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Green Acres 03
I made these based on the notes and lyrics to these songs that I could nd on the web. Please feel free to distribute this for teaching purposes, but please don't sell it. Thanks! Kate Baldwin, www.K8Baldwin.com. Ukulele kaholo C y www.K8Bald Hula Travel Step h b win de Ukulele Music .c d7, d7, g7, g7, c, c, c, c a that fits in your case. o m o M r m d 7 6 5 A 7 6 5 A7 7 6 5 A 7 6 5 B 7 6 5 B 4 3 2 1 4 3 2 1 4 3 2 1 4 3 2 1 4 3 2 1 s m m 7 6 5 B 7 6 5 C 7 6 5 C7 7 6 5 D 7 6 5 D7 7 6 5 D 4 3 2 1 4 3 2 1 4 3 2 1 4 3 2 1 4 3 2 1 4 3 2 1 m 7 6 5 E 7 6 5 E7 7 6 5 E 7 6 5 E 7 6 5 E 7 6 5 F 4 3 2 1 4 3 2 1 4 3 2 1 4 3 2 1 4 3 2 1 4 3 2 1 m #m m 7 6 5 F 7 6 5 F 7 6 5 g 7 6 5 G7 7 6 5 G 4 3 2 1 4 3 2 1 4 3 2 1 4 3 2 1 4 3 2 1 Se 6 5 4 3 2 1 6 5 4 3 2 1 lf T un 6 5 4 3 2 1 ing allad of e B Gi Th ll ig By: Sherwood Schwartz a & George Wyle n M i n 's . -
DESERT ROSE BAND~ACOUSTIC (Biography)
DESERT ROSE BAND~ACOUSTIC (biography) ROCK & ROLL HALL OF FAME MEMBER CHRIS HILLMAN AND THE DESERT ROSE BAND~ACOUSTIC TO PERFORM IN A RARE APPEARANCE Joining Chris Hillman in this acoustic appearance are John Jorgenson on guitar/mandolin, Herb Pedersen on guitar and Bill Bryson on bass. Chris Hillman was one of the original members of The Byrds, which also included Roger McGuinn, David Crosby, Gene Clark and Michael Clarke. The Byrds were inducted into the Rock & Roll Hall of Fame in 1991. After his departure from the Byrds, Hillman, along with collaborator Gram Parsons, was a key figure in the development of country-rock. Hillman virtually defined the genre through his seminal work with the Byrds and later bands, The Flying Burrito Brothers and Manassas with Steven Stills. In addition to his work as a musician, Hillman is also a successful songwriter and his songs have been recorded by artists as diverse as; Emmylou Harris, Patti Smith, The Oak Ridge Boys, Beck, Steve Earl, Peter Yorn,Tom Petty, and Dwight Yoakam. In the 1980s Chris formed The Desert Rose Band which became one of country music’s most successful acts throughout the 1980s and 1990s, earning numerous ‘Top 10’ and ‘Number 1’ hits. The band’s success lead to three Country Music Association Awards, and two Grammy nominations. Although the Desert Rose Band disbanded in the early 1990s, they performed a reunion concert in 2008 and have since played a few shows together in select venues. Herb Pedersen began his career in Berkeley, California in the early 1960′s playing 5 string banjo and acoustic guitar with artists such as Jerry Garcia, The Dillards, Old and in the Way, David Grisman and David Nelson. -
Friday, November 16, 8Pm, 2007 Umass Fine Arts Center Concert Hall
Friday, November 16, 8pm, 2007 UMass Fine Arts Center Concert Hall Unbroken Chain: The Grateful Dead in Music, Culture, and Memory As part of a public symposium, November 16-18, UMass Amherst American Beauty Project featuring Jim Lauderdale Ollabelle Catherine Russell, Larry Campbell Theresa Williams Conceived by David Spelman Producer and Artistic Director of the New York premier Program will be announced from the stage Unbroken Chain is presented by the UMass Amherst Graduate School, Department of History, Fine Arts Center, University Outreach AND University Reserach. Sponsored by The Valley Advocate, 93.9 The River, WGBY TV57 and JR Lyman Co. About the Program "The American Beauty Project" is a special tribute concert to the Grateful Dead's most important and best-loved albums, Working Man's Dead and American Beauty. In January 2007, an all-star lineup of musicians that Relix magazine called "a dream team of performers" gave the premier of this concert in front of an over-flowing crowd at the World Financial Center's Winter Garden in New York City. The New York Times' Jon Pareles wrote that the concert gave "New life to a Dead classic... and mirrored the eclecticism of the Dead," and a Variety review said that the event brought "a back- porch feel to the canyons of Gotham's financial district. The perf's real fire came courtesy of acts that like to tear open the original structures of the source material and reassemble the parts afresh - an approach well-suited to the honorees' legacy." Now, a select group of those performers, including Ollabelle, Larry Campbell & Teresa Williams, Catherine Russell, and Jim Lauderdale are taking the show on the road. -
