DOCSLIB.ORG

Saturday Movies

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Saturday Movies FREE SATURDAY PROGRAMS TAKE PLACE ON THE SIXTH FLOOR MOVIES Max DVD | Color | 2015 | 111 min | Warner Bros. Pictures | PG 14 May| 2 PM A military dog from Afghanistan is adopted by his late handler's grieving family in the U.S. where his close bond with the soldier's brother leads to a life-altering revelation in this family-friendly adventure from MGM. Directed by Boaz Yakin Starring Jay Hernandez, Josh Wiggins, Lauren Graham, Thomas Haden Church Flags of Our Fathers DVD | Color | 2006 | 132 min | DreamWorks LLC and Warner Bros.| R 21 May |2 PM The story of the five Marines and one Navy corpsman that were forever immortalized as a symbol of WWII by raising the American flag at the battle of Iwo Jima—a turning point in World War II. Directed by Clint Eastwood Starring Ryan Phillippe, Jesse Bradford, Adam Beach, John Benjamin Hickey, John Slattery, Barry Pepper, Joseph Cross, All programs are free and subject to last minute change or cancellation. FREE SATURDAY PROGRAMS TAKE PLACE ON THE SIXTH FLOOR MOVIES Suggested Books, DVDs and More! Letters from Iwo Jima. Directed by Clint Eastwood. Warner Home Video, 2007. DVD Hamburger Hill. Directed by John Irvin. Lions Gate Entertainment, 2008. DVD. Across the Pacific. Directed by John Huston. Warner Home Video. 1942, 2006. DVD Glory. Directed by. Edward Zwick. Columbia TriStar Home Video, 2006. DVD. The Red Badge of Courage. Directed by John Huston. 2003. DVD. Where Eagles Dare. Directed by Brian G. Hutton. Warner Home Video, 2003. DVD Flags of Our Fathers. James Bradley with Ron Powers. Bantam Books. 2000. The Handy Military History Answer Book. Samuel Willard Crompton. Visible Ink Press. 2015. Book Real War vs. Reel War: Veterans, Hollywood and WWII. Suzanne Broderick. Rowan & Littlefield. 2015. Book Sounds of War: Music in the United States during World War II. Annegret Fauser. Oxford University Press. 2013. Book The Military Quotation Book: More than 1,200 of the Best Quotations about War, Leadership, Courage, Victory and Defeat. Edited by James Charlton. Thomas Dunne Books, c2002. Book Windtalkers: The Making of the Film about the Navajo Code Talkers of World War II. Edited by Antonia Felix. Newmarket Press, 2002. Book All programs are free and subject to last minute change or cancellation. .
Load more

Recommended publications
  • From Flags of Our Fathers to Letters from Iwo Jima: Clint Eastwood's Balancing of Japanese and American Perspectives
    Volume 4 | Issue 12 | Article ID 2290 | Dec 02, 2006 The Asia-Pacific Journal | Japan Focus From Flags of Our Fathers to Letters From Iwo Jima: Clint Eastwood's Balancing of Japanese and American Perspectives Aaron Gerow From Flags of Our Fathers to Letters From Iwo Jima: Clint Eastwood’s Balancing of Japanese and American Perspectives By Aaron Gerow History, like the cinema, can often be a matter of perspective. That’s why Clint Eastwood’s decision to narrate the Battle of Iwo Jima from both the American and the Japanese point of view is not really new; it had been done before in Tora Tora Tora (1970), for instance. But by dividing these perspectives in different films directed at Japanese and international audiences, Eastwood makes history not merely an issue of which side you are on, but of how to look at history itself. Flags of Our Fathers, the American version, is less about the battle than the memory of war, focusing in particular on how nations compulsively create heroes when they need them (like with the soldiers who raised the flag on Iwo Jima) and forget them later when they don’t. Instead of giving the national narrative of bravery in capturing Iwo Jima, the film shows how such stories are manufactured by media and governments to further the aims of the country, whatever may be the truth or the 1 4 | 12 | 0 APJ | JF feelings of the individual soldiers. Against the And some of the figures are fascinating. constructed nature of public heroism, Eastwood Kuribayashi (Watanabe Ken) had studied in the poses the private real bonds between men; United States, wrote loving letters to his son against public memory he focuses on personal with comic illustrations, and protected his men trauma.
