What Is Transformation? and How It Advances Social Change
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Co-Operatives Unleashed from the Grassroots
Co-operatives Unleashed from the grassroots July 2020 About CCIN and the Policy Labs The Co-operative Councils’ Innovation Network (CCIN) is a non-party political active hub, founded in 2012 to achieve co-operative policy development, innovation and advocacy which is: Action-focused: a vehicle for helping councils translate co-operative policy and principles into practice. Membership-based: funded by modest membership subscriptions from its member councils. Open to all UK councils: members share the belief that working co-operatively with communities holds the key to tackling today’s challenges. Part of the local government family: the network is a Special Interest Group registered with the Local Government Association (LGA) where we work to promote innovation in local government. Established in 2016, the Policy Lab programme is an opportunity for any CCIN Member to present an idea and receive funding for collaboration with other CCIN members to fund co-operative solutions to the challenges facing local government. To find out more about joining the CCIN contact: [email protected] CCIN Accountable Body: Oldham Council, Oldham Civic Centre, West Street, Oldham OL1 1UL T: 0161 770 5691 Acknowledgements As Author, I am indebted to the following people and organisations whose contributions have proved invaluable in compiling this report: Co-operatives UK Congress fringe event participants and Plymouth City Council colleagues across multiple departments who, provided the foundation for our understanding of the relationship between co-operatives and councils. CCIN members, including representatives of 15 member councils at the LGA conference stand and also colleagues from Oldham Council, Preston City Council, Rochdale Borough Council, Sunderland City Council and Glasgow City Council, who contributed case studies and gave their time for many detailed discussions. -
Full Diss Reformatted II
“NEWS THAT STAYS NEWS”: TRANSFORMATIONS OF LITERATURE, GOSSIP, AND COMMUNITY IN MODERNITY Lindsay Rebecca Starck A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2016 Approved by: Gregory Flaxman Erin Carlston Eric Downing Andrew Perrin Pamela Cooper © 2016 Lindsay Rebecca Starck ALL RIGHTS RESERVED ii ABSTRACT Lindsay Rebecca Starck: “News that stays news”: Transformations of Literature, Gossip, and Community in Modernity (Under the direction of Gregory Flaxman and Erin Carlston) Recent decades have demonstrated a renewed interest in gossip research from scholars in psychology, sociology, and anthropology who argue that gossip—despite its popular reputation as trivial, superficial “women’s talk”—actually serves crucial social and political functions such as establishing codes of conduct and managing reputations. My dissertation draws from and builds upon this contemporary interdisciplinary scholarship by demonstrating how the modernists incorporated and transformed the popular gossip of mass culture into literature, imbuing it with a new power and purpose. The foundational assumption of my dissertation is that as the nature of community changed at the turn of the twentieth century, so too did gossip. Although usually considered to be a socially conservative force that serves to keep social outliers in line, I argue that modernist writers transformed gossip into a potent, revolutionary tool with which modern individuals could advance and promote the progressive ideologies of social, political, and artistic movements. Ultimately, the gossip of key American expatriates (Henry James, Djuna Barnes, Janet Flanner, and Ezra Pound) became a mode of exchanging and redefining creative and critical values for the artists and critics who would follow them. -
Using Cartoons to Make Connections and Enrich Mathematics Janet St
Proceedings of the Interdisciplinary STEM Teaching and Learning Conference Volume 2 Article 12 2018 Using Cartoons to Make Connections and Enrich Mathematics Janet St. Clair Alabama State University, [email protected] Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/ stem_proceedings Part of the Special Education and Teaching Commons Recommended Citation St. Clair, Janet (2018) "Using Cartoons to Make Connections and Enrich Mathematics," Proceedings of the Interdisciplinary STEM Teaching and Learning Conference: Vol. 2 , Article 12. DOI: 10.20429/stem.2018.020112 Available at: https://digitalcommons.georgiasouthern.edu/stem_proceedings/vol2/iss1/12 This article is brought to you for free and open access by the Journals at Digital Commons@Georgia Southern. It has been accepted for inclusion in Proceedings of the Interdisciplinary STEM Teaching and Learning Conference by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. Using Cartoons to Make Connections and Enrich Mathematics Abstract The article discusses the integration of cartoons into a finite mathematics college course. However, cartoon integration is appropriate for any educational level STEM course. Students and the author used an online comic strip creator, MakeBeliefsComix.com, to create cartoons that connected concepts to the real world and history. Following Cho, Osborne, and Sanders (2015), students wrote a paragraph about their cartoon and its mathematics. In addition to connecting mathematics to art and writing and unearthing students’ creative side, cartoons helped show the humanistic side of mathematics and promote communication and excitement about mathematics. The author developed a rubric to evaluate students’ cartoons. There was evidence that students who did cartoons were better able to explain a concept and give examples of its real-world connection than those who did not. -
