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France's Banijay Group Buys Endemol Shine to Create European Production Giant
Publication date: 28 Oct 2019 Author: Tim Westcott Director, Research and Analysis, Programming France's Banijay Group buys Endemol Shine to create European production giant Brought to you by Informa Tech France's Banijay Group buys Endemol Shine to 1 create European production giant France-based production company Banijay Group has reached agreement to acquire Endemol Shine Group from Walt Disney Company and US hedge fund Apollo Global Management. The price for the deal was not disclosed but is widely reported to be $2.2 billion. A statement from the group said the deal will be financed through a capital increase of Banijay Group and debt. On closure, subject to regulatory clearances and employee consultations. Post-closing, the combined group will be majority owned (67.1%) by LDH, the holding company controlled by Stephane Courbit's LOV Group, and Vivendi (32.9%), which invested in Banijay in 2014. The merged group said it will own almost 200 production companies in 23 territories and the rights for close to 100,000 hours of content, adding that total pro-forma revenue of the combined group is expected to be €3 billion ($3.3 billion) this year. Endemol Shine Group is jointly owned by Disney, which acquired its 50% stake as part of its acquisition of 21st Century Fox last year, and funds managed by affiliates of Apollo Global Management. Endemol Shine has 120 production labels and owns 66,000 hours of scripted and non- scripted programming and over 4,300 registered formats. Our analysis Endemol Shine Group has been up for sale since last year, and Banijay Group appears to be have been the only potential buyer to have made an offer, despite reported interest from All3Media, RTL Group-owned Fremantle and others. -
Trends in TV Production Ofcom, December 2015 Contents
Trends in TV Production Ofcom, December 2015 Contents 1. Summary 2. What were the original aims of intervention? 3. The UK production market 4. How many companies are active in the market? 5. How easy is it to enter? 6. Production sector revenue and flow of funds 7. Production sector consolidation 8. Quotas 9. Regionality 10. Historical context of the US market Summary – the questions asked This pack aims to confirm (or dispel) many of the widely held beliefs about the UK television production sector. Among the questions it seeks to answer are: • What is the intervention (regulation of the sector) meant to do? • How has commissioning developed over time? • How has the number of producers changed over time? • Is it harder to get into the market? • How do terms of trade work? • How has the sector grown? • What has consolidation looked like? • How do quotas work? • How does the sector operate regionally? 3 Summary – caveats This report was produced for Ofcom by Oliver & Ohlbaum Associates Ltd (“O&O”). The views expressed in this report are those of O&O and do not necessarily represent the views of Ofcom. While care has been taken to represent numbers in this report as accurately as possible based on available sources there may be inaccuracies and they may not correspond with Ofcom’s view of the market and cannot be taken as officially representative of Ofcom data. 4 Summary - data sources used • Oliver & Ohlbaum Producer Database, 2006-2015 ₋ BARB data supplied by Attentional and further coded by O&O to include production companies and their status as qualifying or no-qualifying producers, plus their respective turnover bands. -
In the High Court of Judicature at Bombay Ordinary Original Civil Jurisdiction in Its Commercial Division
904.10.comipl.147.2020.doc dik IN THE HIGH COURT OF JUDICATURE AT BOMBAY ORDINARY ORIGINAL CIVIL JURISDICTION IN ITS COMMERCIAL DIVISION INTERIM APPLICATION NO.1 OF 2020 AND LEAVE PETITION NO.56 OF 2020 IN COMMERCIAL IP SUIT (L) NO.147 OF 2020 Endemol Shine Nederland Producties B.V. & Ors....Applicants(Org. Plaintiffs) In the matter between: Endemol Shine Nederland Producties B.V. & Ors. …Plaintiffs Versus Andaman Xtasea Events Private Limited & Ors. …Defendants ---------------- Mr.Hiren Kamod, Advocate along with Mr.Vaibhav Keni, Ms. Doyel Sengupta Mattoo and Ms. Neha Iyer, Advocates i/b Legasis Partners, for the Applicants/Plaintiffs Mr. Lalit Sharma, representative of the Plaintiffs’ None for the Defendants ..... CORAM : B. P. COLABAWALLA, J. 