North Central Division Pres- Tic Director of the (2007–2008)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
January 2006 ********** February 2006 ********** March 2006
January 2006 Sunday, 1st January 2006 - 11.00 am Via della Conciliazione - St. Peter's Square - Rome NEW YEAR'S DAY PARADE With the participation of: University of Nebraska Marching Band Rioni di Cori Flag Throwers Banda del Comune di Recanati Banda della Aeronautica Militare Friday, 6th January 2006 - 9.00 pm Church S. Ignazio, Piazza S. Ignazio - Rome Benedictine College Choir USA Program: sacred choir music Sunday, 22nd January 2006 – 5.00 pm Church S. Cipriano, Via di Torrevecchia 169 - Rome St. Cyprian Liturgical Choir - USA Iubilate Deo - Italy Program: sacred choir music ********** February 2006 Tuesday, 21st February 2006 - 9.00 pm Church S. Rufino, P. zza S. Rufino, Assisi Abbotts Bromley School Chapel Choir United Kingdom Program: Schubert, Elgar, Kodaly ********** March 2006 Sunday, 12th March 2006 - 9.00 pm Church S. Ignazio, Piazza S. Ignazio - Rome Curé of Ars Church Choir USA 1 Program: sacred choir music Tuesday, 14th March 2006 - 9.00 pm Church S. Ignazio, Piazza S. Ignazio - Rome Holy Trinity Church Choir USA Program: sacred choir music Sunday, 19th March 2006 - 9.00 pm Church S. Ignazio, Piazza S. Ignazio - Rome Cathedral of St. James’s Choir USA Program: sacred choir music Saturday, 25th March 2006 - 9.00 pm Auditorium Parco della Musica - Petrassi Hall Viale Pietro De Coubertin - Rome Sant'Ignazio di Loyola an Eighteenth Century chamber music piece by Domenico Zipoli S.J., Martin Schmid S.J., Anonymous Ensemble Abendmusik Interpreters: Randall Wong, Robin Blaze, Patricia Vaccari, Nicola Pascoli, Marco Andriolo, Mira Andriolo Conductor: John Finney Reservation required - Tel. nr. 0039 329 2395598 Sunday, 26th March 2006 - 5.00 pm Church Sant'Andrea al Quirinale - Via del Quirinale - Rome Sant'Ignazio di Loyola an Eighteenth Century chamber music piece by Domenico Zipoli S.J., Martin Schmid S.J., Anonymous Ensemble Abendmusik Interpreters: Randall Wong, Robin Blaze, Patricia Vaccari, Nicola Pascoli, Marco Andriolo, Mira Andriolo Conductor: John Finney Reservation required - Tel. -
Federico Ibarra - a Case Study
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 4-29-2019 11:00 AM Contexts for Musical Modernism in Post-1945 Mexico: Federico Ibarra - A Case Study Francisco Eduardo Barradas Galván The University of Western Ontario Supervisor Ansari, Emily. The University of Western Ontario Co-Supervisor Wiebe, Thomas. The University of Western Ontario Graduate Program in Music A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Musical Arts © Francisco Eduardo Barradas Galván 2019 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Musicology Commons, and the Music Performance Commons Recommended Citation Barradas Galván, Francisco Eduardo, "Contexts for Musical Modernism in Post-1945 Mexico: Federico Ibarra - A Case Study" (2019). Electronic Thesis and Dissertation Repository. 6131. https://ir.lib.uwo.ca/etd/6131 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract This monograph examines the musical modernist era in Mexico between 1945 and the 1970s. It aims to provide a new understanding of the eclecticism achieved by Mexican composers during this era, using three different focal points. First, I examine the cultural and musical context of this period of Mexican music history. I scrutinize the major events, personalities, and projects that precipitated Mexican composers’ move away from government-promoted musical nationalism during this period toward an embrace of international trends. I then provide a case study through which to better understand this era, examining the early life, education, and formative influences of Mexican composer Federico Ibarra (b.1946), focusing particularly on the 1960s and 1970s. -
FINALE CONCERT Featuring Clinician Jake Runestad, the Princeton High School Concert Choir, the Wartburg Choir, and the Wartburg Castle Singers
