ˆ quelque chose qui ressemble ˆ un suicide, Carmen for•ant littŽrale- ment JosŽ, veule, hŽsitant, ˆ lui transpercer le coeur lorsqu'il lui donne un dernier baiser. M•me si JOSEPH RESCIGNO elle a ses moments forts, surtout au dŽbut, la mise en sc•ne semble dŽpourvue d'une vision esthŽtique claire. Événement BŽatrice Uria- Monzon (Carmen), un peu nerveuse dans la premi•re partie de l'habanera, donne sa pleine mesure dans "Pr•s Wagner des remparts de SŽville", chaude- ment applaudi. Voici enfin une Carmen francophone, qui ma”trise la diction et Église Notre-Dame photo: Eric Mahoudeau l'expression du Mercredi 20 mai, 20 heures verbe fran•ais. Et quelle artiste! Elle attaque en douceur les notes, les tient et les orne comme il Der Fliegende Hollander - Ouverture sied, avec une facilitŽ dŽconcertante. Mais la vŽri- Die Meistersinger von Nürenberg - Ouverture table coqueluche de la soirŽe, c'est le tenor argentin JosŽ Cura (Don JosŽ). Il compose un jeu tr•s mŽlo, Die Walküre -Acte 1 passionnŽ, nettement moins rŽservŽ qu'ˆ San Direction : Francisco. Ë la fin de l'opŽra, lorsqu'il implore Joseph Rescigno Carmen, il est littŽralement en larmes et c'est en Solistes : pleurant plus qu'en chantant qu'il lui crie "Ne me

