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A Tribute to Dave Valentin & the Debut of Bill O'connell's (A.C.E.) Afro
Press contact: John MacElwee - 718-518-6539, [email protected] Tom Pryor - 718-753-3321 [email protected] Hostos Center for the Arts & Culture presents A Tribute to Dave Valentin & the Debut of Bill O’Connell’s (A.C.E.) Afro-Caribbean Ensemble Saturday, April 6, 2019, 7:30 PM LINK TO HIGH RESOLUTION PHOTOS (Bronx, NY) – On Saturday, April 6, Hostos Center for the Arts & Culture presents a double bill of Latin jazz with a Tribute to Dave Valentin, featuring a quintet led by the late flutist’s musical director, pianist Bill O’Connell with virtuoso flutist Andrea Brachfeld, then following with the debut of Bill O’Connell’s most recent project A.C.E. (Afro-Caribbean Ensemble) featuring a nonet comprised of some of New York’s top jazz and Latin jazz artists. The concert will be in the Repertory Theater at Hostos Community College, beginning at 7:30 PM. Tickets are $20, with student tickets at $5, and can be purchased online at www.hostoscenter.org or by calling (718) 518-4455. The box office is open Monday to Friday, 1 PM to 4 PM and will be open two hours prior to performance. In addition to O’Connell, the quintet includes original Dave Valentin Quartet members -- bassist Lincoln Goines and drummer Robby Ameen. Percussionist Román Díaz has been added to the group, and in the title role will be flutist Andrea Brachfeld, well-known for her musical abilities in jazz and Latin Jazz. Valentin said of Brachfeld, “with all due respect, she plays her buns off; one of the first ladies to disprove the concept that only men can deal with the real deal…” The original quartet with Brachfeld have performed tributes to Valentin in different venues in New York and repeat engagements at the Blue Note in Tokyo. -
The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 -
La Salsa (Musical)
¿En qué piensan cuando leen la palabra - Salsa? ¿Piensan en lo que comemos con patatas fritas o tortillas? ¿O piensan en la mùsica y el baile? ¿Qué es la Salsa? Salsa es un estilo de música latinoamericana que surgió en Nueva York como resultado del choque de la música afrocaribeña traída por puertoriqueños, cubanos, colombianos, venezolanos, panameños y dominicanos, con el Jazz y el Rock de los norteamericanos. Desde ese entonces, vive deambulando de isla en isla, de país a país, incrementando de tal manera, su riqueza de elementos. Es asi que la Salsa no es una moda pasajera, sinó una corriente musical establecida, de alto valor artístico y gran significado sociocultural: en ella no existen barreras de clase ni de edad. ¿Quienes son los artistas de la Salsa? Celia Cruz La que se va a volver la Reina de la Salsa nació en 1924. Desde niña, al nacer su talento se atreve a cantar en unas fiestas escolares o de barrio, luego en unos concursos radiofónicos. Notaron su talento y entonces empezó una carrera bajo los consejos aclarados de uno de sus profesores. Asi fue que en el 1950, pudo imponerse como cantante en uno de los grupos más famosos de La Havana : la Sonora Matancera. Con este grupo de leyenda fue con quien recorrió toda América Latina durante quinze años, dejando mientras tanto en Cuba su experienca revolucionaria hasta que se instale en 1960 en los Estados Unidos. Hasta ahora, va a guardar una nostalgia de su país, que a menudo se podrá sentir en sus textos y intrevistas. -
LBMO.Com - Latin Beat Magazine - Latin Music Magazine - Columns