WARTBURG W COLLEGE THE MEISTERSINGER HONOR CHOIR FINALE CONCERT featuring clinician Jake Runestad, the Princeton High School Concert Choir, The Wartburg Choir, and The Wartburg Castle Singers Jan. 23, 2017, 7:30 p.m., Neumann Auditorium Comprehensive Sound Services of Greene has been contracted to provide audio recording services for this concert. Compact discs will be available for $15 each (including tax and postage). Send checks or money orders to: Comprehensive Sound Services 11168 Lodge Ave. Greene, IA 50636 If you wish to use a credit/debit card, you may do so by calling 641-816-4831 or online at comprehensivesoundservices.com. PROGRAM The Wartburg Castle Singers Dr. Nicki Toliver, conductor My Spirit Song ALL Day ...........................................Gerald Finzi With or Without You ............................................U2; arr. Chung Mallory Swigart, piano Dravidian Dithyramb ........................................ Victor Paranjoti Selected High School Soloist Widmung .................................................... Robert Schumann Joe Peer, baritone Saydel High School Princeton (Minn.) High School Concert Choir Mark Potvin, conductor Sing Joyfully .......................................................William Byrd From Seasons of the Heart ...................................... René Clausen To Spring I Know I Am but Summer to Your Heart Dorven Dalai ......................................................... Youngrub SUNG IN MONGOLIAN As clear as the water of the West Sea, as gentle as the areca leaves. With happiness and good fortune we have met. As pristine as the water of the East Sea, as gentle as the fruit tree leaves. With good wishes and luck we have met. Let’s raise our cups, rejoice, sing, and enjoy this happy moment together. Selected High School Soloists Winds in the South ........................................ John Prindle Scott Victoria Enyart, soprano Prairie High School Adieu ............................................................ -
Fde 7Fade Fo
I I I I __ III_I_rl[IJL I I I rE I i LIJ -IL D I I I,,I I-'' I, 11 _ , I I L| _ --I I -I I I I'1_ I I 11 - _ I I I - I I J| I+ I I [1 VOLUME 6,NUMBER 3 MAY 1988 %8#¢D 4 7)drz4de EZZZZ!ZZZI edy 2alxp 7 2aofrb42fe gce 7e% Fde 7fade fo OFFICIAL PUBLICATION OF NORTH CENTRAL ACDA COVER: Tom Janssen (left photo) turns over leadership NORTH CENTRAL of the North Central Division on July 1 to Stephen Parker DIVISION OFFICERS (right photo). Division President: T. L. (Tom) Janssen 509 SW FTanklin Dr. Ankeny, IA 50021 (515) 9644851 Division PTesidcot-Eect: Stephen Futer 219 Poney DI. Spearfish, SD 57713 (605) 642-7161 VOLUME 6, NUMBER 3 Melisma rmtor: MAY 1988 Sandra L Chap- ffl¢Ii8ma 1209 Are. a Fl. Madison, IA 52.Z7 (319) 372-1778 Melisma Ad± I:± Judith i Mafh loll vthsHm EL Mi]hanL. SD 57252 CONTENTS (605) 432cO17 STATE pREsonrls love Gory Fiscrs I]ewis Chb)I IFE] S==== Summer Festival Chorus with Eric Ericson .............. 3 High-J 275 Councn miffiL L^ 5ls.I Warland Singers Cap Season .......................... 3 0 - 712-3-2S31 H - 712-322-7rs Music Study Tours -U/W Whitewater ....,........... 3 rmnncota Robert rt- Nordic Choir to Soviet Union, Hungary, and Poland ...... 3 Edim Senior HEEL Stl..I 6754 Vanc7 VTH Drin Edina, MN S5es Iowa Convention has Pfautsch, Harris, MCNeil, Klatz: ..... 4 0-612-944-211. En Zl. H-612-54S~ Quink Comes from Netherlands -David Evans Nebraska Jr. -
The· Central Division Hotel Continental Chicago, Illinois February 23-25
1984 Divisional Convention . The· Central Division Hotel Continental Chicago, Illinois February 23-25 HEADLINERS AND SPECIAL SESSIONS: Singers. He recently co-authored the current seventh- and eight-grade textbooks published by Silver-Burdette. Professor McNeil's sessions will focus upon World Music. He will be assisted by Harriet Ziegenhals. The first session, "A Celebration of World Music," will include the presenta tion of four choral groups performing selected compositions with explanatory remarks by the clinicians. A later general Margaret Hillis session will consist of a brief demonstration-lecture using choral music from the Phillipines, West Africa, Brazil, Japan, and the southern U.S.A. In this session, a sixteen voice ensemble from the Community Renewal Chorus of Chicago will be the demonstration group. His third and final session will be a reading session presenting choral works