Westminsterresearch Ideological Sinicization of China Central
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Chapter 5 Sinicization and Indigenization: the Emergence of the Yunnanese
Between Winds and Clouds Bin Yang Chapter 5 Sinicization and Indigenization: The Emergence of the Yunnanese Introduction As the state began sending soldiers and their families, predominantly Han Chinese, to Yunnan, 1 the Ming military presence there became part of a project of colonization. Soldiers were joined by land-hungry farmers, exiled officials, and profit-driven merchants so that, by the end of the Ming period, the Han Chinese had become the largest ethnic population in Yunnan. Dramatically changing local demography, and consequently economic and cultural patterns, this massive and diverse influx laid the foundations for the social makeup of contemporary Yunnan. The interaction of the large numbers of Han immigrants with the indigenous peoples created a 2 new hybrid society, some members of which began to identify themselves as Yunnanese (yunnanren) for the first time. Previously, there had been no such concept of unity, since the indigenous peoples differentiated themselves by ethnicity or clan and tribal affiliations. This chapter will explore the process that led to this new identity and its reciprocal impact on the concept of Chineseness. Using primary sources, I will first introduce the indigenous peoples and their social customs 3 during the Yuan and early Ming period before the massive influx of Chinese immigrants. Second, I will review the migration waves during the Ming Dynasty and examine interactions between Han Chinese and the indigenous population. The giant and far-reaching impact of Han migrations on local society, or the process of sinicization, that has drawn a lot of scholarly attention, will be further examined here; the influence of the indigenous culture on Chinese migrants—a process that has won little attention—will also be scrutinized. -
Catalogue Pilot Film & Television Productions Ltd
productions 2020 Catalogue Pilot Film & Television Productions Ltd. is a leading international television production company with an outstanding reputation for producing and distributing innovative factual entertainment, history and travel led programmes. The company was set up by Ian Cross in 1988; and it is now one of the longest established independent production companies under continuous ownership in the United Kingdom. Pilot has produced over 500 hours of multi-genre programming covering subjects as diverse as history, food and sport. Its award winning Globe Trekker series, broadcast in over 20 countries, has a global audience of over 20 million. Pilot Productions has offices in London and Los Angeles. CONTENTS Mission Statement 3 In Production 4 New 6 Tough Series 8 Travelling in the 1970’s 10 Specials 11 Empire Builders 12 Ottomans vs Christians 14 History Specials 18 Historic Walks 20 Metropolis 21 Adventure Golf 22 Great Railway Journeys of Europe 23 The Story Of... Food 24 Bazaar 26 Globe Trekker Seasons 1-5 28 Globe Trekker Seasons 6-11 30 Globe Trekker Seasons 12-17 32 Globe Trekker Specials 34 Globe Trekker Around The World 36 Pilot Globe Guides 38 Destination Guides 40 Other Programmes 41 Short Form Content 42 DVDs and music CDs 44 Study Guides 48 Digital 50 Books 51 Contacts 52 Presenters 53 2 PILOT PRODUCTIONS 2020 MISSION STATEMENT Pilot Productions seeks to inspire and educate its audience by creating powerful television programming. We take pride in respecting and promoting social, environmental and personal change, whilst encouraging others to travel and discover the world. Pilot’s programmes have won more than 50 international awards, including six American Cable Ace awards. -
An Ethnography of the Spring Festival
IMAGINING CHINA IN THE ERA OF GLOBAL CONSUMERISM AND LOCAL CONSCIOUSNESS: MEDIA, MOBILITY, AND THE SPRING FESTIVAL A dissertation presented to the faculty of the College of Communication of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Li Ren June 2003 This dissertation entitled IMAGINING CHINA IN THE ERA OF GLOBAL CONSUMERISM AND LOCAL CONSCIOUSNESS: MEDIA, MOBILITY AND THE SPRING FESTIVAL BY LI REN has been approved by the School of Interpersonal Communication and the College of Communication by Arvind Singhal Professor of Interpersonal Communication Timothy A. Simpson Professor of Interpersonal Communication Kathy Krendl Dean, College of Communication REN, LI. Ph.D. June 2003. Interpersonal Communication Imagining China in the Era of Global Consumerism and Local Consciousness: Media, Mobility, and the Spring Festival. (260 pp.) Co-directors of Dissertation: Arvind Singhal and Timothy A. Simpson Using the Spring Festival (the Chinese New Year) as a springboard for fieldwork and discussion, this dissertation explores the rise of electronic media and mobility in contemporary China and their effect on modern Chinese subjectivity, especially, the collective imagination of Chinese people. Informed by cultural studies and ethnographic methods, this research project consisted of 14 in-depth interviews with residents in Chengdu, China, ethnographic participatory observation of local festival activities, and analysis of media events, artifacts, documents, and online communication. The dissertation argues that “cultural China,” an officially-endorsed concept that has transformed a national entity into a borderless cultural entity, is the most conspicuous and powerful public imagery produced and circulated during the 2001 Spring Festival. As a work of collective imagination, cultural China creates a complex and contested space in which the Chinese Party-state, the global consumer culture, and individuals and local communities seek to gain their own ground with various strategies and tactics. -
