OFFICIAL NEWSLETTER OF THE WESTERN AUSTRALIAN ACADEMY OF PERFORMING ARTS, EDITH COWAN UNIVERSITY (ISSUE 38) December 2014

Anna Laverty: engineering success

Sarah McKenzie gets sassy Page 3

Eamon Flack named Artistic Director of Belvoir Page 4

Plus Name Your Seat this Christmas!

Inside WAAPA Issue 38 Page 1 PRODUCING THE RIGHT SOUND IN THE DECADE SINCE LEAVING WAAPA, PRODUCER/MIXER/SOUND ENGINEER ANNA LAVERTY HAS WORKED WITH MANY TOP INTERNATIONAL AND NATIONAL MUSICIANS AND PRODUCERS

At 16, Anna Laverty’s love of music saw her Here she talks to Inside WAAPA about her (aged 15, 16 and 17) and I think Trevor Gaines start promoting and booking gigs in her home journey: (the then lecturer in Sound) remembered me. town of . After high school, she successfully At what age did you decide you wanted to work I also spent every school holiday doing work applied for WAAPA’s Production & Design course, in music? experience at radio stations, small recording majoring in Sound. studios and SIDE, kind of wandering around the I have always been a massive lover of music. audio world albeit in a pretty unfocused way. On graduating from WAAPA in 2003, Anna But I think I decided I wanted to work in audio I think that initiative and enthusiasm really headed to where she established the when I was about 14 years old, when I actually helped with my application. successful Soho indie club night, Hooked Up and realised what a sound engineer was. I knew that created her own label imprint of the same name. I wanted to be a sound engineer before they What are some of your fondest memories of In 2008 Anna joined London’s Miloco Studios, started making such a big deal about us having being a student at WAAPA? working alongside industy luminaries Ben Hillier to get a job! When I got the application decision letter (, Blur, Elbow, Patrick Wolf, and the Macabees) What led you to the Sound program at WAAPA? in the post I ran and hid in the corner of my and Paul Epworth (Adele, Azealia Banks, Foster parent’s wardrobe so that no one would see me I still remember finding out about the WAAPA the People, and Cee Lo Green). Working with if it was a ‘No thank you’, but thankfully it was course when I was in year 9 or 10 in high school, these highly respected producers gave Anna an acceptance letter and I came screaming and probably from an advert in Xpress or RTR or the opportunity to add an impressive roll call crying out of the bedroom. Luckily I was now a something (whatever reached the northern of international acts to her credits including WAAPA student so I wasn’t going to be the only suburbs of Perth) and suddenly thinking there Florence and the Machine, Bloc Party, Depeche completely over the top, dramatic person in my was something to really strive for. Mode, Travis and Jarvis Cocker. classes. I had studied music in primary and early high Since moving back to Australia, Anna has been My absolute favourite class was the History school but no one really understood that I didn’t involved in the production and/or engineering of Arts. I learnt so much about the world in that want to be a musician, I wanted to make music of many of Australia’s premier artists including class. Another highlight was in second year but not actually play it. I ended up dropping out Nick Cave and The Bad Seeds, Paul Dempsey, doing the sound operator role for the premiere of music class and really focusing on drama, not Kate Miller-Heidke, Paul Kelly, The Panics, Eagle of Nick Enright’s The Good Fight. It was the last acting but doing all of the lighting and sound for and the Worm, to name a few. show he wrote and he died very soon after, so the performances. I had a great teacher and she Now based in , Anna has recently that was a bit of an honour. also steered me in WAAPA’s direction. finished producing the new EP for Dirt Farmer Also, meeting the guys I studied with was I didn’t think I had any chance of getting in and is at the production helm for the debut solo pretty special. We were a pretty tight group and I because I felt so young and inexperienced but I from Jae Laffer, front man of ARIA winning still consider them good friends to this day. band The Panics. attended WAAPA’s Open Day three years in a row Page 2 Inside WAAPA Issue 38 Originally though I thought I wanted to be a singles over the next few years under the banner take us through some of the big names you live engineer, then I wasn’t sure. And then we of Hooked Up Records. have worked with and any cool moments you started learning about tape and that changed Eventually though my calling back to audio want to share with us? everything. came and I decided to go and do work experience Well, yes, over the years I have been lucky How did studying at WAAPA help you at a studio group called Miloco. I had no idea enough to be in the room and contribute when professionally? that they looked after so many studios, I just some of my favourite records were made. I have I sometimes do guest lectures at audio applied for their work experience program and also worked with some of my musical heroes colleges and they are great for teaching kids unbelievably they said yes! and I don’t have a lot of bad stories to tell. The how to use Pro Tools and Ableton etc but WAAPA I spent two weeks running around London recording world is such a good place to work. teaches you about electronics and studios and on buses dropping off hard drives, boxes of Unfortunately the hours are long and the pay is radio and theatre and dance. Practical stuff tea bags, clean tea towels and generally doing bad for a long time, but if you can get over that that will help you to actually get a job. I learnt nothing to do with audio, but all around me were and stick it out the rewards are massive. everything I needed to know to walk into a studio real live working sound engineers, actually doing I’m a massive Nick Cave & the Bad Seeds and not break anything. And that’s a really good it for real. On my second last day the manager of fan so working on their last record ‘Push the Sky start! the studio asked me to go and help one of the Away’ was a bit of a dream. I’m also a huge The On graduating from WAAPA you headed straight producers who was packing up the studio to go Panics fan and I had the privilege of producing a to London. This seems like a very brave and to the US to start work on the new beautiful solo record for the singer Jae Laffer a adventurous move. What motivated you to take album. It was Ben Hillier. couple of years back. My most recent favourite such a great leap and how did you establish Ben and I get on so well and he asked me though is The Peep Tempel’s new album ‘Tales’. yourself in your chosen field in another if I would look after the studio while he was The best thing about being an assistant country? away. Other engineers would be coming in and engineer for six years in both London and I was 19 when I graduated from WAAPA and I using it, he could see I knew how to handle Australia was getting to work with so many was dying to get out there and take on the world, mics and had a respect for the gear so he amazing producers – Nick Launay, Paul Epworth, so two weeks later I moved to London. I was wanted me to ensure nothing got broken. From Ben Hillier, Steven Schram, , managing bands in Perth at the time and one of then on I was an assistant engineer at Miloco Wayne Connelly to name a few – and coming to the bands moved over with me. and I had the pleasure of working with many realise that there are no rules. different producers and engineers and learning At first I started a club night in Soho called Any words of advice for WAAPA students? everything I needed to know to become a Hooked Up and I met so many people through This is just the beginning. Life, and the hard producer/engineer in my own right. that. I booked the bands, did the sound, DJ’d, work, starts when you graduate. Never stop took the door money and still managed to have You have worked with some amazing artists learning, never think that you know everything an amazing time. There were some bands that (Bloc Party, Florence and The Machine, Paul and ALWAYS be the last one standing. stood out so I decided to set up a record label to Dempsey, Nick Cave and The Bad Seeds) as showcase their music. I released a bunch of 7” well as producers like Paul Epworth. Can you