representing diyerse ethnic areas. Hailed as "one of the great choral conductors of the age," L Margaret Hillis is also making her mark as an orchestral con- ductor. In the current season, she will appear with the Chicago Symphony Orchestra, the Louisville Orchestra, and the Hartford Symphony, as well as with the Elgin Sym phony, which she has served as Music Director for eleven years. Hillis captured nationwide attention in the fall of Weston Noble 1977, when she substituted on short notice for the ailing Sir Georg Solti in a performance of Mahler's Symphony No.8 in New York's Carnegie Hall. In recent seasons she has con ducted the National Symphony, the Minnesota Orchestra, the Milwaukee Symphony, and the Indianapolis Sym phony. -
Download Booklet
Credits works by Executive producer: Jonathan Golove. Nicandro Tamez Recording producer: Omar Tamez. Leandro Espinosa Session producers: Karl Toews (Tracks 1, 3-4, 6-8) and Omar Tamez (2,5). Mario Lavista Omar Tamez Audio engineer and editing: Chris Jacobs. Manuel de Elías Location: Lippes Concert Hall in Slee Hall, University at Buffalo, The State University of New York. Liner notes: Jonathan Golove, except where noted. Stephen Manes, piano Cover painting: Ubudo by Teresita Soto, based on Nicandro Tamez’s score of the same title. Emilio Tamez, percussion Publishers Nicandro Tamez’s Introduccíon al Duo I and Monomaquia I are available from Omar Tamez. Leandro Espinosa’s Duo “De la Obscuridad a la Luz” is available from the composer. Mario Lavista’s Cuaderno de viaje and Quotations are published by Ediciones Mexicana de Musica, A.C. Omar Tamez’s Las Voces Internas is available from the composer. Manuel de Elías’ Homérica is available from the composer. Acknowledgements This recording was made possible by the support of the University of Buffalo and the UB Department of Music. I wish to thank members of the University of Buffalo staff, Phil Rehard, concert manager, and Gary Shipe, piano technician, and UB faculty percussionist Tom Kolor, for their gracious assistance with this project. Thanks also to David Felder and the Robert and Carol Morris Center for 21st Century Music and Margarita Vargas and the UB Gender Institute for additional support, as well as to Ana R. Alonso-Minutti for her program notes and translation assistance. WWW.ALBANYRECORDS.COM TROY1235 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. -
Cabrillo Festival of Contemporarymusic of Contemporarymusic Marin Alsop Music Director |Conductor Marin Alsop Music Director |Conductor 2015
CABRILLO FESTIVAL OFOF CONTEMPORARYCONTEMPORARY MUSICMUSIC 2015 MARINMARIN ALSOPALSOP MUSICMUSIC DIRECTOR DIRECTOR | | CONDUCTOR CONDUCTOR SANTA CRUZ CIVIC AUDITORIUM CRUZ CIVIC AUDITORIUM SANTA BAUTISTA MISSION SAN JUAN PROGRAM GUIDE art for all OPEN<STUDIOS ART TOUR 2015 “when i came i didn’t even feel like i was capable of learning. i have learned so much here at HGP about farming and our food systems and about living a productive life.” First 3 Weekends – Mary Cherry, PrograM graduate in October Chances are you have heard our name, but what exactly is the Homeless Garden Project? on our natural Bridges organic 300 Artists farm, we provide job training, transitional employment and support services to people who are homeless. we invite you to stop by and see our beautiful farm. You can Good Times pick up some tools and garden along with us on volunteer + September 30th Issue days or come pick and buy delicious, organically grown vegetables, fruits, herbs and flowers. = FREE Artist Guide Good for the community. Good for you. share the love. homelessgardenproject.org | 831-426-3609 Visit our Downtown Gift store! artscouncilsc.org unique, Local, organic and Handmade Gifts 831.475.9600 oPen: fridays & saturdays 12-7pm, sundays 12-6 pm Cooper House Breezeway ft 110 Cooper/Pacific Ave, ste 100G AC_CF_2015_FP_ad_4C_v2.indd 1 6/26/15 2:11 PM CABRILLO FESTIVAL OF CONTEMPORARY MUSIC SANTA CRUZ, CA AUGUST 2-16, 2015 PROGRAM BOOK C ONTENT S For information contact: www.cabrillomusic.org 3 Calendar of Events 831.426.6966 Cabrillo Festival of Contemporary -
The Choral Music of James E. Fritschel with a Conductor's Special Focus on the Preparation of His Polychoral Compositions