China's Global Media Footprint
February 2021 SHARP POWER AND DEMOCRATIC RESILIENCE SERIES China’s Global Media Footprint Democratic Responses to Expanding Authoritarian Influence by Sarah Cook ABOUT THE SHARP POWER AND DEMOCRATIC RESILIENCE SERIES As globalization deepens integration between democracies and autocracies, the compromising effects of sharp power—which impairs free expression, neutralizes independent institutions, and distorts the political environment—have grown apparent across crucial sectors of open societies. The Sharp Power and Democratic Resilience series is an effort to systematically analyze the ways in which leading authoritarian regimes seek to manipulate the political landscape and censor independent expression within democratic settings, and to highlight potential civil society responses. This initiative examines emerging issues in four crucial arenas relating to the integrity and vibrancy of democratic systems: • Challenges to free expression and the integrity of the media and information space • Threats to intellectual inquiry • Contestation over the principles that govern technology • Leverage of state-driven capital for political and often corrosive purposes The present era of authoritarian resurgence is taking place during a protracted global democratic downturn that has degraded the confidence of democracies. The leading authoritarians are ABOUT THE AUTHOR challenging democracy at the level of ideas, principles, and Sarah Cook is research director for China, Hong Kong, and standards, but only one side seems to be seriously competing Taiwan at Freedom House. She directs the China Media in the contest. Bulletin, a monthly digest in English and Chinese providing news and analysis on media freedom developments related Global interdependence has presented complications distinct to China. Cook is the author of several Asian country from those of the Cold War era, which did not afford authoritarian reports for Freedom House’s annual publications, as regimes so many opportunities for action within democracies. -
Comparing Cgtn Africa and Bbc Africa's
Proceedings of ADVED 2019- 5th International Conference on Advances in Education and Social Sciences 21-23 October 2019- Istanbul, Turkey COMPARING CGTN AFRICA AND BBC AFRICA’S COVERAGE OF CYCLONE IDAI IN AFRICA: A SOCIAL RESPONSIBILITY STANDARD AND GEOGRAPHICAL PROXIMITY APPROACH Patrick Owusu Ansah1, Guo Ke2 1Mr, Shanghai International Studies University, China, [email protected] 2Prof, Shanghai International Studies University, China, [email protected] Abstract This study comparatively analysed how China Global Television Network Africa (CGTN Africa) and British Broadcasting Corporation Africa (BBC Africa), as the only broadcasting global media firms with state-of-the- art news production centres in Africa, covered the Cyclone Idai (2019) on the basis of their social responsibility standards and geographical proximity. For the study, Cyclone Idai with restricted predictable nature has been selected in order to observe global media coverage, in both pre and post Cyclone Idai phases. This study concludes that CGTN Africa and BBC Africa covered Cyclone Idai (2019) on the basis of their social responsibility role by focusing much on the human interest aspect of the disaster in their broadcasts. But, CGTN Africa further went on to give more attention to the recovery and reliefs too, which BBC Africa left unnoticed. Although, CGTN Africa and BBC Africa gave comparatively sufficient coverage to post-Cyclone Idai period yet certain significant disaster related features received low or no coverage during their social responsibility role. It was found that CGTN Africa didn‘t give much coverage to responsibility, economic consequences and preventive actions, whiles BBC Africa did same including recovery and relief actions. -
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A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/131594 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications Learning to Teach Moral Education through Drama in a Chinese Primary School By Mengyu Feng A thesis submitted for the degree of Doctor Philosophy Centre for Education Studies March 2019 Abstract This thesis explores the possibilities of introducing drama to facilitate primary children’s moral learning in the Chinese educational context. As she is an inexperienced teacher, the author also focuses on her own self-improvement in learning to teach through educational drama as well as examining drama’s potential to complement the moral education curriculum for primary aged children in China. The thesis begins with a literature review that explores the authority-oriented nature of the moral education curriculum in mainland China and points out that basic challenges still exist in the current course despite reforms that have been implemented since 1999 on a national scale. It then argues for the potential of story-based drama as an innovative pedagogy that may help students develop their autonomous moral thinking as a way to address some of the shortcomings that exist in the present moral curriculum. -
