Hunter S. Thompson Gonzo Ebook Free Download

Total Page:16

File Type:pdf, Size:1020Kb

Hunter S. Thompson Gonzo Ebook Free Download HUNTER S. THOMPSON GONZO PDF, EPUB, EBOOK Hunter S. Thompson | 256 pages | 15 Nov 2015 | AMMO BOOKS LLC | 9781623260767 | English | Los Angeles, United States Hunter S. Thompson Gonzo PDF Book Thompson revolutionised journalism and his commitment to his aesthetic ultimately cost him his life. Had a great time on the Edge of Reality podcast with Charles Rivers recently. Official Sites. It is a filter. Edit page. We thank you! I have heard more than once that Hunter S. It was no coincidence that his mail-order doctorate came from the Church of the New Truth. Hunter S Thompson. Go find out for yourself. I had a chat with the author Bill Shea and he included a quote of mine in the piece. Get the best cultural and educational resources on the web curated for you in a daily email. This great writer is part of the cultural heritage of Louisville. Thompson on Film Documentary Self. Around the world, however, other journalists approach unconventional material in risky ways, placing themselves in the middle of off-beat stories, and relate those accounts in the supercharged rhetoric of Gonzo. Who Killed Hunter S Thompson? Website Powered by WordPress. The Illustrated Guide to Hunter S. Thompson than drugs and bad behavior. Johnny Depp hat you'd like to own? Hunter S. Thompson Gonzo Writer The Speed Museum is an immaculate, state-of-the-art facility located next to the University. Someone needed to do something about it. It is fitting that the ark is used in reference to the uniqueness of Gonzo, albeit in two entirely different contexts, and with two entirely different outcomes. Mescal says:. Attendance is now in the thousands. Personal Quote: [In a letter to a friend] "Yes, once in a while I smile for a picture. Known as the Pulitzer Prizes of student journalism, I was not surprised to find the group of students to be smart, inquisitive and eager to learn about the Godfather of Gonzo Journalism. We talked for almost two hours and the article turned out great. Could our writer channel his spirit by spending a night at the typewriter where it all happened? By using our website you consent to all cookies in accordance with our Cookie Policy. Great Recordings T. The teacher got Thompson recommended for a fancy literary association, where kids wore suits and talked about literature on the weekend. Unsubscribe at any time. Watkins also discovered nearly photographs from the campaign taken by David Hiser and Bob Kreuger. When he secured a hardcover contract with Jim Silberman Random House , the known part of the story breaks off. Rory Feehan, a Hunter S. Clearly the film was a labor of love for all involved and this is reflected in every aspect of the production, from the soaring soundtrack to the unmistakable film poster by none other than the legendary Ralph Steadman. Read on and see. How Much Have You Seen? Then he did it again once the windows were fixed. Sadly that was never to happen. You can buy prints of it signed by David at Gonzo Gallery. I will be posting more about my experience working with Margaret on this and about the book itself but for now here is a description from the publisher, Norfolk Press, followed by a blurb I contributed to the back cover and most importantly, the link to where you can buy a copy. Our Favorite Photos From The Rum Diary Thanks. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. It was no coincidence that his mail-order doctorate came from the Church of the New Truth. These cookies do not store any personal information. Hunter S. Thompson Gonzo Reviews It was the kind of establishment that you could well imagine Hunter holding court, full of weirdness, laughter and an eclectic mix of Americana on the jukebox. The book peaks in their romantic get-together at his ranch twenty-one years after they last met, a moving tie maintained over the years. Thompson than drugs and bad behavior. I have always maintained the view that Hunter S. Book Fair. You can help Wikipedia by expanding it. In , he also returned to campaigning journalism with his battle to free Lisl Auman , a Colorado woman convicted of murdering a police officer even though she had been handcuffed in the police car when the shot was fired by her companion. Maps in the Time of Cholera. Open Culture scours the web for the best educational media. Click here to cancel reply. Somehow he found his voice, and he knew, before anyone else, that it was special. The only sound anywhere is the warm hum of this electric typewriter and the mechanical rhythm of its key strikes, as clear and certain as gunfire. Visit the Australia site Continue on UK site. Credit: David Hiser The directors made the sensible decision to let this extraordinary footage tell the story through the participants own words, captured as they were on the scene in And who even is an unimpeachable hero? It was like Ireland in the sun. You pin something very painful to the earth and it frees your mind. To cut the jail sentence to the minimum, Thompson joined the Air Force and left Louisville for good. Right now it seems unlikely. In his tribute to Thompson in the aftermath of his death, Kentucky poet Ron Whitehead, invoked the figure of the Madman prophet from Jewish mysticism in relation to this very issue: I have heard more than once that Hunter S. Book, print and ephemera shows virtually and in the Northeast. To whip up the final edits, Margaret A. After it was published, he was convinced he was finished as a reporter. The Fine Books Blog. Read 9 Free Articles by Hunter S. