Psalms for the Spirit 8 Psalm 93 (Garrett) ‘Sing Us One of the Songs of Sion.’ 1

Total Page:16

File Type:pdf, Size:1020Kb

Psalms for the Spirit 8 Psalm 93 (Garrett) ‘Sing Us One of the Songs of Sion.’ 1 557781bk Psalms US 15/9/06 4:14 PM Page 8 @ My Prayer 4. These things will I remember as I pour out my soul verse 1 from Psalm 102 (Chilcott) within me: Hear my prayer, O Lord: how I went with the multitude, and brought them Let my crying come unto thee. forth into the house of God, 5. With the voice of praise and thanksgiving, Hear my prayer, O Lord: a multitude keeping holy-day. Let my crying come unto thee. 6. Why art thou so full of heaviness, O my soul? # Psalm 111 (Larkin) and why art thou so disquieted within me? 7. O put thy trust in God; for I will yet give him thanks, 1. I will give thanks unto the Lord with my whole heart, who is the help of my countenance and my God. in the council of the faithful and in the congregation. 8. My soul is vexed within me; therefore will I PSALMS 2. The works of the Lord are great, remember thee sought out of all them that have pleasure therein. from the land of Jordan, from Hermon and the Little 3. His work is worthily to be praised and had in honour; Hill. and his righteousness endureth forever. 9. One deep calleth another because of the noise of thy FOR 4. The merciful and gracious Lord hath so done his torrents; marvellous works, all thy waves and thy billows are gone over me. that they ought to be had in remembrance. 10. The Lord will grant his loving-kindness in the day-time; THE 5. He hath given meat unto them that fear him; and in the night-season will I sing of him, and make he shall ever be mindful of his covenant. my prayer unto the God of my life. 6. He hath showed his people the power of his works, 11. I will say unto God my rock, ‘Why hast thou in giving them the heritage of the nations. forgotten me? SPIRIT 7. The works of his hands are verity and judgement; why go I thus heavily, while the enemy oppresseth me?’ all his precepts are sure; 12. My bones are smitten asunder, while mine enemies 8. They stand fast forever and ever, reproach me, and are done in truth and equity. while they say daily unto me, ‘Where is now thy God?’ 9. He sent redemption unto his people; 13. Why art thou so vexed O my soul? he hath commanded his covenant forever; and why art thou so disquieted within me? Choir of St holy and reverend is his Name. 14. O put thy trust in God, for I will yet give him thanks, 10. The fear of the Lord is the beginning of wisdom; who is the help of my countenance and my God. a good understanding have all they that do thereafter; John’s, Elora his praise endureth forever. Glory be to the Father and to the Son etc. Glory be to the Father, and to the Son, Matthew etc. % I was glad from Psalm 122 (Parry) Larkin, Organ $ Psalm 42 (Wesley) I was glad when they said unto me, 1. Like as the hart desireth the water-brooks, We will go into the house of the Lord. so longeth my soul after thee, O God. Our feet shall stand in thy gates, O Jerusalem. Noel Edison, 2. My soul is athirst for God, yea even for the living God: when shall I come to appear before the presence of Jerusalem is builded, as a city that is at unity in itself. Director God? O pray for the peace of Jerusalem, 3. My tears have been my food day and night, they shall prosper that love thee. while all day long they say unto me ‘Where is now Peace be within thy walls, and plenteousness within thy thy God?’ palaces. 8.557781 8 557781bk Psalms US 15/9/06 4:14 PM Page 2 Psalms for the Spirit 8 Psalm 93 (Garrett) ‘Sing us one of the songs of Sion.’ 1. The Lord is King, and hath put on glorious apparel: 4. How shall we sing the Lord’s song Psalms have always played a central part in Christian, as in end, he was able to establish himself as a composition teacher the Lord hath put on his apparel, and girded himself in a strange land? Jewish worship. With the shift of emphasis in worship in at the Royal College. In 1936 he followed Gustav Holst as with strength. 5. If I forget thee O Jerusalem England after the Protestant Reformation, Psalms, in one form Director of Music at St Paul’s Girls’ School in Hammersmith let my right hand forget her cunning. or another, metrical or unmetrical, assumed even greater and in 1950 became King Edward VII Professor of Music at 2. He hath made the round world so sure, that it cannot be moved. 