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Critiques des disques / CD Reviews des passages sur les of Popular Favour- CD. ites, 1947). From the Opera dÕOro: A New Budget Opera Label Dans un premier first two albums we temps, les formes musi- have the leftist labour Opera dÕOro is Allegro DistributionÕs new bud- cales ˆ grande Žchelle anthem, ÒJoe HillÓ, get line of opera recordings formerly only available (opŽra, sonates, musique the Spanish loyalist at top prices from pirate labels. Despite shoddy religieuse, etc.) sont song, ÒThe Four notes in English only (plot synopsis, no libretto), the ŽtudiŽes. Ensuite, une Insurgent GeneralsÓ, first batch of nine releases shows great promise. analyse plus dŽtaillŽe a Nazi concentration Treasurable is the 1969 Italian Radio and Television permet de classifier les camp song, several Russian folksongs, ÒBy and Orchestra studio broadcast of RossiniÕs comic formes fixes, continues et ByÓ, ÒMotherless ChildÓ and the famous ÒWater LÕItaliana in Algeri (OPD-1146), previously available contrapuntiques (illus- Boy.Ó All of these are also included on a recent Pearl at double the price on Pantheon. The recorded trŽes par les 25 exem- release called ÒSongs for Free MenÓ but SonyÕs sound is superb and the top notch cast includes ples musicaux du CD 2). sound is far preferable, being remastered from the Teresa BerganzaÕs agile, darkly Mediterranean Dans la troisi•me partie, original sources. The Pearl disc includes rare but Isabella, Alvino MiscianoÕs naturally high and flexi- la perspective est renversŽe : il ne s'agit plus de tedious Chinese revolutionary songs and the chau- ble Lindoro, and Mario PetriÕs rich, solid Mustaf‡. cataloguer les formes de l'Žpoque baroque en s'ap- vinistic ÒBallad for Americans.Ó SonyÕs popular Buffo bass Sesto Bruscantini is incomparable as puyant sur des citations musicales, mais plut™t de songs include eight of Norman LockwoodÕs Taddeo. Maestro Sanzogno conducts slowly partir de l'oeuvre elle-m•me et de l'analyser systŽ- schmaltzy arrangements of Uncle Tom spirituals enough that one can savour the librettoÕs charming matiquement. L'auteur a retenu ˆ cet effet, sur le and show tunes (yes, ÒOl Man RiverÓ and ÒI Still absurdities, and the whole production radiates CD 1, trois oeuvres compl•tes (une sonate pour vio- Suits MeÓ) that Robeson would later understandably Italianate authenticity. A 1964 live La Scala lon de Corelli, un Concert Royal de Couperin et une refuse to sing. These cloying arrangements can Turandot (OPD-1152) features heroic Birgit Nilsson, cantate de Bach) ainsi que le premier acte de never compare to the sheer electricity and camp of splendidly robust Franco Corelli, and the l'Orfeo de Monteverdi. RobesonÕs original soundtracks from the 1930s -- redoubtable Galina Vishnevskaya. The Russian S'il est vrai que certaines analyses, plut™t best heard on ÒPaul Robeson and Elizabeth Welch: sopranoÕs Liu is Slavic and not very vulnerable, but pointues, risquent de dŽrouter quelque peu le nŽo- Songs From their FilmsÓ (Movie Stars CMSCD 011) sheÕs the Italian audienceÕs favorite. Ping, Pang and phyte, l'ouvrage dans son ensemble est tout ˆ fait and the two volumes of RobesonÕs British record- Pong are lyrical and well-matched. This is a night of accessible au mŽlomane moyen. Une belle icono- ings on Great Voices of the Century (Memoir great singing, with cries of ÒBravoÓ and ÒBisÓ, but graphie, des graphiques clairs, en couleurs, une Classics CDMOIR 415 & 426), available in Canada due to considerable crackle, audiophiles will prefer disposition aŽrŽe et un glossaire ŽlaborŽ through Pelleas Distribution. The Sony disc also the Nilsson/Corelli studio version (EMI). tŽmoignent par ailleurs du sŽrieux et de la qualitŽ includes the first CD release of RobesonÕs Hasidic -Philip Anson de l'ouvrage et en facilitent la comprŽhension. chant and aria from MendelssohnÕs Elijah. For con- Enfin, les 2 CD puisent dans un catalogue nour- tent and sound quality, SonyÕs Songs of Free Men is Comprendre la musique baroque ˆ travers ses ri par plusieurs Žtoiles de la musique baroque, au the best single Robeson disc on the market. formes premier rang desquels il faut citer William Christie, Rapha‘lle Legrand RenŽ Jacobs, Philippe Herreweghe et Kenneth Ninon Vallin, The Complete PathŽ Art Collection Passerelles (harmundia mundi HMB Gilbert. -Rodrigue Audet Recordings (1927-1929) 590001.02) Marston 52006-2 Dans ce livre (64 p.) de vulgarisation musi- Songs of Free Men La compagnie cologique, qui inclut deux CD au minutage Paul Robeson, baritone Marston a dŽjˆ fait gŽnŽreux, Rapha‘lle Legrand fournit des clŽs Sony MHK 63223 para”tre plusieurs clas- formelles pour permettre ˆ l'amateur de musique This highly recommended Sony Masterworks siques, dont une baroque d'ajouter au plaisir d'Žcouter celui de com- Heritage reissue appears just in time for the cente- Manon de Massenet prendre. Pour illustrer son propos, elle a recours ˆ nary of Paul RobesonÕs birth (April 1898-1998). fort impressionnante, de nombreux tableaux synoptiques, extraits de par- SonyÕs 71-minute program gathers portions of three mais le coffret double titions et analyses structurelles souvent dotŽes de Columbia Masterworks 78 rpm records (Songs of consacrŽ aux en- notations temporelles, qui facilitent l'identification Free Men,1942, Spirituals, 1945, A Robeson Recital registrements PathŽ de VIèmes Journées de la Musique Française CONCERT GALA DE CLÔTURE Le mercredi 13 mai 1998, 19h30 Salle Marie-Stéphane École de Musique Vincent d'Indy 628, Côte Sainte-Catherine Outremont Les artistes invités Les Lauréats des JMF 1998 Joanne Bellavance, soprano Roxane Nonat & Stéphanie Peika, flûtistes Jean-Michel Damase, pianiste (France) Geneviève Grenier, ondes martenot Boaz Sharon, pianiste (États-Unis) Renseignements : Sylvia Burla (514) 684-7287 Prix des billets : $ 15.00 et $ 50.00 La Scena Musicale - mai 1998 ¥ May 1998 - Vol. 3, No. 7 - Page 25 la soprano Ninon Vallin est possiblement sa plus the most popular opera wise charming voice sometimes betrays her the few belle rŽussite. Ninon Vallin a reprŽsentŽ lÕessence arias from La Boh•me, times she goes above the staff. Her high notes can m•me du chant fran•ais pendant presque 40 ans. Faust, Porgy and Bess, La sound tight and reedy (in the opening of ÒO qui Elle a dŽbutŽ sur sc•ne aux environs de 1911 dans Traviata, etcetera for B flat coeliÓ, for example). Also, she uses much white La demoiselle Žlue de Debussy et chantait encore and A clarinet, which he tone, deadening her otherwise lovely spin. The en concert en 1950. Elle a dÕailleurs enregistrŽ ses plays with mind-boggling sound on this recording is wonderfully intimate, with derniers disques en 1956, cinq ans avant sa mort, ˆ virtuosity and tongue-in- the ensemble present and clear. -Peter Phoa lÕ‰ge de 75 ans. On retrouve ici les 43 titres quÕelle cheek humour. The idea sounds kitschy but playing a enregistrŽs pour la compagnie PathŽ entre 1927 this good is no joke. His sheer brilliance leaves one Wings in the Night: Swedish Songs et 1929. Principalement vouŽ ˆ lÕopŽra fran•ais (les breathless with admiration. A real treat for clar- Anne Sofie von Otter, mezzo. Bengt Forsberg, Manon, Tha•s et Louise de nos r•ves !) et lÕopŽra inetists, opera lovers, and fans of the bizarre. piano italien (Tosca, La boh•me et Madame Butterfly), ce Richard Stoltzman joins the Toronto Symphony Deutsche Grammophon 449-189-2 coffret est tout simplement indispensable ˆ ceux et Orchestra May 25, 26, 27, 1998. Tel: 416-593-4828. Swedish mezzo celles qui cherchent ˆ retrouver ou ˆ conna”tre la www.tso.on.ca. Anne Sofie von Otter vŽritable tradition du chant fran•ais. La voix de has recently recorded Ninon Vallin nÕŽtait peut-•tre pas la plus belle, mais Vivaldi Motets for Soprano everything from certainement la plus distinctive de son Žpoque. Ses Karina Gauvin, soprano / Les Chambristes de baroque arias to disques, malgrŽ le processus inŽgal de PathŽ, Ville-Marie French mŽlodies. I still tŽmoignent de son gŽnie. Elle pouvait simultanŽ- Analekta FL 23099 find this album of ment illuminer le texte avec le lyrisme et la musical- For her latest release, Montreal soprano Karina Swedish songs her itŽ de son approche, et rendre la ligne vocale Gauvin records a selection of VivaldiÕs solo vocal most enjoyable. The encore plus sŽduisante gr‰ce ˆ une diction works with Les Chambristes de Ville-Marie, a group generous 67-minute irrŽprochable. Son art baignait dans la subtilitŽ et founded and directed by her husband. GauvinÕs program samples the cream of romantic Swedish lÕintelligence, et elle couronnait le tout avec une delightful sense of musicality sculpts a great deal art song between 1884 and 1924. Unlike the dreary technique qui lui permettait dÕinterprŽter avec sensi- out of the rather ordinary material. Fine moments on Russian songs of the same period, these Swedish bilitŽ non seulement les personnages de Manon et this disc include the ÒSit nomen dominiÓ from the lyrics are folksy, pastoral, and festive, and the influ- de Marguerite, mais aussi de Carmen et de Laudate Pueri with its suspensions over the pulsing ence of Grieg, Schubert and Richard Strauss is pre- Charlotte. - Richard Turp string accompaniment - an effective Vivaldi-ism dominant. The programmatic and onomatopoeic often copied by Handel during his Roman years. songs like StenhammerÕs ÒMood PicturesÓ display Aria: Opera Arias Arranged For Clarinet GauvinÕs warm and compelling middle range easily considerable originality and invention. Here Von Richard Stoltzman, clarinet manages the intricate coloratura. Her phrasing is Otter sounds her best, with a creamy, soothing tim- Slovak Philharmonic Orchestra natural and shapely throughout. She tackles the bre: what a joy when words and music are so beau- RCA Red Seal 09026-68817-2 / BMG demanding ÒSum in medio tempestatumÓ and its tifully matched. Anne Sofie von Otter in recital at Richard Stoltzman has transcribed eighteen of ÒAlleluiaÓ without breaking a sweat. GauvinÕs other- TorontoÕs Ford Centre May 1, 1998. Tel: 416-872-2222.