    [Show full text]
  • Barbershop Politics
    www.StamfordAdvocate.com | Wednesday, October 17, 2018 | Since 1829 | $2.00 Dearth of part-timers Baby found dead Officials call for Safe Haven law awareness driving By John Nickerson Capt. Richard Conklin said. ”This is a very tragic situation STAMFORD — A newborn when we see these and we have baby found dead Tuesday morn- seen some over the years,” Con- custodian ing at a city garbage and recy- klin said. cling facility has renewed calls to Scanlon said investigators raise awareness of the state’s have not determined the origin Safe Haven law. of the recyclables that were sort- OT costs Stamford Police Lt. Thomas ed Tuesday morning at the Tay- Scanlon said a City Carting em- lor Reed Place facility. He said ployee found the baby at the the materials came from Stam- $1.45M budgeted — but is company’s Glenbrook process- ford, Greenwich, Somers, N.Y., it enough for city schools? ing plant around 8:40 a.m. Tues- Oyster Bay, N.Y., and Andover, Michael Cummo / Hearst Connecticut Media day. Mass. Emergency personnel respond to a report of a dead An autopsy will be conducted A spokesman for City Carting By Angela Carella baby in a dumpster at the City Carting & Recycling on to determine how the boy died could not be reached for com- Taylor Reed Place in Stamford. and if he was stillborn, Police See Newborn on A5 STAMFORD — This month, for the second time, the elected officials who control the city’s purse strings asked to meet with the officials who manage school custodians.
    [Show full text]
  • American Indian Representations in Film 1990 to Present
    A MOVEMENT FOR AUTHENTICITY: AMERICAN INDIAN REPRESENTATIONS IN FILM 1990 TO PRESENT A thesis submitted to the Kent State University Honors College in partial fulfillment of the requirements for University Honors by Raya Williamson May, 2017 Thesis written by Raya Williamson Approved by _______________________________________________________________________, Advisor ________________________________, Chair, Dept. of Marketing and Entrepreneurship Accepted by ___________________________________________________, Dean, Honors College ii TABLE OF CONTENT ACKNOWLEDGEMENTS……………………..………………………………………..iv SECTIONS I. Introduction………………………………………………………..………1 II. Dances with Wolves (1990)……………………………………………….6 III. The Last of the Mohicans (1992)…………………….……….………….11 IV. Pocahontas (1995)…………………………………………..……………18 V. Smoke Signals (1998)……………………………..……………………..25 VI. Atanarjuat: The Fast Runner (2001)………………………….……….....32 VII. Flags of Our Fathers (2006)……………………………...…..…………..38 VIII. The Twilight Saga: New Moon (2009)…………………...….…………..43 IX. The Revenant (2015)……………………………………….…………….52 X. The Reel Impact………………………………….…….......…………….58 XI. Conclusion……………………………………………...………………..66 REFERENCES…………………………………………..………………………………69 iii Acknowledgements Some time ago, I was fortunate to visit the Ohio History Center for one of its staff ‘brown bag lunches.’ During their open lunch, a few staff members went over what they learned at a recent seminar regarding American Indian relations. Museums in Ohio – and across the nation – have been involved in a de-colonization effort. Rather than retelling America’s history through the lenses of those who settled here, de-colonization and ‘truth-telling’ seek to right the wrongs of the past and open communication for Natives to tell their peoples’ stories. By bringing Native stories and Native people into the narrative, museums attempt to present a more balanced retelling of our shared past. When discussion was opened at the luncheon, one staff member voiced her concern for Hollywood movies in creating inaccurate perceptions of American Indians.
    [Show full text]
  • The American Dream in Clint Eastwood's Flags of Our
    THE AMERICAN DREAM IN CLINT EASTWOOD’S FLAGS OF OUR FATHER: A SOCIOLOGICAL APPROACH RESEACH PAPER Written as a Partial Fulfillment of Requirement for Achieving Bachelor Degree in English Department by DWI SULISTIYONO AGUNG. W. A.320 040 013 ENGLISH DEPARTMENT SCHOOL OF TEACHER TRAINING AND EDUCATION MUHAMMADIYAH UNIVERSITY OF SURAKARTA 2008 CHAPTER I INTRODUCTION A. Background of the Study The American Dream is a subjective term usually implying a successful and satisfying life. The “American Dream” can be interpreted in many ways. It is also different according to each individual. The “American Dream” has been changed from time to time. The standard of American Dream usually consist of ideas such as equality, freedom, individuality, independence, and prosperity. In general, the term can be called as the pursuit of happiness. The term was first used by James Truslow Adams in his book The Epic of America which was written in 1931. He states: “The American Dream is that dream of a land in which life should be better and richer and fuller for everyone, with opportunity for each according to ability or achievement. It is difficult dream for European upper classes interpret adequately, and too many of us ourselves have grown weary and mistrustful of it. It is not a dream of social order in which each man and each woman shall be able to attain to the fullest stature of which they are innately capable, and be recognized by others for what they are, regardless of the fortuitous circumstances of bird position. “(Truslow, 1931:214 - 215). The term appears and gets popular in American as the great effect of war such as Civil War, World War I and World War II.
