Diving for Pearls
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Race Resistance October 28–29, 2016 the NITTANY LION INN, UNIVERSITY PARK, PA
Celebrating African American Literature and Language: and racE rEsistancE October 28–29, 2016 THE NITTANY LION INN, UNIVERSITY PARK, PA FEaturEd SpEaKErs Mahogany Kathryn T. John Carmen BROWNE GINES KEENE KYNARD Will Joycelyn Mendi + Keith Mary Helen LANGFORD MOODY OBADIKE WASHINGTON SPONSORS: College of the Liberal Arts, College of the Liberal Arts Undergraduate Studies, the Africana Research Center, Commission on Racial and Ethnic Diversity, the Department of African American Studies, the Department of English, Edwin Erle Sparks Professor Keith Gilyard, the Equal Opportunity Planning Committee, George and Barbara Kelly Professor Aldon Nielsen, Center for American Literary Studies, and Outreach Greetings Greetings one and all! Welcome to Penn State University’s Celebrating African American Literature and Language: Race and Resistance conference. We are honored to have so many scholars, teachers, creative artists, and community activists joining us to celebrate African American Literature and Language, broadly defined. We delight and celebrate this opportunity to come together to share our work, our visions, our questions, and our challenges. This year events is marked by the tensions between a politics of joy and a politics of resistance, and our paper presentations, roundtable discussions, keynotes, and readings will surely explore those tensions as we think collectively about the dynamics of race and resistance in African American literature, language, and arts. We hope that you will find this to be a most memorable event and one that initiates many new conversations. We are especially grateful to our featured speakers, creative writers and artists, and workshop presenters, including Mary Helen Washington, Joycelyn Moody, Mendi + Keith Obadike, Carmen Kynard, Will Langford, Mahogany Browne, Kathryn T. -
Out of Style: Reanimating Stylistic Study in Composition and Rhetoric
Utah State University DigitalCommons@USU All USU Press Publications USU Press 2008 Out of Style: Reanimating Stylistic Study in Composition and Rhetoric Paul Butler Follow this and additional works at: https://digitalcommons.usu.edu/usupress_pubs Part of the Rhetoric and Composition Commons Recommended Citation Butler, Paul, "Out of Style: Reanimating Stylistic Study in Composition and Rhetoric" (2008). All USU Press Publications. 162. https://digitalcommons.usu.edu/usupress_pubs/162 This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in All USU Press Publications by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. 6679-0_OutOfStyle.ai79-0_OutOfStyle.ai 5/19/085/19/08 2:38:162:38:16 PMPM C M Y CM MY CY CMY K OUT OF STYLE OUT OF STYLE Reanimating Stylistic Study in Composition and Rhetoric PAUL BUTLER UTAH STATE UNIVERSITY PRESS Logan, Utah 2008 Utah State University Press Logan, Utah 84322–7800 © 2008 Utah State University Press All rights reserved. ISBN: 978-0-87421-679-0 (paper) ISBN: 978-0-87421-680-6 (e-book) “Style in the Diaspora of Composition Studies” copyright 2007 from Rhetoric Review by Paul Butler. Reproduced by permission of Taylor & Francis Group, LLC., http:// www. informaworld.com. Manufactured in the United States of America. Cover design by Barbara Yale-Read. Library of Congress Cataloging-in-Publication Data Library of Congress Cataloging-in- Publication Data Butler, Paul, Out of style : reanimating stylistic study in composition and rhetoric / Paul Butler. p. cm. Includes bibliographical references and index. -
Rhetorics, Poetics, and Cultures: Refiguring College English Studies
DOCUMENT RESUME ED 395 315 CS 215 285 AUTHOR Berlin, James A. TITLE Rhetorics, Poetics, and Cultures: Refiguring College English Studies. Refiguring English Studies Series. INSTITUTION National Council of Teachers of English, Urbana, REPORT NO ISBN-0-8141-4145-5; ISSN-1073-9637 PUB DATE 96 NOTE 218p. AVAILABLE FROMNational Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 41455-3050: $18.95 members, $25.95 nonmembers). PUB TYPE Historical Materials (060) Guides Classroom Use Teaching Guides (For Teacher) (052) EDRS PRICE MF01/PC09 Plus Postage. DESCRIPTORS *College English; *Cultural Context; *Curriculum Evaluation; Educational H:story; *English Departments; *English Instruction; Higher Education; Humanities; Language Role; Literary Criticism; *Rhetoric; Teacher Student Relationship IDENTIFIERS *Critical Literacy; Cultural Studies; Departmental Politics; Literary Canon; Poetics; Postmodernism ABSTRACT . This book, the final work of a noted rhetorician and scholar, examines the history and development of