SCOTIA FESTIVAL OF MUSIC 1998 Les disques PALEXA présentent

Orchestra-in-Residence May 31 - June 14, 1998 Halifax, Nova Scotia

In residence for the first time ever in Canada !

¥ Hear TafelmusikÕs first ever performance of contemporary music ! ¥ Hear traditional Inuit throat-singers at Neptune Theatre ! ¥ Hear baroque music performed to perfection by the best ! ¥ Also É Pulka Baroque, soprano Amir Monoytos ; The Halifax Rachmaninov ◆ Medtner Camerata Singers, composer-in-residence Christos Hatzis Concerto No 4 “Night Wind” Sonata ¥ Ten concerts and seven recitals in all, plus daily masterclasses PAUL STEWART, piano PALEXA SUBSCRIPTIONS FROM $ 59 TO $ 150 Rehearsal/student recital/masterclass pass only $ 25 !!! HOMMAGE À L'AMITIÉ ENTRE RACHMANINOV ET MEDTNER THIS DISC CELEBRATES THE FRIENDSHIP BETWEEN Call 429-9467 RACHMANINOV AND MEDTNER Scotia Festival of Music Le Concerto No. 4 de Rachmaninov enregistré par le pianiste 1541 Barrington Street, Suite 317 canadien Paul Stewart, en concert à Moscou en 1996 Halifax, NS B3J 1Z5 Discover "Night Wind", Medtner's masterpiece, "the greatest piano Fax : (902) 425-6785 sonata of modern times". (Sorabji) http://www3.ns.sympatico.ca/scotia.festival Parution / To be released: mai 1998 Distribution Pelléas La Scena Musicale - mai 1998 ¥ May 1998 - Vol. 3, No. 7 - Page 26

