DOCSLIB.ORG

Rockwired Magazine SEPTEMBER 2012 – Rockwired.COM

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Rockwired Magazine SEPTEMBER 2012 – Rockwired.COM ROCKWiRED MAGAZiNE SEPTEMBER 2012 – ROCKWiRED.COM PAGE 1 ROCKWiRED MAGAZiNE SEPTEMBER 2012 – ROCKWiRED.COM PAGE 2 ROCKWiRED MAGAZiNE SEPTEMBER 2012 – ROCKWiRED.COM PAGE 3 ROCKWiRED MAGAZiNE SEPTEMBER 2012 – ROCKWiRED.COM PAGE 4 ROCKWiRED MAGAZiNE VOYEUR is an amazing CD. Now that it's out there for producer named ERIC LILAVOIS with CROWN CITY people to listen to how do you feel about the finished RECORDING. He was great but that was part oft his deal work? that we were doing with a major label which was kind of I'm happiest with the recording here than I ever been slow and not wholly satisfying so we decided to record it with anything before this CD. I think we've always ourselves which was something we never had done before struggled to record and get it to what we want it to and in the beginning it was something that we were really sound like or how we intimidated by. The think we sound and possibility of failure in right now I feel like this producing our own is the closest that AT THE CONTROLS music was we've ever gotten and A.J. JACKSON OF SAiNT MOTEL intimidating. After they a lot of that comes experience with the form the fact that TALKS TO ROCKWIRED ABOUT THEiR label we were like we've begun lets just see if we can producing ourselves. BRAND CD VOYEUR do this ourselves. I feel That was definitely a CALLiNG THE SHOTS THiS TIME like that has been the big change for us but biggest change for us. in the end it was AROUND iN TERMS OF PRODUCTiON Half of the album is something that was a produced by SAINT very good thing for us. AND MAKiNG THE MUSiC THAT THEY MOTEL and half of it is HEAR iN THEiR HEADS produced by ERIC Other than the length LILAVOIS. It's kind of a what is the primary mixture difference between this one and And with the FORPLAY back in experience of at least 2009? half producing a CD, I think how confident are you This album has a lot of guys in going forward new instruments on it form this point on? and a lot of different This is definitely what music influences. we'll be doing in the FORPLAY was pretty future. Well I guess i much guitars and we can't say definitely. stopped ourselves We've had a great there and with this experience doing it. album we took things we've already begun a step further. If we recording new music wanted to have some for a new wave of stuff of our friends come and as far as over and play horns producing goes, we've then we did that. The kind of got a system guy who mixed the CD down now which works had a big tympani in his garage so we mixed t up. We for us. Its a gradual process from where we can start had the luxury of experimentation recording from our rehearsal studio and then build the o we actually got to try some things that we probably song in our recording studioand then go back and forth wouldn't have been able to try before because we were and bring things in as they come up and then bring in the at the mercy of studio time. drums at a friends studio in the valley. We just keep adding things on and experimenting with different sounds. So you guys are really going at it on your own and Another thing is that theses songs were recorded in our damn the torpedoes. apartments and our bathrooms. We like the dirtier sound It's a combination of things. It is mostly self produced. because the sound is getting bigger and the recording is Actually it's more like half and half. We worked with a getting more dirty so it balances out a little bit. SEPTEMBER 2012 – ROCKWiRED.COM PAGE 5 ROCKWiRED MAGAZiNE How do you guys go about it? And have there been any reactions to this CD that Because we are able to record and produce the songs have surprised you or that you didn't expect? ourselves, it's a little bit different now. Before we started It's just coming out now so I haven't heard anything too producing ourselves songs were written primarily on an crazy. Some of the comparisons that have been made acoustic guitar but now the songs are becoming more have been a little interesting - comparisons that I never piano based or keyboard based. Usually I come up with a would've thought of. Someone said that it was a folky kind general idea and bring it to the band and we try to flesh it of album and I don't hear anything folky about the album. out together and we end up with a song. Lyrics are an There is a pretty interesting spectrum of people who ongoing process for us. I'll be singing gibberish trying to get have been enjoying the CD which is pretty cool This is the a melody in place and some of the gibberish gets turned kind of music that we wanted to make and we enjoy it into actual words and from there we try to find a concept and it's not really a part of some super hot trend at the for the song. moment. It's all about the songwriting and making the best songs With that being said, what songs off of VOYEUR stand that we can possibly make out for you he most and why? That's kind of tough because its the newer songs that are Talk about the genesis of this band. How did it