    [Show full text]
  • THE HOLLYWOOD WAR FILM Robert Eberwein
    9781405173919_1_pre.qxd 10/07/2009 11:22 Page iii THE HOLLYWOOD WAR FILM Robert Eberwein A John Wiley & Sons, Ltd., Publication 9781405173919_1_pre.qxd 10/07/2009 11:22 Page vi 9781405173919_1_pre.qxd 10/07/2009 11:22 Page i THE HOLLYWOOD WAR FILM 9781405173919_1_pre.qxd 10/07/2009 11:22 Page ii NEW APPROACHES TO FILM GENRE Series Editor: Barry Keith Grant New Approaches to Film Genre provides students and teachers with original, insight- ful, and entertaining overviews of major film genres. Each book in the series gives an historical appreciation of its topic, from its origins to the present day, and identifies and discusses the important films, directors, trends, and cycles. Authors articulate their own critical perspective, placing the genre’s development in relevant social, historical, and cultural contexts. For students, scholars, and film buffs alike, these represent the most concise and illuminating texts on the study of film genre. 1 From Shane to Kill Bill: Rethinking the Western, Patrick McGee 2 The Horror Film, Rick Worland 3 Hollywood and History, Robert Burgoyne 4 The Religious Film, Pamela Grace 5 The Hollywood War Film, Robert Eberwein Forthcoming: 6 Film Noir, William Luhr 7 The Fantasy Film, Katherine A. Fowkes 9781405173919_1_pre.qxd 10/07/2009 11:22 Page iii THE HOLLYWOOD WAR FILM Robert Eberwein A John Wiley & Sons, Ltd., Publication 9781405173919_1_pre.qxd 10/07/2009 11:22 Page iv This edition first published 2010 © 2010 Robert Eberwein Blackwell Publishing was acquired by John Wiley & Sons in February 2007. Blackwell’s publishing program has been merged with Wiley’s global Scientific, Technical, and Medical business to form Wiley-Blackwell.
    [Show full text]
  • TITOLO Flags of Our Fathers REGIA Clint Eastwood INTERPRETI Ryan
    TITOLO Flags of Our Fathers REGIA Clint Eastwood INTERPRETI Ryan Phillippe, Adam Beach, Jesse Bradford, Jamie Bell, Paul Walker, Neal McDonough, Joseph Cross GENERE Guerra DURATA 132 min. – Colore – B/N PRODUZIONE USA - 2006 Storia di amicizia, coraggio, sopravvivenza e sacrificio sullo sfondo della sanguinosa battaglia di Iwo Jima, un'isola sperduta con spiagge scure e cave di zolfo, presidio giapponese durante la II Guerra Mondiale. Il film segue le vicende dei sei soldati americani - cinque Marines e un ufficiale sanitario della Marina - passati alla storia per essere stati immortalati nell'atto di piantare la bandiera Americana sul Monte Suribachi Critica: In un'epoca in cui a invocare l'eroismo, specie quando si parla di soldati e di guerra, si rischia di esser impallinati da pacifisti non troppo pacifici, è arrivato, a sorprendere e disorientare il pubblico e la critica, il nuovo film di Clint Eastwood che, sotto un titolo che più patriottico non si può, riesce a costruire una riflessione tutt'altro che banale sulle contraddizioni di un concetto che troppo spesso viene liquidato con sufficienza da chi è convinto che i più indicati a risolvere i problemi internazionali siano i medici di Emergency. Allontanandosi con decisione dagli stereotipi del film di guerra, ma senza per questo approdare all'estremo opposto del manifesto antimilitarista, Eastwood, ben servito dalla sceneggiatura che il fido Paul Haggis ha tratto dal romanzo/reportage di James Bradley Jr., porta sullo schermo un vasto affresco in cui l'orrore del campo di battaglia (le spiagge nere di Iwo Jima, dove i marine combatterono per assicurare agli Stati Uniti una base di appoggio per l'attacco al Giappone) e la macchina della propaganda domestica si affiancano in un paradosso che determina la crisi dei personaggi principali.