Trombone Concerti: Albrechtsberger, La simplicitŽ m•me du Devin l'a parfois fait RenŽe Fleming : Mozart Arias Wagenseil, Mozart, Haydn taxer de niaiserie, mais le jugement ne pourrait •tre Sir Charles Mackerras / Orchestra of St. Luke's Alain Trudel, trombone / Northern Sinfonia plus injuste. L'oeuvre remporta un Žnorme succ•s (London 452-602-2) Naxos 8.553831 d•s sa premi•re, en 1752, et ce fut un succ•s RenŽe Fleming : Signatures -- Great Opera durable, car elle est demeurŽe au rŽpertoire pen- Scenes At last, Quebec dant pr•s de 70 ans. M•me son livret a ŽtŽ beau- Sir Georg Solti / London Symphony Orchestra trombonist Alain coup imitŽ : l'argument de Bastien und Bastienne de (London 455-760-2) TrudelÕs first solo Mozart en dŽrive directement, de m•me que celui RenŽe Fleming : The Beautiful Voice album. The four classi- de Colas et Colinette de Quesnel, le tout premier Jeffrey Tate / English Chamber Orchestra (London cal concertos recorded opŽra composŽ au Canada, et crŽŽ ˆ MontrŽal en 289-458-858-2) here date from about 1790. It is no news 1755 to 1770 and rep- Quant ˆ la musique, cet excellent enregistre- that American resent just about the ment, tirŽ (enfin!) des vožtes d'EMI, en fait ressortir soprano RenŽe entire pre-modern trombone concerto repertory. les rŽels mŽrites. Rousseau s'y rŽv•le un mŽlodiste Fleming has a gor- Only the Wagenseil and Albrechtsberger were writ- de talent (la romance ÇDans ma cabane obscureÈ geous voice. Her ten as concerts per se. Leopold MozartÕs ÒconcertoÓ est un morceau d'anthologie) et un dramaturge discs of StraussÕs is extracted from the last three movements of his lyrique aux conceptions esthŽtiques d'une Four Last Songs Serenata (1756). Alain Trudel has assembled cohŽrence remarquable. La na•vetŽ de l'orchestra- (RCA Red Seal Michael HaydnÕs Concerto from a Divertimento tion est plus que largement compensŽe par le traite- 09026-68539-2) (1764). All these works display the expected ment expert des voix, non seulement dans les airs and of Mozart arias were ravishing. Signatures, her Hausmusik virtues of calm stateliness. The trom- et les ensembles, mais aussi dans les rŽcitatifs d'un disc of opera scenes, conducted by the late Sir boneÕs part is very demure, approaching the French naturel Žtonnant. Les parties vocales sont si Georg Solti was full of wonderful things (the Letter horn (a century before WagnerÕs ÒRide of the soignŽes que les chanteurs, parmi les meilleurs de Scene from TchaikovskyÕs Eugene Onegin, ValkyriesÓ). The Northern Sinfonia, a chamber l'Žpoque, n'ont aucune peine ˆ Žnoncer chaque mot RusalkaÕs ÒSong to the MoonÓ, the Willow Song orchestra with harpsichord continuo, led by Trudel avec une parfaite intelligibilitŽ -- tant mieux, car from Otello, the embroidery scene from Peter himself, play and record very well. This album is CPO n'a pas jugŽ bon d'inclure un livret. Grimes). But in ÒDove sonoÓ one noticed the intru- easy listening in the best sense. Alain Trudel and his L'enregistrement est un peu dur et rŽverbŽrant. Par sion of an unpleasant vibrato on high, loud notes, ensemble play at OttawaÕs National ArtsÕ Centre on ailleurs, comme il a ŽtŽ originellement con•u pour and a tendency to whimper when expressing emo- May 24. une Ždition sur disque 33 tours, il comporte des tion. Now The Beautiful Voice confirms these coupures (notamment dans le ÇvaudevilleÈ de la annoying habits. In ÒDepuis le jourÓ, even though Jean Jacques Rousseau : Le Devin du Village sc•ne finale). - Pierre Marc Bellemare the orchestra is held back, Fleming still whimpers Louis de Froment / Orchestre de Chambre Louis on ÒJe suis heureuse!Ó, has gutteral low notes, and de Froment Franz Liszt: A Faust Symphony aspirates ManonÕs ÒJe suis be-he-he-elle!Ó What Naxos CPO 999 559-2 Iv‡n Fischer / Budapest Festival Orchestra conclusions to draw? First of all, recordings exag- Philip 454-460-2, 73.45 mins. DDD. gerate FlemingÕs flaws. She is always better live M•me quand on than on disc. She doesnÕt have much affinity for the sait que Jean-Jacques Several superb recordings of LisztÕs A Faust French, Italian, Hungarian or Spanish repertoire Rousseau a composŽ Symphony in Three Character Portraits (depicting (her Rachmaninov Vocalise is fine, but her ÒEpilogoÓ un opŽra, on ne recon- Faust, Gretchen, and Mephistopheles) exist but this by Spanish pop singer JosŽ Mar’a Cano is awful). na”t pas toujours toute is the first time the two alternative endings have On the other hand her German stuff still sounds l'importance de cette been included on the same disc. You can program wonderful (Korngold, R. Strauss). So try FlemingÕs oeuvre qui a transformŽ either LisztÕs original instrumental ending (1854) or Strauss Four Last Songs, Mozart Arias, and la sensibilitŽ de the longer, more famous Chorus Mysticus (1857). Signatures album to hear the best of her beautiful l'Žpoque et amenŽ l'Ž- This is Iv‡n FischerÕs third critically acclaimed voice. closion d'un genre musical nouveau -- l'opŽra- recording with the Budapest Festival forces (the comique -- genre auquel, paradoxalement, elle Hungarian Rhapsodies are to come). The orchestra Alexander Zemlinsky: Die Seejungfrau / Psalms n'appartient pas elle-m•me. has notably fine wind, brass and string players. 13 & 23 Le Devin du Village n'est pas un opŽra-comique Their rapport with Fischer is total. His precise and Riccardo Chailly / RSO Berlin ˆ proprement parler, car il comporte des rŽcitatifs au cerebral reading is admirable but perhaps not the London 444-969-2 lieu de dialogues parlŽs. Pour le reste, il prŽsente best way to convey LisztÕs melodrama. Tenor Hans The latest in London/DeccaÕs Entartete Musik les deux autres caractŽristiques essentielles du Peter BlochwitzÕs brief solo is adequate. The record- (Music Suppressed by the Third Reich) series adds genre, soit une musique marquŽe au sceau d'une ed sound in BudapestÕs famous Italian Institute is another version of ZemlinskyÕs Mermaid to the ŽlŽgante simplicitŽ et une intrigue sentimentale (la detailed, balanced and crystal clear but a bit distant discography. The first movement of this symphonic rŽconciliation amoureuse d'un couple paysan) pro- compared to older recordings. poem was identified only in 1984, and the piece was pre ˆ plaire aux classes moyennes. then given its first complete modern performance.

Orchestre Symphonique Symphony Orchestra Les élèves, les anciens élèves et les membres de la communauté sont invités à participer aux invites all instrumentalists to participate in - AUDITIONS – mai / May 1998 La participation à l'orchestre est gratuite Participation in the orchestra is free Renseignements / Information: (514) 695-5919 La Scena Musicale - mai 1998 ¥ May 1998 - Vol. 3, No. 7 - Page 27

