THE MAN WHO WAS THURSDAY by G.K. Chesterton
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Rethinking GK Chesterton
Something to Chew On: Rethinking G.K. Chesterton Review Essay Michael Shallcross. Rethinking G.K. Chesterton and Literary Modernism: Parody, Performance, and Popular Culture, Routledge, 2018, $132 (hardcover), 296 pp. In 2006, famous Yale professor Harold Bloom, who defied trendy scholarship by endorsing the Western canon, published a collection of essays about G.K. Chesterton. Written by twenty different scholars, the essays are preceded by an introduction in which Bloom proclaims his affection for Chesterton’s The Man Who Was Thursday (1908) while also denouncing Chesterton’s anti- Semitism. “By 1930,” Bloom writes, “Chesterton was praising Mussolini, and he went on later to blame the Jews for Hitler’s ascension to power” (GKC 2). This tactic, deriding Chesterton while affirming his powerful imagi- nation, serves as a microcosm of the reactions Chesterton generated during his own lifetime. Such ambiguous, if not downright hostile, responses to Chesterton are key to Rethinking G.K. Chesterton and Literary Modernism (2018). Its author, Michael Shallcross, suggests that even Chesterton’s anti-semitism is ambiguous, quoting a point made by Margaret Sanovan in 1977: “By the standards of the time his anti-Semitism was very mild—but why was it there at all?” (Shallcross 185). Her final question, of course, is imperative for any discussion about a famous Christian like Chesterton. Though Shallcross never mentions Bloom’s essay collection and says very little about Ches- terton’s Christianity, Rethinking Chesterton enables readers to take issue with Bloom’s conclusion that “Chesterton cannot be cleansed of his Fascist leanings” (GKC 2). e149 e150 VII Acknowledging that Chesterton was influenced by the bigotry of both his brother Cecil and his friend Hilaire Belloc, Shallcross informs us that Chesterton repudiated Germany’s “quite unproved [theory of] racial supremacy”—in 1914, no less: long before he explicitly denounced Hitler’s treatment of Jews (Shallcross 195). -
The Chesterton Review Are Part of the Center for Catholic Studies
G.K. Chesterton Institute for Faith & Culture Established in 1974 G.K. Chesterton Institute for Faith & Culture Established in 1974 About G. K. Chesterton G. K. Chesterton, (1874-1936) was an English writer. His prolific and diverse output included philosophy, poetry, plays, journalism, public lectures and debates, literary and art criticism and fiction. He has been called “the prince of paradox.” His diverse body of work and his ability to write about serious subjects in a style accessible to the ordinary reader made him one of the most beloved figures twentieth- century literature. His thought and philosophy of life are of particular importance to those who value the sacramental tradition, Catholic social teaching and Christian spirituality. His works have been translated into many languages and because his writings are the subject of study by students and scholars, they continue to reach new generations of readers. About the Institute History The G. K. Chesterton Institute for Faith & Culture founded by Father Ian Boyd in 1974 is based at Seton Hall University in South Orange, New Jersey. Previously, from 1974 to 1999 the Institute was based at St. Thomas More College in Saskatchewan, Canada where Father Boyd was a member of the faculty of the English Department. Mission The purpose of the Institute is to promote the thought of G. K. Chesterton and his circle and, more broadly, to explore the application of Chestertonian ideas to the contemporary world through social and economic projects, lectures and seminars and their application in the world of today. The work of the Institute is one * of recovery through Chesterton and the tradition he represents * it proposes a re-awakening of the moral and sacramental imagination * a renewed sense of human dignity * a re-evangelization of culture * And a return to social sanity The Institute does this work through its publications is engaged in a growing programme of research, conferences and symposiums in the United States and around the world. -
Dialogical Style and Ethical Debate on Eugenics Don M. Shipley, Jr., BA
