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The 26Th Society for Animation Studies Annual Conference Toronto
Sheridan College SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence The Animator Conferences & Events 6-16-2014 The Animator: The 26th oS ciety for Animation Studies Annual Conference Toronto June 16 to 19, 2014 Society for Animation Studies Paul Ward Society for Animation Studies Tony Tarantini Sheridan College, [email protected] Follow this and additional works at: http://source.sheridancollege.ca/conferences_anim Part of the Film and Media Studies Commons SOURCE Citation Society for Animation Studies; Ward, Paul; and Tarantini, Tony, "The Animator: The 26th ocS iety for Animation Studies Annual Conference Toronto June 16 to 19, 2014" (2014). The Animator. 1. http://source.sheridancollege.ca/conferences_anim/1 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Book is brought to you for free and open access by the Conferences & Events at SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence. It has been accepted for inclusion in The Animator by an authorized administrator of SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence. For more information, please contact [email protected]. THANK YOU TO OUR SPONSORS THE ANIMATOR THEThe 26th Society forANIMATOR Animation Studies Annual Conference TheToronto 26 Juneth Society 16 to 19, 2014 for www.theAnimation animator2014.com Studies @AnimatorSAS2014 Annual Conference Toronto June 16 to 19, 2014 • www.the animator2014.com • @AnimatorSAS2014 WELCOME Message from the President Animation is both an art and skill; it is a talent that is envied the world over. Having a hand in educating and nurturing some of the finest animators in the world is something for which Sheridan is exceptionally proud. -
Here Comes Television
September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business. -
Resume-08-12-2021
Mike Milo Resume updated 08-12-2021 • OBJECTIVE: • To create stories, characters and animation that move the soul and make people laugh. CREDITS: • DIRECTOR- Warner Bros. Animation-HARLEY QUINN (current) • WRITER and PUNCH-UP on unannounced Netflix/ Universal- WOODY WOODPECKER movie • Supervising DIRECTOR- Age of Learning/Animasia- YOUNG THINKER’S LABORATORY • Story Artist- Apple TV- THE SNOOPY SHOW • Story Artist- Warner Bros. Animation SCOOBY DOO HALLOWEEN • DIRECTOR- Bento Box/ Apple TV- WOLFBOY AND THE EVERYTHING TREE • Freelance Animation DIRECTOR for Cartoon Network/HBO Max’s TIG ‘n’ SEEK • SHOWRUNNER/DIRECTOR- Universal’s WOODY WOODPECKER • DIRECTOR-Warner Bros. Animation- SCOOBY DOO AND GUESS WHO • Freelance Animation DIRECTOR for Warner Bros. Animation LOONEY TUNES 1000-ongoing • Freelance Animation DIRECTOR for Cartoon Network's CRAIG OF THE CREEK • Story Artist- CURIOUS GEORGE- Universal/DreamWorks • Creator, Writer, Director, Designer, Story Artist- GENIE HUNTERS- Cartoon Network • Freelance Animation DIRECTOR for Cartoon Network's UNCLE GRAMPA • Freelance Animation DIRECTOR for Cartoon Network's Justice League Action • Freelance Animation DIRECTOR for Netflix’s STRETCH ARMSTRONG • Storyboard Supervisor/Director/Teacher/Technology consultant: storyboards, writing, animation, design, storyboard direction and timing- RENEGADE ANIMATION • Freelance Storyboards and writing- THE TOM AND JERRY SHOW- Renegade Animation Freelance Animation DIRECTOR for Cartoon Network's BEN 10 • Freelance Flash cartoons for PEOPLE MAGAZINE and ESSENCE MAGAZINE • Flash storyboards, Direction, animation and design- Education.com on BRAINZY • Freelance Exposure Sheets for Marvel Entertainment- AVENGERS ASSEMBLE • Flash storyboards for Amazon pilot: HARDBOILED EGGHEADS • •Character Design and Development- Blackspot Media NYC- IZMOCreator, Writer, Director, Designer, Story Artist- Nickelodeon development BORIS OF THE FOREST with BUTCH HARTMAN • •Story Artist at Nickelodeon Animation Studios- FAIRLY ODD PARENTS • •Freelance Character Design at Animae Studios- LA FAMILIA P. -
Press Release
GOBELINS and Netflix strengthen their partnership in favour of the emergence of new talents in animation Paris, November 3rd, 2020 - One year after the establishment of a partnership aimed at identifying and developing new talent in animation, Netflix and GOBELINS announce a new chapter in their collaboration with the creation of scholarships for three Bachelor's students, a new post-baccalaureate course. This new chapter of action complements the initiatives already in place with, in particular, the financing of scholarships for Master students from the African continent and the integration each year of a young graduate from GOBELINS into the Netflix Animation Fellowship programme. A broadening of the partnership set up in 2019 On the