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Rediscovering Frédéric Chopin's "Trois Nouvelles Études" Qiao-Shuang Xian Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2002 Rediscovering Frédéric Chopin's "Trois Nouvelles Études" Qiao-Shuang Xian Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Xian, Qiao-Shuang, "Rediscovering Frédéric Chopin's "Trois Nouvelles Études"" (2002). LSU Doctoral Dissertations. 2432. https://digitalcommons.lsu.edu/gradschool_dissertations/2432 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. REDISCOVERING FRÉDÉRIC CHOPIN’S TROIS NOUVELLES ÉTUDES A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Qiao-Shuang Xian B.M., Columbus State University, 1996 M.M., Louisiana State University, 1998 December 2002 TABLE OF CONTENTS LIST OF EXAMPLES ………………………………………………………………………. iii LIST OF FIGURES …………………………………………………………………………… v ABSTRACT …………………………………………………………………………………… vi CHAPTER 1. INTRODUCTION…………………………………………………………….. 1 The Rise of Piano Methods …………………………………………………………….. 1 The Méthode des Méthodes de piano of 1840 -
Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
Interpreting Tempo and Rubato in Chopin's Music
Interpreting tempo and rubato in Chopin’s music: A matter of tradition or individual style? Li-San Ting A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy University of New South Wales School of the Arts and Media Faculty of Arts and Social Sciences June 2013 ABSTRACT The main goal of this thesis is to gain a greater understanding of Chopin performance and interpretation, particularly in relation to tempo and rubato. This thesis is a comparative study between pianists who are associated with the Chopin tradition, primarily the Polish pianists of the early twentieth century, along with French pianists who are connected to Chopin via pedagogical lineage, and several modern pianists playing on period instruments. Through a detailed analysis of tempo and rubato in selected recordings, this thesis will explore the notions of tradition and individuality in Chopin playing, based on principles of pianism and pedagogy that emerge in Chopin’s writings, his composition, and his students’ accounts. Many pianists and teachers assume that a tradition in playing Chopin exists but the basis for this notion is often not made clear. Certain pianists are considered part of the Chopin tradition because of their indirect pedagogical connection to Chopin. I will investigate claims about tradition in Chopin playing in relation to tempo and rubato and highlight similarities and differences in the playing of pianists of the same or different nationality, pedagogical line or era. I will reveal how the literature on Chopin’s principles regarding tempo and rubato relates to any common or unique traits found in selected recordings. -
Coal Crisis Returns Dimout to Chicago
eas Report® ® USAFE WEATHER FORECAST One Year Ago Today NORTH & WEST: Partly cloudy, Max. Nazis quit by thousands; Baltic 75, Min. 46; SOUTH & EAST Clear to partly cloudy, Max 80. Min. 46; collapse expected. Americans and BERLIN, same as N & W. Max. 70, THE STIRS A Min. 44; VIENNA: Same as S & E. British meet Russians. Allies begin BREMEN: Same as N & W, Max. 72, roundup of Italy foe. Min. 44. Unom«i*l Newspaper of US. Armed Volume 2, Number 122 20 Pfg., 2 fr„ 1 d. Friday, May 3, 1946 Book Gives Put ton Credit For St. Lo Breakthrough Coal Crisis Returns NEW YORK, May 2 (UP) — Gen. it and used not only 1st Army George S. Patton, even though dead, troops but also a number of his own was right back today where he al- 3rd Army units." Wallace does give ways liked to be—in the middle of a Bradley credit for his foresight in hot argument. placing Patton in command of the Dimout to Chicago Col. Benton G. Wallace, a staff! breakthrough itself. officer under "Old Blood and Guts," With his 3rd Army dander really has written a book which is sure to up, the colonel also charges that burn the Army's brass. It is called rolling Thirders — presumably after "Patton and the Third Army." they captured Argentan — were Wallace says that Patton was New York Seen ordered to stop dead in their tracks chiefly responsible both for the pfen- and were not allowed to close the Adriatic Isles Given ning and for the execution of the bloody Falaise gap, a maneuver famous St. -
The-Piano-Teaching-Legacy-Of-Solomon-Mikowsky.Pdf
