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The Supernatural Cinema of Guillermo del Toro Critical Essays Edited by John W. Morehead Foreword by Doug Jones $39.95 softcover (6 ¥ 9) Photos, notes, bibliography, index ISBN 978-0-7864-9595-5 Ebook ISBN 978-1-4766-2075-6 2015 Guillermo del Toro is one of the most prolific artists working in film. His directorial work includes Cronos (1993), Mimic (1997), The Devil’s Backbone (2001), Blade II (2002), Hellboy (2004), Pan’s Labyrinth (2006), Hellboy II (2008) and Pacific Rim (2013). He has also worked extensively as a producer, with several screenwriting credits to his name. As a novelist he coauthored The Strain Trilogy (2009–2011), which he also developed into a television series for FX in 2014. Del Toro has spoken of the “primal, spiritual function” of his art, which gives expression to his fascination with monsters, myth, archetype, metaphor, Jungian psychology, the paranormal and religion. This collection of new essays discusses cultural, religious and literary influences on del Toro’s work and explores key themes of his films, including the child’s experience of humanity through encounters with the monstrous. John W. Morehead has an M.A. in intercultural studies from Salt Lake Theological Seminary. He lives in Syracuse, and blogs on the fantastic at www.TheoFantastique.com. – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – Ship to: (please print) ___ _________________________________ The Supernatural Cinema of Guillermo del Toro $39.95 _______ ____________________________________________ Shipping/handling (see below) _______ ____________________________________________ Subtotal $_______ ____________________________________________ N.C. residents add 6.75% Sales Tax _______ Credit card orders: ❑VISA ❑MasterCard ❑AMEX ❑Discover TOTAL $_______ Account #___________________________________________ Shipping/handling: $5 first book, $2 each additional Exp. date ________ Telephone __ ___________ Canadian orders: $15 first book, $7 each additional (USPS First Class International). Account #___________________________________________ International/ orders: $30 first book, $7 each additional E-mail address ________________________________________ (USPS First Class International). International/Canadian orders please pay in U.S. funds. McFarland & Company, Inc., Publishers • Box 611, Jefferson, North Carolina 28640 336-246-4460 • Orders 800-253-2187 • FAX 336-246-4403 • www.mcfarlandpub.com In Europe, Australia, Asia and Africa, order from: www.eurospanbookstore.com/mcfarland.

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The Grammar of English Grammars, 2 Chapter Iv
1 CHAPTER I. CHAPTER II. CHAPTER III. CHAPTER X. CHAPTER XI. CHAPTER I. CHAPTER II. CHAPTER III. CHAPTER IV. CHAPTER V. CHAPTER VI. CHAPTER I. CHAPTER II. CHAPTER III. CHAPTER IV. CHAPTER V. CHAPTER VIII. CHAPTER I CHAPTER II CHAPTER III. CHAPTER IV. CHAPTER V. CHAPTER VI. CHAPTER I. CHAPTER II. CHAPTER III. CHAPTER IV. CHAPTER I. CHAPTER II. CHAPTER III. THE GRAMMAR OF ENGLISH GRAMMARS, 2 CHAPTER IV. CHAPTER V. CHAPTER VI. CHAPTER VII. CHAPTER VIII. CHAPTER IX. CHAPTER X. CHAPTER XI. CHAPTER I. CHAPTER II. CHAPTER III. CHAPTER IV. CHAPTER V. CHAPTER VI. THE GRAMMAR OF ENGLISH GRAMMARS, WITH AN INTRODUCTION HISTORICAL AND CRITICAL; THE WHOLE METHODICALLY ARRANGED AND AMPLY ILLUSTRATED; WITH FORMS OF CORRECTING AND OF PARSING, IMPROPRIETIES FOR CORRECTION, EXAMPLES FOR PARSING, QUESTIONS FOR EXAMINATION, EXERCISES FOR WRITING, OBSERVATIONS FOR THE ADVANCED STUDENT, DECISIONS AND PROOFS FOR THE SETTLEMENT OF DISPUTED POINTS, OCCASIONAL STRICTURES AND DEFENCES, AN EXHIBITION OF THE SEVERAL METHODS OF ANALYSIS, AND A KEY TO THE ORAL EXERCISES: TO WHICH ARE ADDED FOUR APPENDIXES, PERTAINING SEPARATELY TO THE FOUR PARTS OF GRAMMAR. BY GOOLD BROWN, THE GRAMMAR OF ENGLISH GRAMMARS, 3 AUTHOR OF THE INSTITUTES OF ENGLISH GRAMMAR, THE FIRST LINES OF ENGLISH GRAMMAR, ETC. "So let great authors have their due, that Time, who is the author of authors, be not deprived of his due, which is, farther and farther to discover truth."--LORD BACON. SIXTH EDITION--REVISED AND IMPROVED. ENLARGED BY THE ADDITION OF A COPIOUS INDEX OF MATTERS. BY SAMUEL U. BERRIAN,
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Review of Guillermo del Toro: Film as Alchemic Art Ian Pettigrew University of Miami, [email protected] Volume 3.2 (2014) | ISSN 2158-8724 (online) | DOI 10.5195/cinej.2014.103 | http://cinej.pitt.edu Abstract This is the first book length scholarly consideration of del Toro’s work and it will certainly not be the last as del Toro continues to prove himself as one of the most interesting and rewarding filmmakers working today. McDonald and Clark’s book lays a solid foundation for whatever work may follow in this impressive and comprehensive reading of del Toro’s cinema. Keywords: Guillermo del Toro, queer cinema, science fiction film, fantasy New articles in this journal are licensed under a Creative Commons Attribution 4.0 United States License. This journal is published by the University Library System of the University of Pittsburgh as part of its D-Scribe Digital Publishing Program and is cosponsored by the University of Pittsburgh Press. Review of McDonald Keith and Clark, Roger, Guillermo del Toro: Film as Alchemic Art. New York: Bloomsbury Publishing Inc., 2014. 233 pp. ISBN 9781441124494. Reviewed by: Ian Pettigrew, University of Miami Guillermo del Toro exemplifies a new type of auteur that has adapted as an artist to the social networking era and contemporary transnational cinema. Keith McDonald and Roger Clark’s approach to del Toro accepts the Mexican born director as such, investigating both the roles he plays within Hollywood and the international cinema community and also providing explorations of each of his eight films to date. As a scholar of Del Toro myself, I found my understanding of this filmmaker enriched by readings of his works that I have never considered and furthermore, my comprehension of contemporary auteurism expanded.