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. Finally, in desperation and embarrassment, I began to rip the pages out of my notebook and give them to a copyboy to take to a fax machine down the street. Clear your history. She had no idea who he was. He taught me my humiliating PGA fadeaway shot, which has earned me a lot of money… after that, I taught him how to swim, and then I introduced him to the shooting arts, and now he wins everything he touches. Whitmire, representing the Democratic Party, debates Thompson. He sees worlds that remain inaccessible to us. Johnny Depp owns a portion. Instead, he found that depravity in his own reflection. Pinging is currently not allowed. Hunter stood as long as he could. A lot of it bothered me, with the focus more concerned with his celebrity than the fact that he was a great American writer. While that sort of behaviour may make Thompson seem like a relic from a different time, when one could be a nightmare to work with and be forgiven, his writing still resonates — some of it more noisily than ever. No one created Hunter other than Hunter. Many thanks to Professor Andrea Billups for the opportunity, it was a great experience. Thompson's work have you seen? Thompson NSFW. Nice to hear and thanks again to Jody Baumgartner for including my essay on Hunter in the book. Likewise, this has long been a problem when it comes to critically evaluating the work of Hunter S. Click to show error Error: Server configuration issue. The supreme court overturned her conviction two weeks after Thompson died. Really enjoyed reading this overview of how sports shaped Hunter as a writer. Name required. Hunter S. Thompson Gonzo Read Online Thompson died over a dozen years ago, which for a historian, is no time at all. In his tribute to Thompson in the aftermath of his death, Kentucky poet Ron Whitehead, invoked the figure of the Madman prophet from Jewish mysticism in relation to this very issue: I have heard more than once that Hunter S. User Reviews. Visit the Australia site. How Much Have You Seen? Attendance is now in the thousands. Self - Narrator Joe Cairo George W. I am quoted a few times throughout and it was a strange feeling seeing my name in GQ Magazine! Book, print and ephemera shows virtually and in the Northeast. Read 9 Free Articles by Hunter S. You must be a registered user to use the IMDb rating plugin. Thompson took no prisoners and skewered politicians on both sides. Unsubscribe at any time. Stars: Hunter S. He taught me my humiliating PGA fadeaway shot, which has earned me a lot of money… after that, I taught him how to swim, and then I introduced him to the shooting arts, and now he wins everything he touches. Collecting the History of Magazines. It was the Thompson interviewed on TV—his antics, his lifestyle. Click here to cancel reply. Visual Art. It is fitting that the ark is used in reference to the uniqueness of Gonzo, albeit in two entirely different contexts, and with two entirely different outcomes. Were he alive today, Thompson would have just marked his 80th birthday. Focusing on the good doctor's heyday, to , the film includes clips of never-before-seen nor heard home movies, audiotapes, and passages from unpublished manuscripts. It was founded by his wife, Anita Thompson and is based at Owl Farm. I had brought with me a gift for Hunter that I picked up in Heathrow Airport, a bottle oi absinthe, the first bottle of which had supposedly been sold to one Johnny Depp who had also bought it for his good friend — Hunter S.
Recommended publications
  • What Is Gonzo? Hirst, UQ Eprint Edition 2004-01-19 Page: 1
    What is gonzo? Hirst, UQ Eprint edition 2004-01-19 Page: 1 What is Gonzo? The etymology of an urban legend [word count: 6302] Dr Martin Hirst, School of Journalism & Communication, University of Queensland [email protected] Abstract: The delightfully enigmatic and poetic ‘gonzo’ has come a long way from its humble origins as a throw-away line in the introduction to an off-beat story about the classic American road trip of discovery. Fear and loathing in Las Vegas is definitely a classic of post-war literature and this small word has taken on a life of its own. A Google search on the Internet located over 597000 references to gonzo. Some had obvious links to Hunter S. Thompson’s particular brand of journalism, some were clearly derivative and others appear to bear no immediate connection. What, for example, is gonzo theology? Despite the widespread common usage of gonzo, there is no clear and definitive explanation of its linguistic origins. Dictionaries differ, though they do tend to favour Spanish or Italian roots without much evidence or explanation. On the other hand, biographical sources dealing with Thompson and new journalism also offer different and contradictory etymologies. This paper assesses the evidence for the various theories offered in the literature and comes close to forming a conclusion of its own. The paper then reviews the international spread of gonzo in a variety of areas of journalism, business, marketing and general weirdness by reviewing over 200 sites on the Internet and many other sources. Each of these manifestations is assessed against several gonzo criteria.