LBMO.com - Latin Beat Magazine - Latin Music Magazine - Columns http://www.latinbeatmagazine.com/columns.html Home |Features | Columns |Hit Parades | Rev iews | Calendar |News |LB Style |Contacts | Shopping | E-Back Issues OCTOBER 2011 ISSUE QUÉ PASA IN LA By Rudy Mangual October in Los Angeles is always happening when actor/comedian John Leguizamo performs and his latest show "Ghetto Klown" runs through October 16th at the landmark Ricardo Montalban Theater in Hollywood after completing a successful season on Broadway. For tickets and more information, visit www.tix.com and/or www.ghettoklown.com. Creepy Happenings at Heritage Square Museum! Enjoy the creepy happenings of Halloween at Heritage Square Museum during Cintron Band Live the "Eighth Annual Halloween and Mourning Human Nature Tours" program. This two-day event, hosted on Saturday and Sunday, October 29 and 30, is Windows Media perfect for the whole family to enjoy. The program runs from 12 noon to 4 p.m. each day. You will Quicktime learn about death and mourning etiquette during the Victorian era and participate in a funeral inside one of the museum's historic homes. Learn about the movement of Spiritualism; what it was, who followed it and why, and perhaps have your future foretold by a fortune teller. Heritage Vanelis Square is an open-air, living history museum dedicated to telling the story of the development of Como Lo Extraño Los Angeles. The museum is located at 3800 Homer Street, Los Angeles, CA 90031. For further Windows Media information, visit www.heritagesquare.org. Quicktime Ismael "East" Carlo presents "Latin Jazz Descarga Virtuosos" at El Floridita Restaurant in Nayibe Hollywood every Thursday since September 10 (with a slamming performance by percussionist Borinquen Robertito Melendez). -
Program Features Don Byron's Spin for Violin and Piano Commissioned by the Mckim Fund in the Library of Congress
Concert on LOCation The Elizabeth Sprague Coolidge Foundation The McKim Fund in the Library of Congress "" .f~~°<\f /f"^ TI—IT A TT^v rir^'irnr "ir i I O M QUARTET URI CAINE TRIO Saturday, April 24, 2010 Saturday, May 8, 2010 Saturday, May 22, 2010 8 o'clock in the evening Atlas Performing Arts Center 1333 H Street, NE In 1925 ELIZABETH SPRAGUE COOLIDGE established the foundation bearing her name in the Library of Congress for the promotion and advancement of chamber music through commissions, public concerts, and festivals; to purchase music manuscripts; and to support musical scholarship. With an additional gift, Mrs. Coolidge financed the construction of the Coolidge Auditorium which has become world famous for its magnificent acoustics and for the caliber of artists and ensembles who have played there. The McKiM FUND in the Library of Congress was created in 1970 through a bequest of Mrs. W. Duncan McKim, concert violinist, who won international prominence under her maiden name, Leonora Jackson, to support the commissioning and performance of chamber music for violin and piano. The audiovisual recording equipment in the Coolidge Auditorium was endowed in part by the Ira and Leonore Gershwin Fund in the Library of Congress. Request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 [email protected]. Due to the Library's security procedures, patrons are strongly urged to arrive thirty min- utes before the start of the concert. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the chamber music con- certs. -
Sammy Figueroa Full
Sammy Figueroa has long been regarded as one of the world’s great musicians. As a much-admired percussionist he provided the rhythmical framework for hundreds of hits and countless recordings. Well-known for his versatility and professionalism, he is equally comfortable in a multitude of styles, from R & B to rock to pop to electronic to bebop to Latin to Brazilian to New Age. But Sammy is much more than a mere accompanist: when Sammy plays percussion he tells a story, taking the listener on a journey, and amazing audiences with both his flamboyant technique and his subtle nuance and phrasing. Sammy Figueroa is now considered to be the most likely candidate to inherit the mantles of Mongo Santamaria and Ray Barretto as one of the world’s great congueros. Sammy Figueroa was born in the Bronx, New York, the son of the well-known romantic singer Charlie Figueroa. His first professional experience came at the age of 18, while attending the University of Puerto Rico, with the band of bassist Bobby Valentin. During this time he co-founded the innovative Brazilian/Latin group Raices, which broke ground for many of today’s fusion bands. Raices was signed to a contract with Atlantic Records and Sammy returned to New York, where he was discovered by the great flautist Herbie Mann. Sammy immediately became one of the music world’s hottest players and within a year he had appeared with John McLaughlin, the Brecker Brothers and many of the world’s most famous pop artists. Since then, in a career spanning over thirty years, Sammy has played with a -