! " #$ % $%& $ '()*) & + & ! ! ' ,'* - .& " ' + ! / 0 # 1 2 3 0 ! 1 2 45 3 678 9 , :$, /; !! < <4 $ ! !! 6=>= < # * - / $ ? ?; ! " # $ !% ! & $ ' ' ($ ' # % %) %* % ' $ ' + " % & ' !# $, ( $ - . ! "- ( % . % % % % $ $ $ - - - - // $$$ 0 1"1"#23." 4& )*5/ +) * !6 !& 7!8%779:9& % ) - 2 ; ! * & < "-$=/-%# & # % %:>9? /- @:>9A4& )*5/ +) "3 " & :>9A 1 The Piano Teaching Legacy of Solomon Mikowsky by Kookhee Hong New York City, NY 2013 2 TABLE OF CONTENTS Preface by Koohe Hong .......................................................3 Endorsements .......................................................................3 Comments ............................................................................5 Part I: Biography ................................................................12 Part II: Pedagogy................................................................71 Part III: Appendices .........................................................148 1. Student Tributes ....................................................149 2. Student Statements ................................................176 -
The Calm Year Is Our Women’S Leader- Beneath the Storm Ship Forum Here at Lifeway in Nashville, Tenn
Guest Editorial A WOMAN’S GUIDE TO INTIMACY When fall arrives, my ® WITH GOD mind turns to a busy season ourney of training women’s ministry J leaders. One of those training events I look forward to each The Calm year is our Women’s Leader- Beneath the Storm ship Forum here at LifeWay in Nashville, Tenn. If you lead women in your church, then you Redemptive Scars know that can be a blessing and a challenge Evidence of God’s at the same time. I’d like to invite you to join Life-Changing Love leaders from across the country that totally understand! This year’s forum will take place November 14-16, and our focus is “Filling Up and Pouring Out…Together!” This year’s guests include Angela Thomas, Margaret Feinberg, Esther Burroughs, and Vicki Courtney. Travis Cottrell will lead our worship and provide a wonderful concert on Friday night. Romans 15:13 tells us: “Now may the God of hope fi ll you with all joy and peace as you believe in Him so that you may overfl ow with hope by the power of the Holy Spirit.” If we don’t fi ll up, we can’t pour out effectively, and if we are full, then we MUST pour back into the lives of others. At this year’s forum you’ll fi nd out about: • Reaching for discipleship • Building community • Ministering out of the overfl ow • Connecting the generations of women I’d like to challenge older leaders with this question: What younger leader are you going to commit to bring with you? (And that actually includes YOU, no matter what age you are!) SEPTEMBER 2013 U.S.A. -
Thejoy That Comes with Music
(I Jnfernafionaf JlJRJ8Jl SEND IN YOUR SUGGESTIONS FOR RECUTTING BY NICK JARRETT Mieczyslaw Manz, 75, Is Dead; I know many of us have a pet roll or rolls we would A Concert Pianist and Teacher like to see recut. I took this matter up with . Mieczyslaw Munz, a fonner major, the Brahms concerto in Elwood Hansen, owner of the plant at Turlock. He concert pianist who appeared D minor and the Franck Sym assured me that there is no exclusive contract to ~ith many of the.world's lead- phonic Variations. prevent such a project, and suggested that I might 109 orchestras, di~ yesterday Mr Munz made his solo of a heart attack 10 an ambu-' . co-ordinate requests from the membership. Please lance as he was being taken to debut at Aeoli:an, Hall 10 New write and let me know what ~ would like. hospital from his home at the York on Oct. 20, 1922. The Ten Park Avenue Hotel. He New York Times review called was 75 years old. him "an absorbed artist, under It has been suggested that special attention be Mr. Munz, who taught at the whose hands mere tricks and given to the type of rolls that seldom appear on Juilliard School for 12 years, graces of piano playm'.. fall was scheduled to return to the . • lists of recuts: PIANO music played by the great Juilliard School next month, away as chips from the sculp- artists of the reproducing piano's heyday. This is after a sabbatical year of teach- tor's chisel, wbliIe he lays ~are iing at Giebel University in the larger curves of sustamed not an attempt to put AMR or Klavier out of business, Tokyo. -
Great Things Verse Come Let Us Worship Our King Come Let Us Bow at His Feet He Has Done Great Things See What Our Savior Has D