    [Show full text]
  • Feature Journalism
    Feature Journalism Oxford Research Encyclopedia of Communication Feature Journalism Steen Steensen Subject: Journalism Studies Online Publication Date: Aug 2018 DOI: 10.1093/acrefore/9780190228613.013.810 Summary and Keywords Feature journalism has developed from being a marginal and subordinate supplement to (hard) news in newspapers to becoming a significant part of journalism on all platforms. It emerged as a key force driving the popularization and tabloidization of the press. Feature journalism can be defined as a family of genres that share a common exigence, understood as a publicly recognized need to be entertained and connected with other people on a mainly emotional level by accounts of personal experiences that are related to contemporary events of perceived public interest. This exigence is articulated through three characteristics that have dominated feature journalism from the very beginning: It is intimate, in the sense that it portrays people and milieus in close detail and that it allows the journalist to be subjective and therefore intimate with his or her audience; it is literary in the sense that it is closely connected with the art of writing, narrativity, storytelling, and worlds of fiction; and it is adventurous, in the sense that it takes the audiences on journeys to meet people and places that are interesting. Traditional and well-established genres of feature journalism include the human-interest story, feature reportage, and the profile, which all promote subjectivity and emotions as key ingredients in feature journalism in contrast to the norm of objectivity found in professional news journalism. Feature journalism therefore establishes a conflict of norms that has existed throughout the history of journalism.
    [Show full text]
  • The Meaning of Gonzo (Kind Of, Sort Of)
    182 Literary Journalism Studies, Vol. 8, No. 1, Spring 2016 The Meaning of Gonzo (kind of, sort of) Gonzo Text: Disentangling Meaning in Hunter S. Thompson’s Journalism by Matthew Winston. New York: Peter Lang, 2014. Hardcover, 199 pp., $89.85 Reviewed by Ashlee Nelson, Victoria University of Wellington, New Zealand atthew Winston, a tutor at the School of Jour- Mnalism, Media and Cultural Studies, Cardiff University, wrote his PhD thesis on the stylistic ele- ments and literary context of Gonzo journalism. His recent book, Gonzo Text: Disentangling Meaning in Hunter S. Thompson’s Journalism, develops the earlier research and aims to provide “a critical commentary and a theoretical exploration of how Gonzo can be read as destabilising conventional ideas of journalism itself.” The target audience for the work is “postgradu- ates and scholars in journalism, cultural studies and media and communication,” as well undergraduates in the field of journalism studies. Gonzo Text focuses on a set number of Thomp- son’s works for analysis, primarily Fear and Loathing in Las Vegas, Fear and Loathing: On the Campaign Trail ’72, “The Temptations of Jean-Claude Killy,” “The Kentucky Derby Is Decadent and Depraved,” and “Fear and Loathing at the Super Bowl.” The author attempts to place Gonzo in the larger theoretical framework of journalism studies, using the texts for the specific traits of Gonzo they represent, such as drug use, politics, and sports writing. The book offers the concept of a singular “Gonzo Text,” which Winston defines as comprising “the many texts (as in ‘works’, ‘pieces’ or ‘articles’) of Gonzo journalism” (3).
