Pop/Modern Song List

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Sonorous String Quartet Pop/Modern Song List Anne’s Theme from Anne of Green Gables (the 1985 mini-series) What a Wonderful World made famous by Louis Armstrong The Beatles • All You Need is Love • Eleanor Rigby • Get Back • Good Day Sunshine • Hey Jude • Imagine • When I’m 64 • Yellow Submarine • Yesterday Be our Guest from the movie Beauty and the Beast We Belong by Pat Benatar Moon River from the movie Breakfast at Tiffany’s Rather Be by Clean Bandit Hallelujah by Leonard Cohen Unforgettable made famous by Nat King Cole True Companion by Marc Cohn Viva la Vida by Coldplay She made famous by Elvis Costello Holiday in Spain by the Counting Crows John Denver • Annie’s Song • For You If I Were a Rich Man from the movie Fiddler on the Roof Let it Go from the Disney movie Frozen Game of Thrones Theme Song from the tv show Game of Thrones Somewhere Over the Rainbow from the movie The Wizard of Oz made famous by Judy Garland You Raise Me Up by Josh Groban Sweet Child O’ Mine Guns N Roses Somewhere Over the Rainbow in the style of Iz At Last made famous by Etta James Don’t Stop Believin’ made famous by Journey Zelda’s Lullaby from the video game The Legend of Zelda Can you Feel the Love Tonight by Elton John for the movie The Lion King Concerning Hobbits from the movie trilogy The Lord of the Rings Portuguese Love Theme from the movie Love Actually Mission Impossible Theme from the movie series Mission Impossible I’m Yours by Jason Mraz A Thousand Years by Christina Perri Gone, Gone, Gone by Philip Phillips Phantom of the Opera – the musical • All I Ask of You • Music of the Night Elvis Presley • Can’t Help Falling in Love • Love Me Tender Purple Rain by Prince Thinking Out Loud by Ed Sheeran Frank Sinatra (made famous by) • All of You • Anything Goes • Ev’ry Time We Say Goodbye • I get a Kick out of You • I’ve Got You Under My Skin • Just One of those Things • Night and Day • What is this Thing Called Love? • You’re the Top Today by Smashing Pumpkins Edelweiss and My Favorite Things from the Sound of Music Us by Regina Spektor Take My Breath Away by Top Gun Beautiful Day by U2 Ashokan Farewell by Jay Ungar from the Ken Burns 1990 miniseries The Civil War Can’t Take My Eyes Off of You made famous by Frankie Valli Sarah Vaughan (made famous by) • Embraceable You • Someone to Watch Over Me • Summertime Bitter Sweet Symphony originally by The Rolling Stones, then The Verve Star Wars Theme by John Williams I Hope You Dance by Lee Ann Womack .

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Full Results of Survey of Songs
Existential Songs Full results Supplementary material for Mick Cooper’s Existential psychotherapy and counselling: Contributions to a pluralistic practice (Sage, 2015), Appendix. One of the great strengths of existential philosophy is that it stretches far beyond psychotherapy and counselling; into art, literature and many other forms of popular culture. This means that there are many – including films, novels and songs that convey the key messages of existentialism. These may be useful for trainees of existential therapy, and also as recommendations for clients to deepen an understanding of this way of seeing the world. In order to identify the most helpful resources, an online survey was conducted in the summer of 2014 to identify the key existential films, books and novels. Invites were sent out via email to existential training institutes and societies, and through social media. Participants were invited to nominate up to three of each art media that ‘most strongly communicate the core messages of existentialism’. In total, 119 people took part in the survey (i.e., gave one or more response). Approximately half were female (n = 57) and half were male (n = 56), with one of other gender. The average age was 47 years old (range 26–89). The participants were primarily distributed across the UK (n = 37), continental Europe (n = 34), North America (n = 24), Australia (n = 15) and Asia (n = 6). Around 90% of the respondents were either qualified therapists (n = 78) or in training (n = 26). Of these, around two-thirds (n = 69) considered themselves existential therapists, and one third (n = 32) did not. There were 235 nominations for the key existential song, with enormous variation across the different respondents.
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Why Am I Doing This?
LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS .....................................................................................................................................