Toni Brown, Former Owner/Publisher of Relix Magazine Releases New Book: Kindweb News Articles
Toni Brown, Former Owner/Publisher of Relix Magazine Releases New Book: KindWeb News Articles Home News Reviews Directory eCards My KindWeb Forum KindBands Shopping Contests Polls Welcome to KindWeb! NNewsews Search Register for a Profile • Login News Categories: Music • Environmental • Political • Odd • Other • View All News Current Poll Toni Brown, Former Owner/Publisher of Relix Magazine Plans for NYE? Releases New Book Going out, seeing live music DeadheadEd 9/25/2009 | Comment on this Article | EMail This Article Going out, low key Staying home Toni Brown, former owner/publisher of Relix Magazine for more than 20 years, Not sure Relix: The Book has just released her new book, , published by BackBeat Books, Vote Now | View Results a division of Hal Leonard Books. Suggest a Poll - View Past Polls Relix: The Book covers the "greatest hits" of the first twenty seven years of the magazine (1974-2001), and chronicles the evolution of the Deadhead/Taper Featured Sponsor community from its first days as a relative "street rag". The book has 256 pages of color, and includes interviews with major personalities including Jerry Garcia, Bob Weir, Jorma Kaukonen, and Robert Hunter. Relix: The Book includes all the cover art of the magazine during this period, photos, art, and articles as diverse as concert taping to Deadheads in jail. Toni Brown is currently on national tour to sign her new book, and to support her new CD, State of Mind. State of Mind is Toni's fourth musical project and was produced at Paul Harlyn Studios in Celebration, Florida. Toni is performing with guitarist/songwriter Ed Munson, and will include special musical friends along the way on her tour. -
Scarlet Begonias 86Bpm
Scarlet Begonias 86bpm Tabbed by JDarks [email protected] |-B-7---------7---------------------------| |---7---------7---7-5----------9-9-9\-10--| |-----8-9-8-------8-6---8-9-11------------| |-----------9---9--------------6-6-6\--7--| |-9---------------------6-7--9------------| |--Intro--------------9----------------A--| E B A 1. As I was walkin' 'round Grosvenor Square |-------------------------------|--Riff 1------------------| |-----5-------5-------5-------4-|--------------------------| |---4---4---4---4---4-------4---|-------------4------------| |-6-------6-------6-----6-4-----|-------4-6p4---4-6p4-7----| |-------------------------------|---5h6-----------------7--| |-------------------------------|-7------------------------| E B A Not a chill to the winter but a nip to the air, Riff 1 A E B A E A E B A E B From the other direction, she was calling my eye, It could be an illusion, but I might as well try, might as well try. |------------|---------|-----|---------| |-------7---------------------------| |------------|---------|-----|---------| |-------7---7-5----------9-9-9\-10--| |-6--9--9--8-|--6---9--|--%--|-Riff 1--| |-9p8-------8-6---8-9-11------------| |-7--7--9--9-|--7---7--|--%--|---------| |-9---9---9-9-7----------6-6-6\--7--| |------------|---------|-----|---------| |-----------------6-7--9------------| |------------|---------|-----|---------| |-Riff 2----------------------------| Scarlet Begonias 1 2. She had rings on her fingers and bells on her shoes. 3. In the thick of the evening when the dealing got rough, And I knew without askin' she was into the blues. She was too pat to open and too cool to bluff. She wore scarlet begonias tucked into her curls, As I picked up my matches and was closing the door, I knew right away she was not like other girls, other girls. I had one of those flashes I'd been there |---7--------------|---| before, been there before. -