Alphabetical List Updated 11/15/2013
Alphabetical List Updated 11/15/2013 Movie Name Movie ID Movie Name Movie ID 255 Avengers, The 493 1408 1 Baby Mama 337 15 Minutes 240 Back to the Future 614 2 Fast 2 Furious 2 Bad Boys II 387 2001: A Space Odyssey 598 Bad Education 471 21 Jump Street 487 Bad Teacher 386 24: Season 1 680 Bandits 15 24: Season 2 681 Barbershop 16 24: Season 3 682 Basic 17 27 Dresses 509 Batman Begins 543 28 Days Later 677 Batman Beyond: Return of the Joker 18 3 Idiots 570 Battlestar Galactica: Season 1 649 3:10 to Yuma 3 Battlestar Galactica: Season 2.0 650 300 4 Battlestar Galactica: Season 2.5 651 40-Year Old Virgin, The 590 Battlestar Galactica: The Miniseries 640 50/50 406 Be Cool 20 A View to a Kill 561 Beasts of the Southern Wild 544 A-Team, The 243 Beautiful Thing 403 Abraham Lincoln Vampire Hunter 514 Beauty Shop 19 Adjustment Bureau, The 494 Bee Movie 21 Aguirre, Wrath of God 524 Before Midnight 690 Air Force One 685 Before Sunrise 22 Albert Nobbs 470 Beowulf 23 Alice in Wonderland 6 Best in Show 24 All Good Things 504 Best Man, The 348 Almost Famous 7 Bicentennial Man, The 601 Amazing Spiderman, The 525 Big Fish 701 American Beauty 241 Bill & Ted's Excellent Adventure 25 American Gangster 8 Black Dynamite 415 American History X 242 Black Hawk Down 26 American Violet 464 Black Snake Moan 27 Amores Perros 9 Black Swan 325 Amour 695 Blades of Glory 28 An American in Paris 388 Blair Witch Project, The 29 Anastasia 592 Blind Side, The 244 Anger Management 10 Blood Diamond 30 Animal House 239 Bourne Identity, The 31 Animatrix 390 Bourne Legacy, The -
Cultural Criminology Unleashed
CULTURAL CRIMINOLOGY UNLEASHED Edited by Jeff Ferrell, Keith Hayward, Wayne Morrison and Mike Presdee First published in Great Britain 2004 by The GlassHouse Press, The Glass House, Wharton Street, London WC1X 9PX, United Kingdom Telephone: + 44 (0)20 7278 8000 Facsimile: + 44 (0)20 7278 8080 Email: [email protected] Website: www.cavendishpublishing.com Published in the United States by Cavendish Publishing c/o International Specialized Book Services, 5824 NE Hassalo Street, Portland, Oregon 97213-3644, USA Published in Australia by The GlassHouse Press, 45 Beach Street, Coogee, NSW 2034, Australia Telephone: + 61 (2)9664 0909 Facsimile: +61 (2)9664 5420 Email: [email protected] Website: www.cavendishpublishing.com.au © Cavendish Publishing Limited 2004 Chapter 2 © Tony Jefferson 2004 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, without the prior permission in writing of Cavendish Publishing Limited, or as expressly permitted by law, or under the terms agreed with the appropriate reprographics rights organisation. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Cavendish Publishing Limited, at the address above. You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer. British Library Cataloguing in Publication Data A record is available from the British Library Library of Congress Cataloguing in Publication Data Data available ISBN 1-90438-537-0 ISBN 978-1-904-38537-0 1 3 5 7 9 10 8 6 4 2 Printed and bound in Great Britain Cover image supplied by Cécile Van de Voorde “pourin’ off of every page” Acknowledgments The seeds of Cultural Criminology Unleashed were first sown at a small conference held at the University of London’s Chancellor’s Hall in the late Spring of 2003. -
Adrian Belew Power Trio
This pdf was last updated: Dec/29/2010. Adrian Belew Power Trio King Crimson and Frank Zappa, David Bowie and Paul Simon, Talking Heads and Nine Inch Nails - Adrian Belew is well-known for his diverse travels around the musical map. Line-up Adrian Belew - guitar, vocals Julie Slick - bass Eric Slick - drums Andre Cholmondeley - tour manager/tech Plus one additional sound/tech manager On Stage: 3 Travel Party: 5 Website www.adrianbelew.net Biography Since 2006, Adrian Belew has led his favorite 'Power Trio' lineup, featuring Eric Slick on drums and Julie Slick on bass. They have been devastating audiences all around the USA and globally, from Italy to Canada to Germany to Japan. With the release of their brand- new CD 'Side Four - Live' they return to the road to stretch out the new material and introduce it to new audiences. The show will feature material from the new CD, classics from Adrian's many solo albums (including the recent 'Side One', 'SideTwo', and 'Side Three'), as well as solo moments, spirited improvisation and King Crimson compositions. 'Side One' features special guests Les Claypool of Primus and Danny Carey of Tool, and includes the Grammy-Nominated single - 'Beat Box Guitar'. The recently released 'Side Four (Live)' captures the current trio in a burning performance. Adrian is well-known for his diverse travels around the musical map - he first appeared on guitar-world radar when he joined Frank Zappa's band in 1977 for tours of the USA and Europe. When Frank Zappa hires you as his guitarist, people listen up. -
