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Food Festival Mungo National Park Gabrielle Chanel
FOOD FESTIVAL in Australia A Guide to MUNGO NATIONAL PARK Edition GABRIELLE 39 CHANEL. Spring Fashion Manifesto 2021 Image Credit: Jimmy Emms WELCOME! RESERVATIONS As we approach spring we are a road trip, starting in Griffith the gourmet capital of the region. & ENQUIRIES looking forward to improved weather and some long standing If you havent already I encourage you to join events that we have all missed. our new Sharp Traveller Club which replaces CALL 1300 55 66 94 the Sharp Flyer Programme. If you have sharpairlines.com.au I am looking forward to the events featured any questions in relation to our new system in this edition including the Sydney Hobart please do not hesitate to call our friendly Yacht Race, Melbourne Jazz Festival, and the reservations team on 1300 55 66 94 HEAD OFFICE Festival of King Island. If you are on Flinders 44 Gray Street Island during this time you maybe lucky Hamilton Victoria 3300 Take care and stay safe. T: 1300 55 66 94 enough to see the Yacht passing on their way E: [email protected] to the finish. Or if you prefer to get out and explore our Malcolm Sharp great country, the Riverina Region and the MANAGING DIRECTOR LIKE TO ADVERTISE? southwest of New South Wales is ideal for Editorial & Advertising Contact Heidi Jarvis T: 0438 778 161 E: [email protected] In This Edition GET UP CLOSE DISCOVER THE MELBOURNE & INTIMATE 22 FASCINATING INTERNATIONAL UNDERGROUND 4 JAZZ FESTIVAL 34 OF TASMANIA MUSIC FOR FOOD THE SENSES FESTIVAL MUSIC TO IN AUSTRALIA 8 YOUR EARS 40 A GUIDE TO MUNGO A TASTE 12 NATIONAL PARK 42 OF SALT KILLIECRANKIE CONTEMPORARY WEARABLES 44 ROLEX DOWN SYDNEY HOBART GABRIELLE CHANEL. -
We Are All Around Us by Amy King
We Are All Around Us Amy King Editing Booth Give unto feet their water; watch people enjoy their figures on film. My lyrics before death were written on parchment long ago. It’s time to undo the town: suck the glue from my road, erase the lawn in my garden, unsew the bait I have mistaken for luck. My anchor pretends a hope that keeps the sky awash in blue. Enough guilt from this fist made of rubber: Camus must meet his Kafka; Kundera will wash the back of Haushofer; Cassandra seeks her mother Wolf. Black scent pervades and sweetens the room. My estrangement burns and falls away. I mix it with dough as bread for the masses, an antidote grain. They throw themselves apart. If I were you, I would wait for me. The dispersed crowd gathers round; they wish away clarity and chant for new instruments of attention. Hair grows from my chest. People speak in hybrid tongues. Rivers rise, coercing the moss to share its lightning and we each become electrical timings in the bioluminescent show. We Are All Around Us Skin awakens to sing inside its flesh. I am a photo of the sunrise. My liver coordinates with the man across the sidewalk. He wears a red scarf. We stand at this juncture without nodding our presence. Each hand adjusts the seams in our separate pants. A few Germans and French pass in the vicinity. This plan can easily be witnessed for it is held in New York City. It is the reason the city exists this morning. -
The Muse in Arms, a Collection of War Poems, for the Most Part Written In
Dear Reader, This book was referenced in one of the 185 issues of 'The Builder' Magazine which was published between January 1915 and May 1930. To celebrate the centennial of this publication, the Pictoumasons website presents a complete set of indexed issues of the magazine. As far as the editor was able to, books which were suggested to the reader have been searched for on the internet and included in 'The Builder' library.' This is a book that was preserved for generations on library shelves before it was carefully scanned by one of several organizations as part of a project to make the world's books discoverable online. Wherever possible, the source and original scanner identification has been retained. Only blank pages have been removed and this header- page added. The original book has survived long enough for the copyright to expire and the book to enter the public domain. A public domain book is one that was never subject to copyright or whose legal copyright term has expired. Whether a book is in the public domain may vary country to country. Public domain books belong to the public and 'pictoumasons' makes no claim of ownership to any of the books in this library; we are merely their custodians. Often, marks, notations and other marginalia present in the original volume will appear in these files – a reminder of this book's long journey from the publisher to a library and finally to you. Since you are reading this book now, you can probably also keep a copy of it on your computer, so we ask you to Keep it legal. -