21 FEBRUARY, 2020. P.C. : 1. Mr. Kamod, learned Advocate for the Plaintiffs submits that the papers and proceedings in the present matter have been duly served upon Defendant Nos.1 to 3 on 10th February, 2020 and Defendant No.4 on 8th February, 2020. An affdavit of service dated Pg 1 of 18 ::: Uploaded on - 24/02/2020 ::: Downloaded on - 24/02/2020 14:30:48 ::: 904.10.comipl.147.2020.doc 14th February, 2020 evidencing service of documents upon the Defendants was tendered before this Court on 14th February, 2020 and the same was taken on record. As per the order passed on 14th February, 2020, the Plaintiffs have given one more notice of this application to the Defendants vide emails dated 18th February, 2020. A copy of the said order dated 14th February, 2020 is also served upon the Defendants through email. -
MPLC Studioliste Juli21-2.Pdf
MPLC ist der weltweit grösste Lizenzgeber für öffentliche Vorführrechte im non-theatrical Bereich und in über 30 Länder tätig. Ihre Vorteile + Einfache und unkomplizierte Lizenzierung + Event, Title by Title und Umbrella Lizenzen möglich + Deckung sämtlicher Majors (Walt Disney, Universal, Warner Bros., Sony, FOX, Paramount und Miramax) + Benutzung aller legal erworbenen Medienträger erlaubt + Von Dokumentar- und Independent-, über Animationsfilmen bis hin zu Blockbustern ist alles gedeckt + Für sämtliche Vorführungen ausserhalb des Kinos Index MAJOR STUDIOS EDUCATION AND SPECIAL INTEREST TV STATIONS SWISS DISTRIBUTORS MPLC TBT RIGHTS FOR NON THEATRICAL USE (OPEN AIR SHOW WITH FEE – FOR DVD/BLURAY ONLY) WARNER BROS. FOX DISNEY UNIVERSAL PARAMOUNT PRAESENS FILM FILM & VIDEO PRODUCTION GEHRIG FILM GLOOR FILM HÄSELBARTH FILM SCHWEIZ KOTOR FILM LANG FILM PS FILM SCHWEIZER FERNSEHEN (SRF) MIRAMAX SCM HÄNSSLER FIRST HAND FILMS STUDIO 100 MEDIA VEGA FILM COCCINELLE FILM PLACEMENT ELITE FILM AG (ASCOT ELITE) CONSTANTIN FILM CINEWORX DCM FILM DISTRIBUTION (SCHWEIZ) CLAUSSEN+PUTZ FILMPRODUKTION Label Anglia Television Animal Planet Productions # Animalia Productions 101 Films Annapurna Productions 12 Yard Productions APC Kids SAS 123 Go Films Apnea Film Srl 20th Century Studios (f/k/a Twentieth Century Fox Film Corp.) Apollo Media Distribution Gmbh 2929 Entertainment Arbitrage 365 Flix International Archery Pictures Limited 41 Entertaiment LLC Arclight Films International 495 Productions ArenaFilm Pty. 4Licensing Corporation (fka 4Kids Entertainment) Arenico Productions GmbH Ascot Elite A Asmik Ace, Inc. A Really Happy Film (HK) Ltd. (fka Distribution Workshop) Astromech Records A&E Networks Productions Athena Abacus Media Rights Ltd. Atlantic 2000 Abbey Home Media Atlas Abot Hameiri August Entertainment About Premium Content SAS Avalon (KL Acquisitions) Abso Lutely Productions Avalon Distribution Ltd. -
Shoal Games Secures License to Mr. Bean ANGUILLA, B.W.I., February 21, 2018 - Shoal Games Ltd
Shoal Games Ltd. Hansa Bank Building, Ground Floor Landsome Road, The Valley AI 2640, Anguilla, BWI Ph: +1 888-374-2163 Fax: +1 604-694-0301 Shoal Games Secures License to Mr. Bean ANGUILLA, B.W.I., February 21, 2018 - Shoal Games Ltd. (TSXV: SGW) (OTCQB: SGLDF) (“the Company”), mobile software developer, publisher, and owner of Rooplay (http://www.rooplay.com), today announced that it has licensed the rights to Endemol Shine Group’s Mr. Bean Animated brand (http:// www.mrbean.com/) to produce a range of classic and educational games. The announcement follows the recent news that Tiger Aspect Productions, an Endemol Shine UK company, will produce a third run of Mr. Bean: The Animated Series. The series will air in 2019 on CITV in the UK and across international markets on Turner’s Boomerang (as well as other Turner Kids channels in select markets) through deals agreed by Endemol Shine International. Rowan Atkinson will return to voice the animated version of his British icon and will continue to be involved in the creative direction of the show. Mr. Bean is a global sensation, broadcast in 195 territories with over 25 years in continual distribution. The brand has also seen phenomenal digital growth and is now the 12th most popular Facebook page worldwide, recently overtaking the likes of Taylor Swift and Harry Potter, with over 77 million fans, growing on average by 200,000 fans per week. Jason Williams, CEO of Shoal Games, stated “we are thrilled to be working with Endemol Shine and the Tiger Aspect Production teams to bring this world-famous brand to life in classic family and educational games on Rooplay and as stand-alone releases. -