all get the freshest for me. 1997 was the last song that we started? finished right before we started mixing. BENNY GOODMAN We all started in film school at Chapman University in was also one of the last ones that we worked on and we Orange, California. I met AARON right when he started had started to add certain elements to these songs in the college and throughout college we met DAX who was mixing process. I like all of the songs on the record. I think sushi chef nearby and GREG who was going to school is kind of a nice balance. When you go through the entire nearby. We were all in different bands at that point and album from side a to side b it's a nice little journey. It's the members of our bands kept changing eventually the consistent but it's all slightly different at the same time. line up was solidified enough to where we became SAINT VOYEUR is the bar and inside the bar are all of the stories MOTEL. that you encounter and those stories are the songs but they are all happy within the context of that location. What drew you to music in the beginning? For me it was a pretty unique situation. I took piano I t may be too soon to ask this question but what's next lessons as a kid for many years and I hated it. I hated for the band musically? rehearsing and I hated doing recitals and competitions We want to take this album as far as we can and then do and I hated practicing songs. It wasn't something that I some touring as well as some videos an then more music. enjoyed doing. It was something that was forced upon We sort of have our situation figured out with that. We're me. It's something that your parents want you to learn. writing new music for the next chapter. I feel like VOYEUR One day when my piano teacher came to the house I kind is the bridge between FORPLAY and whatever is going to of hid from herand the teacher was really offended. She happen next was nice old lady - well maybe I shouldn't say nice she was actually a very stern old lady and she asked my What would you like people to come away with after mom "Does he not like playing piano?" and my mom said they've heard this album? "No, he plays everyday!" so the teacher asked what I I guess don't worry to hard about trying to classify the played and what I used to play was a bunch of nonsense sound or what genre that you feel the music is a member really The teacher realized that I enjoyed playing the of . It's music that we think is fun It's escapist music - music instrument I just didn't enjoy playing the same song over that represents where we want to be rather than where and over again. That was when I started songwriting. we are. Instead of going over the same pieces at recitals she nurtured the songs that I was writing. She would help me to come up with different patterns and different songwriting techniques. From there it was was really fun and I started playing with songs in music class. That was how it began for me and it is something that I've been doing ever since Talk about the songwriting process within this band. SEPTEMBER 2012 – ROCKWiRED.COM PAGE 6 ROCKWiRED MAGAZiNE SEPTEMBER 2012 – ROCKWiRED.COM PAGE 7 ROCKWiRED MAGAZiNE SEPTEMBER 2012 – ROCKWiRED.COM PAGE 8 ROCKWiRED MAGAZiNE CRASH STREET KIDS have a great new CD. Now that it but if they don't get it then it is pretty easy to rip us apart it's out there for people to listen to how do you feel just because of the way we look or just because of what we about the finished work? do.
Load more

Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • The Deep Purple Tributes
    [% META title = 'The Deep Purple Discography' %] The Deep Purple Tributes Here we will try to keep a list of known Deep Purple tributes -- full CDs only. (Covers of individual tracks are listed elsewhere.) The list is still not complete, but hopefully it will be in the future. Funky Junction Plays a Tribute to Deep Purple UK 1973 Stereo Gold Award MER 373 [1LP] Purple Tracks Performed by Eric Bell (guitar), Brian Downey (drums), Dave Lennox (keyboards), Phil Lynott (bass) and Fireball Black Night Benny White (vocals). Strange Kind of Woman Hush Speed King The first known Purple tribute was recorded as early as 1972. An unknown, starving band named Thin Lizzy (which consisted of Bell, Downey & Lynott) were offered a lump sum of money to record some Deep Purple songs. (The album contains also a few non-DP tracks.) They did - with the help from two Irish guys. The album came out in early 1973. It wasn't a success. In February, Thin Lizzy had a top ten hit with a single of their own. Read more about it here. The Moscow Symphony Orchestra in Performance of the Music of Deep Purple Japan 1992 Zero Records XRCN-1022 [1CD] UK 1992 Cromwell Productions CPCD 018 [1CD] Purple Tracks Smoke on the Water Performed by the Moscow Symphony Orchestra, conducted by Constantine Krimets. Arranged by Stephen Space Truckin' Child in Time Reeve and Martin Riley. Produced by Bob Carruthers. Recorded live (in the studio with no audience) during Black Night April 1992. Lazy The Mule Pictures of Home No drums, no drum machine, no guitar - in fact, no rock instruments at all, just a symphony orchestra.