ASD-Covert-Foreign-Money.Pdf
overt C Foreign Covert Money Financial loopholes exploited by AUGUST 2020 authoritarians to fund political interference in democracies AUTHORS: Josh Rudolph and Thomas Morley © 2020 The Alliance for Securing Democracy Please direct inquiries to The Alliance for Securing Democracy at The German Marshall Fund of the United States 1700 18th Street, NW Washington, DC 20009 T 1 202 683 2650 E [email protected] This publication can be downloaded for free at https://securingdemocracy.gmfus.org/covert-foreign-money/. The views expressed in GMF publications and commentary are the views of the authors alone. Cover and map design: Kenny Nguyen Formatting design: Rachael Worthington Alliance for Securing Democracy The Alliance for Securing Democracy (ASD), a bipartisan initiative housed at the German Marshall Fund of the United States, develops comprehensive strategies to deter, defend against, and raise the costs on authoritarian efforts to undermine and interfere in democratic institutions. ASD brings together experts on disinformation, malign finance, emerging technologies, elections integrity, economic coercion, and cybersecurity, as well as regional experts, to collaborate across traditional stovepipes and develop cross-cutting frame- works. Authors Josh Rudolph Fellow for Malign Finance Thomas Morley Research Assistant Contents Executive Summary �������������������������������������������������������������������������������������������������������������������� 1 Introduction and Methodology �������������������������������������������������������������������������������������������������� -
China's Logistics Capabilities for Expeditionary Operations
China’s Logistics Capabilities for Expeditionary Operations The modular transfer system between a Type 054A frigate and a COSCO container ship during China’s first military-civil UNREP. Source: “重大突破!民船为海军水面舰艇实施干货补给 [Breakthrough! Civil Ships Implement Dry Cargo Supply for Naval Surface Ships],” Guancha, November 15, 2019 Primary author: Chad Peltier Supporting analysts: Tate Nurkin and Sean O’Connor Disclaimer: This research report was prepared at the request of the U.S.-China Economic and Security Review Commission to support its deliberations. Posting of the report to the Commission's website is intended to promote greater public understanding of the issues addressed by the Commission in its ongoing assessment of U.S.-China economic relations and their implications for U.S. security, as mandated by Public Law 106-398 and Public Law 113-291. However, it does not necessarily imply an endorsement by the Commission or any individual Commissioner of the views or conclusions expressed in this commissioned research report. 1 Contents Abbreviations .......................................................................................................................................................... 3 Executive Summary ............................................................................................................................................... 4 Methodology, Scope, and Study Limitations ........................................................................................................ 6 1. China’s Expeditionary Operations -
Unhcr Position on the Designations of Libya As a Safe Third Country and As a Place of Safety for the Purpose of Disembarkation Following Rescue at Sea
UNHCR POSITION ON THE DESIGNATIONS OF LIBYA AS A SAFE THIRD COUNTRY AND AS A PLACE OF SAFETY FOR THE PURPOSE OF DISEMBARKATION FOLLOWING RESCUE AT SEA UNHCR POSITION ON THE DESIGNATIONS OF LIBYA AS A SAFE THIRD COUNTRY AND AS A PLACE OF SAFETY FOR THE PURPOSE OF DISEMBARKATION FOLLOWING RESCUE AT SEA September 2020 Introduction .................................................................................................................................................... 1 Situation of Foreign Nationals (Including Asylum-Seekers, Refugees and Migrants)................................... 3 Humanitarian Situation ................................................................................................................................. 11 International Protection Needs of Foreign Nationals Departing from/through Libya .................................. 16 Libya as a Country of Asylum ...................................................................................................................... 16 Designation of Libya as Safe Third Country ................................................................................................ 16 Designation of Libya as a Place of Safety for the Purpose of Disembarkation following Rescue at Sea ... 17 Introduction 1. This position supersedes and replaces UNHCR’s guidance on foreign nationals in Libya contained in the Position on Returns to Libya – Update II of September 2018; however, UNHCR guidance in relation to Libyan nationals and habitual residents as provided in the September -
The 1989 Tiananmen Square Protests in Chinese Fiction and Film