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The Irish Journal of Gothic and Horror Studies 17 (Autumn 2018) The Strain (FX, 2014-17) Adapted from a trilogy of novels of the same name co-written by Guillermo del Toro and Chuck Hogan, the TV series The Strain (2014-2017) combines elements of Bram Stoker’s 1897 novel Dracula, del Toro’s auteur style of storytelling, and post-9/11 anxieties, updating vampire-focused horror fiction for a contemporary audience. The show begins with a clear parallel to Dracula’s journey to England, with a plane, in place of the novel’s ship, landing in New York before going into radio silence. Fearing a possible terrorist attack, the CDC (Centres for Disease Control and Prevention) sends Dr Ephraim Goodweather (Corey Stoll) to investigate. On-board, he discovers that all the passengers are dead and that they are infected with parasitic worms. It is revealed that the plane was carrying The Master (voiced by Robin Atkin Downes), a vampire who aims to spread an epidemic throughout New York City, which will turn as many civilians into vampires as possible. The Dracula parallels continue throughout the pilot, as for example with the introduction of Abraham Setrakian (David Bradley), who is a clear analogue for Abraham Van Helsing, and is a key component of the show’s conscious echoes of its source material. The programme as a whole focuses on a ragtag group of survivors, ranging from pest exterminator Fet (Kevin Durand), to retired luchador Angel (Joaquín Cosío), and a number of others who are forced to work together to stop the vampires.
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Guillermo Del Toro
COLT 212 – Comparative World Cinema CRN: 31655 Instructor: Steven Brown Term: Spring 2021 TEACHING METHOD: REMOTE Guillermo del Toro The success of The Shape of Water (2017), which received four Academy Awards (including Best Director and Best Picture), propelled horror maestro Guillermo del Toro into the spotlight with his unorthodox cinematic love letter to monsters of all stripes (transgressive monsters, sympathetic monsters, victimized monsters). The director of such films as Pan’s Labyrinth, Hellboy, Devil’s Backbone, and Crimson Peak, del Toro has asserted that horror is inherently political: “Much like fairy tales, there are two facets of horror,” claims del Toro, “One is pro-institution, which is the most reprehensible type of fairy tale. Don’t wander into the woods, and always obey your parents. The other type of fairy tale is completely anarchic and antiestablishment.” Del Toro's horror-inflected fairy tales situate monsters as "living, breathing metaphors" for larger social issues. This seminar looks at del Toro's entire body of work and the unique contributions he has made to world horror cinema and “cínema fantastique.” Special attention will be given to the formal aspects of his filmmaking, its genre hybridity, and its intermedial connections with other works of art and literature. Works discussed include: Crimson Peak (2015), Cronos (1993), The Devil's Backbone (2001), Hellboy (2004), Hellboy II: The Golden Army (2008), Mimic (1997), Pacific Rim (2013), Pan's Labyrinth (2006), The Shape of Water (2017), and The Strain (2014-2017). Satisfies Core Education Requirements: • Group Satisfying: Arts & Letters (A&L) • Areas of Inquiry: Arts & Letters (A&L) • Multicultural: International Cultures (IC) • Cultural Literacy: Global Perspectives (GP) .
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the STRAIN Book I of the Strain trilogy Strain_i_x_1_406.indd 5 3/25/09 12:43:22 PM This book is a work of fiction. The characters, incidents, and dialogue are drawn from the authors’ imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental. the strain. Copyright © 2009 by Guillermo Del Toro and Chuck Hogan. All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embod- ied in critical articles and reviews. For information address HarperCollins Publishers, 10 East 53rd Street, New York, NY 10022. HarperCollins books may be purchased for educational, business, or sales promotional use. For information please write: Special Markets Depart- ment, HarperCollins Publishers, 10 East 53rd Street, New York, NY 10022. first edition Designed by Shubhani Sarkar Library of Congress Cataloging-in-Publication Data Toro, Guillermo del, 1964– The Strain / Guillermo Del Toro and Chuck Hogan — 1st ed. p. cm. — (The Strain trilogy; bk. 1) ISBN: 978-0-06-155823-8 1. Vampires—Fiction. I. Hogan, Chuck. II. Title. PS3620.O5875S77 2009 813'.6—dc22 2008043520 09 10 11 12 13 ov/rrd 10 9 8 7 6 5 4 3 2 1 Strain_i_x_1_406.indd 6 3/25/09 12:43:22 PM to Lorenza, Mariana, and Marisa . and to all the monsters in my nursery: May you never leave me alone —GDT For Lila —CH Strain_i_x_1_406.indd 7 3/25/09 12:43:22 PM the Legend of Jusef Sardu nce upon a time,” said Abraham Setrakian’s grandmother, “there was a giant.” Young Abraham’s eyes brightened, and immediately the cabbage borscht in the wooden bowl got tastier, or Oat least less garlicky.
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