    [Show full text]
  • Sonoma-Marin Fair Announces 2019 Concert Series Loverboy, Sammy Kershaw, Aaron Tippin, Collin Raye, Lifehouse, and David Lee Murphy!
    Contact: Christy Gentry [email protected] (707) 326-5058 FOR IMMEDIATE RELEASE Artist Photos: https://goo.gl/B3Q2UY Sonoma-Marin Fair Announces 2019 Concert Series Loverboy, Sammy Kershaw, Aaron Tippin, Collin Raye, Lifehouse, and David Lee Murphy! PETALUMA, CA – March 8, 2019 – For eighty years the Sonoma-Marin Fair has been rocking Petaluma with its summer concert series and this year’s line-up of award-winning artists is the perfect group for the big celebration. Join fellow fairgoers for everything from throwback hits to collaborative jams from June 19-23 on the Petaluma Stage each night at 8 p.m. This year’s artists include Loverboy, Sammy Kershaw, Aaron Tippin, Collin Raye, Lifehouse, and David Lee Murphy. Hitting the Petaluma Stage on opening night is award-winning Loverboy ready to rock the crowd on Wednesday, June 19. With their trademark red leather pants, bandannas, big rock sound and high-energy live shows, Loverboy has sold more than 10 million albums, earning four multi-platinum plaques, including the four-million-selling “Get Lucky”, and a trio of double-platinum releases in their self-titled 1980 debut, “Keep It Up” and “Lovin’ Every Minute of It.” Their string of hits includes, in addition to the anthem “Working for the Weekend,” arena rock staples as “Lovin’ Every Minute of It,” “This Could Be the Night,” “Hot Girls in Love,” “The Kid is Hot Tonite,” and “Turn Me Loose.” Loverboy still holds a record of six Juno awards and since 1992; the band has maintained a steady road presence. In March 2009, the group was inducted into the Canadian Music Hall Of Fame.
    [Show full text]
  • The Aftermath of the Porn Rock Wars
    Loyola of Los Angeles Entertainment Law Review Volume 7 Number 2 Article 1 3-1-1987 Radio-Active Fallout and an Uneasy Truce - The Aftermath of the Porn Rock Wars Jonathan Michael Roldan Follow this and additional works at: https://digitalcommons.lmu.edu/elr Part of the Law Commons Recommended Citation Jonathan Michael Roldan, Radio-Active Fallout and an Uneasy Truce - The Aftermath of the Porn Rock Wars, 7 Loy. L.A. Ent. L. Rev. 217 (1987). Available at: https://digitalcommons.lmu.edu/elr/vol7/iss2/1 This Article is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles Entertainment Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. RADIO-ACTIVE FALLOUT AND AN UNEASY TRUCE-THE AFTERMATH OF THE PORN ROCK WARS Jonathan Michael Roldan * "Temperatures rise inside my sugar walls." - Sheena Easton from the song "Sugar Walls."' "Tight action, rear traction so hot you blow me away... I want a piece of your action." - M6tley Criie from the album Shout at the Devil.2 "I'm a fairly with-it person, but this stuff is curling my hair." - Tipper Gore, parent.3 "Fundamentalist frogwash." - Frank Zappa, musician.4 I. OVERTURE TO CONFLICT It began as an innocent listening of Prince's award-winning album, "Purple Rain,"5 and climaxed with heated testimony before the Senate Committee on Commerce in September 1985.6 In the interim the phrase "cleaning up the air" took on new dimensions as one group of parents * B.A., Journalism/Political Science, Cal.