ABSTRACT Chesterton and His Interlocutors: Dialogical Style and Ethical Debate on Eugenics Don M. Shipley, Jr., B.A., M.Div. Mentor: Ralph C. Wood, Ph.D. Before Nazi Germany’s eugenic practices had been completely exposed and denounced, G. K. Chesterton, a British writer best known for his fiction and Roman Catholic apologetics, published Eugenics and Other Evils in 1922. Therein he fiercely opposed eugenics and state sponsored eugenic practices; but his was not an isolated text offered in monologic argument to some vague social menace. In fact, Chesterton never wrote monologically but always in an intrinsically dialogical manner. As this dissertation attempts to demonstrate, this dialogical style, epitomized in the eugenics debate, energized Chesterton’s fiction, most notably his novel The Man Who Was Thursday and serves as a way of reading all of Chesterton, his fiction and non-fiction alike. This dissertation will attempt to demonstrate the historical and dialogical context of that conflict, explicate the exact arguments of both Inge and Chesterton, provide commentary on the dialogical style inherent in Chesterton’s literary works specifically The Man Who Was Thursday, The Ball and the Cross, and The Napoleon of Notting Hill, and Manalive and demonstrate both the prophetic nature and the literary excellence of Chesterton’s dialogical discourse. The importance of this dissertation is, at least, three-fold: first, to recover the historical context of Chesterton’s writings concerning eugenics, particularly his Eugenics and Other Evils, by returning him to conversation with his sparring partner on the subject, Dean Inge; secondly, to explicate Chesterton’s argument against eugenics by showing its relationship to Chesterton’s other writing, more particularly to those texts which are intrinsically dialogical. -
G.K. Chesterton: a Select Bibliography
G.K. Chesterton: A Select Bibliography This is not a comprehensive listing of Chesterton’s works. For a more complete list, please see the following: Sullivan, John. G.K. Chesterton: A Bibliography. London: University of London Press Ltd., 1958. ---. Chesterton Continued: A Bibliographical Supplement. New York: Barnes & Noble, 1969. ---. Chesterton Three: A Bibliographical Postscript. Bedford, G.B.: Vintage Publ., 1980. DRAMA -Magic (1913) -The Judgment of Dr. Johnson (1927) -The Surprise (1952) ESSAY COLLECTIONS -The Defendant (1901) -Twelve Types (1902) -Varied Types (1903) -All Things Considered (1908) -Tremendous Trifles (1909) -Alarms and Discursions (1910) -Miscellany of Men (1912) -Utopia of Usurers (1917) - How to Help Annexation (1918) -The Uses of Diversity (1920) -What I Saw in America (1922) -Fancies vs. Fads (1923) -Generally Speaking (1928) -Come to Think of It (1930) -All is Grist (1931) -Sidelights on New London and Newer York (1932) -All I Survey (1933) -Avowals and Denials (1934) -The Well and the Shallows (1935) -As I was Saying (1936) -The End of the Armistice (1940) -The Common Man (1950) -The Glass Walking-Stick (1955) -Lunacy and Letters (1958) -Where All Roads Lead (1961) -The Spice of Life (1965) -Chesterton on Shakespeare (1972) -The Apostle and the Wild Ducks (1975) -In Defense of Sanity: The Best Essays of G.K. Chesterton ed. by Dale Ahlquist, Joseph Pearce, and Aidan Mackey (Ignatius Press, 2011) Marion E. Wade Center, Wheaton College, Wheaton, IL FICTION -The Napoleon of Notting Hill (1904) -The Club of Queer -
Mental Pictures: Shapes and Colors in the Thought of G.K. Chesterton William L
Inklings Forever Volume 7 A Collection of Essays Presented at the Seventh Frances White Ewbank Colloquium on C.S. Article 9 Lewis & Friends 6-3-2010 Mental Pictures: Shapes and Colors in the Thought of G.K. Chesterton William L. Isley Jr. Follow this and additional works at: https://pillars.taylor.edu/inklings_forever Part of the English Language and Literature Commons, History Commons, Philosophy Commons, and the Religion Commons Recommended Citation Isley, William L. Jr. (2010) "Mental Pictures: Shapes and Colors in the Thought of G.K. Chesterton," Inklings Forever: Vol. 7 , Article 9. Available at: https://pillars.taylor.edu/inklings_forever/vol7/iss1/9 This Essay is brought to you for free and open access by the Center for the Study of C.S. Lewis & Friends at Pillars at Taylor University. It has been accepted for inclusion in Inklings Forever by an authorized editor of Pillars at Taylor University. For more information, please contact [email protected]. INKLINGS FOREVER, Volume VII A Collection