JAZZ VOCAL STAR GETS SASSY SARAH MCKENZIE NOMINATED FOR TOP INTERNATIONAL JAZZ VOCAL COMPETITION n 2008, in her final year at WAAPA, Sarah After recently graduating from Boston’s McKenzie set the tone for her future career prestigious Berklee College of Music on a full- by winning the Hawaiian Award for Most tuition scholarship, McKenzie came third in Outstanding Jazz Graduate and the Jack the Sarah Vaughan International Jazz Vocal BendatI Scholarship. The following year, she was Competition, announced on November 16. Also named the 2009 winner of the Generations in Jazz known as the SASSY Awards, the competition is Vocal Scholarship. the only international jazz vocal competition of its Since then, McKenzie’s superb jazz vocals and kind, providing a lot of press for all finalists and brilliant piano playing have seen her perform as a platform for one outstanding a featured artist at events like the Stonnington, jazz singer to launch a Wangaratta and Melbourne jazz festivals in career within the music Australia and jazz festivals in Europe and the USA, business. including prestigious events like Umbria Jazz and Now based in the Monterey Jazz Festival. Boston, McKenzie was She has recorded three for ABC Jazz, recently in Australia picking up a 2012 ARIA Award for Best Jazz Album to promote her new for Close Your Eyes. Her latest album was recorded album, We Could in New York with guests Warren Wolf and Ingrid Be Lovers. She also Jensen. performed at the Sydney International In February this year, McKenzie was runner-up Women’s Jazz Festival in the Jazz Voice Competition at the Mid-Atlantic and at Melbourne’s Jazz Festival in Maryland. In June, she performed Bennetts Lane Jazz an original song with the Boston Pops at Club. Symphony Hall.