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Daniel Setlist
DANIEL'S SETLIST Here is a list of most the songs Daniel knows and can play live. This list is not everything, so feel free to reach out and check on a song if you have a special one in mind. He may already know it or be willing to learn it. We do charge a $50 song fee for the time spent learning a new song. Pop/Rock/Folk/Jazz/Country: A Thousand Years - Christina Perry Ain’t No Sunshine - Bill Withers Barton Hollow - The Civil Wars Best Things in Life - Brandon Reed Better Than I Used to Be - Mat Kearney Billie Jean - Michael Jackson Can't help falling in love - Elvis Presley Charlie Brown - Coldplay Clocks - Coldplay Diamonds - Johnnyswim Drink You Away - Justin Timberlake Fix You - Coldplay Free Fallin - Tom Petty / John Mayer version From This Valley - The Civil Wars Galway Girl - Ed Sheeran God Bless the Broken Road - Rascal Flatts Gravity - John Mayer Hallelujah - Leonard Cohen Happier - Ed Sheeran Ho Hey - The Lumineers How long will I love you - Ellie Goulding I Got A Woman - Ray Charles I Just Called To Say I Love You - Stevie Wonder Isn’t She Lovely - Stevie Wonder Just The Way You Look Tonight - Frank Sinatra L O V E - Nat King Cole Love me like you do - Ellie Goulding Love Yourself - Justin Bieber Paradise - Coldplay Perfect - Ed Sheeran Portland, Maine - Tim McGraw Rude - Magic Senorita - Justin Timberlake She Will Be Loved - Maroon 5 Stand By Me - Ben E. King Sugar - Maroon 5 Suit and Tie - Justin Timberlake Sunday Morning - Maroon 5 Superstition - Stevie Wonder Take the World - Johnnyswim Tennessee Whiskey - Chris Stapleton The A Team - Ed Sheehan The Bed I Made - Allen Stone The scientist - Coldplay Thinking Out Loud - Ed Sheehan Till I Found You - Phil Wickham Touching Heaven - Johnnyswim Viva La Vida - Coldplay Waiting On The World to Change - John Mayer Wildfire - John Mayer Religious: Over 100 worship songs from artists such as: Phil Wickham, Elevation, Hillsong, Jesus Culture, Bryan and Katie Torwalt, Corey Asbury, Michael W Smith, Bethel Music, etc.
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Leonard Cohen in French Culture: a Song of Love and Hate
The Journal of Specialised Translation Issue 29 – January 2018 Leonard Cohen in French culture: A song of love and hate. A comparison between musical and literary translation Francis Mus, University of Liège and University of Leuven ABSTRACT Since his comeback on stage in 2008, Leonard Cohen (1934-2016) has been portrayed in the surprisingly monolithic image of a singer-songwriter who broke through in the ‘60s and whose works have been increasingly categorised as ‘classics’. In this article, I will examine his trajectory through several cultural systems, i.e. his entrance into both the French literary and musical systems in the late ‘60s and early ’70s. This is an example of mediation brought about by both individual people and institutions in both the source and target cultures. Cohen’s texts do not only migrate between geo-politically defined source and target cultures (Canada and France), but also between institutionally defined musical and literary systems within one single geo-political context (France). All his musical albums were reviewed and distributed there soon after their release and almost his entire body of literary works (novels and poetry collections) has been translated into French. Nevertheless, Cohen’s reception has never been univocal, either in terms of the representation of the artist or in terms of the evaluation of his works, as this article concludes. KEYWORDS Leonard Cohen, cultural transfer, musical translation, retranslation, ambivalence. I don’t speak French that well. I can get by, but it’s not a tongue I could ever move around in in a way that would satisfy the appetites of the mind or the heart.
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Music Live from London Podcasts
Music Live from London podcasts LISTENING SKILLS Author: Lindsay Clandfield Level: Intermediate to upper-intermediate Age: Teenagers / adults Time needed: 40–60 minutes Language and skills: Listening for gist, listening for specific details, emphasis Warmer 1. If you have some suitable music, you could have it playing as the students come into the class. Tell them that today’s class is going to be about music. Language 2. Give students the worksheet and ask them to read 1. For the language exercise, you may wish to write the through the questions in exercise 1. They should sentences up on the board and ask the questions in choose five that they are prepared to answer and mark full class mode. Explain that the do / did is used to add them with an X. Do an example first to demonstrate. emphasis in affirmative sentences with the present and past simple. 3. When students have finished, ask them to sit in pairs. They should look at each other’s worksheet and Answers: ask the questions their partner has marked. Circulate a) past simple, present simple, past simple and monitor, helping with language where needed. b) split up, follow, see c) there is an auxiliary preceding it in each case (did or do) Listening 2. Now ask students to add emphasis to the sentences in the next exercise. 1. Direct students’ attention to exercise 3. Explain that TEACHER’S NOTES they are going to hear people talk about music, and Answers: that they will be mentioning these kinds of music and I do go to concerts.