    [Show full text]
  • Hitmakers-1990-08-03
    1-1 J ISSUE 649 fi(lG(1ST 3, 1990 55.00 an exclusive interview with L _ FOGELa President/CBS SHOW Industries I': 7d -. ~me co C+J 1M s-.0 1111, .. ^^-. f r 1 1 s rl Ji _ imp ii _U1115'11S The first hit single from the forthcoming album ALWAYS. Produced by L.A. Reid and Babyface for Laface, Inc. Management: Guilin Morey Associates .MCA RECORDS t 7990 MCA R,ords. S CUTTING EDGE LEADERSHIP FOR TODAY'S MUSIC RADIO Mainstream Top40 - Crossover Top40 - Rock - Alternative - Clubs/Imports - Retail ALDEN TO HEAD ELEKTRA PROMOTION Rick Alden has been National Marketing Manager, he was named Vice extremely good to me over the years, and I'm excited promoted to Senior Vice President of Top40 Promotion in November of 1987. about channeling my energies into this expanded President of Promotion Before joining ELEKTRA, Alden held positions at position. I'm working with the greatest staff, and we for ELEKTRA Entertain- ATLANTIC Records and RCA Records. are all looking forward to the future." ment, it was announced "After seeing the extraordinary results Rick has Also announced at ELEKTRA, by Vice President of this week by ELEKTRA achieved with Top40 Promotion, it became Urban Marketing and Promotion Doug Daniel, was Senior Vice Presi- increasingly clear that he was the man to head the appointment of Keir Worthy as National Director dent/General Manager Promotion overall," commented Hunt. "Rick's of Rap Promotion and Marketing. Brad Hunt. Alden was approach combines the analytic and the imaginative - Worthy previously served as Southwest/Midwest i previously Senior Vice he sees the big picture and never loses sight of the (See ALDEN page 40) RICK ALDEN President of Top40 details." Promotion, a post he Alden called his promotion "an honor and a was appointed to earlier this year.
    [Show full text]
  • Featuring Natasha Bedingfield New Album
    FOR IMMEDIATE RELEASE LIFEHOUSE RELEASE NEW SINGLE TODAY “BETWEEN THE RAINDROPS” FEATURING NATASHA BEDINGFIELD NEW ALBUM DUE OUT LATER THIS YEAR New York, NY – September 11, 2012 – Geffen Records recording artists Lifehouse return with their first new single in three years: “Between The Raindrops” featuring Natasha Bedingfield. The track is the first single from the band’s forthcoming sixth album and it’s also their first duet. “Between The Raindrops” is available today on iTunes and all other major digital outlets. To hear a sample of the track go to www.lifehousemusic.com Produced by long time collaborator Jude Cole , “Between The Raindrops” features Natasha Bedingfield trading passionate vocals with Lifehouse lead singer Jason Wade . "’Between the Raindrops’ is a confluence of all these different musical styles coming together,” Wade remarked. “There is this cinematic spaghetti western undercurrent breathing and moving in the confines of a pop rock song. The track started as a complete experiment, a sort of stream of consciousness. Over the next few ensuing months Jude and I rewrote the song at least half a dozen times. We brought our friend Jacob Kasher in to help us finish the lyrics. I feel like the song really was solidified and came to life when Natasha came down to the studio and sang on the track." More details on Lifehouse’s forthcoming album will be released in the following weeks. Lifehouse’s multi-platinum 2000 debut, No Name Face , produced “Hanging by a Moment,” a #1 alternative hit which crossed over to become Top 40’s Most Played Song of 2001, while 2002’s Stanley Climbfall solidified the band as a touring force.
    [Show full text]
  • Songs by Title Karaoke Night with the Patman
    Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P.
    [Show full text]
  • Chamber-Edge-Fall-2014-1.Pdf
    Fall 2014 TucsonChamber.org WHAT’S INSIDE: Workplace Wellness Benefits There’s Nothing Small about Small Biz Toolkit: Your Employees’ Health and / Business pg:14 / Strategic Work Alignment pg:25 Your Bottom Line pg:10 BUNDLE UP. THE FIRST MONTH IS ON US. We’ve combined everything your business needs into a customizable, convenient bundle, complete with high-speed, scalable Internet and a feature-rich phone line with unlimited long-distance calling. Get your first month free! COX BUSINESS INTERNET SM & VOICE $99 /mo * SPEED FREE LONG DISTANCE CONVENIENCE Choose the Internet package More than 20 professional Keep your current number to that’s right for your business phone features including make a seamless transition. and experience reliable Caller ID and Voice Mail. speeds up to 100 times faster than basic DSL. 520-207-9576 coxbusiness.com *Offer ends 1/4/15. Available to new customers of Cox Business VoiceManager™ Offi ce service and Cox Business Internet™ 10 (max. 10/2 Mbps). Offer includes unlimited nationwide long distance. The unlimited plan is limited to direct-dialed domestic calling and is not available for use with non-switched circuit calling, auto-dialers, call center applications and certain switching applications. Prices based on 1-year service term. First month free offer excludes equipment, taxes, installation and fees. Equipment may be required. Prices exclude equipment, installation, taxes, and fees, unless indicated. Speeds not guaranteed; actual speeds vary. Rates and bandwidth options vary and are subject to change. Phone modem provided by Cox requires electricity and has battery backup. Access to E911 may not be available during extended power outage or if modem is moved or inoperable.