Endemol Shine Group and Seven Productions Australian Serial Drama Home and Away to Stream Exclusively on Hulu in the US
Amsterdam, London 13.03.2015 Press Release Endemol Shine Group and Seven Productions Australian serial drama Home and Away to stream exclusively on Hulu in the US Hulu acquires US exclusive streaming video on-demand rights to Seven Network Australia’s serial drama Home and Away Home and Away launched on Hulu Monday 2nd March 2015 Home and Away is produced by Seven Productions, the studio arm of Seven Network Australia and is now in its 28th year Newly launched global content creator, producer and distributor, Endemol Shine Group, which brings together Endemol, Shine and CORE Media today announced that Hulu had acquired the exclusive streaming video on-demand rights to Seven Network Australia’s serial drama Home and Away across the US. The deal was negotiated by Endemol Shine International’s Executive Vice President, Sales and Acquisitions Matt Creasey and Lisa Holme, Vice President, Content Acquisition at Hulu. The series became available to stream on Hulu on Monday 2nd March 2015 with the first 11 episodes of the 2015 season, with one new episode per weekday following launch. “Over the past 28 years Home and Away with its strong storylines, talented cast and creative team has continued to keep both viewers in Australia and across the world captivated,” said Cathy Payne, Chief Executive of Endemol Shine International. “We are delighted that the US viewing audience now has a chance to make Home and Away and Summer Bay one of their favourite destinations.” “The Seven Network is recognised as the leader in Australian produced television programming,” said Therese Hegarty, Head of Production and Rights from Seven Network. -
Develops and Publishes Match-3 Game Under Global Brand Masterchef
Develops and publishes match-3 game under global brand MasterChef The mobile game developer Qiiwi Games (Qiiwi) and Endemol Shine Group (ESG) today announce that they have entered into a strategic cooperation agreement to develop and publish one match-3 game for the most successful food entertainment TV programme in the world, MasterChef. MasterChef has been watched by over 300 million people globally, aired in over 200 territories and locally produced in 63 countries and more to come. The collaboration marks the fifth game Qiiwi develops and publishes within the business division "Branded Games" and the first one together with ESG. About MasterChef In MasterChef home cooks compete to be crowned the nation’s MasterChef. Challenges range from simple to advanced cooking tasks. The chefs keep competing through different challenges where contestants are eliminated each time until one is finally crowned the winner. MasterChef is the most travelled food format in the world. To date, 63 countries have launched their own version of the programme and it has been aired in over 200 territories. Since its inception, over 300 million viewers worldwide have tuned in to watch contestants transform their lives through a passion for cooking and the phenomenon shows no signs of slowing down. MasterChef is the number one food brand on YouTube and has generated over 8.2 billion views across YouTube, Facebook and Instagram which leads to a a highly engaged digital global audience. About the agreement between Qiiwi and ESG: Background: Endemol Shine Group together with owner Banijay maintains the world’s largest international content producer and distributor spanning 22 territories with over 120 production companies and a multi-genre catalogue boasting over 88,000 hours of original standout programming. -
Branded Funded Programming