The Art of Using Salts for the Ultimate Dessert Experience
Sea Salt Sweet THE ART OF USING SALTS FOR THE ULTIMATE DESSERT EXPERIENCE HEATHER BAIRD © 2015 by Heather Baird Photography © 2015 by Heather Baird Published by Running Press, A Member of the Perseus Books Group All rights reserved under the Pan-American and International Copyright Conventions Printed in China This book may not be reproduced in whole or in part, in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system now known or hereafter invented, without written permission from the publisher. 1122 Books published by Running Press are available at special discounts for bulk purchases in the United States by corporations, institutions, and other organizations. I dedicate this book to my For more information, please contact the Special Markets Department at the Perseus Books Group, 2300 Chestnut Street, Suite 200, Philadelphia, PA 19103, or call grandmother Rosa Finley. (800) 810-4145, ext. 5000, or e-mail [email protected]. ISBN 978-0-7624-5396-2 Your spirit is with me always. Library of Congress Control Number: 2015942586 E-book ISBN 978-0-7624-5811-0 9 8 7 6 5 4 3 2 1 Digit on the right indicates the number of this printing Cover and interior design by Susan Van Horn Edited by Jennifer Kasius Typography: Archer, Beton, Isabella Script, Museo, Neutra Text and Nymphette Running Press Book Publishers 2300 Chestnut Street Philadelphia, PA 19103-4371 Visit us on the web! www.offthemenublog.com www.sprinklebakes.com contents acknowledgments Acknowledgments . 5 THANKS TO MY SUPPORTIVE AGENT center piece of cake. -
Rewriting the Haggadah: Judaism for Those Who Hold Food Close
Bard College Bard Digital Commons Senior Projects Spring 2020 Bard Undergraduate Senior Projects Spring 2020 Rewriting the Haggadah: Judaism for Those Who Hold Food Close Rose Noël Wax Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2020 Part of the Food Studies Commons, Jewish Studies Commons, and the Social and Cultural Anthropology Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Wax, Rose Noël, "Rewriting the Haggadah: Judaism for Those Who Hold Food Close" (2020). Senior Projects Spring 2020. 176. https://digitalcommons.bard.edu/senproj_s2020/176 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Rewriting the Haggadah: Judaism for Those Who Hold Food Close Senior Project Submitted to The Division of Social Studies of Bard College by Rose Noël Wax Annandale-on-Hudson, New York May 2020 Acknowledgements Thank you to my parents for teaching me to be strong in my convictions. Thank you to all of the grandparents and great-grandparents I never knew for forging new identities in a country entirely foreign to them. -
Literacy in Medieval Jewish Culture1
Portrayals of Women with Books: Female (Il)literacy in Medieval Jewish Culture1 Katrin Kogman-Appel Ben-Gurion University of the Negev, Beer Sheva The thirteenth century saw a new type of Hebrew book, the Passover haggadah (pl. haggadot). Bound together with the general prayer book in the earlier Middle Ages, the haggadah emerged as a separate, independent volume around that time.2 Once the haggadah was born as an individual book, a considerable number of illustrated specimens were created, of which several have come down to us. Dated to the period from approximately 1280 to 1500, these books were produced in various regions of the Iberian peninsula and southern France (Sepharad), the German lands (Ashkenaz), France, and northern Italy. Almost none of these manuscripts contain a colophon, and in most cases it is not known who commissioned them. No illustrated haggadah from the Islamic realm exists, since there the decoration of books normally followed the norms of Islamic culture, where sacred books received only ornamental embellishments. The haggadah is usually a small, thin, handy volume and contains the liturgical text to be recited during the seder, the privately held family ceremony taking place at the eve of Passover. The central theme of the holiday is the retelling of the story of Israel’s departure from Egypt; the precept is to teach it to one’s offspring.3 The haggadah contains the text to fulfill this precept. Hence this is not simply a collection of prayers to accompany a ritual meal; rather, using the 1 book and reading its entire text is the essence of the Passover holiday. -
Haggadah SUPPLEMENT