    [Show full text]
  • Underground Power Records List 4 -2020.P[...]
    This is the last List that will be sent to all emails on our previous email distributor - we will build up a new one. So all friends who order for sure will be on the new distributor. All others please send a short message and we will add you too for sure. The list will be also on our website and we will announce ever new one on facebook. Our own new releases will be on the next List (Xmas or January)! Das ist die letzte Liste die an den alten email Verteiler geschickt wird - wir bauen einen Neuen auf. Alle Besteller werden automatisch in den neuen aufgenommen. Alle Anderen die den Newsletter erhalten möchten senden bitte eine kurze Bestätigung, dass Sie künftig auch wieder in den Verteiler aufgenommen werden wollen. Die Liste wird auch auf unserer Webseite veröffentlicht und immer auf facebook angekündigt. Unsere eigenen neuen Releases werden auf der nächsten Liste erscheinen (um Weihnachten oder im Januar) ! CD ADORNED GRAVES – Being towards a River (NEW*EPIC/THRASH METAL*TOURNIQUET*DELIVERANCE) - 14 GER Private Press 2020 – Brandnew Oldschool 80’s Epic / Thrash Metal with elements of Epic Doom / Death Metal from Germany ! For Fans of Vengeance Rising, Tourniquet, Deliverance, Believer, Martyr / Betrayal or Metallica and Slayer, but also Black Sabbath + Trouble ! Melodic Old School Epic Doom N Thrash Death Metal Einschlägen, der Einfachheit halber als „Thrash Metal“. ALCATRAZZ - Born Innocent (NEW*MELODIC METAL*G.BONNET*RAINBOW*MSG*TNT) - 15 Silver Lining Music 2020 - Brandnew limited CD Digipak Fantastic Melodic Metal / Hard Rock with Original Line up Graham Bonnet, Keyboarder Jimmy Waldo and Bassplayer Gary Shea – now together with Guitar Hero Joe Stump and some fantastic guest musicians: Chris Impellitteri, Bob Kulick, Nozumu Wakai, Steve Vai, Dario Mollo, Don Van Stavern or Jeff Waters For Fans of RAINBOW, TNT, EUROPE, DOKKEN, MICHAEL SCHENKER ANGEL WITCH – Screamin’ ‘n’ Bleedin’ (NEW*LIM.500*NWOBHM CLASSIC 1985) – 18 € N.W.O.B.H.M.
    [Show full text]
  • Brevard Live November 2013
    Brevard Live November 2013 - 1 2 - Brevard Live November 2013 Brevard Live November 2013 - 3 4 - Brevard Live November 2013 Brevard Live November 2013 - 5 6 - Brevard Live November 2013 Content November 2013 FEATURES page 51 EDDIE SCOTT MEMORIAL ROCK & BLUES FESTIVAL Eddie Scott Going Home Jam will remem- Rock legend Johnny Winter will headline ber the music and life of Eddie Scott who the inaugural Space Coast Rock & Blues Columns passed away last month. Many famous per- Festival held at the Valkaria Airport. This formers will come together for an unfor- is a brand-new venue. gettable concert to raise funds to pay for Page 17 Charles Van Riper funeral cost for the beloved soul singer. 22 Political Satire Page 10 FOREIGN STARR-DOM Calendars Jack Starr received the Ambassador Life- Live Entertainment, SPACE COAST STATE FAIR time Achievement Awards at the 2013 25 The fair is back in town with over 200 Concerts, Festivals BMAs. Brevard Live sat down with the popular thrill rides, shows and attractions metalist who has been a celebrated per- to entertain the masses at Space Coast Sta- former at countless festivals in Europe. CD Reviews dium in Viera. It is pre-holiday family fun 31 by John Leach at its finest. Page 19 Page 13 Steve Keller ROYAL ROCK WEDDING Local Lowdown ART FESTIVALS Much has been said, posted and comment- 33 & Five Questions Two traditional and unique art festivals ed about the wedding of Charles and Lissa are scheduled in November: The ArtWorks Knight, Brevard’s popular rock’n’roll Knights After Night in Eau Gallie and Space Coast Art Festival couple.