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Paul Simon Concert in Israel
Paul Simon concert in Israel So…I hesitated down to the last moment about Paul Simon, 6 p.m. on Thursday evening in Jerusalem, and in the end took the advice of Jill, one of our bright young interns at the Palestine-Israel Journal, “to fly on the seat of my pants”, which I gather means, “go by instinct.” My torn instinct led exhausted me to stay in Jerusalem to hear Dr. Hans-Gert Pottering, former president of the European Parliament talk about “The Arab Spring and the New Middle East”, together with three other German colleagues, at the nearby Konrad Adenauer Conference Center at Mishkenot Sha’ananim. The event itself was quite fascinating, as was the networking at the post- event reception, though it was a little unnerving to hear four Germans speaking in Jerusalem in German (of course with simultaneous translation into Hebrew and English). I was told that the fact that Chancellor Merkel was allowed to address the Knesset in German broke the ice about Germans speaking German in Israel. But of course, I simultaneously wondered what I had missed at the Paul Simon concert, and carefully read all the reviews. From the playlist of 22 songs, I see that he avoided singing his masterpiece, “Bridge Over Troubled Waters,” maybe because Garfunkle wasn’t there with his golden voice. He also chose not to sing “Homeward Bound,” “I am a Rock,” “El Condor Pasa” (“I’d rather be a hammer than a nail”), and many other Simon & Garfunkle classics. Gideon Levy on the front page of Haaretz wrote about how it reminded him of his youth, and the soundtrack of his youth.
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The Worlds of Leonard Cohen : a Study of His Poetry
THE WORLDS OF LEONARD COREN: A STUDY OF HIS POETRY by Roy Allan B, A,, University of British Columbia, 1967 A THESIS SUBEITTED IN PARTIAL FULk'ILLMZNT OF THE REQUIREI4ENTS FOR THE DEGREE OF FASTER OF ARTS in the Department of Engli sh @ ROY ALLAN, 1970 SIMON FRASER UNIVERSITY June, 1970 Approval Name: Roy Allan Degree: Master of Arts Title of Thesis: The Worlds of Leonard Cohen: A Study of His Poetry Examining Committee: ' Dr. Sandra Djwa Senior Supervisor Dr. Bruce Xesbitt Examining Committee Professor Lionel Kearns Examining Committee Dr. William Ijew Associate Professor of English University of British Columbia Vancouver 8, 13. C. I I Date Approved : ,:,./ /4'7[ Dedicated to Mauryne who gave me help, encouragement and love when I needed them most. iii Abstract The creation of interior escape worlds is a major pre- ' occupation in the poetry of Leonard Cohen. A study of this preoccupation provides an insight to the world view and basic philosophy of the poet and gives meaning to what on the sur- face appears to be an aimless wandering through life. This study also increases the relevance of Cohenls art-+$. explkca- -----1 ' ting -the m-my .themes that relate to the struggle of modern , man in a violent and dehumanizing society. r'\ \ /--'-- ./' ../" ->I \ The for s _wo_rld.aiew-b'eginsin Let Us /' ----- -'I \Compare Flytholoqies wy&f his inn-Raps naive --.-- ----.. - - -- gies upon which man bases7 his -> osophies. TGSconclusion i /' /' Cohen.. stioning is initially an acceptance of the "elaborate lieu that rationalizes the violence of life and death. There is, however, the growing desire on the poet's part to escape this violence.