ZemlinskyÕs program tions and arrangements for wind instruments. This corde et de motifs rŽpŽtitifs tendent ˆ crŽer un cli- follows Hans-Christian recording contains six works by DÕIndy, Farkas, mat parfois tendu, voire m•me extatique. Un disque AndersonÕs fairy tale of Prinz, Regner, Uhl, and Srebotnjak -- all accessible, de grande qualitŽ dont les inconditionnels de the little mermaid who atmospheric, pastoral works studded with folk musique du XXe si•cle se rŽjouiront. moves from the ocean dances and rhythms. With the likes of oboist Ted -Jean-Claude ThŽriault to the human world Baskin, flutist Tim Hutchins and French horn player where she is ship- James Sommerville, the playing is predictably world Schumann: Liederkreis, Op. 24. Dichterliebe, wrecked, rescued by a class. This album is marvelously polished from start Op. 48 prince, and transformed to finish, enjoyable listening anywhere, anytime. Ian Bostridge, tenor by the Sea Witch into a woman. The ravishing EMI 5565752 orchestral writing blends shamelessly Straussian Alfred Schnittke : Concerto grosso No. 1 sentimentality and brooding Wagnerian mysticism. Arvo PŠrt : Tabula rasa English tenor Ian Ethereal strings and ominous horns depict the Henry Gorecki : Concerto for Harpsichord and BostridgeÕs early throbbing pulse of the seaÕs tidal movements. The Strings Hyperion recordings gripping conflict between the mermaidÕs optimistic Yuli Turovsky / I Musici de MontrŽal (Schubert: Die Schšne love and her tragic destiny is palpable. Chailly and Chandos CHAN 9590 / SRI MŸllerin and Britten: his orchestra give a hearty performance full of grand Cet excellent The Red Cockatoo) effects, with excellent flute and violin solos. disque nous propose caused a stir as much Nevertheless, I recommend the more atmospheric une br•ve incursion du for BostridgeÕs promis- and magical 1988 recording by Sinfonieorchester c™tŽ de lÕEurope de ing voice as for his frag- der SŸdwestfunks, Baden-Baden (Wergo 286-209- lÕEst en nous prŽsentant ile, boyish good looks, accentuated by a perceptible 2) -- if you can find it. trois oeuvres inter- amount of lip rouge in the poofy publicity photos. prŽtŽes de fa•on magis- Now EMI has signed him up exclusively and are Chansons et Danses trale par lÕensemble marketing him as a soulful, intellectual waif. The Jacques Lacombe / Les Vents de MontrŽal montrŽalais I Musici. En impressive young voice is better than ever on this CBC MVCD 1105 guise dÕintroduction, le sublime Concerto grosso no album of SchumannÕs Heine lieder (which dupli- The chamber 1 du polonais Alfred Schnittke nous transporte dans cates his recent well-received United States tour ensemble Les Vents de un univers trouble o• les genres les plus opposŽs program). BostridgeÕs high, clear, powerful tenor, is MontrŽal unites first- se c™toient. Fid•le ˆ son titre, la Tabula rasa de PŠrt still redolent of the church choirs in which he was chair players from the marque quant ˆ elle un changement radical dans trained. The voice is very forward and cleanly pro- Montreal Symphony lÕesthŽtique de ce compositeur estonien. De style jected without any throaty, pharyngeal texture. His Orchestra and the nŽoclassique, lÕoeuvre dŽvoile un discours musical Orchestre MŽtropolitain ˆ la fois riche et intimiste. NÕŽtant pas en reste, to play new composi- Gorecki fait preuve dÕun caract•re fougueux et pas- sionnŽ avec son Concerto. LÕutilisation du harpsi- PIANO ACCOMPANIST for singers, all levels & repertoire Douglas Knight (514) 630-0331

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German diction is crisp and he excels in the dra- singers are fresh, youthful and well-matched (the Leonard BernsteinÕs Òpsychological contrariesÓ (sic) matic spoken passages. BostridgeÕs poetic, tasteful tenor is better than HaitinkÕs). Being Russian, their without telling us that in his fifties Bernstein left his interpretations reject the Peter Schreier /Christophe interpretations are idiomatic but slightly inhibited. wife and children to live with another man. PrŽgardien-style Sturm und Drang approach to Chandos couples Op. 79 with 44 minutes of SchumannÕs High Romantic masterpieces. Lieder ShostakovichÕs music for the1929 silent movie New Leos Jan‡cek: String Quartets No. 1 & No. 2 lovers, who have probably already marked Babylon. Without the movie to watch, it is hard to Prazak Quartet BostridgeÕs Ford Centre debut (April 16, 1999) on get enthusiastic about this kinetic, occasionally Praga PRD 250 108 / SRI their calendars, will be intrigued by this disc and the touching, pastiche of political anthems, lacrimose This recording of upcoming Schubert one (June 1998 release). adagios and dance-hall tunes. Jan‡cekÕs two delicious BostridgeÕs recording of BrittenÕs Serenade for string quartets takes its Tenor and Horn is available in Canada through EMI To the Soul (Songs to the Poetry of Walt place among the best of Special Import Service only. Whitman) the dozen-plus versions Thomas Hampson, baritone / Craig Rutenberg, in the catalogue. Shostakovich: New Babylon / From Jewish piano Jan‡cekÕs String Quar- Folk Poetry EMI 55028 tet No. 1, inspired by Valeri Polyansky / Russian State Symphony This interesting TolstoyÕs novella The Orchestra album of songs set to Kreuzer Sonata, is a dramatic work full of Jan‡cekÕs CHAN 9600/SRI the poetry of Walt typical picturesque local colour and tragicomic sen- ShostakovichÕs 25- Whitman by eighteen sibility. It is one of the masterpieces of programmat- minute song cycle From composers (most of ic writing, vividly re-enacting the harrowing novellaÕs Jewish Folk Poetry them post-World War II tale of adultery and murder. The Czechoslovakian (1948) is one of his Americans) is a valu- Prazak Quartet are masters of Jan‡cekÕs atmos- most haunting works for able by-product of pheric string effects so often sadly flubbed by west- voice. It had to wait until EMIÕs Thomas ern ensembles. Despite recorded sound that is Stalin was dead for its Hampson Year (1997). Hampson deserves credit slightly fuzzy and over-reverberant (typical, alas, of first performance (1964). for co-piloting this project, and his singing is remark- many Prague recordings) this is a highly recom- Rich and colorful ably engaged. Only in the loudest passages does mended disc. It firmly beats SonyÕs recent release orchestration supports plaintive texts bemoaning he sound a bit tired. Most of these settings are of the same works by the Julliard Quartet (SK poverty, hunger, persecution, loneliness and grief. pedestrian, sterile experiments (Michael Tilson 66840) recorded in 1989 (No. 2) and 1995 (No. 1). HaitinkÕs 1983 recording with the Concertgebouw ThomasÕs pathetically campy ÒWe Two Boys The Julliard play with a coarseness and vehemence (London/Decca) remains the classic. The Together ClingingÓ), like the vast majority of con- that canÕt disguise their lack of affinity for Jan‡cekÕs Concertgebouw Orchestra (especially the strings) temporary art songs. But there are a couple of psychologically subtle art. Move right on to the has a richer more reverberant sound. Haitink also gems: BurleighÕs ÒEthiopia Saluting the Colors,Ó Vlach Quartet (Naxos 8.553895) for better music at takes the eleven songs much slower. His three Charles NaginskiÕs eerie ÒLook Down Fair Moon,Ó half the price (but beware, a bar is missing from the soloists use their big operatic voices for maximum and Craig UrquhartÕs deeply felt gay anthem second quartet, according to the April 1998 emotional effect: Elizabeth Sšderstršm and Ortrun ÒAmong the Multitude.Ó Considering the overwhelm- Gramophone magazine) . Wenkel are not afraid to keen and wail. The Russian ingly homoerotic nature of these songs (and the ori- State Symphony, recorded in Moscow 1996, has a entation of the composers, one assumes), it is sad Stewart Wallace: Harvey Milk cleaner, more chamberish sound, reflecting that EMIÕs notes never mention sexuality, preferring Donald Runnicles/San Francisco Opera Orchestra ChandosÕs ÒhonestÓ engineering policy. PolyanskiÕs unwhitmanesque euphemisms, like referring to (Teldec 0630-15856-2/ Warner) This bio-musical of the life and death of gay San Francisco city supervisor Harvey Milk is another OFFRE D'EMPLOI ¥ JOB POSTING quasi-artistic attempt to exorcise AmericaÕs political and moral demons. Michael KorieÕs libretto cobbles together the most tired clichŽs about Jewish life, R eprŽsentant en publicitŽ gay life, and political activism. All the main charac- ters spout fatuous Broadway-style monologues at dvertising sales rep the expense of dramatic development. The music is a facile ÒName That TuneÓ pastiche of Wagner, A avec/with expŽrience Menotti, Richard Strauss, Leonard Bernstein and Philip Glass. Whatever the entertainment value of the original stage production seen in Houston, New La Scena Musicale York and San Francisco, this recording makes for Tel.: (514) 274-1128 an embarrassing listening experience.