A New Paradigm of African Trade with the World by John I. Akhile, Sr
Unleashed: A New Paradigm of African Trade with the World by John I. Akhile, Sr. Media Kit 2015 Now available: $24.95 USD + shipping CONTENTS Media Kit Letter from the Author ............................... 3 Online Presence and Outreach ................ 4 Audience ........................................................... 5 Goals of Unleashed ....................................... 6 Why Buy or Read Unleashed? ................... 7 About the Author ........................................ 10 Contact Information ................................... 11 Reviews and Quotes for Unleashed ............ 13 List of Reviewers and Endorsers .................. 15 Interview with IRIS Executive Magazine ....19 Letter from the Author — A seminal opportunity to effect change for hundreds of millions of people I am very excited about the change that will take place in African countries if the ideas suggested in Unleashed get to see the light of day. I hope that after reading the information presented here, you will become excited as well and want to contribute to the process. An opportunity to engage in an endeavor which has the potential of impacting millions of human beings is rare. I believe the message of the narrative of Unleashed, if properly disseminated, will transform how many African governments do business, and that transformation will unleash the potential of hundreds of millions of people in the countries of Africa. Unleashed is a treatise on the challenge of economic development in African countries which proffers specific initiatives for reversing the widely held negative prognosis for the countries of these nations. If the genie of ideas releases a formula that will begin transformational change in the economic prospects of the countries of Africa, it is safe to say that the accretive value will be felt not only by African nations but will in fact, reverberate throughout the world. -
Tesi Del Dott. Jacopo Conti: Minimalismo ... -.:: Franco Fabbri
UNIVERSITÀ DEGLI STUDI DI TORINO FACOLTÀ DI SCIENZE DELLA FORMAZIONE CORSO DI STUDIO TRIENNALE IN D.A.M.S. DISSERTAZIONE FINALE Minimalismo, modalità e improvvisazione nella musica dei nuovi King Crimson Relatore: Candidato: Ernesto Napolitano Jacopo Conti matr. n° 259083 Anno accademico 2006 - 2007 A mia zia, che credeva in me e mi ha sempre sostenuto. 1 PREMESSA “King Crimson was more a revolving door than a band. ” - Robert Palmer La cronologia dei King Crimson (KC) dal 1969 al 2003 è assai articolata, e include vari stili e molti musicisti con una sola presenza fissa, quella di Robert Fripp (1946), chitarrista e compositore inglese fondatore del gruppo. Considerati tra i fondatori del progressive rock, pubblicano l’album In The Court Of The Crimson King 1 nel 1969 con Fripp alla chitarra, Ian McDonald (1946) al sax e al mellotron, Michael Giles (1942) alla batteria, Greg Lake (1948) al basso e alla voce e Peter Sinfield (1943) nel ruolo di paroliere. I lunghi brani strutturati, gli elaborati riff suonati all’unisono e i testi di ispirazione fantastica e fiabesca non solo diventano la caratteristica principale del gruppo, ma anche gli elementi fondanti del nuovo genere. Già con il secondo lp, In The Wake Of Poseidon (1970), la formazione viene rimodellata: Mel Collins (1947) prende il posto di McDonald al sax, Gordon Haskell canta in alcuni brani (durante la lavorazione del disco Greg Lake abbandona il gruppo per andare a costituire il trio Emerson, Lake & Palmer), si aggiunge al pianoforte Keith Tippett (1947). Il gruppo si scioglie per qualche mese dopo l’incisione del disco per poi tornare, con un’altra formazione, alla fine del 1970. -
The Path to the Next Normal
The path to the next normal Leading with resolve through the coronavirus pandemic May 2020 Cover image: © Cultura RF/Getty Images Copyright © 2020 McKinsey & Company. All rights reserved. This publication is not intended to be used as the basis for trading in the shares of any company or for undertaking any other complex or significant financial transaction without consulting appropriate professional advisers. No part of this publication may be copied or redistributed in any form without the prior written consent of McKinsey & Company. The path to the next normal Leading with resolve through the coronavirus pandemic May 2020 Introduction On March 11, 2020, the World Health Organization formally declared COVID-19 a pandemic, underscoring the precipitous global uncertainty that had plunged lives and livelihoods into a still-unfolding crisis. Just two months later, daily reports of outbreaks—and of waxing and waning infection and mortality rates— continue to heighten anxiety, stir grief, and cast into question the contours of our collective social and economic future. Never in modern history have countries had to ask citizens around the world to stay home, curb travel, and maintain physical distance to preserve the health of families, colleagues, neighbors, and friends. And never have we seen job loss spike so fast, nor the threat of economic distress loom so large. In this unprecedented reality, we are also witnessing the beginnings of a dramatic restructuring of the social and economic order—the emergence of a new era that we view as the “next normal.” Dialogue and debate have only just begun on the shape this next normal will take. -