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Student Research, Creative Activity, and Performance - School of Music Music, School of Spring 5-3-2013 THE CHORAL MUSIC OF JAMES E. FRITSCHEL WITH A CONDUCTOR'S SPECIAL FOCUS ON THE PREPARATION OF HIS POLYCHORAL COMPOSITIONS Jennifer Vanderholm University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/musicstudent Part of the Music Performance Commons Vanderholm, Jennifer, "THE CHORAL MUSIC OF JAMES E. FRITSCHEL WITH A CONDUCTOR'S SPECIAL FOCUS ON THE PREPARATION OF HIS POLYCHORAL COMPOSITIONS" (2013). Student Research, Creative Activity, and Performance - School of Music. 60. https://digitalcommons.unl.edu/musicstudent/60 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Student Research, Creative Activity, and Performance - School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THE CHORAL MUSIC OF JAMES E. FRITSCHEL WITH A CONDUCTOR’S SPECIAL FOCUS ON THE PREPARATION OF HIS POLYCHORAL COMPOSITIONS by Jennifer Ashley Vanderholm A Doctoral Document Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Musical Arts Major: Music Under the Supervision of Professor Peter A. Eklund Lincoln, Nebraska May, 2013 ii THE CHORAL MUSIC OF JAMES E. FRITSCHEL WITH A CONDUCTOR’S SPECIAL FOCUS ON THE PREPARATION OF HIS POLYCHORAL COMPOSITIONS Jennifer Ashley Vanderholm, D.M.A. University of Nebraska, 2013 Advisor: Peter A. Eklund Polychoral compositions have been present since the late Renaissance and early Baroque periods. -
JULY 2013 Here’S What’S from the Editor Welcome to the July 2013 Edition of the AAA Newsletter
AMERICAN ACCORDIONISTS’ ASSOCIATION Newsletter A bi-monthly publication of the American Accordionists’ Association JULY 2013 Here’s What’s From the Editor Welcome to the July 2013 edition of the AAA Newsletter. Happening at The excitement builds as we rapidly approach the AAA’s Gala 75th Anniver- AAA in 2013 sary, a milestone for any organization and an event not to be missed! As we prepare to join together in New York next month for our Anniversary JULY 26-28, 2013 Festival, we take a moment to reflect on the sad loss of several of our AAA friends Master Class and Concert who we have recently lost. The AAA lost two of our outstanding officers within Series - The Seminars days of each other, Carmen Carrozza and Dr. Carmelo Pino. Unbelievably, we The Accordion is 3D then lost two long time AAA supporters August Arruda and Robert Paolo, also Tenri Cultural Institute within a very short time. We will miss them all greatly, but know they would 43A W.13th Street, NYC wish us well, as we celebrate our milestone 75th Anniversary event. We offer Moderator/Curator our sincerest condolences to all their families and friends, and we will always cherish the many happy William Schimmel memories of sharing their friendship through the accordion. Once again my sincere thanks to the AAA President Linda Reed and Board of Director Rita David- AUGUST 14-18, 2013 son for their kind assistance with the AAA Newsletter. Items for the September Newsletter can be AAA 75th Anniversary The New Yorker Hotel sent to me at [email protected] or to the official AAA e-mail address at: 8th Ave. -
Nordic Choir Allen Hightower, Conductor
Nordic Choir Allen Hightower, conductor WINTER TOUR 2012 1 TOUR PROGRAM WINTER 2012 APPEARANCES Part I Saturday, January 21 Trinity Lutheran Church O Clap Your Hands Blue Earth, Minnesota Orlando Gibbons (1583–1625) Oxford University Press, 43.2525 Sunday, January 22 Zion Lutheran Church O clap your hands together, all ye people, Iowa City, Iowa O sing unto God with the voice of melody. Friday, January 27 For the Lord is high and to be feared; First Christian Church He is the great King of all the earth, Des Moines, Iowa He shall subdue the people under us, Saturday, January 28 and the nations under our feet. First Plymouth Congregational Church He shall choose out an heritage for us, Lincoln, Nebraska even the worship of Jacob, whom he loved. Sunday, January 29 God is gone up with a merry noise, First Congregational Church and the Lord with the sound of the trumpet. Greeley, Colorado O sing praises unto our God: Monday, January 30 O sing praises unto the Lord our King. Augustana Lutheran Church For God is the King of all the earth: Denver, Colorado sing ye praises with the understanding. God reigneth over the heathen: Tuesday, January 31 God sitteth upon his holy seat. Bethany Lutheran Church of Denver For God, which is highly exalted, Cherry Hills Village, Colorado doth defend the earth, as it were with a shield. Thursday, February 2 Grace Cathedral Glory be to the Father, and to the Son, Topeka, Kansas and to the Holy Ghost. As it was in the beginning, is now, Friday, February 3 and ever shall be, world without end. -