Haggadah SUPPLEMENT Historical Legal Textual Seder Ritualistic Cultural Artistic [email protected] • [email protected] Seder 1) Joseph Tabory, PhD, JPS Haggadah 2 cups of wine before the meal ; 2 cups of wine after the meal (with texts read over each pair); Hallel on 2nd cup, immediately before meal; more Hallel on 4th cup, immediately after meal; Ha Lachma Anya – wish for Jerusalem in Aramaic - opens the seder; L’Shana HaBa’ah BiYerushalyaim – wish for Jerusalem in Hebrew - closes it; Aramaic passage (Ha Lachma Anya) opens the evening; Aramaic passage (Had Gadya) closes the evening; 4 questions at the beginning of the seder; 13 questions at the end (Ehad Mi Yode‘a); Two litanies in the haggadah: the Dayenu before the meal and Hodu after the meal. 2) Joshua Kulp, PhD, The Origins of the Seder and Haggadah, 2005, p2 Three main forces stimulated the rabbis to develop innovative seder ritual and to generate new, relevant exegeses to the biblical Passover texts: (1) the twin calamities of the destruction of the Jerusalem Temple and the Bar-Kokhba revolt; (2) competition with emerging Christian groups; (3) assimilation of Greco-Roman customs and manners. 2nd Seder 3) David Galenson, PhD, Old Masters and Young Geniuses There have been two very different types of artist in the modern era…I call one of these methods aesthetically motivated experimentation, and the other conceptual execution. Artists who have produced experimental innovations have been motivated by aesthetic criteria: they have aimed at presenting visual perceptions. Their goals are imprecise… means that these artists rarely feel they have succeeded, and their careers are consequently often dominated by the pursuit of a single objective. -
The Old St Beghian
No. 194 The Old St Beghian January 2019 Editor: Dr A. J. H. Reeve, 6 Abbey Farm, St Bees, Cumbria, CA27 0DY. Tel: (01946) 822472 Email: [email protected] From Our President Peter Lever (G 62-66) Dear Old St Beghians, As I write this note for the January 2019 Bulletin I reflect on the 184 crosses which lined the approach to St Bees Priory Church, each one naming an OSB killed in the First World War. This is what greeted one on a wet and windy Remembrance Day Sunday morning at St Bees. A day that commemorated 100 years since the signing of the armistice that ended the Great War. It was a heart-wrenching and provocative sight. While most OSBs alive today have thankfully been spared the atrocity of war, we must be for ever grateful to those Old St Beghians who gave their lives for us in both World Wars. Equally as moving was the Chapel Service on OSB Day when the names of those 184 were read out and a plaque unveiled to commemorate the occasion. A big thank you to George Robson, who has been so involved on behalf of the Society in orchestrating our Remembrance tribute both in the School Chapel on OSB Day and at the Priory on Remembrance Sunday and in personally presenting two plaques to the school commemorating the 100th anniversary of the ending of World War 1 and honouring some of those OSBs killed. With the school now reopen and refurbishment continuing there is much to be positive about. -
Pesach – Chag Kasher V'sameach
ב''ה CBT: Pesach Essentials Monday, Mar. 27, 2017h Pesach – Chag Kasher v’Sameach Outline & Source Sheet Course Content: In these classes, we are going to learn and 1 Achilah b’Kedusha (Consecrated discuss Kashrut from an Orthodox Consumption) perspective and we will be discussing kashrut 2 Kosher Concepts and Food in terms of CBT’s congregational standards. 3 What is a Kosher kitchen? In developing this course, I have met with 4 Kashering Your Kitchen Rabbi Allouche and asked him about where 5 Common Kosher Kitchen Issues CBT as a community holds. I will take any 6 Cooking for Shabbat v’Yom Tov questions regarding community standards to 7 Pesach – Chag Kasher v’sameach Rabbi and bring an answer back to the class. Pesach – Chag Kasher v’sameach Pesach – The time of our redemption The Events and Observances of Pesach Pesach Kashrut Basics Akiva ben Avraham [email protected] www.meira-akiva.com Page 1 of 9 ב''ה CBT: Pesach Essentials Monday, Mar. 27, 2017h Pesach – Chag Kasher v’Sameach Outline & Source Sheet Pesach – The time of our redemption 1) What does Pesach mean? Exodus 12:14-20 14) This day shall be to you one of remembrance: you shall celebrate it as a festival to the LORD throughout the ages; you shall celebrate it as an institution for all time. 15) Seven days you shall eat unleavened bread; on the very first day you shall remove leaven from your houses, for whoever eats leavened bread from the first day to the seventh day, that person shall be cut off from Israel. -
North Melbourne Man's Work Honoured