    [Show full text]
  • A Postmodern Picaresque: the Limits of the Sovereign Self in Fear and Loathing in Las Vegas
    TITLE PAGE A Postmodern Picaresque: The Limits of the Sovereign Self in Fear and Loathing in Las Vegas Clayton Chiarelott A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Committee: Bill Albertini, Advisor Phil Dickinson ii ABSTRACT Bill Albertini, Advisor The novel Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream by Hunter S. Thompson is often celebrated by popular culture and either ignored or derided by literary critics, while this thesis reads it in relation to the picaresque literary tradition with a consideration for both the mass appeal and the disturbing qualities that make it a messy and difficult text. At times it comes across as transgressive in the way it creates sovereign space for alternative lifestyles, sometimes referred to as freaks by the narrator, Raoul Duke, but those moments are fleeting. More often, the narrator and his attorney, Dr. Gonzo, are reinscribing a dominant structure that abuses the less privileged and less mobile members of society, such as a hitchhiker, a maid, and a waitress. Moreover, the narrator even ends up working against himself and counteracting what he apparently values: mobility, individual sovereignty and liberty, and his version American Dream. Through a rapidly moving and episodic narrative structure reminiscent of the picaresque tradition but with a postmodern twist that amplifies and accelerates the format to such an extreme that it paradoxically paralyzes meaningful movement in a focused direction, the novel proves both appealing and unsettling.
    [Show full text]
  • Literary Journalism Studies Journalism Literary Return Address: Literary Journalism Studies Literary Journalism Studies Vol
    Literary Studies Journalism Return address: Literary Journalism Studies Literary Journalism Studies Vol. 4, No. 1, Spring 2012 State University of New York at Cortland Department of Communication Studies L P.O. Box 2000 J Cortland, New York 13045-0900 S U.S.A. Fear and Vol. 4, No. 1, Spring 2012 2012 Spring 1, No. 4, Vol. Loathing in Las Vegas + 40: Hunter S. a special issue Thompson Published at the Medill School of Journalism, Northwestern University 1845 Sheridan Road, Evanston, IL 60208, U.S.A. The Journal of the International Association for Literary Journalism Studies S11 LJS cover Final.indd 1 4/3/2012 10:52:56 AM Reprinted with permission of the Hunter S. Thompson Estate. Our cover photo for this issue is a self-portrait taken by Hunter S. Thompson in 1965. It is eerily self-revealing about how he saw himself when he was younger, especially given his inscription on the back side. Contributed by Margaret Har- rell, Thompson’s copy editor at Random House for his volume Hell’s Angels. S11 LJS cover Final.indd 2 4/3/2012 10:52:57 AM Literary Journalism Studies The Journal of the International Association for Literary Journalism Studies Vol. 4, No. 1, Spring 2012 ––––––––––––––––– Information for Contributors 4 Note from the Editor 5 ––––––––––––––––– Fear and Loathing in Las Vegas Forty Years Later: A Special Issue 6 The Two Sides of Hunter S. Thompson by William McKeen 7 “The Right Kind of Eyes”: Fear and Loathing in Las Vegas as a Novel of Journalistic Development by Robert Alexander 19 “A Savage Place!” Hunter S.
    [Show full text]
  • Can Hunter S. Thompson's Journalism/Formulas Create A
    Can Hunter S. Thompson’s journalism/formulas create a solution for the crisis of today’s media? Sergej A Fedorov MICHAEL JOHN PRINCE University of Agder, 2020 Faculty of Humanities and Education Department of Foreign Languages and Translation Sergej A Fedorov 5050 Contents Introduction……………………………………………………………………………………3 Chapter one: The Crisis of Mainstream News…………………………………………….......5 The power/role of the Press………………………………………………………………...6 The leash-holders of the Press……………………………………………………………...9 Pack Journalism…………………………………………………………………………...13 Objective Journalism……………………………………………………………………...15 Investigative and Column Journalism…………………………………………………….18 Chapter two: New Journalism………………………………………………………………..20 Feature writing, New Journalism origin and term………………………………………...21 Thompson, his New Journalism and Hell’s Angels……………………………………….23 Thompson’s New Journalism vs. Pack Journalism and Objective Journalism…………...26 Thompson’s New Journalism vs. Investigative Journalism and Column Journalism…….28 Thompson’s role…………………………………………………………………………..30 The Richard Nixon Doll…………………………………………………………………..31 A Solution?.........................................................................................................................33 Chapter three: Gonzo Journalism…………………………………………………………….34 Gonzo Journalism term and example……………………………………………………..35 Fear and Loathing on the Campaign Trail ’72…………………………………………...41 Gonzo Journalism vs. Pack Journalism…………………………………………………...42 Gonzo Journalism vs. Objective Journalism……………………………………………...44 Gonzo
    [Show full text]