ARIA Atelier de chant Nouvelle sc•ne d'apprentissage, d'expression culturelle ST. COLUMBA MUSIC SERIES et de chant ˆ MontrŽal CONCERT Now booking concerts Dimanche 7 juin 1998 ˆ 19h30 for Fall '98 and Winter '99 Salle de Musique, ƒcole Vincent d'Indy, 628, C™te Ste-Catherine Rental space for teaching available. Pergolesi, Haendel, Mozart, Bellini, Bo•to, Puccini, Verdi, Very reasonable rates. Obradors et Hahn Church of St. Columba by-the-Lake Prix: 10$ Renseignements et rŽservation par ☎ (514) 337-2742 ¥ [email protected] 11 Rodney, Pointe Claire, QC ✉ 1435 ¥ de Bleury ¥ # 300 ¥ MontrŽal ¥ H3A 2H7 (514) 485-9167 La Scena Musicale - mai 1998 ¥ May 1998 - Vol. 3, No. 7 - Page 29

Mots croisés / Crossword PAR/BY JACQUES DESJARDINS Across

1 - Work by Rimsky-Korsakov (French spelling) 2 - Palestinien political movement - Japanese soup 3 - American boxer - Antilles island 4 - Hindu state of living (plur.) - Master of Arts 5 - Spanish article - Religioius abbre- Disque du mois viation - Resonances Prix suggŽrŽ : 4.99$ 6 - Greek letter - Archlike shape 7 - Very strong on August 16, 1997 in remembrance of a King 8- New means of communication - University degree - Judo term 9 - Former prime minister of India - German End 10 - A character in theatre - Synthetic fiber 11 - Famous castle in France - French pianist 12 - Always seen between two of his kind Concerto de Varsovie Horizontalement Verticalement Down Musique de film pour piano 8.554323 1 - Inspired many operas 1 - Oeuvre de Rimsky-Korsakov 1 - A inspirŽ de nombreux opŽras 2 - Moslem ritual (in French) - 2 - Mouvement politique palestinien - 2 - Selon le rite musulman - Reverend mother - Rejected Soupe japonaise RŽvŽrende m•re - RejetŽ 3 - Arabian prince - Name of an 3 - Boxeur amŽricain - ëles des 3 - Prince arabe - PrŽnom d'une American novel Antilles romanci•re amŽricaine 4 - Interjection - He wrote a Bird 4 - DestinŽe d'un •tre vivant selon 4 - Interjection - Il a Žcrit un Catalogue l'hindouisme (plur.) - Possessif Catalogue d'oiseaux 5 - Character in Carmen - Actinium 5 - Article espagnol - AbrŽviation 5 - Personnage de Carmen - 6 - Adverb - Greek letter religieuse - RŽsonances Actinium 7 - French composer - French writer 6 - Lettre grecque - DŽfinit les sour- 6 - Champion - Lettre grecque 8 - He gave us Les Soldats cils 7 - Compositeur fran•ais - ƒcrivain 9 - Photographic sensitivity index - 7 - Fut tr•s forte le 16 aožt 1997 en fran•ais Canadian Architecture Center - souvenir d'un roi 8 - On lui doit Les Soldats Ockeghem & Josquin Belgian river 8 - Recouvre les dents - Possessif - 9 - Indice de sensibilitŽ pho- 10 - Spanish title - Composed many 8.554297 Terme de judo tographique - Centre canadien oratorios 9 - Ancien premier ministre de l'Inde - d'architecture - Rivi•re de 11 - French writer Fin allemande Belgique 12 - Made up of most of South East 10 - Personnage de thŽ‰tre - Fibre 10 - Talent - Compositeur de nom- Asia - National Academy of synthŽtique breux oratorios Science 11 - Ch‰teau cŽl•bre - Pianiste 11 - ƒcrivain fran•ais fran•ais 12 - La plupart des pays de l'Asie du 12 - On le voit toujours entre deux de Sud-Est en font partie - National son esp•ce Academy of Sciences