6. If I do not remember thee, let my tongue cleave to the importance. While the Catholic Divine Office relied on London University, positions he held concurrently. Among roof of my mouth: Gregorian chant, the Church of England developed its own his varied compositions is a distinguished contribution to 3. Ever since the world began hath thy throne been established: yea, if I prefer not Jerusalem in my mirth. practice of harmonized chants, the composition of which church music, represented here by his double chant for Psalm 7. Remember the children of Edom O Lord in the day of became, in the present writer’s experience, part of childhood 121 and his more elaborate setting of O pray for the peace of thou art from everlasting. 4. The floods have lift up O Lord, the floods have lift up Jerusalem: compositional training, as the apprentice moved on from Jerusalem, a setting of words from Psalm 122, both tinged how they said ‘Down with it, down with it even to composing a single chant, to the composition of double chants with characteristic melancholy. their voice: the floods lift up their waves. the ground.’ or even quadruple chants. Many of the Psalms included here A grandson of the publisher George Smart and son of the 8. O daughter of Babylon wasted with misery are sung to harmonized double chants, suited to the differing violinist and piano manufacturer Henry Smart, Henry Thomas 5. Mightier than the roar of many waters, mightier than the breakers of the sea, yea, happy shall he be that rewardeth thee as thou has line lengths of the translated Psalm verses. Smart showed an early interest in organ construction. He served us. George Mursell Garrett was born in 1834 in Winchester, served as organist in Blackburn, St Philip’s, Regent Street, St the Lord, who dwelleth on high, is mighty. 6. Thy testimonies O Lord, are very sure: 9. Blessed shall he be that taketh thy children where his father was master of choristers at the Cathedral. Luke’s, Old Street and St Pancras, Euston Road. His and throweth them against the stones. He studied with Stephen Elvey at New College, Oxford, compositions included works for organ and church settings, holiness becometh thine house forever. returning to Winchester as a pupil and then assistant to Samuel in addition to secular cantatas. He is remembered largely for Glory be to the Father, and to the Son, Glory be to the Father, and to the Son, Sebastian Wesley at the Cathedral, before moving to Madras a group of hymn-tunes and is represented here by a double etc. etc. as cathedral organist. In 1857 he became organist at St John’s chant for Psalm 65. ! Psalm 114 College, Cambridge, succeeding John Larkin Hopkins as The setting of Psalm 67 by the Welsh composer William 9 Burial Sentences (Croft) (Bairstow) University Organist in 1873. His oratorio The Shunamite, per- Mathias was written in 1981 for the wedding of the Prince of 1. When Israel came out of Egypt, formed in Cambridge and at the Hereford Festival in 1882, has Wales and Lady Diana Spencer. The leading Welsh I am the resurrection and the life, saith the Lord: he that believeth in me, though he were dead, yet shall he and the house of Jacob from among the strange people, long fallen from choral repertoire, but his settings of Church composer of his generation, Mathias studied at the University 2. Judah was his sanctuary and Israel his dominion. of England services and other church music are still heard. of Wales, Aberystwyth and at the Royal Academy of Music live: and whosoever liveth and believeth in me shall never die. 3. The sea saw that and fled: His chant for Psalm 126, is a model of its kind, while the in London with Lennox Berkeley. After a period teaching at Jordan was driven back. setting for Psalm 93 finds a place for greater implied drama. Edinburgh University he returned to Wales, where he became I know that my Redeemer liveth, and that he shall stand 4. The mountains skipped like rams and the little hills The English composer and organist John Goss, great-uncle Professor of Music at Bangor. He established an international at the latter day upon the earth. like young sheep. of the Goss-Custard organist brothers, was himself the son of reputation for himself as a composer with a wide variety of And though after my skin worms destroy this body, yet 5. What aileth thee O thou sea that thou fleddest: an organist. He served as a chorister in the Chapel Royal compositions, among which his choral works hold a in my flesh shall I see God: and thou Jordan that thou was driven back? from the age of eleven, subsequently studying with Thomas significant place.