Jerry Garcia from Wikipedia, the Free Encyclopedia
Jerry Garcia From Wikipedia, the free encyclopedia Background information Birth name Jerome John Garcia Born August 1, 1942, San Francisco, California, United States Died August 9, 1995 (aged 53), Forest Knolls, California, United States Genres Folk rock, bluegrass, progressive rock Occupation(s) Musician, songwriter Instruments Guitar, vocals, pedal steel guitar, banjo Years active 1960–1995 Labels Rhino, Arista, Warner Bros., Acoustic Disc, Grateful Dead Associated acts Grateful Dead, Legion of Mary, Reconstruction, Jerry Garcia Band, Old and in the Way, Jerry Garcia Acoustic Band, New Riders of the Purple Sage͵ Garcia Grisman Band Notable instruments Fender Stratocaster "Alligator" Doug Irwin-modified Alembic "Wolf" Gibson SGs Guild Starfire 1957 Gibson Les Paul Gold-top Les Paul with P-90 Doug Irwin Custom "Tiger" Doug Irwin Custom "Rosebud" Stephen Cripe Custom "Lightning Bolt," Martin D-28, Takamine acoustic-electric guitars Travis Bean TB1000S, TB500[1] Jerome John "Jerry" Garcia (August 1, 1942 – August 9, 1995) was an American musician best known for his lead guitar work, singing and songwriting with the band the Grateful Dead, which came to prominence during the counterculture era. Though he disavowed the role, Garcia was viewed by many as the leader or "spokesman" of the group. One of its founders, Garcia performed with the Grateful Dead for their entire thirty-year career (1965–1995). Garcia also founded and participated in a variety of side projects, including the Saunders-Garcia Band (with longtime friend Merl Saunders), the Jerry Garcia Band, Old and in the Way, the Garcia/Grisman acoustic duo, Legion of Mary, and the New Riders of the Purple Sage (which Garcia co-founded with John Dawson and David Nelson). -
The Rice Thresher
RJCB volume 65, number 10 Thresher thursday, october 13, 1977 Student directories could arrive in November by David Butler students provide the registrar of computer printouts, either prepare all the listings in two the proceeds being added to with current local addresses using them as is or typesetting weeks.) the SA's general revenue fund. The Student Association and phone numbers. The them in a more space-saving He also noted that since has taken over the job of directory will also include format might not be cost- Lueckenhoff hopes that students will have until producing Rice student graduate student listings, if effective,' says Lueckenhoff. ad sales plus subsidies from October 24 to inform the Dean directories, which were the SA can obtain the (The typesetting will be done the Business Office and the of Undergraduate Affairs if handled by the Campus necessary files. by an Arizona firm which Rice Campus Store will allow they wish for information to be Business Office. If plans Lueckenhoff claims is "half the SA to sell the book for "a deleted (see notice, page 5,) the proceed on schedule, the books Since the directory is based again as cheap as anyone in nominal fee—somewhere directories could not appear should arrive before the end of on college listings, students' Houston" and will be able to between 10 and 25 cents," with before "mid to late November." November. home addresses will not be provided as in the past. SA External Affairs vice- Lueckenhoff said that he was president Joe Lueckenhoff not able to obtain the home Parties provide release told the Thresher that addresses from the registrar Half way into your first calculator. -
Talent on Stage