    [Show full text]
  • American Film Institute's Top 100 Movies of the Past 100 Years
    American Film Institute’s Top 100 Movies of the Past 100 Years: 10th Edition 1 CITIZEN KANE 35 ANNIE HALL 68 UNFORGIVEN 2 GODFATHER, THE 36 BRIDGE ON THE RIVER KWAI, THE 69 TOOTSIE 3 CASABLANCA 37 BEST YEARS OF OUR LIVES, THE 70 CLOCKWORK ORANGE, A 4 RAGING BULL 38 TREASURE OF THE SIERRA MADRE, THE 71 SAVING PRIVATE RYAN 5 SINGIN' IN THE RAIN 39 DR. STRANGELOVE 72 SHAWSHANK REDEMPTION, THE 6 GONE WITH THE WIND 40 SOUND OF MUSIC, THE BUTCH CASSIDY AND THE SUNDANCE 73 KID 7 LAWRENCE OF ARABIA 41 KING KONG 74 SILENCE OF THE LAMBS, THE 8 SCHINDLER'S LIST 42 BONNIE AND CLYDE 75 IN THE HEAT OF THE NIGHT 9 VERTIGO 43 MIDNIGHT COWBOY 76 FORREST GUMP 10 WIZARD OF OZ, THE 44 PHILADELPHIA STORY, THE 77 ALL THE PRESIDENT'S MEN 11 CITY LIGHTS 45 SHANE 78 MODERN TIMES 12 SEARCHERS, THE 46 IT HAPPENED ONE NIGHT 79 WILD BUNCH, THE 13 STAR WARS 47 STREETCAR NAMED DESIRE, A 80 APARTMENT, THE 14 PSYCHO 48 REAR WINDOW 81 SPARTACUS 15 2001: A SPACE ODYSSEY 49 INTOLERANCE 82 SUNRISE 16 SUNSET BLVD LORD OF THE RINGS: THE 50 FELLOWSHIP OF THE RING, THE 83 TITANIC 17 GRADUATE, THE 51 WEST SIDE STORY 84 EASY RIDER 18 GENERAL, THE 52 TAXI DRIVER 85 NIGHT AT THE OPERA, A 19 ON THE WATERFRONT 53 DEER HUNTER, THE 86 PLATOON 20 IT'S A WONDERFUL LIFE 54 M*A*S*H 87 12 ANGRY MEN 21 CHINATOWN 55 NORTH BY NORTHWEST 88 BRINGING UP BABY 22 SOME LIKE IT HOT 56 JAWS 89 SIXTH SENSE, THE 23 GRAPES OF WRATH, THE 57 ROCKY 90 SWING TIME 24 E.T.
    [Show full text]
  • The Hollywood War Film
    9781405173919_1_pre.qxd 10/07/2009 11:22 Page iii THE HOLLYWOOD WAR FILM Robert Eberwein A John Wiley & Sons, Ltd., Publication 9781405173919_1_pre.qxd 10/07/2009 11:22 Page vi 9781405173919_1_pre.qxd 10/07/2009 11:22 Page i THE HOLLYWOOD WAR FILM 9781405173919_1_pre.qxd 10/07/2009 11:22 Page ii NEW APPROACHES TO FILM GENRE Series Editor: Barry Keith Grant New Approaches to Film Genre provides students and teachers with original, insight- ful, and entertaining overviews of major film genres. Each book in the series gives an historical appreciation of its topic, from its origins to the present day, and identifies and discusses the important films, directors, trends, and cycles. Authors articulate their own critical perspective, placing the genre’s development in relevant social, historical, and cultural contexts. For students, scholars, and film buffs alike, these represent the most concise and illuminating texts on the study of film genre. 1 From Shane to Kill Bill: Rethinking the Western, Patrick McGee 2 The Horror Film, Rick Worland 3 Hollywood and History, Robert Burgoyne 4 The Religious Film, Pamela Grace 5 The Hollywood War Film, Robert Eberwein Forthcoming: 6 Film Noir, William Luhr 7 The Fantasy Film, Katherine A. Fowkes 9781405173919_1_pre.qxd 10/07/2009 11:22 Page iii THE HOLLYWOOD WAR FILM Robert Eberwein A John Wiley & Sons, Ltd., Publication 9781405173919_1_pre.qxd 10/07/2009 11:22 Page iv This edition first published 2010 © 2010 Robert Eberwein Blackwell Publishing was acquired by John Wiley & Sons in February 2007. Blackwell’s publishing program has been merged with Wiley’s global Scientific, Technical, and Medical business to form Wiley-Blackwell.
    [Show full text]