  • The Gonzo Text – the Literary Journalism of Hunter Thompson Phd 2013 Matthew Winston
    The Gonzo Text – The Literary Journalism of Hunter Thompson PhD 2013 Matthew Winston Declaration This work has not been submitted in substance for any other degree or award at this or any other university or place of learning, nor is being submitted concurrently in candidature for any degree or other award. Signed ....................................... (candidate) Date .............................. STATEMENT 1 This thesis is being submitted in partial fulfilment of the requirements for the degree of PhD. Signed ....................................... (candidate) Date .............................. STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by explicit references. The views expressed are my own. Signed ....................................... (candidate) Date .............................. STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed ....................................... (candidate) Date .............................. STATEMENT 4: PREVIOUSLY APPROVED BAR ON ACCESS I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loans after expiry of a bar on access previously approved by the Academic Standards & Quality Committee. Signed ....................................... (candidate) Date .............................. ii Abstract More
    [Show full text]
  • Gonzo Journalism - an Ethnography Study
    International Journal of Science and Research (IJSR) ISSN: 2319-7064 ResearchGate Impact Factor (2018): 0.28 | SJIF (2019): 7.583 Gonzo Journalism - An Ethnography Study Dr. Nima Jerrit John1, Prerna Sharma2 1Associate Professor, ASCO, AUM. 2Student MAFTR, ASCO, AUM. Abstract: ‘Gonzo’ as refers to a particular type of approach that involves a researcher taking position as close to the subject without being a part of it and using that position to present a vivid and personalized account. This paper describes an ethnographic case study on Gonzo Journalism to be used in Media Studies. This technique provides an experimental approach towards solving the problems of New Media Journalism and Citizen Journalism, New Process of News and News Values, and Defining the New Age Role of Journalism along with its Principles of Ethics. The Ethnographic Study will enable students to understand the link between the theories with the practice of Journalism. Along with that, it instigates the use of your own knowledge to develop an understanding of people, issues, and environment. Keywords: Gonzo Journalism, Interpretivism, Ethnography New media, Citizen Journalism, New values 1. Introduction complicated by a number of factors, but using search limiters can always compensate these for. The paper intends to discuss the study of News Media, News Writing, Feature Writing, News Reporting, as well as Research Limitations/Implications - Because of the sheer Editing, etc. There is one top convergence about this whole volume of work, scholarly and popular articles were devoted scenario, the uproar about the changes that have taken place to Thompson and Gonzo Journalism, and hence it is not in the media.
    [Show full text]
  • “Surely People Who Go Clubbing Don't Read”: Dispatches from The
    “Surely people who go clubbing don’t read”: Dispatches from the Dancefloor and Clubland in Print Simon A. Morrison University of Chester [email protected] Abstract In the context of the UK dance club scene during the 1990s, this article redresses a presumption that “people who go clubbing don’t read”. It will thereby test a proposed lacuna in original journalist voices in related print media. The examination is based on key UK publications that focus on the musical tropes and modes of the dancefloor, and on responses from a selection of authors and editors involved in British club culture during this era. The style of this article is itself a methodology that deploys ‘gonzo’ strategies typical of earlier New Journalism, in reaching for a new approach to academicism. In seeking to discover whether the idea that clubbers do not read is due to inauthentic media re/presentations of their experience on the dancefloor, or with specific subcultural discourses, the article concludes that the authenticity of club cultural re/presentation may well be found in fictional responses. Keywords: music journalism, gonzo journalism, chemical generation literature, electronic dance music culture (EDMC). Welcome to the disco-text This article will interrogate the claim made in 2000 by writer and editor Sarah Champion regarding a lacuna in auteur journalist voices, in relation to club culture media products. Her broader reports about a perceived unwillingness amongst clubbers to read at all — “surely clubbers don’t read” — form part of Steve Redhead’s collection Repetitive Beat Generation (2000: 18). Within this title, Champion further asserts about the genre- specific media of this subcultural scene that, “There should have been some kind of ‘Gonzo’ journalism to capture the spirit but there wasn’t”.