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The Roots and Branches Courtesy Of
! THE LIVING, BREATHING ART OF MUSIC HISTORY: THE ROOTS AND BRANCHES COURTESY OF WWW.THESESSIONS.ORG COUNTRY: THE ROOTS: The Carter Family/Roy Acuff/Kitty Wells/Hank Williams/Bob Wills & His Texas Playboys BRANCHES: Men: Johnny Cash/George Jones/Waylon Jennings/Conway Twitty/Charlie Pride/The Everly Brothers (see also Rock n’ Roll) WOMEN: Patsy Cline/Loretta Lynn/June Carter/Tammy Wynette/ Dolly Parton INFLUENCED: Jack White, Zac Brown TRIBUTARY: BLUEGRASS: Bill Monroe/Ralph & Carter Stanley/Ricky Scaggs/Allison Krauss TRIBUTARY: COUNTRY ROCK: The Byrds (“Sweetheart Of The Rodeo”)/Poco/early Eagles/Graham Parsons/Emmylou Harris THE BLUES: THE ROOTS (Men): (Delta) Robert Johnson /Son House /Charlie Patton/Mississippi John Hurt/WC Handy/Lonnie Johnson (Chicago) Muddy Waters/Howlin’ Wolf/Little Walter /Buddy Guy/Otis Rush/Elmore James/Jimmy Reed - (Detroit) John Lee Hooker - (Mississippi) BB King/Albert King - (Texas) Freddie King BRANCHES: Stevie Ray Vaughn/Jimi Hendrix/Led Zepplin/ The Fabulous Thunderbirds/Cream/Eric Clapton/early Fleetwood Mac/Allman Brothers/Santana/Paul Butterfield Blues Band MODERN: Robert Cray/Joe Bonamassa/ Warren Haynes/Keb Mo TRIBUTARY- TRANCE BLUES-Oxford MS -Black Possum Records—RL Burnside, Junior Kimbrough (The Black Keys are their disciples) BLUES: THE ROOTS (Women): Ma Rainey/Bessie Smith/Sister Rosetta Tharpe (see also “Rock and Roll”) Memphis Minnie (influenced Led Zepplin) BRANCHES (including Jazz) : Billie Holiday/ Dinah Washington/Peggy Lee/Lena Horne/Janis Joplin/Paul Butterfield Blues Band/Michael
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Roots and Branches Handout SESSIONS Revnov20
THE LIVING, BREATHING ART OF MUSIC HISTORY: THE ROOTS AND BRANCHES COURTESY OF WWW.THESESSIONS.ORG COUNTRY: THE ROOTS: The Carter Family/Roy Acuff/Kitty Wells/Hank Williams/Bob Wills & His Texas Playboys BRANCHES: Men: Johnny Cash/George Jones/Waylon Jennings/Conway Twitty/Charlie Pride/The Everly Brothers (see also Rock n’ Roll) WOMEN: Patsy Cline/Loretta Lynn/June Carter/Tammy Wynette/ Dolly Parton INFLUENCED: Jack White, Zac Brown TRIBUTARY: BLUEGRASS : Bill Monroe/Ralph & Carter Stanley/Ricky Scaggs/Allison Krauss TRIBUTARY: COUNTRY ROCK: The Byrds (“Sweetheart Of The Rodeo”)/Poco/early Eagles/Graham Parsons/Emmylou Harris THE BLUES: THE ROOTS (Men): (Delta) Robert Johnson /Son House /Charlie Patton/Mississippi John Hurt/WC Handy/Lonnie Johnson (Chicago) Muddy Waters/Howlin’ Wolf/Little Walter /Buddy Guy/Otis Rush/Elmore James/Jimmy Reed - (Detroit) John Lee Hooker - (Mississippi) BB King/Albert King - (Texas) Freddie King BRANCHES: Stevie Ray Vaughn/Jimi Hendrix/Led Zepplin/ The Fabulous Thunderbirds/Cream/Eric Clapton/early Fleetwood Mac/Allman Brothers/Santana/Paul Butterfield Blues Band MODERN: Robert Cray/Joe Bonamassa/ Warren Haynes/Keb Mo TRIBUTARY- TRANCE BLUES-Oxford MS -Black Possum Records—RL Burnside, Junior Kimbrough (The Black Keys are their disciples) THE BLUES: THE ROOTS (Women): Ma Rainey/Bessie Smith/Sister Rosetta Tharpe (see also “Rock and Roll”) Memphis Minnie (influenced Led Zepplin) BRANCHES (including Jazz) : Billie Holiday/ Dinah Washington/Peggy Lee/Lena Horne/Janis Joplin/Paul Butterfield Blues Band/Michael
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Leonard Cohen Friday Night, September 4, 2009 Rabbi Steve Cohen Congregation B’Nai Brith, Santa Barbara CA
1 Leonard Cohen Friday night, September 4, 2009 Rabbi Steve Cohen Congregation B’nai Brith, Santa Barbara CA It was sometime during my years in high school in the early 1970’s in Rochester New York that I first heard of Leonard Cohen, the singer and songwriter from Montreal. Of course I was interested, since he had the same last name as I did. That meant a number of things. First, on some level it meant that maybe we were distantly related. Secondly, it meant that he was Jewish. And third, that he wasn’t bothered by having a very Jewish last name; he didn’t change his name as most Jewish performers did even in those days. While his name interested me, though, what