occasion of the start of the 2020 academic year, Netflix and GOBELINS are strengthening the partnership set up in 2019 with the creation of scholarships that will give three students each year access to GOBELINS' education as part of the introduction of a Bachelor's degree. This new course aims to master all animation techniques, both traditional and digital (2D and 3D), from pre-production to post-production, using professional methods practised in animation film studios in France and abroad. The first beneficiaries of this character animation apprenticeship scholarship programme will be appointed in June 2021. "We are proud to help foster the emergence of new talent from diverse backgrounds alongside GOBELINS. With this new chapter of our collaboration, we will also be able to support younger profiles with just raw talent and their highschool diploma in their pockets", said Dominique Bazay, Kids & Family Director at Netflix. -
The Uses of Animation 1
The Uses of Animation 1 1 The Uses of Animation ANIMATION Animation is the process of making the illusion of motion and change by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape,digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced. Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. THE MOST COMMON USES OF ANIMATION Cartoons The most common use of animation, and perhaps the origin of it, is cartoons. Cartoons appear all the time on television and the cinema and can be used for entertainment, advertising, 2 Aspects of Animation: Steps to Learn Animated Cartoons presentations and many more applications that are only limited by the imagination of the designer. The most important factor about making cartoons on a computer is reusability and flexibility. The system that will actually do the animation needs to be such that all the actions that are going to be performed can be repeated easily, without much fuss from the side of the animator. -
CARTOON NETWORK August 2020
CARTOON NETWORK August 2020 MON. -FRI. SAT. SUN. 4:00 Grizzy and the Lemmings We Bare Bears 4:00 4:30 The Powerpuff Girls BEN 10 4:30 5:00 Uncle Grandpa The Amazing World of Gumball 5:00 5:30 Sylvester & Tweety Mysteries Oggy & the Cockroaches 5:30 6:00 Thomas and Friends 6:00 The Happos Family Season 2 6:30 6:30 Sergeant Keroro(J) Pingu in the City 6:40 7:00 7:00 Uncle Grandpa 7:30 7:00-12:00 Cartoon Network Summer Special 7:30 8:00 Tom & Jerry series 8:00 8:30 8/3、17、24、31 The Amazing World of Gumball 8/4、18、25 TEEN TiTANS GO! 9:00 8/5、19、26 Uncle Grandpa 8/6、20、27 The Tom and Jerry Show The Amazing World of Gumball 9:00 9:30 8/7、21、28 Sergeant Keroro(J) 10:00 8/10 Mao Mao: Heroes of Pure Heart 8/1 Bravest Warriors Special 10:30 8/11 DC SUPER HERO GIRLS(Seson6) 8/2 OK KO: Let's Be Heroes! Special 8/8 Victor and Valentino Special 10:40 8/12 We Bare Bears 8/9 The Powerpuff Girls Special 10:00 8/13 The Bugs Bunny Show 8/15 Unikitty! Special 11:00 8/14 Victor and Valentino 8/16 Dorothy and the Wizard of Oz Special 8/22 The New Looney Tunes Show Special 11:30 12:00 Thomas and Friends 12:00 12:30 The Happos Family Season 2 12:30 12:40 Pingu in the City 13:00 Baby Looney Tunes 13:00 Dorothy and the Wizard of Oz Unikitty! 13:30 Grizzy and the Lemmings 13:30 14:00 The Powerpuff Girls 14:00 We Bare Bears The Powerpuff Girls 14:30 Sylvester & Tweety Mysteries 14:30 15:00 15:00 Uncle Grandpa Uncle Grandpa The New Looney Tunes Show 15:30 15:30 16:00 16:00 Sergeant Keroro(J) Tom & Jerry series 16:30 16:30 17:00 17:00 Adventure Time The Amazing World -
Wendy's® Expands Partnership with Adult Swim on Hit Series Rick and Morty
NEWS RELEASE Wendy's® Expands Partnership With Adult Swim On Hit Series Rick And Morty 6/15/2021 Fans Can Enjoy New Custom Coca-Cola Freestyle Mixes and Free Wendy's Delivery to Celebrate Global Rick and Morty Day on Sunday, June 20 DUBLIN, Ohio, June 15, 2021 /PRNewswire/ -- Wubba Lubba Grub Grub! Wendy's® and Adult Swim's Rick and Morty are back at it again. Today they announced year two of a wide-ranging partnership tied to the Emmy ® Award-winning hit series' fth season, premiering this Sunday, June 20. Signature elements of this season's promotion include two new show themed mixes in more than 5,000 Coca-Cola Freestyle machines in Wendy's locations across the country, free Wendy's in-app delivery and a restaurant pop-up in Los Angeles with a custom fan drive-thru experience. "Wendy's is such a great partner, we had to continue our cosmic journey with them," said Tricia Melton, CMO of Warner Bros. Global Kids, Young Adults and Classics. "Thanks to them and Coca-Cola, fans can celebrate Rick and Morty Day with a Portal Time Lemon Lime in one hand and a BerryJerryboree in the other. And to quote the wise Rick Sanchez from season 4, we looked right