Great Things Verse Come let us worship our King Come let us bow at His feet He has done great things See what our Savior has done See how His love overcomes He has done great things He has done great things Chorus Oh Hero of heaven, You conquered the grave You free every captive and break every chain Oh God, You have done great things We dance in Your freedom awake and alive Oh Jesus our Savior Your Name lifted high Oh God, You have done great things Verse You’ve been faithful through every storm You’ll be faithful forevermore You have done great things And I know You will do it again For Your promise is yes and amen You will do great things You will do great things Bridge Hallelujah, God above it all Hallelujah, God unshakeable Hallelujah, You have done great things You‘ve done great things CCLI Song # 7111321 Jonas Myrin | Phil Wickham © Capitol CMG Paragon (Admin. by Capitol CMG Publishing) Son of the Lion (Admin. by Capitol CMG Publishing) Phil Wickham Music (Fair Trade Music Publishing [c/o Essential Music Publishing LLC]) Simply Global Songs (Fair Trade Music Publishing [c/o Essential Music Publishing LLC]) Sing My Songs (Fair Trade Music Publishing [c/o Essential Music Publishing LLC]) CCLI License # 964729 Good Grace Verse People come together Strangers, neighbors our blood is one Children of generations Of every nation of Kingdom come Chorus So don’t let your heart be troubled, hold your head up high Don’t fear no evil, fix your eyes on this one truth God is madly in love with you So take courage hold on be strong Remember where our help comes from Verse Jesus our redemption Our salvation is in His blood Jesus Light of heaven Friend forever, His Kingdom come Chorus Bridge Swing wide all you heavens, let the praise go up as the walls come down All creation, everything with breath repeat the sound All His children, clean hands pure hearts Good grace, good God, His name is Jesus Joel Houston © 2018 Hillsong Music Publishing Australia (Admin. -
Catalogo Delle Opere a Stampa E Una Cartolina Con Firma Autografa, Il Primo 24 Pp
Lim Antiqua s.a.s - Studio bibliografico Via della Chiesa IX, 44 Loc. Monte San Quirico 55100 LUCCA Telefono e Fax +39 0583 34 2218 (dalle 9 alle 13) +39 333 2551758 www.limantiqua.com/it email: [email protected] P. IVA 01286300460 Dati per bonifico: C/C postale n. 11367554 IBAN: IT 67 Q 07601 13700 000011367554 BIC: BPPIITRRXXX Orario di apertura Lunedì – Venerdì ore 9.00/14.00 Gli ordini possono essere effettuati per telefono, email o via fax. Il pagamento può avvenire tramite contrassegno, bollettino postale, bonifico sul conto postale o PayPal. Le spese di spedizione sono a carico del destinatario. I prezzi indicati sono comprensivi di IVA. Gli ordini saranno ritenuti validi e quindi evasi anche in caso di disponibilità parziale dei pezzi richiesti. Compositori p. 2 Direttori d’orchestra p. 26 Strumentisti e pianisti p. 38 Cantanti d’opera p. 43 5. Pierre Boulez Compositori 1. Franco Alfano (Napoli 1875 – Sanremo 1954) Lettera autografa firmata del compositore napoletano noto per aver completato Turandot di Puccini, indirizzata al giornalista Giorgio Pillon. Dat. 12 gennaio 1946: “Chiarissimo Professore, la notizia della morte di Romualdo Pantini, mio vecchio caro amico, mi è giunta di sorpresa …Io devo a Pantini innumerevoli consigli se non altrettante reali collaborazioni. “Eliana” datosi al Teatro Reale di Roma, dopo l’estero, due anni fa, appartiene a queste ultime. Anche per “Sakuntala” egli mi è stato largo di suggerimenti”. Franco Alfano rivestì prestigiosi incarichi tra i quali ricordiamo l'insegnamento al Liceo di Bologna, nel 1918 la direzione del Conservatorio di Bologna e dal 1923 la direzione del conservatorio "Giuseppe Verdi" di Torino che mantenne sino al 1939. -
City Research Online
City Research Online City, University of London Institutional Repository Citation: Pace, I. (2012). Instrumental performance in the nineteenth century. In: Lawson, C. and Stowell, R. (Eds.), The Cambridge History of Musical Performance. (pp. 643-695). Cambridge University Press. This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/6305/ Link to published version: http://dx.doi.org/10.1017/CHOL9780521896115.027 Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] C:/ITOOLS/WMS/CUP-NEW/2654833/WORKINGFOLDER/LASL/9780521896115C26.3D 643 [643–695] 5.9.2011 7:13PM . 26 . Instrumental performance in the nineteenth century IAN PACE 1815–1848 Beethoven, Schubert and musical performance in Vienna from the Congress until 1830 As a major centre with a long tradition of performance, Vienna richly reflects -
The Russians' Secret: What Christians Today Would Survive Persecution?