little I heard of his music really did not. His most famous song back in those days was Suzanne, which basically sounded deeply depressed…..and had lines like “Jesus was a sailor when he walked upon the water.” And I thought to myself, “what kind of Jew writes songs about Jesus?” I was similarly bothered by Paul Simon’s line “Well here’s to you Mrs. Robinson, Jesus loves you more than you will know…..” But there was so much that I loved about Simon and Garfunkle that I could overlook that line. Leonard Cohen, though, just sounded depressed and kind of pretentious when he sang: “You’ve touched her perfect body with your mind.” So I didn’t really pay any attention to him. Then I went to Israel in 1979 as a rabbinic student and in a conversation with my cousin Benny….who is an Israeli about my age, raised in Tel Aviv….Benny asked me if I liked Leonard Cohen, and declared that in his opinion, Cohen was a navi, a prophet.
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The Beit Berl English Times 4Th Issue 2012 - 2013 School of Education English Department
The Beit Berl English Times 4th Issue 2012 - 2013 School of Education English Department Is Israel Becoming a Pop Empire? Yael Magner It seems that Israel is becoming a very popular stop for the biggest music stars. Barbra Streisand is coming to Israel to give a special concert at President Shimon Peres' 90th birthday celebration. The Jewish singing legend will perform for the president the opening night of the Israeli Presidential Conference on June 18th in Jerusalem. Streisand, who had visited Israel in the past, will hold a concert in Israel for the first time. Streisand will hold two more concerts on June 20th and on June 22nd. All the tickets were sold within an hour, despite the price starting at 400 NIS. In the recent years top musicians have come from around the world to give concerts in Israel. Queen of Pop, Madonna, started her world tour last year with a concert in Israel. Madonna’s concert took place in Ramat Gan on May 31st, 2012. Leonard Cohen, Paul McCartney, Lady Gaga, Justin Bieber and Depeche Mode are some of the great names who have given concerts in Israel. Quite a few top international musicians have upcoming concerts in Israel, for example, Megastar Rihanna is returning to Israel to give a summer concert on October 22, 2013. Rihanna is the biggest pop star in the world nowadays. Now, all that is left for Israeli music lovers is for The Rolling Stones to also decide to come to Israel to perform. Megastar - Rihanna These pop stars who come to Israel give us a unique chance to add to our English lessons.
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Leonard Cohen Interview
Leonard Cohen Interview Broadcast on CBC Radio. 1984. Interviewers: Patricia Keeney and Robert Sward INT: You’ve just released your new album, Various Positions. The range of styles you bring into your music is quite amazing. Some of the pieces have a folk feel, others a spiritual quality and still others a very anxious, uneasy feel. How do the styles emerge? Do you write the lyrics in conjunction with the music? What’s the process? COHEN: Well, it’s not a deluxe operation. One is just trying to finish a song and when you’re not trying to finish a song you’re trying to start one. The form just seems to indicate itself at some point but it’s always just scraping the bottom of the barrel. Sometimes you fall upon a chord change that seems to evoke something and a word or two clings to it. Then you need a resolution of the phrase and a word or a chord comes and that seems to work. It’s a very rag- picking kind of operation. INT: There’s a very definite iambic meter to many of your poems and songs. COHEN: I think that’s the way we talk. The ordinary rhythm of ballads and songs is that simple way of speaking. The first song on Various Positions has an eastern European flavor, a marriage song. The second one has a country and western feel and there is a steel guitar, The third has a reference to reggae and the fourth is a traditional ballad where the whole story is told.
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