into the bleeding jaws of capitalism and said, yes daddy please." "We're big fans of Rick and Morty and continuing another season with our partnership with entertainment 1 powerhouse Adult Swim," said Carl Loredo, Chief Marketing Ocer for the Wendy's Company. "We love nding authentic ways to connect with this passionate fanbase and are excited to extend the Rick and Morty experience into our menu, incredible content and great delivery deals all season long." Thanks to the innovative team at Coca-Cola, fans will be able to sip on two new avor mixes created especially for the series starting on Wednesday, June 16 at more than 5,000 Wendy's locations through August 22, the date of the Rick and Morty season ve nale. -
Frozen: Snow Days! Free
FREE FROZEN: SNOW DAYS! PDF Rh Disney | 12 pages | 01 Oct 2013 | Random House Disney | 9780736431163 | English | New York, United States Watch 2-year-old 'Frozen' fan celebrate rare snowfall with 'Let It Go' Now that Frozen 2 is officially a thing, make one of these treats to celebrate. Get the recipe from This Mama Loves. Get the recipe from Glorious Treats. Get the recipe from Bubbly Nature Creations. With his own personal Frozen: Snow Days! flurry, Olaf won't melt in the sun, but this marshmallow version will definitely melt in your mouth! Get the recipe from She Knows. Get the recipe from Love and Olive Oil. Get the recipe Frozen: Snow Days! Two Sisters Crafting. Candy coated oreo cookies sparkling with fragments of "ice" are the perfect quick and easy dessert to make for a Frozen Frozen: Snow Days! night! Get the recipe from Kayla Aimee. Topped with edible pearl sugar, fondant snowflakes, and a little sprinkle of sparkly sugar, these cupcakes even taste Frozen: Snow Days! a winter wonderland! Get the recipe from The Chic Site. Get the recipe from Epicurean Mom. Do you want to build a snowman? With a couple of powdered donuts, pretzels, and white chocolate, make your very Frozen: Snow Days! edible Olaf. These banana cakes are caught in a swirling storm of snowflakes, coconut flakes, and white chocolate. Get the recipe from Simply Designing. Get the recipe from Mom's Test Kitchen. Most of us like to keep warm during the winter with hot chocolate or cookies. But when it comes to these ice cream sandwiches, we're sure your kids will say that, "the cold never bothered them anyway"! Get the recipe from Saving with Shellie. -
2017 Institutional Master Plan
2017 InstItutIonal Master Plan 2017 InstItutIonal Master Plan Table of Contents I. Introduction 3 II. Executive Summary 4 III. Academy of Art University Overview 10 Mission 10 Commitment to an Urban Campus 11 History of the Academy of Art University 11 IV. Academic Departments and Curricula 12 Online Students 12 Alignment of Degree Programs Online/Onsite 12 Online Course Approval 13 Accreditation 13 Academy Programs 14 Classic Automobile Collection 17 Academy of Art University Athletics 17 V. City and Neighborhood Benefits and Impacts 18 Benefits Overview 18 Security and Maintenance 20 Addressing Neighborhood Needs 20 Scholarships for San Francisco and Bay Area Residents 21 Active Engagement in Community Programs 21 Pro-Bono Design Work and Other Academy Civic Engagement 22 VI. Students, Faculty and Staff 31 Enrollment 31 Enrollment Trends 32 Diversity 34 Student Housing 34 Cost of Attendance & Financial Aid 35 Faculty and Staff 37 The Academy’s Equal Employment Policy 37 VII. Existing Facilities 38 Neighborhood Context and Land Use Requirements 38 Policy of Adaptive Re-Use 41 Campus Safety 41 VIII. Current and Future Needs 45 10-yr Plan: Consolidate and Centralize the Campus 45 Near Term Plan: Proposed Changes to the Academy Campus 46 Transportation: Changes and Improvements Affecting the Shuttle Program 50 Student Housing and Metering Relationship to Enrollment 52 IX. Environmental Impact Report and the Existing Sites Technical Memorandum 53 Historic Preservation 53 X. General Plan Consistency 54 San Francisco Priority Policies 54 Consistency of General Plan Elements 56 Relevant Area Plans 61 XI. Attachments 64 Attachment 1: Employers 64 Attachment 2: Neighborhood Context Groups 76 Attachment 3: Existing Institutional and Residential Sites 77 Attachment 4: Study Areas 78 Attachment 5: Shuttle Systems: Current and Proposed/Future Shuttle Map 79 2 2017 Institutional Master Plan VIII. -
Disney, Frozen) Pdf, Epub, Ebook