Milton Cardona
Milton Cardona Milton Cardona, a Puerto Rican percussionist who was a mainstay of New York salsa, a studio musician on hundreds of albums and a Santeria priest who introduced sacred traditional rhythms to secular audiences, died on Sept. 19 in the Bronx. He was 69. The cause was heart failure, said his wife, Bruni. In Latin bands and at recording sessions led by David Byrne, Paul Simon, Herbie Hancock and many others, Mr. Cardona primarily played conga drums — generally not as a flashy soloist but as the kinetic foundation and spark of a percussion section. He was an authoritative advocate for some of Latin music’s deepest traditions; he was also a vital, innovative participant in many ambitious fusions. Mr. Cardona worked with the trombonist and bandleader Willie Colón on and off through four decades and was a member of the singer Hector Lavoe’s band from 1974 to 1987. He also recorded two albums as a leader and led the Santeria group Eya Aranla. Mr. Cardona was a santero, a priest of Santeria, the Afro- Caribbean religion rooted in the Yoruba culture of West Africa. Santeria invokes a pantheon of African deities with rhythms and songs that have filtered into the popular music of Latin America and the world. Mr. Cardona studied the Yoruba language to understand the traditional prayers he was singing. “I always said, ‘Why should I learn the prayer if I don’t know what it means?’ ” he explained in an interview with Drum magazine. The rhythms of Santeria are traditionally played on batá drums, a family of three hand drums. -
Dave Valentin Flute Juice Mp3, Flac, Wma
Dave Valentin Flute Juice mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: Flute Juice Country: US Released: 1983 Style: Jazz-Funk, Disco MP3 version RAR size: 1869 mb FLAC version RAR size: 1382 mb WMA version RAR size: 1257 mb Rating: 4.4 Votes: 434 Other Formats: VOX MP3 MIDI TTA WMA WAV AIFF Tracklist Hide Credits Crotona Park Congas, Bongos – Steve ThorntonFlute, Drum Programming [Linn], Synthesizer [Oberheim, A1 4:34 Yamaha Gs 2], Arranged By – Dave ValentinShekere – Roger SquiteroTimbales – Manolo BadrenaVoice – The Orchard Beach Tabernacle ChoirWritten-By – Dave Valentin Loquita (Crazy Lady) Congas, Cowbell, Bongos – Raphael DeJesusDrum Programming [Linn], Synthesizer [Yamaha Gs 2, Obxa, Mini-moog Bass], Backing Vocals, Arranged By – Dennis BellElectric A2 5:22 Guitar – Dave Fields Flute, Percussion, Backing Vocals – Dave ValentinLead Vocals, Backing Vocals – Bruni Pagán*Written-By – Bruni Pagán*, Claudette Washington, Dennis Bell Flute Juice Drum Programming [Linn], Synthesizer [Obxa, Mini-moog], Piano [Acoustic], Backing A3 Vocals, Arranged By – Dennis BellElectric Guitar – Dave Fields Flute, Bells, Shaker, 6:55 Backing Vocals – Dave ValentinLead Vocals, Backing Vocals – Bruni Pagán*Written-By – Bruni Pagán*, Claudette Washington, Dennis Bell Latin Jazz Dance Bass [Electric] – Lincoln GoinesCongas, Bongos – Steve ThorntonDrums – Tito A4 MarreroFlute, Vocals – Dave ValentinPercussion – Roger SquiteroPiano [Acoustic], 3:24 Synthesizer [Oberheim, Yamaha Gs 2], Arranged By – Bill O'ConnellTimbales – Manolo -
Playbill 0911.Indd