Recommended publications
  • Parry US 8/5/09 16:32 Page 12
    572104bk Parry US 8/5/09 16:32 Page 12 Here God made holy Zion’s name, And did the countenance divine And here he gave them rest. Shine forth upon our clouded hills? Oh, may we ne’er forget what he hath done, And was Jerusalem builded here PARRY Nor prove unmindful of his love, Among these dark satanic mills? That, like the constant sun, On Israel hath shone, Bring me my bow of burning gold! Choral Masterpieces And sent down blessings from above. Bring me my arrows of desire! Bring me my spear! O clouds, unfold! Songs of Farewell C.H. Parry (from Judith) Bring me my chariot of fire! I will not cease from mental fight, @ Jerusalem Nor shall my sword sleep in my hand, Manchester Cathedral Choir And did those feet in ancient time Till we have built Jerusalem Walk upon England’s mountains green? In England’s green and pleasant land. Christopher Stokes And was the Holy Lamb of God On England’s pleasant pastures seen? William Blake (1757-1827) 8.572104 12 572104bk Parry US 8/5/09 16:32 Page 2 Sir Charles Hubert Hastings Parry (1848–1918) for He is our help and our shield. His grace from above. Songs of Farewell Praise Him who hath taught you He delivered the poor in his affliction, To sing of His love. Sir Hubert Parry came from a family of some which remained dominant. Above all, in London he the fatherless and him that hath none to help him. O praise ye the Lord! distinction.
    [Show full text]
  • SIR ARTHUR SULLIVAN: Life-Story, Letters, and Reminiscences
    This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com SirArthurSullivan ArthurLawrence,BenjaminWilliamFindon,WilfredBendall \ SIR ARTHUR SULLIVAN: Life-Story, Letters, and Reminiscences. From the Portrait Pruntfd w 1888 hv Sir John Millais. !\i;tn;;;i*(.vnce$. i-\ !i. W. i ind- i a. 1 V/:!f ;d B'-:.!.i;:. SIR ARTHUR SULLIVAN : Life-Story, Letters, and Reminiscences. By Arthur Lawrence. With Critique by B. W. Findon, and Bibliography by Wilfrid Bendall. London James Bowden 10 Henrietta Street, Covent Garden, W.C. 1899 /^HARVARD^ UNIVERSITY LIBRARY NOV 5 1956 PREFACE It is of importance to Sir Arthur Sullivan and myself that I should explain how this book came to be written. Averse as Sir Arthur is to the " interview " in journalism, I could not resist the temptation to ask him to let me do something of the sort when I first had the pleasure of meeting ^ him — not in regard to journalistic matters — some years ago. That permission was most genially , granted, and the little chat which I had with J him then, in regard to the opera which he was writing, appeared in The World. Subsequent conversations which I was privileged to have with Sir Arthur, and the fact that there was nothing procurable in book form concerning our greatest and most popular composer — save an interesting little monograph which formed part of a small volume published some years ago on English viii PREFACE Musicians by Mr.
    [Show full text]
  • Download Booklet
    A KNIGHT’S PROGRESS A KNIGHT’S PROGRESS According to the rubric in the service book for the 1953 Coronation, the Queen, as soon as 1 I was glad Hubert Parry (1848-1918) [4.57] Born in the seaside town of Bournemouth, Sir she entered at the west door of the Church, 2 The Twelve William Walton (1902-1983) [11.49] Charles Hubert Hastings Parry went on to study was to be received with this anthem and, while Soloists: Oscar Simms treble at Eton and then at Oxford University where it was being sung, she was to pass through Benedict Davies treble Tom Williams alto he subsequently became Professor of Music. the body of the Church, into and through the Thomas Guthrie tenor From 1895 until his death he was also Director Choir, and up to her Chair of Estate beside Christopher Dixon bass of the Royal College of Music in London. He the Altar. On that occasion the Queen’s Our present charter * Nico Muhly (b.1981) wrote music of all kinds, including an opera, Scholars of Westminster School led the choir 3 I. First [4.02] symphonies, chamber and instrumental music, in singing the central section of this anthem – 4 II. Thy Kingdome Come, O God [4.21] oratorios and church music. However, he is ‘Vivat Regina Elizabetha!’ – a section that 5 III. The Beatitudes [4.22] perhaps best known nowadays for his famous nowadays is ususally omitted in concert 6 IV. Nullus Liber Homo Capiatur [4.45] setting of William Blake’s poem, Jerusalem. performances, as it is on this recording.