of Essays Presented at the Seventh FRANCES WHITE COLLOQUIUM on C.S. LEWIS & FRIENDS Taylor University 2010 Upland, Indiana Mental Pictures Shapes and Colors in the Thought of G. K. Chesterton William L. Isley, Jr. Although Chesterton is not what would normally be considered a systematic thinker, his writings exhibit a marked consistency of thought by means of a series of recurrent images. In order to understand how Chesterton thinks; therefore, it is best to follow these series of images. An examination of the contrasting images he uses to critique as modes of madness both Impressionism in The Man Who Was Thursday and rationalism in The Flying Inn will demonstrate the validity of this approach to Chesterton. -
The Donnington Affair Chesterton, Gilbert Keith
The Donnington Affair Chesterton, Gilbert Keith Published: 1914 Categorie(s): Fiction, Mystery & Detective, Short Stories Source: Project Gutenberg Australia http://gutenberg.net.au/ ebooks13/1301541h.html 1 About Chesterton: Gilbert Keith Chesterton (29 May 1874 – 14 June 1936) was one of the most influential English writers of the 20th century. His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy and detective fiction. Chesterton has been called the "prince of paradox." Time magazine, in a review of a biography of Chesterton, ob- served of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegor- ies—first carefully turning them inside out." For example, Chesterton wrote the following: Thieves respect property. They merely wish the property to become their property that they may more perfectly respect it. Chesterton is well known for his reasoned apologetics and even those who disagree with him have recognized the universal appeal of such works as Ortho- doxy and The Everlasting Man. Chesterton, as political thinker, cast aspersions on both Liberalism and Conservatism, saying: The whole modern world has divided itself into Conservatives and Progressives. The business of Progressives is to go on making mistakes. The business of the Conservatives is to pre- vent the mistakes from being corrected. Chesterton routinely referred to himself as an "orthodox" Christian, and came to identify such a position with Catholicism more and more, even- tually converting to Roman Catholicism. George Bernard Shaw, Chesterton's "friendly enemy" according to Time, said of him, "He was a man of colossal genius". Also available on Feedbooks for Chesterton: • The Man Who Was Thursday: a Nightmare (1908) • The Innocence of Father Brown (1911) • Eugenics and Other Evils (1922) • Heretics (1905) • The Wisdom of Father Brown (1914) • Orthodoxy (1908) • The Napoleon of Notting Hill (1904) • The Man Who Knew Too Much (1922) • The Wild Knight and Other Poems (1900) • St. -
This Side of Sunday for St Andrews
Institute for Theology, Theology, Aesthetics and Culture Jon Coutts Imagination and the Arts Conference at St. Andrews 6 September, 2010 THIS SIDE OF SUNDAY: THEOLOGICAL FICTION IN LIGHT OF G.K. CHESTERTON’S THE MAN WHO WAS THURSDAY As borne out again by the recent phenomenon of William P. Young’s The Shack, the mix of narrative and theology has long had a wide audience and, for good or ill, a pervasive theological influence.1 It might be argued that Christians are wrong to look to novels for their theology and that novelists should mind their own business, but in recent decades especially it has proven well worth asking not only to what extent narrative can be a vehicle for theology but also whether it has a certain appropriateness to its subject matter that makes it an important theological mode. It seems self evident that if fiction can be theological, when it does theology it should not be given a pass from either criticism, praise, or a fair hearing because it is just a story. Therefore, with openness to the narrative mode ought to come an analysis of its theological content which is as rigorous as any other theology and is directed with a literate awareness of the mode’s unique limitations and advantages. As both an exploration of and an exercise in such analysis this paper takes one of last century’s finer examples of theology in fiction in order to extract guidance from what it does well. Consider G.K. Chesterton’s 1907 novel The Man Who Was Thursday: A Nightmare. -
About the Man Who Was Thursday by GK Chesterton