K7 MEDIA Brand Funded Programming: Why It Matters Now Page 1 of 107 January 2021 K7 MEDIA Brand Funded Programming: Why It Matters Now Brand Funded Programming: Why It Matters Now 1. Introduction 3 2. What Is It? And What Do We Call It? 5 3. Why Do I Need to Know About It NOW? 7 4. BFP Models That Work 15 5. Territory, Audience and Platform Differences 20 6. Genres to Consider 25 7. The Challenges 30 8. Top Tips for TV Producers 34 9. Exclusive Interviews with 26 Top Global Experts in Brand Funded Programming 36 UNITED KINGDOM 37 AUSTRALIA AND NEW ZEALAND 62 ASIA 73 EUROPE 96 USA 104 About K7 Media 107 Page 2 of 107 January 2021 K7 MEDIA Brand Funded Programming: Why It Matters Now 1. Introduction Welcome to K7’s Insight Report - Brand Funded Programming: Why It Matters Now Amidst a sea of depressing news about stalled TV productions, squeezed programming budgets and diminished ad revenues in 2020, there is one area that is perhaps set to benefit more than any other from the year’s upheavals - that of brand funded programming. A timely convergence of these financial pressures, combined with the diminishing impact of traditional advertising spots in a world of proliferating VOD platforms, has led both broadcasters and brands to put renewed effort into finding new ways to co-fund and co-develop original, entertaining programming between them. Different territories are at different stages on this journey, with varying regulatory and audience constraints leading to a highly complex global picture, but if you haven’t as yet taken the time to properly understand the opportunities, 2021 might be the time. -
Media Industries You Will Need to Consider
Media Series - TV Student Notes Media Industries You will need to consider: • Processes of production, distribution and circulation by organisations, groups and individuals in a global context • The specialised and institutionalised nature of media production, distribution and circulation • The significance of patterns of ownership and control including conglomerate ownership, vertical integration and diversification • The significance of economic factors, including commercial and not-for-profit public funding, to media industries and their products • How media organisations maintain, including through marketing, varieties of audiences nationally and globally • The regulatory framework of contemporary media in the UK Regulation (including Livingstone and Lund) at A level • Cultural industries (including Hesmondhalgh) at A Level Media Series - TV 1 Media Series - TV Student Notes Humans • ‘Humans’ • Series 1, Episode 1 (2015) • Original Broadcaster : C4/aMC (UK/US) • Co-production between C4 - commissioned Kudos Film & TV, distributors Shine Ltd and aMC in the US • Based on the Swedish series “Real Humans” which ran for 20 episodes across 2 seasons and was sold to 50 + countries • C4’s highest-rated drama since 1992. 2 series of 8 episodes each. • £12M for first series • Released 14/6/15 in UK and 28/6/15 in US. Staggered release Series 2 – 30/10/16 in UK, 13/2/17 US. Channel four • Research Channel 4 • Launched in 1982 with an alternative programming remit Media Series - TV 2 Media Series - TV Student Notes Kudos • Commissioned by aMC and C4 . Made by Kudos Productions, a UK based production company. ‘We work with the best global talent to create, develop and produce popular, innovative, award winning drama and comedy series’. -
MPLC Österreich Repertoirelizenz Studioliste Stand 08.2020
MPLC Österreich Repertoirelizenz Studioliste Stand 08.2020 101 Films 12 Yard Productions 20th Century Studios (f/k/a Twentieth Century Fox Film Corp.) 365 Flix International 41 Entertaiment LLC 495 Productions 4Licensing Corporation A Contracorriente - Spain A Really Happy Film (HK) Ltd. (fka Distribution Workshop A&E Networks Productions ACIP (fka Angel City Factory (ACP)) AI Film AIM Group (dba Cinevision Abbey Home Media Abot Hameiri Global -Ambassador Film Library) Abso Lutely Productions Absurda Acacia Acorn Media Acorn TV Actaeon Films Adult Swim Productions Adventure Line Productions (ALP) Aenon Affiliate of Valiant Women Society (fka Agatha Christie Productions Ager Film Maralee Dawn Ministries) Air Productions Al Dakheel Inc Alcina Pictures (ex. Canada) Alcon Entertainment Alcon Television All-In-Production Gmbh Alley Cat Films Ambi Exclusive Acquisitions Co. LLC American Heroes Productions American Portrait Films American World Pictures Anglia Television Animal Planet Productions Animalia Productions Annapurna Productions Apollo Media - BOAT TRIP Apollo Media Distribution Gmbh Arbitrage Archery Pictures Limited Arclight Films International ArenaFilm Pty. Arenico Productions GmbH Asmik Ace, Inc. (ex. Japan) Athena Atlantic 2000 August Entertainment Avalon Distribution Ltd Avalon Television Avanti Media Fiction Avanti media Film- und Fernsehproduktion Awesomeness Distribution Azucar Entertainment BBC Studios Distribution Ltd. BBL Distribution BBP Music Publishing c/o Black Bear BKN International AG - All Rights Reserved Pictures BMG Audiovisual (Soundstage / Berlin Live Bandai Namco Arts Inc (ex. Japan) Banijay Finland TV) Banijay France (fka Zodiak Media France) Banijay Group (fka Zodiak Media SA) Banijay Productions Banijay Studios Banijay Studios France-FKA Zodiak Fiction Bauer Martinez Studios & Docs Beacon Communications Beakus Ltd Beano Productions Bear Hunt Films Ltd Berlin Animation Film Best Film and Video Beyond Entertainment Limited Bicicleta TV Big Fish Films Big Idea Entertainment Big Talk Productions Billy Graham Evangelistic Ass. -