    [Show full text]
  • Download Booklet
    OUT OF DARKNESS q Litany to the Holy Spirit Peter Hurford (b. 1930) [2.36] Choristers Music from Lent to Trinity Bertie Baigent organ w If ye love me Thomas Tallis (1505-1585) [2.00] Chapel Choir 1 Cunctis diebus William Byrd (1540-1623) [6.31] College Choir e Listen sweet dove Grayston Ives (b. 1948) [2.40] Chapel Choir 2 Remember not, Lord, our offences. Z 50 Henry Purcell (1659-1695) [2.57] Bertie Baigent organ Combined Choirs r Breathe on me, breath of God Ned Rorem (b. 1923) [2.17] 3 The Lamentation Edward Bairstow (1874-1946) [9.03] College Choir College Choir Benjamin Morris organ t The Spirit of the Lord is upon me Edward Elgar (1857-1934) [7.21] from The Apostles, Op. 49 4 Tantum ergo Fernand Laloux (1901-1970) [2.01] Combined Choirs College Choir Benjamin Morris organ 5 O vos omnes Pablo Casals (1876-1973) [3.36] y Libera nos John Sheppard (c. 1515-1559) [3.21] College Choir College Choir 6 Ye Choirs of New Jerusalem Charles Villiers Stanford (1852-1924) [4.44] u I Saw the Lord John Stainer (1840-1901) [7.19] Combined Choirs Combined Choirs Bertie Baigent organ Benjamin Morris organ Harry Shapiro & Jamie Wilkinson trebles 7 Surrexit pastor bonus Jean L’Heritier (1480-1551) [3.31] Louisa Dawes soprano, Sophie Nairac contralto College Choir Jaliya Senanayake tenor, Peter Lidbetter bass 8 Festival Te Deum, Op. 32 Benjamin Britten (1913-1976) [6.11] Total timings: [75.45] College Choir Julia Sinclair soprano Benjamin Morris organ 9 Incantation pour un jour Saint Jean Langlais (1907-1991) [5.20] Benjamin Morris organ THE CHOIR OF JESUS COLLEGE CAMBRIDGE 0 Sedebit dominus rex James MacMillan (b.
    [Show full text]
  • The Parish of All Saints • Ashmont Liturgical Music
    The Parish of All Saints • Ashmont Liturgical Music October 6 The Twentieth Sunday after Pentecost Late Pentecost through Christmas 2013 Communion Service in A minor – Harold Darke The Rev’d Michael J. Godderz, Rector Psalm 37:3-10 Anglican Chant: Joseph Barnby Andrew P. Sheranian, Organist and Master of Choristers Ave verum corpus – Richard Dering Organ Christian Haigh, Organ Scholar Prière à Notre Dame (Suite Gothique) – Léon Boëllmann Michael Raleigh, Archibald T. Davison Fellow Toccata in B minor – Eugène Gigout October 13 The Twenty-First Sunday after Pentecost September 15 The Seventeenth Sunday after Pentecost Missa Brevis – Andrea Gabrieli Communion Service in B minor – T. Tertius Noble Psalm 113 Anglican Chant: Thomas Walmisley Psalm 51:1-11 Anglican Chant: Samuel Wesley North Port – Sacred Harp Ave verum corpus – Edward Elgar Organ Organ Prelude in C major BWV 545 – Johann Sebastian Bach Toccata in D minor – Johann Sebastian Bach Fugue in C major BWV 545 – Johann Sebastian Bach Fugue in D minor ‘Dorian’ – Johann Sebastian Bach October 20 The Twenty-Second Sunday after Pentecost September 22 The Eighteenth Sunday after Pentecost Communion Service in B-flat and F major – Charles V. Stanford Communion Service in F – William H. Harris Psalm 121 Anglican Chant: Henry Walford Davies Psalm 138 Anglican Chant: Samuel Sebastian Wesley I will lift up mine eyes – Leo Sowerby Listen, sweet dove – Grayston Ives Organ Organ Prelude in G minor – Johannes Brahms Adagio (Sonata I) – Felix Mendelssohn-Bartholdy Fugue in G minor – Johannes Brahms Allegro assai vivace (Sonata I) – Felix Mendelssohn-Bartholdy October 27 The Twenty-Third Sunday after Pentecost September 29 The Feast of St.