English studies, and the economic and social changes that affect the understanding of the humanities today. Noting that while rhetoric once held a central place in the college curriculum, the book describes how rhetoric became marginalized in college English departments as the study of literature assumed greater status in the 20th century--a result of the shift in decision-making in practical and political matters from the "citizenry" to university-trained experts. The first section of the book provides relevant historical background and explores the political uses of English as a discipline. The second section, "The Postmodern Predicament," shifts the focus to the contemporary scene. The third section, "Students and Teachers," explores the general guidelines recommend3d for the pedagogy of a refigured English studies. -
Representations: Doing Asian American Rhetoric
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DigitalCommons@USU Utah State University DigitalCommons@USU All USU Press Publications USU Press 2008 Representations: Doing Asian American Rhetoric LuMing Mao Morris Young Follow this and additional works at: https://digitalcommons.usu.edu/usupress_pubs Part of the Rhetoric and Composition Commons Recommended Citation Mao, LuMing and Young, Morris, "Representations: Doing Asian American Rhetoric" (2008). All USU Press Publications. 164. https://digitalcommons.usu.edu/usupress_pubs/164 This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in All USU Press Publications by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. REPRESENTATIONS REPRESENTATIONS Doing Asian American Rhetoric edited by LUMING MAO AND MORRIS YOUNG UTAH STATE UNIVERSITY PRESS Logan, Utah 2008 Utah State University Press Logan, Utah 84322–7800 © 2008 Utah State University Press All rights reserved Manufactured in the United States of America Cover design by Barbara Yale-Read Cover art, “All American Girl I” by Susan Sponsler. Used by permission. ISBN: 978-0-87421-724-7 (paper) ISBN: 978-0-87421-725-4 (e-book) Library of Congress Cataloging-in-Publication Data Representations : doing Asian American rhetoric / edited by LuMing Mao and Morris Young. p. cm. ISBN 978-0-87421-724-7 (pbk. : alk. paper) -- ISBN 978-0-87421-725-4 (e-book) 1. English language--Rhetoric--Study and teaching--Foreign speakers. 2. Asian Americans--Education--Language arts. 3. Asian Americans--Cultural assimilation. -
RSA14 Schedule Overview Marriott Rivercenter – San Antonio, TX May 22-26, 2014
RSA14 Schedule Overview Marriott Rivercenter – San Antonio, TX May 22-26, 2014 Thursday May 22 8:00-5:00 ARST Preconference 8:00-5:00 ASHR Symposium (Session 1) 8:00-5:00 RSA Career Retreat Friday May 23 8:00-11:00 RSA Board Meeting 8:00-11:00 ASHR Symposium (Session 2) 9:30-12:15 RSA Seminar in cooperation with ISHR (Session 1) (sponsored by Northwestern University) 9:30-10:45 Concurrent Session A 11:00-12:15 Concurrent Session B 12:45-2:00 Concurrent Session C 2:15-4:45 Undergraduate Research Workshops (sponsored by Brigham Young University) 2:15-3:30 Concurrent Session D 3:45-5:00 Concurrent Session E 5:15-6:30 Keynote Address (co-sponsored by University of Denver and Taylor & Francis) 6:30-8:30 Opening Reception (sponsored by Trinity University) Saturday May 24 8:00-9:15 Concurrent Session F 9:30-10:45 Concurrent Session G 11:00-2:00 Research Network (sponsored by Penn State University Press) 11:00-12:15 Concurrent Session H 12:45-2:00 Concurrent Session I 2:15-4:45 RSA Seminar in cooperation with ISHR (Session 2) (sponsored by Northwestern University) 2:15-3:30 Concurrent Session J 3:45-5:00 Concurrent Session K 5:15-6:30 In Conversation Panels 6:30-8:00 Reception (sponsored by University of Kentucky) Sunday May 25 8:00-9:15 Concurrent Session L 9:30-10:45 Concurrent Session M 11:00-12:15 Concurrent Session N 12:30-2:30 RSA Luncheon (sponsored by: The University of Texas, Austin - Department of Communication Studies & Moody College of Communication) 2:45-4:00 Concurrent Session O 4:15-6:15 RSA SuperSessions 6:30-8:30 RSA Graduate -
Furiousflower2014 Program.Pdf