cash box talent on stage The Miracles Tracy Nelson Helen Reddy Paul Williams DISNEYLAND - The Miracles were BOTTOM LINE, NYC - Tracy Nelson only able to give lambent performances has the uncanny ability of total audience UNIVERSAL AMPHITHEATER, HOL- her upcoming single entitled "Angie amidst circus festoonery and a narrow captivation and immediate rapport. From LYWOOD - Capitol recording artist, Baby" which is quite a change from her stage contingent to Disneyland's the moment she sings her first note, Helen Reddy performed here to SRO present standards. harlequin rock circus format. Unfor- there is an unmistakable power evident crowds at this outdoor arena. Helen Paul Williams, an A&M recording artist tunately, clowns and other related "un- in her vocal expression. Her remarkable delighted the people in attendance with opened the show and quickly captured der the small top," paraphernalia ab- vocal power, which barely seems to songs from her entire catalog, which by the hearts and the ears of everyone in at- sorbed precious moments which other- require any effort at all, possesses a rich the way is far too numerous to mention tendance. Paul, who is one of the finest wise might have been given to the timbre and positive polish. She can be here. Helen seems to have loosened up songwriters ever, proved that he can Miracles. In spite of their brevity, the delicate in one breath and belt out the on stage thus presenting a much more sing as well as he can write.. Paul said Miracles with Bill Griffin singing lead next musical phrase with apparent non - relaxed atmosphere which enhances her that everyone hears a song after it is sounded particularly good on "Tears Of exertion. -
Firstgratefuldeadshow
Great AlbumGRATEFUL DEAD s Includes: TERRAPIN STATION/ PASSENGER/SAMSON & DELILAH il Dead Terrapin Station is Giateiui Fameii iur hi^'.vurk as a Jerry Garcia's bano features While rock fads have'come and gone Keyboardist Keith Godchaux and vo• Dead music at its very best. guitarist, singer and Keith and Donna Godchaux, throughout the past decade, the Grate• calist Donna Godchaux joined before composer with the Grateful It's the Dead as you've never Ron Tutt, John Kahn, and ful Dead have remained a constant in Pigpen's untimely death. The Dead were Dead, Bob Weir has recorded heard them before. Merle Saunders and a great contemporary music. Their longevity is spawned from San Francisco's thriving a great album that showcases style all their own. not indicative of stagnation at all; rather psychedelic culture of the late sixties. the entire scope of his legions of Deadheads have been at• From the Dead's earliest days they remarkable talents. tracted by the new ideas and sounds earned a reputation as a superb live that the Dead never stop creating. band. Their spacey, highly improvisa- WATCH FOR THEIR NEW ALBUM The Grateful Dead have always been tional music is dependent on their synonymous with the glorious, youthful individual musical talents. They are COMING SOON days of the Surreal Sixties. That mys• tremendous musicians, and bring a terious band from the West Coast uniqueness to every song in their vast emerged with many different styles and repertoire. moods. Even without the big AM hit, The Dead come to Giants Stadium the Dead have created a huge following as legends in their own time. -
Sisters Leave for Thailand
• • • Grateful Dead review pages 8-9 VOL. XIV, NO. ~i2 an independent student newspaper serving notre dame and saint mary's THURSDAY, NOVEMBER 1), 1979 Tw-o campus groups tnobilize in Cambodian refugee aid effort Two campus organizations have mobilized Murphy held the organizational meeting of the efforts in an attempt to provide spiritual and sec last evening, and he stated that over 200 financial support for the perishing Cambodian people attended. "We were really informally masses. organized," Murphy explained, "but now we've One group. the Students Concerned for got manpower and we've got committees." Cambodia, has p'lanned a campus-wide dinner Murphy said that the SCC has contacted fast an<i a free Nazz concert to be held on Catholic Relief Services in New York in order to Monday. Nov. 19. The committee has also e-armark funds for the six Holv Cross Sisters who planned to hold direct collectio·ns, both at the recently departed for Thailan'd to serve as nurses dining halls and before the Clemson game. for the Cambodian refugees. Another organization, represented by Keenan The SCC is now printing banners a*1 poster;; rector Fr. Richard Convers, has coordinated an which will publicize the atrocity of the Cambo effort called the ''Cambodian Response'' which dian situation. '·All the overhead is coming our will employ dormitory residents in door-to-door of our pockets," Murphv observed. "bur.we're solicitation for contributions. Conyer's group trying to get money from the alumni ami has also scheduled collections from campus students.'' organizations and a mass to be celebrated by Fr. -