    [Show full text]
  • The “Most Accurate, Least Factual” Writer: Hunter S. Thompson, Journalist by Marion Suzanne
    The “Most Accurate, Least Factual” Writer: Hunter S. Thompson, Journalist by Marion Suzanne Stotesbury July, 2010 Chair: Jeffrey Johnson Department: English New Journalism, as practiced by Tom Wolfe, Jimmy Breslin, and other writers, loosened the accepted bounds of journalism in the 1960s. Embracing these unrestricted journalism practices, Hunter S. Thompson adapted the New Journalists’ techniques and added some of his own to create Gonzo Journalism. A mix of satire, dark humor, and parody, Gonzo focused on the persona telling the story rather than the events that the writer on which was supposed to be reporting. Objectivity, the mainstay of traditional reporting in the 20th century, was not the goal in Gonzo. Thompson’s writing more closely resembled the news writing that came before the rise of objectivity. Today, Thompson’s influence on the modern media has lead the way for satirical news programming such as The Colbert Report and publications like The Onion. Thompson’s writing was also the also a forbearer of the modern polarized media. People who read his reportage understood that they were getting a story from his point‐of‐view; similarly, shows like Fox News provide the news from a certain viewpoint. The “Least Factual, Most Accurate” Writer: Hunter S. Thompson, Journalist A Thesis Presented To the Faculty of the Department of English East Carolina University In Partial Fulfillment of the Requirements for the Degree Master of the Arts by Marion Suzanne Stotesbury July, 2010 Copyright © 2010 Marion Suzanne Stotesbury The “Least Factual, Most Accurate” Writer: Hunter S. Thompson, Journalist By Marion Suzanne Stotesbury Approved by: Director of Thesis:__________________________________________________ Thomas Douglass Committee Member:________________________________________________ Liza Wieland Committee Member: _______________________________________________ Alex Albright Chair of the Department of English:____________________________________ Jeffrey Johnson Dean of the Graduate School:________________________________________ Paul J.
    [Show full text]
  • Gonzo Journalism
    Case 12: Gonzo Journalism The Society of Professional Journalists was started in 1909 by DePauw University students who were interested in careers in journalism, and wanted to "uphold high standards in the profession."115 The group spread to other college campuses and evolved into a professional organization. In 1926 the group adopted its first code of ethics, borrowed from the American Society of Newspaper Editors. This code of ethics was revised five times, with the most recent revision in 2014. In the 1973 version of the code of ethics, the guidelines require being objective, free from bias, and avoiding morbid curiosity or excessive coverage of vice and crime.116 The 2014 code of ethics recommends avoiding pandering to lurid curiosity, and providing context but does not call for objectivity or avoidance of bias, except insofar as to require labeling of advocacy or commentary.117 One wonders why these rules have evolved over the past forty years. One famed journalist comes to mind: Hunter S. Thompson. He broke a lot of rules, including the general proposition in journalistic ethics that the reporter was not a part of the story, which is embodied in the prior code's calls for objectivity and bias- avoidance. Instead of attempting to be the fly on the wall, he became part of the stories he reported, which upended journalistic history and tradition, and led to the notion of Gonzo journalism. Today's most famed journalists tend to be less flamboyant, but nonetheless involved in the story. Amy Goodman attended the protests in Standing Rock to cover them.
    [Show full text]
  • Gonzo Journalism As a Vehicle for Social Criticism in the Literary Nonfiction of Hunter S
    Student Publications Student Scholarship Spring 2015 A Savage Journey to the Heart of Literary Freedom: Gonzo Journalism as a Vehicle for Social Criticism in the Literary Nonfiction of Hunter S. Thompson Jeffrey J. Horvath Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/student_scholarship Part of the Community-Based Research Commons, Critical and Cultural Studies Commons, English Language and Literature Commons, and the Journalism Studies Commons Share feedback about the accessibility of this item. Horvath, Jeffrey J., "A Savage Journey to the Heart of Literary Freedom: Gonzo Journalism as a Vehicle for Social Criticism in the Literary Nonfiction of Hunter S. Thompson" (2015). Student Publications. 298. https://cupola.gettysburg.edu/student_scholarship/298 This is the author's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/student_scholarship/ 298 This open access student research paper is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. A Savage Journey to the Heart of Literary Freedom: Gonzo Journalism as a Vehicle for Social Criticism in the Literary Nonfiction of Hunter S. Thompson Abstract As a professional journalist Hunter S. Thompson made it his mission to expose and defy structures of American society which he believed inhibited the exercise of personal freedom and, consequently, made realizing the “American Dream” impossible. Through his unique voice and style of literary nonfiction known as “Gonzo Journalism” Thompson is able to debunk the myth of the American Dream by attacking false conceptions of it, thereby highlighting the failures of both these conceptions and the structures of society, politics, class, and authority which give rise to them.
    [Show full text]