Dedication “We are each other’s harvest; we are each other’s business; we are each other’s magnitude and bond.” • GWENDOLYN BROOKS Dedicated to the memory of these poets whose spirit lives on: Ai Margaret Walker Alexander Maya Angelou Alvin Aubert Amiri Baraka Gwendolyn Brooks Lucille Clifton Wanda Coleman Jayne Cortez June Jordan Raymond Patterson Lorenzo Thomas Sherley Anne Williams And to Rita Dove, who has sharpened love in the service of myth. “Fact is, the invention of women under siege has been to sharpen love in the service of myth. If you can’t be free, be a mystery.” • RITA DOVE Program design by RobertMottDesigns.com GALLERY OPENING AND RECEPTION • DUKE HALL Events & Exhibits Special Time collapses as Nigerian artist Wole Lagunju merges images from the Victorian era with Yoruba Gelede to create intriguing paintings, and pop culture becomes bedfellows with archetypal imagery in his kaleidoscopic works. Such genre bending speaks to the notions of identity, gender, power, and difference. It also generates conversations about multicultur- alism, globalization, and transcultural ethos. Meet the artist and view the work during the Furious Flower reception at the Duke Hall Gallery on Wednesday, September 24 at 6 p.m. The exhibit is ongoing throughout the conference, 10 a.m. to 5 p.m. FUSION: POETRY VOICED IN CHORAL SONG FORBES CENTER FOR THE PERFORMING ARTS Our opening night concert features solos by soprano Aurelia Williams and performances by the choirs of Morgan State University (Eric Conway, director) and James Madison University (Jo-Anne van der Vat-Chromy, director). In it, composer and pianist Randy Klein presents his original music based on the poetry of Margaret Walker, Michael Harper, and Yusef Komunyakaa. -
American Book Awards 2004
BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2004 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre. -
Understanding & Dism Antling Privilege
Notes of a Native Son: Considerations when Discussing . Race and Privilege in the Teacher's Lounge David Frank Green Jr. Inclusion Howard University Abstract Issues of race, literacy, and self-disclosure link to a long-running debate about the types of assignments and texts used to engage student thought. At the heart of this debate are teachers who view writing and teaching as a performance that is deeply personal and linked to social consequences Social Equity andSocial Equity resonating beyond the first-year writing experience (Bizzell, “Composition Studies Saves the World;” hooks, Teaching to Transgress; Prendergast, Literacy and Racial Justice), and those who see teaching and writing as the acquisition of discrete skills that prepare students to participate in academic discourse (Fish, Doing What Comes Naturally). Yet, most teaching often takes place somewhere in between these rationales. It is the teacher’s views about race, class, and gender informed by their experiences and shaped by their own educational background that continue to serve as a backdrop for their own resistance to anti-racist teaching. For me, race represents an under examined, yet salient component of one’s teachings, the saturating force that influences the way one chooses to read and respond to particular educative moments. It is in those moments one should ask how does atrix Center for the of the Advancement for atrix Center race shape, complicate or silence the interactions of others? This study uses autoethnography and critical analysis of recent research on race to he M he propose a framework for thinking through attitudes toward student T writing, toward the selection of texts, and toward teacher disclosures which are always already gendered, racialized, and classed. -
Translating Self and Difference Through Literacy Narratives Author(S): Mary Soliday Source: College English, Vol
Translating Self and Difference through Literacy Narratives Author(s): Mary Soliday Source: College English, Vol. 56, No. 5 (Sep., 1994), pp. 511-526 Published by: National Council of Teachers of English Stable URL: http://www.jstor.org/stable/378604 Accessed: 03/02/2010 20:19 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=ncte. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. National Council of Teachers of English is collaborating with JSTOR to digitize, preserve and extend access to College English. http://www.jstor.org 511 TRANSLATING SELF AND DIFFERENCE THROUGH LITERACY NARRATIVES Mary Soliday he best-knownliteracy narratives are either autobiographies,like Frederick Douglass's Narrative and Mike Rose's Lives on the Boundary,or novels, plays, and films "that foreground issues of language acquisition and literacy" (Eldred and Mortensen 513) and that are as diverse as a Hawthorne short story, The ColorPurple, and EducatingRita. -
Phd in American Literature Awarded by the George Washington University in May of 1985