Inside WAAPA Issue 38 Page 3 Photos by Brett Boardman Brett by Photos

EAMON FLACK APPOINTED ARTISTIC DIRECTOR OF BELVOIR

elvoir’s Associate Director – New in ridiculous circumstances,” said Flack. humanity and a sense of purpose. I cannot Projects, Eamon Flack, has been “Running a theatre is a quixotic undertaking. imagine a more wonderful job than leading such appointed to lead the company from Everything you ever do is doomed to disappear a company.” 2016. He will be the company’s third forever on closing night. And yet I can think of “Eamon is a very good theatre director ArtisticB Director and lead it into its fourth decade. nothing better. To my mind, the cardboard crown indeed,” said Belvoir’s current Artistic Director Flack, a 2003 WAAPA Acting graduate, is of the artistic directorship of Belvoir is the Ralph Myers. “His work is sophisticated, delicate widely regarded as one of Australia’s leading absolute height of honour and responsibility. A and finely wrought. In addition to his skills as a theatre directors. He is best known for his recent theatre is one of society’s test cases. If a rich, director, he is a generous and sensitive mentor sold-out production of The Glass Menagerie, liberal country can’t find a way to include the full and supporter of artists. He has a keen eye for starring fellow graduate Rose Riley, and for variety of life in the model of itself on stage, then emerging talent, and is often the first person his Helpmann Award-winning production of how can we hope to include the full variety of life to spot the worth of exciting new projects at Angels in America in 2013. He has also worked in the real society off stage? The ideal theatre their genesis. During my tenure here as Artistic as a writer, actor and dramaturg for Belvoir, company is a combination of a nineteenth- Director he has been an invaluable Associate Melbourne Theatre Company, Malthouse Theatre century playbill and SBS world movies: our Director, and I am delighted at the Board’s and many other companies. greatest actors in the finest plays, delivering decision to appoint him as my replacement. I the world on stage. I’d like the Upstairs Theatre Flack was born in Singapore and travelled look forward to many years of thrilling, bold, and to be Sri Lanka one moment, Lakemba the next widely as a child, but spent most of his youth in engaging theatre under his leadership.” and Elizabethan London after that. Belvoir is a Darwin before attending high school in . Flack will continue in his position as Associate little building on a hill where people gather to Director – New Projects and as Artistic Director “I’ve served a kind of apprenticeship for say what they really mean and to let it all out designate throughout 2015 while programming this job for the last nine years – half under Neil then and there – all the outrage and bafflement the 2016 Season. He will assume the role of Armfield and half under Ralph Myers – and again and astonishment at what we’re living through Artistic Director as of January 2016. and again I’ve seen astonishing things achieved – in order to go home again with some faith in

Page 4 Inside WAAPA Issue 38 CAPTURING DANCE MOTION MOTION CAPTURE RAISES THE BARRE FOR WAAPA DANCERS The latest motion capture technology is now evidence that supports these being used on WAAPA’s elite dance students beliefs,” Hopper said. to help them improve their technique and “We hope to provide a new form avoid injuries. of visual feedback to the dancers The program is the first of its kind, bringing of their movements using motion together motion capture technology and the capture and see if this improves expertise of a specialised biomechanist into an learning in dance training.” elite dance program. For WAAPA Dance Lecturer ECU Biomechanicist Dr Luke Hopper hopes Andries Weidemann there is huge Dr Luke Hopper and WAAAPA dance student Valentina Maricovinovic the facility will be able to assist dancers in potential in motion capture as a tool for both demonstrate the new motion capture facility. refining their technique to prevent injuries. teaching and performance. Contemporary dance student Alex Perrozzi, The program uses up to 50 tiny markers “Dancers learn by watching, copying and who is in his final year of training, said the placed on a dancer’s body to map their experimenting with movement on their own videos provided 3-D evidence of what teachers movements in 3-D. The data can then be used until they have integrated that movement into had always told him. “It’s helpful to see from an to create a video that can be used to review patterns that they can replicate easily,” he said. outside perspective what our faults are in our individual dancer’s technique or even utilised in “Seeing their motion captured and placed on technique so we can improve on that,” he said. performance. an avatar gives the students a perspective that The motion capture facility will also be “It is firmly believed in the dance industry they have not had before and that this can lead utilised by other research disciplines across that performing with ‘incorrect technique’ will to new insights about their performance.” Edith Cowan University, including animation. cause injury, but there is a lack of scientific FROM STAGE MANAGER TO EXECUTIVE DIRECTOR OF AUSTRALIA’S NEWEST DANCE COMPANY