umass fine arts center CENTER SERIES 2008–2009 1 2 3 4 playbill 1 Latin Fest featuring La India 09/20/08 2 Dave Pietro, Chakra Suite 10/03/08 3 Shakespeare & Company, Hamlet 10/08/08 4 Lura 10/09/08 DtCokeYoga8.5x11.qxp 5/17/07 11:30 AM Page 1 DC-07-M-3214 Yoga Class 8.5” x 11” YOGACLASS ©2007The Coca-Cola Company. Diet Coke and the Dynamic Ribbon are registered trademarks The of Coca-Cola Company. We’ve mastered the fine art of health care. Whether you need a family doctor or a physician specialist, in our region it’s Baystate Medical Practices that takes center stage in providing quality and excellence. From Greenfield to East Longmeadow, from young children to seniors, from coughs and colds to highly sophisticated surgery — we’ve got the talent and experience it takes to be the best. Visit us at www.baystatehealth.com/bmp Supporting The Community We Live In Helps Create a Better World For All Of Us Allen Davis, CFP® and The Davis Group Are Proud Supporters of the Fine Arts Center! The work we do with our clients enables them to share their assets with their families, loved ones, and the causes they support. But we also help clients share their growing knowledge and information about their financial position in useful and appropriate ways in order to empower and motivate those around them. Sharing is not limited to sharing material things; it’s also about sharing one’s personal and family legacy. It’s about passing along what matters most — during life, and after. -
Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
Yo Soy El Tango
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES Melanie Carolina Mertz Matrikelnummer: 9902134 Stkz: A 353 590 S YO SOY EL TANGO Descripción de la figura tanguera en su primera época (1900-1930) a través del yo-narrativo en las letras de tango Diplomarbeit zur Erlangung des Magistergrades der Philosophie aus der Studienrichtung LA Spanisch eingereicht an der Geistes- und Kulturwissenschaftlichen Fakultät der Universität Wien bei o. Univ.-Prof. Dr. Michael Metzeltin Wien, 2005 Índice Introducción .................................................................. 4 1. El tango...................................................................... 5 1.1. La historia del tango........................................................... 5 1.2. El lunfardo....................................................................... 18 1.3. Textos primarios y literatura secundaria .......................... 21 1.3.1. Corpus ...........................................................................21 1.3.2. Enfoque teórico .............................................................22 2. El yo-narrativo: narrador y personaje tanguero ......... 24 2.1. Introducción al yo en el tango........................................... 24 2.1.1. Tango y ritual ................................................................25 2.1.2. El gran tango universal ..................................................26 2.1.3. Ficcionalización en el tango...........................................28 2.2. Yo en las constelaciones -
Welcome to Canciones De Lucha, San Diego, California
Welcome to Canciones de Lucha, San Diego, California We welcome you to Canciones de Lucha, a fundraiser to support Chicano Music in the on-line exhibit Unidos Por La Causa, http://library.sdsu.edu/exhibits/2010/10/UnidosPorLaCausa/index.html. The idea for this fundraiser performance was born out of the recognition that music was an integral part of the Chicano Movement and Student Movement of the '60s, and the desire to share this history with the on-line public, our community and our children. During the '60s, many of us were teenagers who believed that all people had human rights and that we needed to work to guarantee human rights for all. Here in San Diego we contributed to this work in many ways ; some resulting in long-standing local institutions. But where ever we volunteered, there were always guitars and music, ... on a grape boycott picket line in front of Safeway in National City, at Camp Oliver (Catolicos por la Raza), at the Las Chicanas Mother-Daughter Tea at Scripps Cottage SDSU, or at conferences at SDSU, City College or UCSD. There was always music. It is because of this history, so important to the musicians here today, that these songs be remembered. We, musicians have come from San Francisco, Brawley, San Bernardino and Baja to share our songs with you. And there are several others who wished that they could be here singing today. Several of today's songs are originals written by us which document the thoughts and concerns of the San Diego Chicano Movement at that time.