Holiday Music of Eastern Europe
2014-2015 SEASON HOLIDAY MUSIC OF EASTERN EUROPE Saturday, December 6, 8pm ALAMEDA Sunday, December 7, 4pm SAN FRANCISCO Saturday, December 13, 8pm BERKELEY Rebecca Petra Naomi Seeman, Conductor Mailing services provided by Help Sacred and Profane go green! If you would like to receive e-mail announcements in lieu of or in addition to our mailings, please go to: www.sacredprofane.org and enter your address in the E-mail News form. Check out our new YouTube channel! www.facebook.com/sacredprofane www.youtube.com/sacredprofanechorus SUPPORT PROGRAM Sacred and Profane is a non-profi t arts organization, and we work very hard to be Eastern European Holiday Music frugal with our fi nancial resources. Our income comes from a number of sources, including grants by civic and philanthropic organizations, members dues, tickets sales, and contributions from donors. We would be unable to present our varied Glas Ch’et vertyi Greek Chant and beautiful programs without the generous support we receive from individual S.Trubachiov, harmonization donors, and we are grateful for any additional amount you are able to give. All contributions are tax-deductible. Archimandrid Mathew, arr. Anton Krukowsky, Tenor “Bogoroditse D’evo” Sergei Rachmaninoff, Op. 37, No. 6 To make a donation, please visit from All Night Vigil (1873–1943) http://www.sacredprofane.org/donate/ Zimóy Pavel Chesnokov, Op. 32, No. 2 or send a check to (1877–1944) Sacred & Profane, 1199 Cornell Ave., Berkeley, CA 94706 or give your donation to our ticket salesperson Armenia Aïsor dsaïnen Soghomon Soghomonian (1869–1935) Khorurd Metz Moses Khorentatsi (5th c) A SPECIAL REQUEST FOR SUPPORT! Vahram Sargsyan, arr. -
View PDF Editionarrow Forward
THE DIAPASON SEPTEMBER 2013 The Episcopal Church of the Good Shepherd Lexington, Kentucky Cover feature on pages 30–32 CHRISTOPHER HOULIHAN (The American Organist, 2012) (The Diapason, 2013) THE DIAPASON Editor’s Notebook Scranton Gillette Communications One Hundred Fourth Year: No. 9, In this issue Whole No. 1246 This month’s issue of The Diapason includes Maxim SEPTEMBER 2013 Serebrennikov’s analysis of Baroque fugal improvisation, a Established in 1909 process that has not been widely explored in English-language Joyce Robinson ISSN 0012-2378 theoretical literature. Serebrennikov demonstrates that the 847/391-1044; [email protected] improvisation of fugue grew out of fi gured bass, often using a www.TheDiapason.com An International Monthly Devoted to the Organ, strophic-form compositional model. the Harpsichord, Carillon, and Church Music We also present Steven Egler’s interview of well-known in our fi eld. Each year we publish the Directory and mail it composer Robert J. Powell, whose music many of us have with the January issue of The Diapason. It includes complete played. Powell was interviewed during weekend festivities that information on providers of products and services related to CONTENTS celebrated both his music and his 80th birthday, and discusses the organ and all facets of church music. The deadline for composition, working relationships, and balancing musical advertising in the 2014 Resource Directory is November 1. To FEATURES styles. John Bishop’s latest installment of “In the wind . .” reserve advertising space, please send an e-mail to advertis- A Conversation with Robert Powell Celebrating his 80th birthday concerns leaps in technology—and art—that had their roots in ing sales manager Jerome Butera at [email protected], or by Steven Egler 20 traditional techniques and styles, how the past can enhance the phone him at 847/391-1045.