    [Show full text]
  • The Evening Hour
    THE EVENING HOUR 0 Behold thou hast made my days Orlando Gibbons (1583-1625) [5.30] th th British Choral Music from the 16 and 20 Centuries Chapel Choir Jaliya Senanayake tenor solo, Benjamin Morris chamber organ q Evening Watch Gustav Holst (1874-1934) [4.39] 1 God be in my head Philip Radcliffe (1905-1986) [1.29] College Choir College Choir Jake Dyble tenor solo, Elizabeth Edwards alto solo 2 Save us, O Lord Edward Bairstow (1874-1946) [4.56] w The Lord’s Prayer John Tavener (1944-2013) [3.08] Chapel Choir Chapel Choir Benjamin Morris organ e Bring us O Lord God William Harris (1883-1973) [4.09] 3 In manus tuas John Sheppard (c. 1515-1558) [4.02] College Choir College Choir r In Pace John Blitheman (c. 1525-1591) [4.14] 4 Song at Evening Richard Rodney Bennett (1936-2012) [3.25] Chapel Choir Choristers t Bertie Baigent organ Evening Prayers Philip Moore (b. 1943) [6.03] College Choir 5 Miserere mihi Domine William Byrd (1540-1623) [2.49] Max Cockerill baritone solo, Sapphire Armitage soprano solo College Choir y Miserere nostri Thomas Tallis (c. 1505-1585) [3.22] 6 Creator of the stars of night Gabriel Jackson (b. 1962) [3.52] College Choir College Choir u Hannah Woodhouse soprano solo, Benjamin Morris organ Blessèd city, heav’nly Salem Edward Bairstow (1874-1946) [9.10] Combined Choirs 7 The Lord is my Shepherd Lennox Berkeley (1903-1989) [4.43] Theo Amies, Kieran Hazell-Luttman, James Patterson, Gus Richards, Combined Choirs Jamie Wilkinson, Eleanor Hussey, Julia Sinclair solo group, Benjamin Morris organ Bertie Baigent organ Total timings: [77.58] 8 Christe qui lux es et dies IV Robert Whyte (c.
    [Show full text]
  • Sir John Goss. 1800-1880 (Concluded) Author(S): F
    Sir John Goss. 1800-1880 (Concluded) Author(s): F. G. E. Source: The Musical Times and Singing Class Circular, Vol. 42, No. 700 (Jun. 1, 1901), pp. 375-383 Published by: Musical Times Publications Ltd. Stable URL: http://www.jstor.org/stable/3368650 Accessed: 05-11-2015 01:21 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Musical Times Publications Ltd. is collaborating with JSTOR to digitize, preserve and extend access to The Musical Times and Singing Class Circular. http://www.jstor.org This content downloaded from 137.189.170.231 on Thu, 05 Nov 2015 01:21:39 UTC All use subject to JSTOR Terms and Conditions THE MUSICAL TIMES. JUNEI, I90I. 375 deprecatoryabout this accomplishmentof hers, SIR JOHN GOSS. in which,however, she acquittedherself charm- I800-I880. ingly. Her favouritemusicianwas Mendelssohn, who had greatly pleased her in early days as a (Concludedfrom page 23 I .) man. She would have nothing to say, until BEFOREresuming this biographicalsketch, a quite late in life7to Wagner or Brahms, and slight error in its Erst instalment (p. 225), once dismissed them all in one of her abrupt kindly pointed out by Mr.