Firefly Brand Management to Represent Endemol Shine North America Iconic Television Brands
FIREFLY BRAND MANAGEMENT TO REPRESENT ENDEMOL SHINE NORTH AMERICA ICONIC TELEVISION BRANDS Properties Include Series Fear Factor, Wipe Out and Deal or No Deal For Immediate Release: (San Francisco) (5/1/2017)—Firefly Brand Management announced today its appointment as the licensing agent for Endemol Shine North America (ESNA) iconic entertainment properties: Fear Factor, Wipe Out and Deal or No Deal. Firefly plans to showcase the television production company’s properties at Licensing Expo May 23-25 in Las Vegas, NV at Booth #C117. The new management deal falls on the heels of MTV’s announcement to relaunch an all- new Fear Factor premiering Tuesday, May 30 at 10 p.m.ET/PT. Grammy Award-winner Ludacris will host the refreshed series filled with new stunts inspired by urban legends, popular scary movies and viral videos from today’s cultural zeitgeist. Firefly is seeking licensing partners in key categories that include: toys, games, publishing, food and apparel. “We couldn’t be more excited to work with these high-profile legacy brands,” says Cynthia Modders, President and CEO, Firefly Brand Management. “Deal or No Deal’ and ‘Wipeout’ have powerful brand recognition and with ‘Fear Factor’ coming back on air, we are confident in the merchandising opportunities!” “Endemol Shine has a robust library of iconic brands that lends itself to a host of exciting licensing opportunities,” says Tamaya Petteway, SVP Brand and Licensing Partnerships, Endemol Shine North America. “Firefly is the ideal partner to develop creative licensing programs across key categories for these marquee television properties.” Media Contacts: Firefly Brand Management: Sabrina Propper; [email protected]; (m) 818-515-5798; ### About Firefly Brand Management Firefly Brand Management is a full-service global brand management and licensing agency specializing in entertainment, interactive, technology, art and lifestyle properties. -
Cris Abrego Becomes First Latino Chair of Television Academy Foundation
PRESS RELEASE FOR IMMEDIATE RELEASE CRIS ABREGO BECOMES FIRST LATINO CHAIR OF TELEVISION ACADEMY FOUNDATION Banijay’s Chairman of the Americas Elected Chair and Bunim/Murray Productions Co-Founder Jonathan Murray Elected Vice Chair of Television Academy’s Educational Nonprofit (NOHO ARTS DISTRICT, Calif. – Dec. 16, 2020) — The Television Academy Foundation today announced its newly elected board officers, including its first-ever Latino chair, who will serve two-year terms beginning Jan. 1, 2021, through Dec. 31, 2022. Officers elected to serve two-year terms are: Foundation Chair Cris Abrego, Chairman of the Americas, Banijay, and President and CEO, Endemol Shine Holdings; Vice Chair Jonathan Murray, Bunim/Murray Productions co-founder; Treasurer Deborah Bradley, president of Bungalo Homes, Amherst; and Secretary Billie Greer, a public policy advisor and consultant. "I am thrilled and honored to serve as Foundation chair and look forward to working with the board and staff as we build a more inclusive entertainment business,” said Abrego. “During these unprecedented times, we are expanding our reach to serve an even greater number of diverse students from across the country, advancing the Foundation’s goals of helping to shape the careers of the next generation of television professionals." Cris Abrego – Chair As the newly named Chairman of the Americas, Banijay, and President and CEO, Endemol Shine Holdings, Abrego leads operations in North America and Latin America for the world’s leading content producer and distributor with a diverse portfolio of companies that are behind hit television formats including Lego Masters, Keeping Up With the Kardashians, Big Brother, MasterChef, Wipeout, The Real Housewives of Atlanta, Deal or No Deal, Extreme Makeover: Home Edition, The Biggest Loser and Utopia.