UNIVERSITY OF CALIFORNIA Los Angeles Making the Censored Public: The 1989 Tiananmen Square Protests in Chinese Fiction and Film A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Comparative Literature by Thomas Chen Chen 2016 © Copyright by Thomas Chen Chen 2016 ABSTRACT OF THE DISSERTATION Making the Censored Public: The 1989 Tiananmen Square Protests in Chinese Fiction and Film by Thomas Chen Chen Doctor of Philosophy in Comparative Literature University of California, Los Angeles, 2016 Professor Kirstie M. McClure, Co-Chair Professor Robert Yee-Sin Chi, Co-Chair Initiated by Beijing college students, the 1989 Tiananmen Square protests—"Tiananmen"— shook all of China with their calls for democratic and social reforms. They were violently repressed by the Chinese state on June 4, 1989. Since then, their memory has been subject within the country to two kinds of censorship. First, a government campaign promulgating the official narrative of Tiananmen, while simultaneously forbidding all others, lasted into 1991. What followed was the surcease of Tiananmen propaganda and an expansion of silencing to nearly all mentions that has persisted to this day. My dissertation examines fiction and film that evoke Tiananmen from within mainland China and Hong Kong. It focuses on materials that are particularly open to a self-reflexive reading, such as literature in which the protagonists are writers and films shot without authorization that in their editing indicate the precarious ii circumstances of their making. These works act out the contestation between the state censorship of Tiananmen-related discourse on the one hand and its alternative imagination on the other, thereby opening up a discursive space, however fragile, for a Chinese audience to reconfigure a historical memory whose physical space is off limits. -
Post-Cold War Experimental Theatre of China: Staging Globalisation and Its Resistance
Post-Cold War Experimental Theatre of China: Staging Globalisation and Its Resistance Zheyu Wei A thesis submitted for the degree of Doctor of Philosophy The School of Creative Arts The University of Dublin, Trinity College 2017 Declaration I declare that this thesis has not been submitted as an exercise for a degree at this or any other university and it is my own work. I agree to deposit this thesis in the University’s open access institutional repository or allow the library to do so on my behalf, subject to Irish Copyright Legislation and Trinity College Library Conditions of use and acknowledgement. ___________________ Zheyu Wei ii Summary This thesis is a study of Chinese experimental theatre from the year 1990 to the year 2014, to examine the involvement of Chinese theatre in the process of globalisation – the increasingly intensified relationship between places that are far away from one another but that are connected by the movement of flows on a global scale and the consciousness of the world as a whole. The central argument of this thesis is that Chinese post-Cold War experimental theatre has been greatly influenced by the trend of globalisation. This dissertation discusses the work of a number of representative figures in the “Little Theatre Movement” in mainland China since the 1980s, e.g. Lin Zhaohua, Meng Jinghui, Zhang Xian, etc., whose theatrical experiments have had a strong impact on the development of contemporary Chinese theatre, and inspired a younger generation of theatre practitioners. Through both close reading of literary and visual texts, and the inspection of secondary texts such as interviews and commentaries, an overview of performances mirroring the age-old Chinese culture’s struggle under the unprecedented modernising and globalising pressure in the post-Cold War period will be provided. -
Foreign Government-Sponsored Broadcast Programming
February 11, 2021 Foreign Government-Sponsored Broadcast Programming Overview Radio Sputnik, a subsidiary of the Russian government- Congress has enacted several laws to enable U.S. citizens financed Rossiya Segodnya International Information and the federal government to monitor attempts by foreign Agency, airs programming on radio stations in Washington, governments to influence public opinion on political DC, and Kansas City, MO. Rossiya Segodnya has contracts matters. Nevertheless, radio and television viewers may with two different U.S.-based entities to broadcast Radio have difficulty distinguishing programs financed and Sputnik’s programming. One entity is a radio station distributed by foreign governments or their agents. In licensee itself, while the other is an intermediary. DOJ has October 2020, the Federal Communications Commission directed each entity to register under FARA. Copies of the (FCC) proposed new requirements for broadcast radio and Rossiya Segodnya’s contracts with both entities are television stations to identify foreign government-provided available on both the FCC and DOJ websites. programming. FCC filings and a November 2015 report from the Reuters Statutory Background news agency indicate that China Radio International (CRI), For nearly 100 years, beginning with the passage of the an organization owned by the Chinese government, may Radio Act of 1927 (P.L. 69-632) and the Communications have agreements to transmit programming to 10 full-power Act of 1934 (P.L. 73-416), Congress has required broadcast U.S. radio stations, but independent verification is not stations to label content supplied and paid for by third readily available. parties so viewers and listeners can distinguish it from content created by the stations themselves (47 U.S.C.