1999 WAAPA Stage Management graduate many of whom I still work with regularly. The Aaron Beach has worked solidly since finishing discipline, rigour and level of detail taught to his studies for many of Australia’s leading youth the stage management students have benefited arts and contemporary arts organisations, me enormously. accumulating a wealth of experience and I have had a number of WAAPA secondment knowledge along the way, which has led to his students from Stage Management and recently appointment as Executive Director of Australia’s Arts Management and I am always impressed by newest dance company, the Contemporary their high level of technical skill matched with a Dance Company of Western Australia (CDCWA). It hunger and passion for the industry. also marks a return to his home town after over It’s important to match a love of theatre with a decade of living in the Eastern States. a strong work ethic. You have to love it to work in Tell us about your career trajectory from the performing arts industry. graduating WAAPA? It is very interesting to see What skills have you picked up along the way you go from more on-the-ground stage/event/ that has led you to this exciting new role? production managment roles into your new I think my production background has been position as Executive Director of Australia’s really useful. It has been so valuable to have newest contemporary dance company. spent years gaining a deep understanding I have a background in Production over how each department within an arts developing strategic partnerships, online Management having worked with Bangarra organisation connects. Dance Theatre, Barking Gecko Theatre Company, engagement, lobbying and advocacy. Production highlights include: AWESOME Arts Australia Ltd, ANPC National I have had wide-ranging regional, national Playwrights’ Conference, ATYP, Deckchair and international touring experience in both • Bangarra - Fire – A retrospective, True Theatre, Rock Surfers Theatre Company, City dance and theatre, including managing tours Stories, Clan, Mathinna, Awakenings of Perth New Year’s Eve Concert and the Perth to Germany, Italy, China, the USA, Canada, • Barking Gecko - Hot Dogs, The Stones, The International Tattoo. Austria and Hungary. As an independent theatre Buzz, Ghost Train, Hidden Dragons, His Majesty’s My professional experience has been entirely producer, I have also produced work in Sydney New Clothes, Crabbing at High Tide, Primates, in the performing arts, as well as in community and Perth. Feather Surfers, The Troll from The Bowl and cultural development; in particular, I have How did your time at WAAPA help prepare you • Broken Limb - The Boys, Macbeth, spent years working with children and young for industry? Rosencrantz & Guildenstern are Dead people, emerging practitioners and Indigenous WAAPA was great for me. I developed • ATYP - Birds, Spurboard, Hamlet, artists. I have always had a keen interest in the best network of friends and colleagues Kinderspiel, Sparkleshark, Lucky, Bendy