The Man Who Was Thursday by G. K. Chesterton About The Man Who Was Thursday by G. K. Chesterton Title: The Man Who Was Thursday URL: http://www.ccel.org/ccel/chesterton/thursday.html Author(s): Chesterton, G.K. (1874-1936) Publisher: Grand Rapids, MI: Christian Classics Ethereal Library Description: It is very difficult to classify THE MAN WHO WAS THURSDAY. It is possible to say that it is a gripping adventure story of murderous criminals and brilliant policemen; but it was to be expected that the author of the Father Brown stories should tell a detective story like no-one else. On this level, therefore, THE MAN WHO WAS THURSDAY succeeds superbly; if nothing else, it is a magnificent tour-de-force of suspense-writing. However, the reader will soon discover that it is much more than that. Carried along on the boisterous rush of the narrative by Chesterton©s wonderful high-spirited style, he will soon see that he is being carried into much deeper waters than he had planned on; and the totally unforeseeable denouement will prove for the modern reader, as it has for thousands of others since 1908 when the book was first published, an inevitable and moving experience, as the investigators finally discover who Sunday is. [From the back cover.] Print Basis: First published 1908 Rights: Public Domain Date Created: 2005-10-02 CCEL Subjects: All; Fiction; LC Call no: PR4453 LC Subjects: English literature 19th century, 1770/1800-1890/1900 The Man Who Was Thursday G. K. Chesterton Table of Contents About This Book. -
The Roots of GK Chesterton's Spiritual Theology
Inklings Forever Volume 6 A Collection of Essays Presented at the Sixth Frances White Ewbank Colloquium on C.S. Lewis & Article 15 Friends 5-29-2008 Holding a Pistol to the Head of 'Modern Man': the Roots of G.K. Chesterton's Spiritual Theology Robert Moore-Jumonville Spring Arbor University Follow this and additional works at: https://pillars.taylor.edu/inklings_forever Part of the English Language and Literature Commons, History Commons, Philosophy Commons, and the Religion Commons Recommended Citation Moore-Jumonville, Robert (2008) "Holding a Pistol to the Head of 'Modern Man': the Roots of G.K. Chesterton's Spiritual Theology," Inklings Forever: Vol. 6 , Article 15. Available at: https://pillars.taylor.edu/inklings_forever/vol6/iss1/15 This Essay is brought to you for free and open access by the Center for the Study of C.S. Lewis & Friends at Pillars at Taylor University. It has been accepted for inclusion in Inklings Forever by an authorized editor of Pillars at Taylor University. For more information, please contact [email protected]. INKLINGS FOREVER, Volume VI A Collection of Essays Presented at the Sixth FRANCES WHITE EWBANK COLLOQUIUM on C.S. LEWIS & FRIENDS Taylor University 2008 Upland, Indiana Holding a Pistol to the Head of ‘Modern Man’ the Roots of G. K. Chesterton’s Spiritual Theology Robert Moore-Jumonville Abstract: G. K. Chesterton‟s last line of The Babe Unborn presents the key to his profound spiritual theology—a way of seeing the world which conveys gratitude for sheer existence and a fairyland attitude of wonder, an astonished wonder arising from the possibility of non-existence: “If only I could find the door, if only I were born.” The essential features of Chesterton‟s spiritual theology are elucidated in his 1912 novel Manalive, the main contours of which were drawn at the earliest stage of Chesterton‟s theological thinking—in the mid-1890s—before he began his career as a writer and at the critical point in his intellectual-spiritual development. -
Summer 2019 the FIRST FORTY-FIVE
From: Vol. 1, No. 1—Fall | Winter 1974 To: Vol. 45, Nos. 1 & 2—Spring | Summer 2019 THE FIRST FORTY-FIVE YEARS 1 2 1974, Vol. I, No. 1 – Fall / Winter Articles: * A Note on G. K.C. (Reginald Jebb) * An Everlasting Man (Maurice B. Reckitt) * Chesterton and the Man in the Forest (Leo A. Hetzler) * Chesterton on the Centenary of His Birth (Elena Guseva) * Chesterton as an Edwardian Novelist (John Batchelor) * To Gilbert K. Chesterton, a poem (Lewis Filewood) News & Comments: * Letter from Secretary of the Chesterton Society (1. Reviewing centenary year; 2. Announcing meeting of Chesterton Society) * Letter from Secretary of the H.G. Wells Society (Wants to exchange journals with the Chesterton Society) * Note about books: G.K. Chesterton: A Centenary Appraisal by John Sullivan; G. K. Chesterton by Lawrence J. Clipper; G. K. Chesterton: Critical