The Russians' Secret What Christians Today Would Survive Persecution? by Peter Hoover with Serguei V. Petrov Martyrdom, in early Christian times, already appealed to believers intent on doing great things for Christ. The early Christians venerated martyrs, the dates of whose executions grew into a calendar of saints, and wearing a martyrs' halo is still extremely popular. But martyr's halos do not come in the mail. A great amount of persecution faced by Christians today results not from what they believe, but from what they own, and from where they come. Missionaries in poor countries lose their possessions, and sometimes their lives, because people associate them with foreign wealth. Other "martyrs" lose their lives in political conflict. But does having our vehicles and cameras stolen, our children kidnapped, or being killed for political "correctness," assure that we have "witnessed for Jesus" (martyr means witness, Rev. 6:9, 12:17, and 19:10)? Real martyrs for Christ do not wear halos. They only carry crosses. Most people, even Christians, quickly discredit and forget these martyrs. Real martyrs suffer persecution, not like "great heroes of the faith" but like eccentrics and fools. Ordinary people usually consider them fanatics. Does that disappoint or alarm you? Do not worry. Reading this book about Russia's "underground" believers will assure you that if you are a typical Western Christian you will never face persecution. You will never have to be a real martyr for Christ. Only if you are not typical - if you choose to be a "weed that floats upstream" - you may want to know the secret by which Russian Christianity survived through a thousand years of suffering. -
Young Adult Library Services Association
THE OFFICIAL JOURNAL OF THE YOUNG ADULT LIBRARY SERVICES ASSOCIATION five ye ng ar ti s a o r f b y e a l l e s c young adult c e s l l e a b y r 5 f a t o in rs librarylibrary services services g five yea VOLUME 6 | NUMBER 2 WINTER 2008 ISSN 1541-4302 $12.50 INSIDE: INFORMATION TOOLS MUsiC WEB siTes TOP FIFTY GAMinG CORE COLLECTION TITLES INTERVIEW WITH KIMBERLY NEWTON FUSCO INFORMATION LITERACY AND MUCH MORE! TM ISSUE! TEEN TECH WEEK TM TM TEEN TECH WEEK MARCH 2-8, 2008 ©2007 American Library Association | Produced in partnership with YALSA | Design by Distillery Design Studio | www.alastore.ala.org march 2–8, 2008 for Teen Tech Week™ 2008! Join the celebration! Visit www.ala.org/teentechweek, and you can: ã Get great ideas for activities and events for any library, at any budget ã Download free tech guides and social networking resources to share with your teens ã Buy cool Teen Tech Week merchandise for your library ã Find inspiration or give your own ideas at the Teen Tech Week wiki, http://wikis.ala.org/yalsa/index.php/ Teen_Tech_Week! Teen Tech Week 2008 National Corporate Sponsor www.playdnd.com ttw_fullpage_cmyk.indd 1 1/3/2008 1:32:22 PM THE OFFICIAL JOURNAL OF THE YOUNG ADULT LIBRARY SERVICES ASSOCIATION young adult library services VOLUME 6 | NU MBER 2 WINTER 2008 ISSN 1541-4302 YALSA Perspective 33 Music Web Sites for Teen Tech Week 6 Margaret Edwards Award Turns 20 and Beyond By Betty Carter and Pam Spencer Holley By Kate Pritchard and Jaina Lewis 36 Top Fifty Gaming Core Collection Titles School Library Perspective Compiled by Kelly Czarnecki 14 Do We Still Dewey? By Christine Allen Literature Surveys and Research 39 Information Literacy As a Department Teen Perspective Store 15 Teens’ Top Ten Redux Applications for Public Teen Librarians Readers from New Jersey Talk about the By Dr.