OLAF AND HIS FRIENDS (DISNEY, FROZEN) PDF, EPUB, EBOOK AZ Books | 8 pages | 15 Feb 2015 | AZ Books | 9781618894526 | English | New York, United States Olaf and His Friends (Disney, Frozen) PDF Book May 3, Pickup not available. Olaf the snowman introduces young readers to his friends. Your email address will never be sold or distributed to a third party for any reason. So if you find a current lower price from an online retailer on an identical, in-stock product, tell us and we'll match it. To ensure we are able to help you as best we can, please include your reference number:. Pricing policy About our prices. However, the powerful storm blows Olaf away, and once he reunites with everyone, he finds Elsa mourning for Anna, who unfortunately froze to death sacrificing her life to save Elsa from Hans. Fans usually pick a side as they would take one of these sidekicks over the other if they happened to find themselves in this Disney film. By Rebecca O'Neill Oct 07, See our disclaimer. Free 2-day delivery. Send me an email when my question is answered. Olaf is also very giggly and tends to laugh a lot. Please enter a valid email address. Cancel Submit. Average Rating: 5. Olaf gets separated from the group on the way, and only appears again in the library after Hans' betrayal. Add to list. This talking snowman might not be the most intelligent creature on the block, but he does understand true love. Walmart Services. To ensure we are able to help you as best we can, please include your reference number:. -
Alt-Burger 641
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Ateneo de Manila University: Journals Online Sophie Christman / Alt-Burger 641 ALT-BURGER Transforming Populist Food Systems Sophie Christman The State University of New York at Stony Brook [email protected] Abstract This article argues that there exists a problematic nexus between the industrial livestock industry, US food system policies, and American propagandist literature. The essay’s specific aim is to transform carnivorous appetites by subverting the integrity of America’s national gastronomic emblem – the hamburger. The article examines how hamburgers are unsustainable food system commodities that exacerbate state-sanctioned climate change, analyzes the underpinnings of ecophobic beef literature—specifically the graphic narrative—that serves as state propaganda, and shows how American comics can alternately promote sustainability nexuses by creating awareness of how food systems impact climate change. Keywords American propaganda; Bob’s Burgers; climate change; Fox Broadcasting Network; hamburger; Industrial Livestock About the Author Sophie Christman earned her Ph.D. in English Literature at SUNY Stony Brook University. Her research areas include: nineteenth-century literature, environmental humanities, and ecocinema studies. She recently authored the “Foreword” for The Ecophobia Hypothesis (Routledge 2018) and her scholarship has been published in Adaptation, Dickens Studies Annual, Interdisciplinary Studies in Literature and Environment, The Journal of Ecocriticism, and the Journal of International Comparative Literature. Her co-authored article “The Climate of Ecocinema” appears in The Oxford Research Encyclopedia of Communication. She has been an invited speaker at the Consortium of Humanities Centers and Institutes (CHCI) Annual Meeting in Hong Kong, the Humanities NY Environmental Stewardship Seminar, the Friends of Dickens NY, and the CUNY Victorian Seminar (forthcoming). -
Unbecoming Adults: Adolescence and the Technologies of Difference in Post
Unbecoming Adults: Adolescence and the Technologies of Difference in Post-1960s US Ethnic Literature and Culture DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By James K. Harris, M.A. Graduate Program in English The Ohio State University 2017 Dissertation Committee: Dr. Martin Joseph Ponce, Advisor Dr. Lynn Itagaki Dr. Jian Chen Copyright by James K. Harris 2017 Abstract Adolescence has always been a cultural construction. The designation of a separate space apart from the presumed innocence of childhood and the myths of autonomy and responsibility that come to define adulthood is a surprisingly modern phenomenon. As such, adolescence bears the traces of the ideologies of race, gender, sexuality, and nation that attend so much of the period that calls itself “modernity.” My dissertation asks how writers and artists of color imagine themselves into the archive of coming of age narratives in post-1960s US literature and culture. In thinking about the importance of identity in the period following the advent of nominal civil rights, I offer the “long(er) civil rights movement” as a way of resisting the move to periodize the struggles through which difference has historically accrued meaning in the US nation- state. Each chapter centers around a “technology,” the academy, the body, the entertainment industry, and the internet, which is essential to the formation of adolescent identity in the post-war era, alongside a key term in the lexicon of American culture that accrues added meanings when filtered through the experience of difference.