Judgments by D.J. Conlon, and The Medievalism of Chesterton by P.J. Mroczkowski * Spode House Review announcement: publishing of the Chesterton Centenary Conference proceedings * Notes on Articles: “Some Notes on Chesterton” (CSL: The Bulletin of the New York C.S. Lewis Society, May 1974); “Chesterton on Dickens: The Legend and the Reality,” (Dickens Study Newsletter, June 1974); “Chesterton’s Colour Imagery in The Man Who Was Thursday” (Columbia University Pastel Essays Series, September 1974); “Chesterton, Viejo Amigo” (Incunable No. 297, September 1974-spanish); “Gilbert Keith Chesterton: A Fond Tribute” (Thought, XXVI, July 1974, Delhi, India) * Note on: Chesterton Centenary Conference at Notre Dame College of Education in Glasgow, by the Scottish Catholic Historical Association, September 1974 * Note on: Chesterton Conference at Gonzaga University, Spokane, WA, October 1974 * Letter from: John Fenlon Donnely, President of Donnely Mirrors on the Conference at Notre Dame College, Glasgow * Note on Adrian Cunningham (U. -
The Word Made Flesh: the Catholic Literary Imagination
The Word made Flesh: The Catholic Literary Imagination Item Type Thesis Authors Daniel, Piscoya Download date 28/09/2021 16:29:47 Link to Item http://hdl.handle.net/11122/8382 Daniel Piscoya Professor Nina Chordas English 499 Spring 2017 The Word made Flesh: The Catholic Literary Imagination 1 Preface: “People have fallen into a foolish habit of speaking of orthodoxy as something heavy, humdrum, and safe. There never was anything so perilous or so exciting as orthodoxy” (Chesterton, Orthodoxy, 107). 2 I wish to speak here on the topic of orthodoxy—specifically, orthodox Catholicism. Orthodoxy, though it has as many forms as religions, could best be described as an encounter of a story on the terms of the storytellers. To be an orthodox Ancient Greek polytheist, one would have to encounter the Ancient Greek mythos on the terms of the Pre-Socratics— Hesiod, perhaps Homer. Orthodox Irish paganism would require a belief about the structure of the world based on the authority of the ancient druids. Orthodox Christianity is an encounter with the story of the Christ on the authority of the successors of His apostles—this is what Catholicism has solidly laid claim to for two thousand years. What does Orthodoxy have to do with literature? Inasmuch as an orthodox belief stands in contrast with a heterodox belief, orthodoxy is a form of textual interpretation—it is an encounter with a story. However, because the separation between orthodoxy and heterodoxy comes in the form of a definitive extra-textual authority—in the case of Catholicism, the Magisterium of the Church—it is a different kind of textual interpretation than the kind taught in our university. -
Symbolism in the Novels and in the Ballad of the White Horse of G.K. Chesterton
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1949 Symbolism in the Novels and in the Ballad of the White Horse of G.K. Chesterton Mary Cullen Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the English Language and Literature Commons Recommended Citation Cullen, Mary, "Symbolism in the Novels and in the Ballad of the White Horse of G.K. Chesterton" (1949). Master's Theses. 748. https://ecommons.luc.edu/luc_theses/748 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1949 Mary Cullen SDdBOLISM m THE NOVEIS AND m !!! BALLAD OF ~ WHITE HORSE OF G. K. CHESTERTON A Thesis Presented to The Faculty of the Department of English Loyola University In partial Fulfillment of the Requirements for the Degree Master of Arts by Sister Mary Patricia Cullen, O.S.F. Jul¥, 1949 TABLE OF CONTENTS INTRODUCTION ••• • • . i CHAPTER I -- SYMBOLISM • • . 1 Definition of symbol Levels of symbolism Definitions of terms used Symbolism French Symbolist Movement Chesterton and the symbol CHAPTER II - G. K. CHESTERTON IN RELATION TO HIS USE OF THE -sYlJBOL •• • • • • • • • • • • • • . • • 9 Factors in Chesterton's early environment Parentage Childhood interests Early reading Education Factors in Chesterton's intellectual endowments Direct, imaginative vision Romantic temperament Aptitude for the supernatural Sense of humor Interest in ideas CHAPTER III - CHESTERTON'S USE OF THE SYMBOL AS SEEN IN THE BALLAD OF THE WHITE HORSE • • • • • • • • • • • • 30 Definitions of Chesterton's novels Purpose of writing novels ~ Napoleon 2! Notting Hill The Man !E.2.