Naxos Historical (Gounod : Faust) Pinza, Crooks, Jepson, Warren Oyez! Oyez! 8.110016-7 Hear ye! Hear Notre calendrier dŽtachable saisonnier tant attendu est de ye! retour! Le prochain calendrier dŽtachable sera Our ever-popular seasonal pull-out inclus dans le numŽro de juin. calendar-planner is coming back! The next pull-out calendar will be included in our June Veuillez nous faire parvenir les dŽtails issue. de votre ŽvŽnement d'ici le 15 mai. Liszt vol. 10 (Jenš Jand—) Chaque ŽvŽnement inclus cožte 10$. Please submit your events for the pull-out calendar by 8.553595 Faites vite, l'espace est restreint. May 15th. Listings are 10$ each. En rŽcital au ThŽ‰tre Maisonneuve (MontrŽal) Lundi, le 4 mai ˆ 20h00 Les ŽvŽnements seront traitŽs d'une Hurry, space is limited! Events will be treated on a fa•on premier-arrivŽ premier-servi. first-come first-served basis. NAXOS La Scena Musicale ¥ (514) 274-1128 ¥ Fax: (514) 274-9456 LE CLASSIQUE AUJOURDÕHUI La Scena Musicale - mai 1998 ¥ May 1998 - Vol. 3, No. 7 - Page 30