Autumn 2019 ar st ye 41 THE NORTH & WEST MELBOURNE NEWS IS PRODUCED BY VOLUNTEERS AT THE CENTRE: Connecting Community In North & West Melbourne Inc www.centre.org.au Say ¡hola! at the Spanish Language Fiesta By Tatiana Echeverri The Fiesta celebrates the Spanish language and welcomed the wider et ready! The Spanish community to connect with and GLanguage Fiesta returns to learn about the rich traditions of North Melbourne Saturday 6 April Hispanic culture. from 11 am to 4 pm. North Melbourne is easy to reach Come and say ¡hola! Enter from by train, bus, bicycle or tram. A fun- George Johnson Lane in Errol filled day out with friends and the Street or Little Errol Street in whole family awaits you. Leveson Street. We are looking forward to The lanes will be transformed sharing this beautiful culture with into a little Hispanic town you. celebrating the colour, culture, traditions and language of Spain Tatiana Echeverri is community and Latin America. development officer at The Centre There will be something for people of all ages and Want to know more? backgrounds to enjoy throughout Visit The Centre, 58 Errol Street, North the day: music, food, dance, art, Melbourne 3051; www.centre.org. literature, entertainment and au; Email: [email protected] hands-on activities. Phone: (03) 9328 1126 North Melbourne man’s work honoured By John H. Smith peace, justice and improvement of life to the ALP he worked with Ralph He brings vast experience to his for the poor stems from his integrated Willis and proposed the scheme that present work. -
Sea Cloud Board a Legend, Sail Into History 2018 Voyages
SEA CLOUD BOARD A LEGEND, SAIL INTO HISTORY 2018 VOYAGES TM DEAR TRAVELER, We have been leading expeditions together aboard Sea Cloud for five years now (Tom began working aboard in the 1980s) and we can genuinely attest that this ship is a destination in and of itself. The fact that she travels to both iconic and discoverable locations is just the frosting on her impeccable ‘cake.’ People have been in love with Sea Cloud since she was commissioned by E.F. Hutton and his wife, Marjorie Merriweather Post, in 1931. She is the most authentic, historic, and elegant hand-sailed tall ship in the world. Watching the crew of 18 raise and lower her 30 sails by hand, the old-fashioned way, is a thrilling sight, one that elicits a powerful feeling. And as one of our past guests summed it up, “the Sea Cloud made me proud to be one of her passengers every time we came into port!” When you add our carefully crafted itineraries—Caribbean, Sicily-Malta, the Greek Isles, and Greece and the Dalmatian Coast—plus our unique Lindblad-National Geographic expedition style to Sea Cloud’s allures, you have the makings of an incomparable travel experience. Our expedition approach balances the ship’s native elegance with casual comfort. It creatively choreographs a square-rig sailing experience with the intimate history of the ship. And it mixes the surprise and delight of “off the beaten path” islands and authentic local encounters with visits to must-see sites. Consider too that when we’re in the Mediterranean, we make it a priority to schedule our visits for times when we have legendary sites virtually to ourselves. -
Etd-03272009-140720.Pdf (141.5 Kb )
BLOOD KNOT By William Nicholas White A Thesis Submitted to the Faculty of Mississippi State University in Partial Fulfillment of the Requirements for the Degree of Master of Arts in English in the Department of English Mississippi State, Mississippi May 2009 BLOOD KNOT By William Nicholas White Approved: ______________________________ ______________________________ Richard Lyons Michael Kardos Professor of English Assistant Professor of English Director of Creative Writing (Committee Member) (Director of Thesis) ______________________________ ______________________________ Catherine Pierce Richard Patteson Assistant Professor of English Professor of English (Committee Member) Director of Graduate Studies ______________________________ Gary Myers Dean of the College of Arts and Sciences Name: William Nicholas White Date of Degree: May 2, 2009 Institution: Mississippi State University Major Field: English Major Professor: Dr. Richard Lyons Title of Study: BLOOD KNOT Pages in Study: 60 Candidate for Degree of Master of Arts This collection of original poetry is preceded by a critical introduction that details how Marianne Moore and Elizabeth Bishop’s similar aesthetics in poetry have influenced my own. The following poems focus on themes that challenge the nature of “manhood,” particularly the archetype of Southern masculinity, and highlight characters who struggle to understand themselves, their desires, and their society. The critical essay tracks how Bishop’s personifications, as she grows as a poet and as her narrator’s “drive into the interior” of nature, become harder to define and control and how this loss of control precipitates a jubilant self-awareness—an awareness of the limitations and frailty of language, of poetry, and of human understanding to fully comprehend and capture the vastness of the natural world.