Lonely Sounds: Recorded Popular Music and American Society, 1949-1979
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, & Student Research, Department of History History, Department of 4-18-2008 Lonely Sounds: Recorded Popular Music and American Society, 1949-1979 Chris R. Rasmussen University of Nebraska-Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/historydiss Part of the History Commons Rasmussen, Chris R., "Lonely Sounds: Recorded Popular Music and American Society, 1949-1979" (2008). Dissertations, Theses, & Student Research, Department of History. 16. https://digitalcommons.unl.edu/historydiss/16 This Article is brought to you for free and open access by the History, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, & Student Research, Department of History by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Lonely Sounds: Popular Recorded Music and American Society, 1949-1979 by Christopher Rasmussen A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska-Lincoln In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: History Under the Supervision of Professor Benjamin G. Rader Lincoln, Nebraska May, 2008 ii LONELY SOUNDS: POPULAR RECORDED MUSIC AND AMERICAN SOCIETY, 1949- 1979 Christopher Rasmussen, Ph.D. University of Nebraska-Lincoln, 2008 Adviser: Benjamin G. Rader Lonely Sounds: Popular Recorded Music and American Society, 1949-1979 examines the relationship between the experience of listening to popular music and social disengagement. It finds that technological innovations, the growth of a youth culture, and market forces in the post- World War II era came together to transform the normal musical experience from a social event grounded in live performance into a consumable recorded commodity that satisfied individual desires. -
How Scandals Act As Catalysts of Fringe Stakeholders' Contentious Actions Against Multinational Corporations
How Scandals Act as Catalysts of Fringe Stakeholders’ Contentious Actions against Multinational Corporations Thibault Daudigeos, Thomas Roulet, Bertrand Valiorgue To cite this version: Thibault Daudigeos, Thomas Roulet, Bertrand Valiorgue. How Scandals Act as Catalysts of Fringe Stakeholders’ Contentious Actions against Multinational Corporations. Business and Society, SAGE Publications, 2020, 59 (3), pp.387-418. 10.1177/0007650318756982. hal-03041023 HAL Id: hal-03041023 https://hal.archives-ouvertes.fr/hal-03041023 Submitted on 11 Dec 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. How Scandals Act as Catalysts of Fringe Stakeholders’ Contentious Actions against Multinational Corporations Thibault Daudigeos, Thomas Roulet, Bertrand Valiorgue Abstract In this article, we build on the stakeholder-politics literature to investigate how corporate scandals transform political contexts and give impetus to the contentious movements of fringe stakeholders against multinational corporations (MNCs). Based on Adut’s scandal theory (2005), we flesh out -
Statement for the Record of Cristina Jiménez Moreta Executive Director
Statement for the Record of Cristina Jiménez Moreta Executive Director United We Dream For a Hearing of the House Committee on the Judiciary Protecng Dreamers and TPS Recipients Wednesday, March 6, 2019 2141 Rayburn House Office Building I. INTRODUCTION United We Dream is the largest immigrant youth-led network in the United States. We create welcoming spaces for young people—regardless of immigraon status—to support, engage, and empower them to make their voice heard and win. We have an online reach of five million and are made of a powerful membership of 500,000 members and 112 local groups across 28 states. Over 60 percent of our members are women and 20 percent idenfy as LGBTQ. United We Dream’s vision is of a mul-racial democracy where immigrants and communies of color live safe, with dignity, while thriving. We pursue this vision by building a mul-racial, mul-ethnic movement of young people who organize and advocate for the dignity and jusce of immigrants and communies of color at the local and naonal levels. Led by and accountable to youth leadership, United We Dream uses diverse and innovave strategies to effecvely change and improve the material condions for all immigrants and communies of color in the United States. Combining grassroots and digital organizing, advocacy, transformave leadership development, story-telling, and culture change, we build momentum together with allies for long lasng change. As part of this work, United We Dream advocates for the connued and expanded protecon of individuals with Deferred Acon for Childhood Arrivals (DACA) and Temporary Protected Status (TPS), represenng a combined one million individuals.