Aldon Lynn Nielsen Department of English Pennsylvania State University EDUCATION: PhD in American Literature awarded by the George Washington University in May of 1985. Dissertation - Reading Race: White American Poets and the Racial Discourse in the Twentieth Century. MPhil in American Literature awarded by the George Washington University in May of 1982. BA in English awarded in August, 1977, by the University of the District of Columbia. EMPLOYMENT: 2014 - Present. Visiting Professor. Central China Normal University. Wuhan, China. 2001 - Present: The George and Barbara Kelly Professor of American Literature, Department of English, The Pennsylvania State University. 1997-2001: Fletcher Jones Chair of Literature and Writing, Department of English, Loyola Marymount University. 1996: Visiting, Department of English, University of California Los Angeles. 1994-1997: Professor and Coordinator for Curriculum, Department of English, San Jose State University. 1993-1994: Institute of American Cultures Fellow, Center for Afro-American Studies, University of California, Los Angeles. 1989-1994: Associate Professor, Departments of English and American Studies, San Jose State University. 1987-1989: Assistant Professor, Departments of English and American Studies, San Jose State University. 1985-1987: Lecturer in English at Howard University. 1982-1986: Lecturer in English at the George Washington University. 1984-1985: Director of Poetry Writing Workshops for the Martin Luther King Public Library, Washington, D.C.; Designed and taught curricula in -
I Mestiz@ Scripts and the Rhetoric of Subversion
Notes I Mestiz@ Scripts and the Rhetoric of Subversion 1. The expression “mestizaje” is a highly contested semantic marker associated with Mexican nationalism and Jose Vasconcelos’ La Raza Cósmica (1945), which forwards an elitist assumption of “mixed-blood” peoples. Some additional readings are De Castro, Juan. Mestizo Nations: Culture, Race, and Conformity in Latin American Literature. Tucson: University of Arizona Press, 2002. Miller, Marilyn Grace. Rise and Fall of the Cosmic Race: The Cult of Mestizaje in Latin America. Austin: University of Texas Press, 2004. Swarthout, Kelly. Assimilating the Primitive: Parallel Dialogues on Racial Miscegenation in Revolutionary Mexico. New York: Peterlang, 2004. 2. “Hispanic” is a bureaucratic invention for census purposes. For this reason, some Mestiz@s prefer other identifiers. Still, “Hispanic” is commonly used today, both inside and outside the community. 3. U.S. Census Bureau. “Census 2000 Brief, March 2001, and National Population Estimates.” U.S. Census Bureau, Population Division, Ethnic & Hispanic Statistics Branch, 2006. http://www.census.gov/population/www/socdemo/hispanic/ho06.html. Accessed January 17, 2008. 4. The phrase as a collective cultural expression is inspired by “Indo-Hispano,” from the work of New Mexican writers E.A. Mares, Tomás Atencio, and Enrique Lamadrid. I recommend the following publications for a further explanation of Indo-Hispano cultures: Lamadrid, Enrique. “Luz y Sombra: The Poetics of Mestizo Identity.” Nuevo México Profundo: Rituals of an Indo-Hispano Homeland. Santa Fe: Museum of New Mexico Press, 2000. 1–11. Lamadrid, Enrique. Hermanitos Comanchitos: Indo-Hispano Rituals of Captivity and Redemption. Albuquerque: University of New Mexico Press, 2003. 5. -
Artists and Writers for Freedom, 1963–1964
University of Massachusetts Boston ScholarWorks at UMass Boston American Studies Faculty Publication Series American Studies 2018 “It Is Time for Artists to Be Heard”: Artists and Writers for Freedom, 1963–1964 Judith E. Smith University of Massachusetts Boston, [email protected] Follow this and additional works at: https://scholarworks.umb.edu/amst_faculty_pubs Part of the African American Studies Commons, and the American Studies Commons Recommended Citation Smith, Judith E., "“It Is Time for Artists to Be Heard”: Artists and Writers for Freedom, 1963–1964" (2018). American Studies Faculty Publication Series. 13. https://scholarworks.umb.edu/amst_faculty_pubs/13 This Article is brought to you for free and open access by the American Studies at ScholarWorks at UMass Boston. It has been accepted for inclusion in American Studies Faculty Publication Series by an authorized administrator of ScholarWorks at UMass Boston. For more information, please contact [email protected]. “It is Time for Artists to be heard:” Artists and Writers for Freedom, 1963-1964” Judith E. Smith American Studies University of Massachusetts Boston In The Black Arts Movement: Literary Nationalism in the 1960s and 1970s, James Smethurst writes that “Black arts cultural nationalism draws on a long history.” He describes the cultural nationalist stance we associate with Black Arts as involving a concept of liberation and self-determination that entails some notion of the development or recovery of a “true” national culture,” conveying “an already existing folk or popular culture,” often relying on recognizable African elements. 1 Black arts cultural nationalism expressed the linkages between Black Arts and Black Power even before they were specifically named and identified.