    [Show full text]
  • The Parish of All Saints • Ashmont Liturgical Music
    The Parish of All Saints • Ashmont Liturgical Music February 5 The Fifth Sunday after the Epiphany Epiphanytide 2017 Missa brevis – Philip Radcliffe The Rev’d Michael J. Godderz, Rector Psalm 27:1-7 Anglican Chant: John Goss Andrew P. Sheranian, Organist and Master of Choristers Pater noster – Charles Villiers Stanford Organ Michael Raleigh, Archibald T. Davison Fellow Intermezzo (Sonata VIII) – Josef Gabriel Rheinberger Tempo moderato (Sonata IV) – Josef Gabriel Rheinberger January 6 The Epiphany of Our Lord Jesus Christ Missa ad Præsepe – George Malcolm February 5 The Feast of the Presentation – Candlemas Evensong Psalm 72:1-2, 10-17 Anglican Chant: Herbert Howells With the Choir of All Saints’, Worcester There shall a star appear – Felix Mendelssohn-Bartholdy Preces and Responses – Bernard Rose Organ Psalm 84 Anglican Chant: C. Hubert H. Parry Wie schön leuchtet der Morgenstern – Dietrich Buxtehude I: Allegro (Symphony II) – Louis Vierne Evening Service for Gloucester Cathedral – Herbert Howells Behold, O God our defender – Herbert Howells Organ January 8 The Feast of the Baptism of Christ Pièce d’Orgue – Johann Sebastian Bach Messe ‘Cum jubilo’ – Maurice Duruflé Sinfonia (from Cantata No. 29) – Johann Sebastian Bach Psalm 89:20-29 Anglican Chant: Samuel Sebastian Wesley Sicut cervus – Giovanni Pierluigi da Palestrina February 12 The Sixth Sunday after the Epiphany Organ Mass of the Quiet Hour – George Oldroyd Prélude sur l’Introit d’Épiphanie – Maurice Duruflé Méditation – Maurice Duruflé Psalm 119:9-16 Anglican Chant: C.H. Lloyd O
    [Show full text]
  • Westminster Abbey ASERVICE to CELEBRATE the 60TH ANNIVERSARY of the CORONATION of HER MAJESTY QUEEN ELIZABETH II
    Westminster Abbey ASERVICE TO CELEBRATE THE 60TH ANNIVERSARY OF THE CORONATION OF HER MAJESTY QUEEN ELIZABETH II Tuesday 4th June 2013 at 11.00 am FOREWORD On 2nd June 1953, the Coronation of Her Majesty Queen Elizabeth II followed a pattern established over the centuries since William the Conqueror was crowned in Westminster Abbey on Christmas Day 1066. Our intention in this Service of Thanksgiving is to evoke and reflect the shape of the Coronation service itself. The Queen’s entrance was marked by the Choirs’ singing Psalm 122—I was glad—set to music for the Coronation of EdwardVII by Sir Hubert Parry. The Queen’s Scholars of Westminster School exercised their historic right to exclaim Vivat Regina Elizabetha! (‘Long live Queen Elizabeth!’); so it will be today. The coronation service begins with the Recognition. The content of this part of the service is, of course, not today what it was in 1953, but the intention is similar: to recognise with thanksgiving the dutiful service offered over the past sixty years by our gracious and noble Queen, and to continue to pray God saveThe Queen. The Anointing is an act of consecration, a setting apart for royal and priestly service, through the gift of the Holy Spirit. The Ampulla from which the oil was poured rests today on the HighAltar as a reminder of that central act. St Edward’s Crown also rests today on the High Altar as a powerful symbol of the moment of Coronation. In today’s Service, a flask of Oil is carried by representatives of the people of the United Kingdom to the Sacrarium, received by theArchbishop and placed by the Dean on the High Altar.
    [Show full text]
  • Hear My Prayer, O Lord
    Night and Day including works by Brahms, Mahler, Schumann, Lauridsen and Whitacre Conductor: William Petter Accompanist: Paul Ayres St John the Divine Saturday 5th July 2014 at 7.30pm Registered Charity No 1112448 Programme Blessed City, Heavenly Salem Bairstow Abendlied Rheinberger O Thou the Central Orb Wood Sleep Whitacre “Musical Interlude” Hail Gladdening Light Wood Evening Hymn H. Balfour Gardiner Interval Sure on this Shining Night Lauridsen Mondnacht Schumann arr. Petter Urlicht Mahler arr.Gottwald 4 Songs Op 92 Brahms “Musical Interlude” All Alone Berlin arr. Petter The Very Thought of You Noble arr. Ayres Blessed City, Heavenly Salem Edward Bairstow (1874-1946) Sir Edward Cuthbert Bairstow was an English organist and composer in the Anglican Church music tradition. Born in Huddersfield, he studied the organ and went on to receive his Music Doctorate at Durham University in 1901. Bairstow held posts in London, Wigan and Leeds before being appointed organist at York Minster in 1913 where he served until his death. A composer of both instrumental and choral pieces, miniature and large-scale, Bairstow’s output includes twelve published organ works and chamber music. He is however best known for his sacred choral works. Bairstow was an admirer of Brahms and also of the polyphony of earlier English composers and these influences may be heard in the five, musically contrasting verses of Blessed City, Heavenly Salem. The melodic material of this anthem is based on plainsong, but is sung to an elaborate organ accompaniment. There is a remarkable instrumental interlude between the fourth and fifth verses in which the organ extends the triumphant feel of the fourth verse, and then gradually subsides into the mood of peace in the final phrases.