Inside WAAPA Issue 38 Page 5 SAMUEL MAXTED’S EUROPEAN ADVENTURE

ince graduating from WAAPA’s Advanced TanzCompany Innsbruck’s Artistic Director is SDiploma of Dance in 2012, dancer Samuel Spanish dancer and choreographer, Enrique Maxted has been incredibly busy. Gasa Valga. Sam joins a very multi-cultural “I spent two years performing with the company with fellow dancers coming from West Australian Ballet and during this time, I Spain, Venezuela, Italy, Germany, Japan, Czech also completed my Republic, Poland, USA, France and Switzerland. Bachelor of Arts “The work is extremely physical, with a at ECU. It was ‘neo-classical’ style, and being a company of at the end of 2013 when my 16 dancers, we are consistently working and contract finished with the WAB that I onstage. I’m in my second month working with started to plan a European audition tour.” the company, and I’ve performed in the theatre’s In February of this year Sam attended seven opening gala, a remount of the company’s auditions in France, Germany, Russia, Spain and repertoire Salt and Pepper, our director’s first the Czech Republic. By March he was back in premiere for the season Dante.Inferno, and Paris doing small project work, including a short currently we are preparing for another premiere dance filmKeep Paris Moving (http://clapway. of Charlie Chaplin. It’s a lot of work, but so far I’m com/moving-cities-paris) and a video for taking the challenge on with a lot of enthusiasm.” . Sam is grateful to his WAAPA Dance Lecturers for inspiring him to pursue a dance career overseas. “I was actually dancing in the streets, on set, “Throughout my time training at WAAPA I and was mid-shoot for Keep Paris Moving when was tutored and mentored by lecturers that I was invited by Ballett Im Revier in Germany had very successful international careers so to guest in their newest creation premiering in my mind was always open to the possibility of May. I spent three months working in Germany, taking my dancing overseas. Europe is a part and during this time I attended another three of the world that has always interested me and auditions. One of which was for TanzCompany being so rich in culture, it is abundant with a Innsbruck, Austria. It was the most competitive variety of dance companies and theatres to audition I have attended during my travels. It was inspire and challenge you. This is exactly the run over two days and consisted of a classical experience I’ve had. Moving to Europe and being class, men’s repertoire, two choreographic exposed to its exciting and competitive dance workshops, pas de deux, and interviews. It was scene has extended my skills and progress as a also the most beautiful city I had visited in my dancer. I’m now at a point with my dancing that time in Europe, so I was obviously ecstatic upon I doubt I would have been able to accomplish if being offered a contract by the director the I had stayed within the comfort and familiarity following week.” of the Australian scene. My passion for dance TanzCompany Innsbruck, the dance company and the stage is as strong as ever, and I can of the Tiroler Landestheater in Innsbruck, only encourage other young dancers to venture is a multi-purpose Performing Arts Centre out over the waters in pursuit of finding similar with resident dance and theatre companies. challenges and inspiration as I have.” AN EXPATRIATE DANCE LIFE Lee Johnston, who graduated from WAAPA’s (including Holland Dance Festival, STEPS Dance (both artist support Bachelor of Dance in 2003, recently returned Festival, Internationale Tanzmesse, Bilbao, initiatives for the dance to Australia after a decade overseas and is now Milan, Athens and Poland) and internationally sector of Wales), as well working as a freelance dancer/choreographer in (including Cuba, India and China). as leading the company Sydney. She fills Inside WAAPA in on her exploits: While at NDCWales, I pursued my choreographic in a visioning and “After a three-month apprenticeship in 2004 interest making five works.Purlieus (2012) and strategy development with National Dance Company Wales (NDCWales) They Seek to Find the Happiness they Seem process for its I became a full-time company dancer leading to (2013) have since entered NDCWales’ repertoire future direction a nine-year performance career with them. and are currently touring the UK and Europe. - resulting in my writing NDCWales’ Throughout this time I had the privilege In August 2013 I became Rehearsal Director for Vision Document to work with choreographers including Ohad NDCWales and from December 2013 the House 2014 for the Arts Naharin, Christopher Bruce, Angelin Preljocaj, Choreographer and Interim Artistic Director. Council of Wales. Stephen Petronio, Andonis Foniadakis, Itzik Galili, In this position I programmed Tuplet by Things are going well in Sydney so far but it’s Stephen Shropshire, Stijn Celis, Gustavo Sansano Alexander Ekman and Walking Mad by Johan very strange to go from a crazy heavy workload and Nigel Charnock, as well as performing Inger into NDCWales’ 2014/15 repertoire, to freelancer – exciting times however.” extensively throughout the UK, Europe implemented Stage One and Gaga Workshops Page 6 Inside WAAPA Issue 38 PERTH FILM MUSIC A CULT HIT PERTH COMPOSER CHRISTOPHER DE GROOT DISCOVERS AN INTERNATIONAL AUDIENCE FOR HIS ‘GIALLO’ SOUNDTRACK Off international interest in his soundtrack Bulgarian choir music, for the thriller Sororal, composer Christopher 20th Century avant- de Groot has signed to the prestigious Swedish garde classical soundtrack label Screamworks. works and classic De Groot’s soundtrack for Sororal was also giallo scores nominated for Best Original Music at the 2014 from the likes WA Screen Awards and more recently, was of soundtrack nominated for an APRA Award for Film Score of band Goblin and the Year. legendary Italian Christopher de Groot (left) and his Sororal album cover film composer Ennio Shot on location in WA, Sororal is currently “The response has been amazing,” says de Morricone. The score making appearances at genre film festivals Groot. “People who haven’t even seen the film was all performed and around the world, most recently at Fantaspoa have been tracking me down on social media, recorded in Perth.” Eneksis, a vocal ensemble in Brazil. Inspired by Italian horror films,Sororal asking how they can get their hands on the made up of WAAPA students and directed by lays claim to being Australia’s first ‘giallo’ film, soundtrack. I’ve had enquires from Italy, France, WAAPA lecturer Micheál McCarthy, recorded 15 a style of murder-mystery film that includes Brazil and the United States.” choral tracks for the movie. elements of horror fiction and eroticism. Mikael Carlsson of MovieScore Media is one Written over the period of a year, de Groot De Groot, who graduated from WAAPA in 2010 of the many fans of de Groot’s work, writing in recorded the various instrumental sections in with a Masters degree in composition, describes his review that: “Christopher de Groot’s music Perth at different times as funds came to hand. how he achieved the distinctive sound for is some of the most refreshing and eclectic He recorded all of the analogue synthesizer the Sororal soundtrack: “It is comprised of a horror music to be heard in a contemporary film and guitar parts in his bedroom while the brass 10-piece brass section, 16-piece choir, two drum – while it’s paying tribute to the genre masters section was recorded at WAAPA during the 2012 kits, electric guitar, electric cello, and a barrage (Goblin, Morricone et al) it is also totally unique, summer break. The choir was recorded at a local of analogue synthesizers. The score takes challenging and highly original. A nasty score church while the rhythm section was recorded inspiration from prog-rock, kraut-rock, as well as filled with surprises!” in a Perth recording studio. NAME YOUR SEAT THIS