    [Show full text]
  • 3 Why Arts and Culture Matter to Our Region Pg
    Summer 2017 TucsonChamber.org WHAT’S INSIDE: The Chamber’s Future is Bright Why Arts and Culture Matter 1st Session/53rd Legislature and Full of Promise pg: 3 / to Our Region pg: 11 / Report Card pg: 22 ECONOMIC EXPANSION AND JOB CREATION Retain and expand local business Foster business growth and job creation Promote our community WORKFORCE DEVELOPMENT Improve workforce readiness • Lead Intern to Career program for high school students • Foster better alignment between education and private sector • Collaborate with Earn to Learn program ADVOCACY Develop future business leaders • Host the Emerging Leaders Council Support public policy that promotes • Collaborate with Greater Tucson Leadership economic expansion • Create and promote a pro-business legislative agenda • Advocate for the preservation and expansion of funding Promote strategic problem solving for education between private and public entities • Protect funding for career and technical education • Increase Chamber investor awareness of issues and candidate positions • Maintain the Project Prosperity program • Maintain the Coalition Against Retail Theft (CART) Ensure the business position is represented in elections • Provide We Can Help online help desk resource • Evaluate candidates for public office Host public policy forums • Promote the election of public policy makers who • Lead delegation of business leaders to Washington, D.C. to understand and support job creation advocate with federal officials • Promote passage or defeat of business-relevant ballot • Host the State
    [Show full text]
  • SANTOS, Carlos Arthur. Underground Heavy Metal Em Campina Gr
    UNIVERSIDADE ESTADUAL DA PARAÍBA EDVALDO SOUSA DO Ó – CAMPUS I CENTRO DE EDUCAÇÃO CURSO DE LICENCIATURA PLENA EM HISTÓRIA CARLOS ARTHUR DA SILVA SANTOS UNDERGROUND HEAVY METAL EM CAMPINA GRANDE: 1985-1995 CAMPINA GRANDE - PB 2016 CARLOS ARTHUR DA SILVA SANTOS UNDERGROUND HEAVY METAL EM CAMPINA GRANDE: 1985-1995 Trabalho de Conclusão de Curso apresentado ao Curso de Licenciatura Plena em História da Universidade Estadual da Paraíba como requisito parcial para a obtenção do título de Licenciada em História. Orientadora: Profª Dr ª. Patrícia Cristina de Aragão Araujo. CAMPINA GRANDE 2016 A mim mesmo. “Visita Interiorem Terrae, Rectificandoque, Invenies Occultum Lapidem ”. 218 AGRADECIMENTOS A minha família pelo suporte todos esses anos de curso principalmente na figura do meu pai Carlos Alberto da Silva Santos, da minha mãe Maria Eliete da Silva Santo e da minha irmã Edcarla da Silva Santos. A meus amigos leais e guerreiros que me dão suporte financeiro e etílico quando preciso e por compartilharem os momentos de ressaca e as noites infernais ao longo dos eventos por esse Nordeste dia bólico. Hail’s 666. As legiões infernais que nos guiam nas batalhas do dia a dia. Ave o caminho da mão esquerda. Ao underground e as bandas que fazem parte deste meio por manterem o Metal vivo e respirando arrastando ainda mais legiões de guerreiros leais. A Charlie Curcio que possibilitou o acesso a maioria das fontes presentes neste trabalho. Kedma Villar por possibilitar a minha entrada no grupo no Facebook Metal Forces, onde pude obter importantes fontes, e a Pablo Ramires por possibilitar as fontes sobre o Ostia podre.
    [Show full text]