    [Show full text]
  • Welcome to Shadyside Presbyterian Church
    Welcome to Shadyside Presbyterian Church We are grateful for your presence and invite you to participate in the worship, study, fellowship, and service of this congregation. If you are a guest with us this morning, our ushers are available to assist you. Nursery care is available for infants through three-year-olds during worship. Pagers are available. A cry room with an audio broadcast of worship is available downstairs in the Marks Room. Children in Worship – At 11:00 a.m., families with two- and three-year-olds are welcome to report directly to the Nursery. Four-year-olds through second-graders attend worship and may exit with their teachers before the sermon to participate in chapel worship and children’s activities. (If you are a first-time guest, please accompany your child to the Chapel, and then you may return to the Sanctuary.) Parents should meet their children in the Christian education classrooms after worship. On the first Sunday of the month, first- and second-graders stay in worship through the entire service for Communion. A bulletin insert designed for children is available in the Narthex. Flower Ministry – After worship, members of the Board of Deacons’ Flower Ministry divide the chancel flowers into bouquets to be distributed to individuals who are celebrating joyous occasions and to those who could use some cheer. If you would like to deliver a bouquet to someone you know, please stop by the front of the Sanctuary after worship to receive one. Help us to share God’s love through flowers. Prayer Request Cards – You are invited to write on a Prayer Request Card the names of those who are sick or in need of intercessory prayer.
    [Show full text]
  • St Paul's Cathedral Choir
    ST PAUL’S CATHEDRAL CHOIR ALED JONES ANDREW CARWOOD WITH THE CATHEDRAL CHORISTERS OF BRITAIN 1 George Frederic Handel Zadok the Priest @ William Walton Jubilate Deo 3:44 (Coronation Anthem) 5:38 Solo trebles: Hugh O’Donnell, Kasper Lootens, Oscar Pavey Solo altos: Christopher Field, Matthew Venner Felix Mendelssohn Hear my Prayer Solo tenor: Jon English Solo bass: Tim Jones 2 I. Hear My Prayer 5:39 3 II. O for the wings of a dove 5:34 £ Howard Goodall The Lord is my shepherd (Psalm 23) 3:06 Solo treble: Nathaniel Morley Solo treble: Nathaniel Morley 4 Charles Villiers Stanford Justorum Animæ 3:39 $ John Rutter The Lord bless you and keep you 3:07 5 Thomas Weelkes Hosanna to the Son of David 1:58 % Paul Mealor Ubi caritas 4:39 Solo treble: Ndiana Essien 6 Thomas Tallis Salvator mundi [I] 3:13 ^ John Rutter A Gaelic Blessing 2:06 7 Henry Purcell O God, thou art My God 3:35 & C. Hubert H. Parry I Was Glad 7:20 Solo trebles: Toby Hunt, Oscar Pavey Solo alto: David Bates Solo tenors: Roy Rashbrook, Andrew Yeats Solo bass: Martin Oxenham * John Rutter A Gaelic Blessing with Aled Jones Especially arranged by John Rutter 2:06 8 Maurice Greene Lord, let me know mine end 5:58 Solo trebles: Nathaniel Morley, Leo Greenlees 9 John Ireland Greater Love Hath No Man 6:35 Solo treble: Benjamin Irvine-Capel Solo bass: Edward Grint St Paul’s Cathedral Choir The Cathedral Choristers of Britain 1, ^, &, * 0 Ralph Vaughan Williams O Taste and See 1:49 Solo treble: Benjamin Irvine-Capel Aled Jones Baritone * Simon Johnson Organ 1-3, 7-$, ^-* ! Henry Balfour Gardiner Evening Hymn 6:36 Andrew Carwood Director 2 he album presented here created just by you and your friends.
    [Show full text]