Critiques: Livres famille. D'autre part, son dŽsir d'•tre m•re et les d'opŽras, l'arrivŽe de Maria en Gr•ce, et la mort de Callas, une vie obstacles ˆ ce dŽsir, elle les prenait sžrement tr•s celle-ci. Cette biographie constitue une excellente Pierre-Jean Remy au sŽrieux; un biographe ne devrait pas les traiter ˆ introduction ˆ la vie tumultueuse de Maria Callas. 297 pages, ƒditions Albin Michel, 1997 la lŽg•re. -Eric Legault La biographie de L'auteur est inconsŽquent. Tant™t il suppose Maria Callas (1923- que le lecteur conna”t dŽjˆ toute l'histoire de Callas, AndrŽ Gauthier : Puccini 1977) Žcrite en 1978 tant™t il nous enterre sous les dŽtails superflus. Il Collection ÇSolf•gesÈ, Les ƒditions du Seuil, Paris, par Pierre-Jean Remy nous sort des noms parfois sans aucune autre 2e Ždition, 1998, 187 pages. (nom de plume du explication. Il nous parle de certaines reprŽsenta- diplomate-Žcrivain tions comme si nous en avions tous entendu l'en- Ce petit livre illustrŽ est la rŽŽdition, presque fran•ais Jean-Pierre registrement ou lu les critiques. Ce n'est donc pas sans modifications, d'un ouvrage de 1961. On s'est Angremy, nŽ en 1937, le livre ˆ recommander comme introduction au contentŽ de changer la couverture, en rempla•ant membre de l'AcadŽmie sujet. -Eric Legault une image monochrome (Žcarlate!) de Tosca triom- fran•aise depuis 1988), phant de Scarpia par un portrait en couleurs de vient d'•tre republiŽe ˆ Maria Callas, J'ai vŽcu d'art, j'ai vŽcu d'amour Puccini. On a Žgalement fait semblant de mettre ˆ l'occasion du 20•me David Lelait jour la mince bibliographie en lui ajoutant trois ou anniversaire du dŽc•s 249 pages, ƒditions Payot & Rivages, 1997 quatre titres de livres postŽrieurs ˆ 1961, choisis un de la cantatrice. David Lelait, jour- peu au hasard. Quant au reste, l'Ždition de 1998 est Dans sa nouvelle naliste, auteur de en tout point une rŽimpression de l'originale, sauf introduction, Remy explique qu'il avait Žcrit ce livre "Evita, le destin que celle-ci comportait une discographie fort utile "tr•s vite, d'un coup, tout de suite" apr•s avoir mythique d'Eva Per—n" qu'on n'a pas voulu se donner la peine de remettre appris la mort de Maria Callas, "loin de tout souci lit- (Payot, 1997), se tourne ˆ jour et qui, dŽsormais, manque totalement ˆ l'ap- tŽraire". Cette dŽclaration refl•te bien le ton du livre, maintenant vers un pel. qui semble en effet Žcrit ˆ la h‰te, avec un mŽlange autre monstre sacrŽ du Ceci dit, si vous n'en possŽdez pas dŽjˆ un hŽtŽroclite d'information, la plupart tirŽe d'on ne sait 20e si•cle, Maria exemplaire et que vous vous cherchez un bon o•, mais une partie provenant des journaux ˆ potins Callas. ouvrage fran•ais sur Puccini, la monographie de que l'auteur lui-m•me critique tant. Bien qu'il soit loin Gauthier, largement constituŽe de solides analyses Remy nous prŽsente les principaux ŽvŽne- d'•tre le premier ˆ musicologiques qui ne se dŽmodent pas, demeure ments et personnages de la vie de Maria Callas, en Žcrire une biographie tr•s valable. En fait, elle marque m•me une Žtape y ajoutant des descriptions d'opŽras, des critiques de la Callas, Lelait rŽus- importante de la rŽception de Puccini en France. d'enregistrements et de chanteurs, des citations de sit ˆ ajouter encore un L'introduction se lit comme un manifeste o• l'auteur journaux, des potins, des opinions personnelles, peu ˆ notre comprŽhension de la psychologie du annonce son intention de se porter ˆ la dŽfense des questions, des notions d'histoire de l'opŽra qui personnage. Il souligne habilement certains traits d'un compositeur jusque lˆ gŽnŽralement mŽprisŽ n'ont aucun rapport avec Callas... Un peu de tout, de sa personnalitŽ: la gaucherie sociale, le manque par la critique fran•aise ˆ cause de son Çsentimen- quoi! L'ouvrage contient Žgalement en annexe un d'empathie, la rigiditŽ d'esprit, la manie des dŽtails talismeÈ, de ses ÇfacilitŽsÈ et de sa popularitŽ tableau de ses r™les ˆ la sc•ne, avec dates et lieux, (m•me en dehors du travail), le malaise vis-ˆ-vis m•me. Puccini n'aurait pu trouver un meilleur avo- dont la prŽsentation tr•s structurŽe et systŽmatique l'argent, l'attachement trop rapide aux gens, la vul- cat : avec une expertise fougueuse et Žloquente, jure avec le reste du livre. Mais c'est le seul livre ˆ nŽrabilitŽ. Il n'hŽsite pas ˆ souligner certains para- Gauthier fait la preuve du sŽrieux de l'auteur de ma connaissance qui comporte ces statistiques. doxes: "A-t-elle du plaisir ˆ chanter? [...] On peut Tosca comme compositeur de musique savante, Par contre, il ne contient pas de photos, d'index, de penser que non, ou tout au moins que le terme insistant particuli•rement sur les audaces de son bibliographie, ni de table des mati•res. Il ne peut ÇplaisirÈ n'est pas appropriŽ: le chant de Maria n'a Žcriture harmonique, en plus d'Žnoncer en dŽtail les donc servir d'ouvrage de rŽfŽrence. Ce serait plut™t en effet rien ˆ voir avec le divertissement mais bien raisons qui font qu'on doive le considŽrer comme un essai. plus avec la gravitŽ de l'urgence. [...] Maria chante l'un des plus grands dramaturges lyriques de tous Il y a beaucoup d'erreurs dans le livre: gram- parce qu'elle n'a pas le choix, parce qu'elle ne con- les temps. Gauthier, qui rŽussit l'exploit d'intŽgrer maire, ponctuation, mots qui manquent, na”t d'autre expression que celle-lˆ." des remarques techniques ˆ un texte d'introduction orthographes Žtrang•res, etc., dont plusieurs sont Quant aux amours de Maria, l'auteur men- dans l'ensemble fort accessible, consacre aussi rŽpŽtŽes systŽmatiquement. Pourtant vingt ans se tionne clairement sa relation sexuelle avec beaucoup d'espace ˆ la promotion des chefs-d'oeu- sont ŽcoulŽs depuis la premi•re parution du livre. Bagarozy, son agent ˆ New York en 1947, ses sen- vre de la maturitŽ, Fanciulla del West, I Trittico et C™tŽ stylistique, le manque de "souci littŽraire" timents na•fs et obstinŽs pour Luchino Visconti mal- Turandot, encore aujourd'hui beaucoup moins am•ne l'auteur ˆ passer d'un style ˆ l'autre (narratif, grŽ l'homosexualitŽ de celui-ci, sa maturitŽ 15 ans apprŽciŽs du grand public que La Boh•me, Tosca et interactif; pensŽe libre, faits; familier, formel) et d'a- plus tard face ˆ Pier Paolo Pasolini, et ses Madame Butterfly. vancer et reculer dans le temps de fa•on Žtourdis- derni•res amours avec Giuseppe Di Stefano. Il cri- L'ouvrage prŽsente tout de m•me le dŽfaut sante. Et toutes ces phrases sans verbe, ces idŽes tique sŽv•rement son mari Battista Meneghini et habituel de la collection ÇSolf•gesÈ, o• l'on essaie incompl•tes! Ë nous de les complŽter. Par contre, l'influence qu'il a eue sur sa carri•re et ses relations de faire la part tant ˆ la biographie (complŽtŽe d'il- quand il se donne ˆ coeur joie dans ses descrip- professionnelles. Il est aussi tr•s sŽv•re envers sa lustrations photographiques) qu'ˆ l'analyse (ŽtoffŽe tions farfelues, les rŽsultats sont parfois dŽlicieux, m•re Evangelia. d'illustrations musicales), ce qui, en moins de 190 comme celle qu'il fait d'Onassis ("cet homme ˆ la L'ouvrage comprend Žgalement une chronolo- pages, rel•ve de la quadrature du cercle. Dans ce musculature de lutteur fatiguŽ... qui ach•te presque gie, une bibliographie (bien que peu descriptive et cas-ci, l'auteur a naturellement prŽfŽrŽ privilŽgier les peintures au m•tre..."). incompl•te, puisqu'elle n'inclut m•me pas les livres l'analyse, ce qui fait qu'une fois passŽe La Boh•me La fantaisie peut donc avoir sa place dans un qu'il cite), une discographie et une vidŽographie (1896), on a l'impression que la vie de Puccini s'est essai biographique, mais pas la frivolitŽ. Par exem- (seulement d'EMI, mais sans les annŽes d'enreg- rŽduite ˆ beaucoup de travail, une sŽrie de pre- ple, apr•s avoir mentionnŽ le fait qu'elle ait dit ˆ son istrement, hŽlas!). Par contre, il n'y a pas d'index; le mi•res et... un accident d'automobile -- aucune allu- mari qu'elle voulait avoir des enfants, il Žcrit "Et ses choix de photos laisse ˆ dŽsirer; et il ne parle sion aux flirts politiques des derni•res annŽes, non enfants d'opŽra, Maria les a tuŽs dans MŽdŽe, et presque pas de son contrat avec la compagnie de plus qu'ˆ la tragŽdie domestique (le suicide d'une Norma les a abandonnŽs pour mourir: comment disques Cetra. L'ouvrage comprend quelques servante qu'Elvira Puccini accusait injustement pouvons-nous r•ver une Callas m•re de famille?" erreurs factuelles (e.g. la Manon de Massenet n'est d'•tre la ma”tresse de son mari) qui pourrait lui avoir D'une part, il y avait bien assez de raisons plus pas un r™le de mezzo) et typographiques. Mais l'au- inspirŽ le personnage de Liu. rŽelles que des r™les scŽniques qui auraient pu teur compense largement ces quelques faiblesses - Pierre Marc Bellemare nous emp•cher de r•ver d'une Callas m•re de par son Žcriture raffinŽe et efficace, quasiment poŽ- tique par endroits, par exemple, les rŽsumŽs The World'sANDREA Favourite Singer! / Le chanteurBOCELLI le plus célèbre au monde! The Tenor For The New Millennium / Le ténor du nouveau millénaire THE OPERA ALBUM ARIA 462 033-2/4 New / Nouveau

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