The Roamin' Tattler
THE ROAMIN’ TATTLER !~*~________________________ A Guide to the Happening Local Events and the Eventful Local Happenings ~*~! Issue 18 A Villa Roma Publication Joel Peterson Editor - in - Chief Always Free November 2019 villaroma.com/roamin-tattler Sullivan County Catskills Edition THE ANNUAL FOUND ‘EM AT THE MUSIC SALE OVER THE YEARS: Randy Newman: Sail Away Beach Boys: Today! Joni Mitchell: Blue Frank Sinatra: Come Fly With Me Dr. John: The Sun, Moon & Herbs Pink Floyd: The Wall WJFF The Beatles: The Beatles Martha & Vandellas: Greatest Hits MUSIC SALE WJFF is Sullivan County’s public radio station. Broadcasting out Talking Heads: Fear of Music of Jeffersonville New York, they offer a wide span of music, news and Genya Ravan: Urban Desire public affairs. In addition to airing National Public Radio shows, they Bruce Springsteen: Tunnel of Love also broadcast Pacifica Radio, shows from the BBC and a very eclectic Bob Marley: Babylon By Bus mix of locally produced shows that cover all manner of music and dis- Thunderball: 007 Soundtrack cussion. WJFF has been on the air since February of 1990, and may be Grateful Dead: Europe ‘72 the only completely hydropowered radio station in the United States. Monkees: Headquarters The station maintains a rich relationship with the local commu- Nils Lofgren: Grin nity. They host many happenings throughout the year. Barbeques, Bob Dylan: Street Legal The Kinks: The Kinks dances, yard sales, auctions and live music weekends among other Petula Clark: Greatest Hits events are greatly enjoyed by everyone who attends them. Stevie Wonder: Innervisions Perhaps their most anticipated fundraising event is the annual Santana: Caravanserai WJFF Music Sale. -
This Is a Great Band, and I Had a Great Time” Bob Weir, Grateful Dead Founding Member (Guitar/Vocalist)
“This is a great band, and I had a great time” Bob Weir, Grateful Dead founding member (guitar/vocalist) “Inspired and accomplished musical discourse at such a deep and serious level: I had no problem at all believing that this was what the Grateful Dead sounded like 40 years ago.” David Gans, Grateful Dead Hour “I've always been impressed by DSO, but the other night I thought they'd taken it to a new level. It was some of the best Grateful Dead music I've heard in the past 20 years, and that covers some ground. Somehow, Jeff Mattson manages to play Jerry's parts perfectly in the spirit, but without any sense of being imitative. And boy, does the band pick up on this energy. Big fun!” Dennis McNally, Grateful Dead publicist & biographer 1980 – 1995; Author “A Long Strange Trip: The History of the Grateful Dead” “As one who is classically trained, I actually always thought that DSO was very cool, treating Grateful Dead music as repertoire- much as I've tried to do in my various bands.” Phil Lesh, Grateful Dead founding member (bass/vocals) “Playing with Dark Star Orchestra is something that feels just exactly like it felt when I was playing with the Grateful Dead.” Donna Jean Godchaux, Grateful Dead vocalist, frequent DSO guest “There are moments where I can close my eyes and go back 30 years and have it be every bit as rewarding and satisfying. Dark Star is an amazingly legitimate representation of the Dead.” Dan Healy, Grateful Dead sound engineer 1966 -1994 “Thank you for a real good time.” Jon Fishman, Phish drummer after sitting in with DSO “The Dark Star Orchestra re-creates Grateful Dead shows with a flashback-inducing meticulousness.” The New Yorker “...recreates the Dead concert experience with uncanny verisimilitude.