“Every year since 1990, I have been privileged Name Your Seat is an ongoing fund-raising campaign toCHRISTMAS witness an incredible array of performances and that helps ensure WAAPA’s invaluable contribution to outstanding talent produced by this truly world class the Arts can continue. training institution, WAAPA. Naming a seat was one With the festive season fast approaching you way of contributing to this unique and irreplaceable may be considering what to get your loved ones (or Academy in the hope that it will continue to train and yourself!) for Christmas. The Western Australian nurture future generations of our best creative talent.” Academy of Performing Arts can offer a unique and – Mal Gammon thoughtful gift: Name Your Seat in one of our theatres “I decided to surprise my niece by buying a name to create a lasting connection with WAAPA. Your on a seat at WAAPA for her. My niece is now 13 and I inscription will appear on a plaque on a seat, visible to can’t wait until she visits Perth in 2015, so I can take everyone in the Geoff Gibbs Theatre, the Roundhouse her to a performance and she can discover not only her Theatre or the Music Auditorium. named seat, but also the delights of live performance. Celebrate your loved ones with a donation of Perhaps she will be inspired to study at WAAPA one $300 Name Your Seat proves a unique opportunity day?” – Tania Chambers for friends and supporters to give the gift of WAAPA for “My husband and I were both members of ECU staff. Christmas. You will receive a gift certificate wrapped up My husband was in the Practice Dept. in the seventies in a bow to put under the Christmas tree. and I was employed as a lecturer in the Faculty of For further information contact the Office of Education from 1975 until my retirement in 1996. My Advancement on the email address below or use the husband passed away in 2008. I wanted us both be link to access the online Name Your Seat form. remembered in some small way for our dedication to Education, especially in Western Australia, which is Email: [email protected] why we participated in the Name Your Seat Campaign. Web: http://www.waapa.ecu.edu.au/friends-and- We both loved the Performing Arts and ECU has sponsors/how-you-can-support-us/name-your-seat distinguished itself in this field as producing some of the most outstanding graduates in Australia.” – Patricia English Inside WAAPA Issue 38 Page 7 Blood Wedding Children of Eden IN THE SPOTLIGHT A GLIMPSE OF WHAT’S BEEN HAPPENING Secret Project: Fallen ON STAGE AT WAAPA

Surge Children of Eden

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Hansel and Gretel Secret Project:Fallen Hansel and Gretel

Secret Project: Fallen Hansel and Gretel

Cover Credits Front Cover Anna Laverty Back Cover Production photos by Jon Green Photographer

CRICOS IPC 00279B Page 8 Inside WAAPA Issue 38