Double-Tv Clap Ur Hands 2 Party Prolog:Aceyalone & Riddlore Hey

Total Page：16

File Type：pdf, Size：1020Kb

double-tv Clap Ur Hands 2 Party Prolog:Aceyalone & Riddlore Hey Ladies o1.double-tv Intro o2.Big Daddy Kane The Man:The Icon o3.Kool Savas Alle in einem (Remix) o4.Visionaries Pangaea o5.Talib Kweli Rock on o6.Dilated Peoples feat. Kanye West This Way o7.Run DMC Walk this way (Interlude) o8.Beastie Boys Ch-check it out (Just Blaze Remix) o9.Dirt McGirt Lift your skirt 1o.Meister Fader & double-tv Lacerations 11.Redman feat. DJ Kool Let's get dirty 12.Planet Asia It's all big 13.Busta Rhymes As I come back 14.Defari Spell my name 15.Snoop Dogg feat. Pharrell & Uncle Charli Wilson Beautiful 16.Consequence feat. Kanye West Turn yaself in 17.Jonell feat. Method Man Round and round remix 18.Oh No Make noise 19.Jay-Z 99 Problems (Paul Nice Remix) 2o.Beatnuts No escapin' this 21.Moka Only This that 22.Snoop Dogg feat. Dr. Dre Nuthin but g thang 23.Obie Trice The set up 24.Tha Alkaholiks feat. King Tee Likwit 25.Kreators feat. Jaysaun & g² Smashed up 26.DJ Nu-Mark Lola 27.Visionaries DoMakeSayThink 28.Defari feat. Tuffy of Channel Live Club Etiquette 29.DJ Paul Nice feat. AG, Babu & Genesse Re-Definition of nice 3o.Talib Kweli Broken Glass 31.Beginner feat. Max & Dendemann God is a lil’ remix (Tropf Rmx) Prolog:Beat:Riddlore, in:The Good Brothers, Project Blowed 2004 o1:Beat:Joey Chavez/Dr. Dre, Cuts:double-tv, ABB 2002 & Interscope 2000 o2:Beat:Joey Chavez, ABB 2002 & ALC 2001 o3:Beat:Samy Deluxe, in:Die besten Tage sind gezählt, Optik 2004 o4:Beat:Evidence, in:Pangaea, ABB 2000 & Up Above 2004 o5:Beat:Babu, Sequence 2003 & Blacksmith 2004 o6:Beat:Dr. Dre, in:Neighbourhoodwatch, Interscope & Capitol 2004 o7:Beat:Russell Simmons & Rick Rubin, in:Raising Hell, Profile 1986 o8:Beat:Just Blaze/DJ Rhettmatic, Cuts:MixMasterMike, Capitol 2004 & Up Above 2004 o9:Beat:N/A, Roc-a-fella 2004 1o:Beat:DJ Rhettmatic, Cuts:Meister Fader, double-tv, Up Above 2004 11:Beat:Rockwilder, in:Malpractice, Def Jam 2001 12:Beat:J. Wells, in:The grand opening, Avatar 2004 13:Beat:Neptunes, in:Genesis, J Records 2001 14:Beat:Evidence, in:Odds & Evens, High Times 2003 15:Beat:Neptunes, in:Paid tha cost to be tha bo$$, Priority 2002 16:Beat:Kanye West, Cuts:Babu, Capitol 2004 & ABB 2004 17:Beat:Hi Tek, in:How High O.S.T., Def Jam 2001 18:Beat:Oh No, Stones Throw 2003 19:Beat:Paul Nice, Cuts:Paul Nice, White Label 2004 2o:Beat:Beatnuts, in:Beatnuts Forever, Relativity Records 2001 21:Beat:Paul Nice, Cuts:Babu, Battle Axe 2002 22:Beat:Dr. Dre, in:Essential Dre, Interscope 2002 23:Beat:Beginner, in:Cheers, Buback 2003 & Interscope 2003 24:Beat:Dr. Dre, Interscope 2003 & RCA 1993 25:Beat:DJ Revolution, Cuts:DJ Revolution, RAF 2003 26:Beat:DJ Nu-Mark, Cuts:DJ Nu-Mark, in:Blend Crafters, Up Above 2004 27:Beat:Key Kool, Cuts:DJ Rhettmatic, in:Pangaea, Up Above 2004 28:Beat:Mike City, Cuts:Babu, ABB 2004 29:Beat:DJ Paul Nice, Cuts:Babu, Bomb Hip Hop 1999 3o:Beat:Neptunes, in:The beautiful struggle, Rawkus 2004 31:Beat:Tropf, Cuts:Mad, in:Blast action heroes, Buback 2004 .

Copy Link

Recommended publications

Literatura Y Otras Artes: Hip Hop, Eminem and His Multiple Identities »
TRABAJO DE FIN DE GRADO « Literatura y otras artes: Hip Hop, Eminem and his multiple identities » Autor: Juan Muñoz De Palacio Tutor: Rafael Vélez Núñez GRADO EN ESTUDIOS INGLESES Curso Académico 2014-2015 Fecha de presentación 9/09/2015 FACULTAD DE FILOSOFÍA Y LETRAS UNIVERSIDAD DE CÁDIZ INDEX INDEX ................................................................................................................................ 3 SUMMARIES AND KEY WORDS ........................................................................................... 4 INTRODUCTION ................................................................................................................. 5 1. HIP HOP ................................................................................................................... 8 1.1. THE 4 ELEMENTS ................................................................................................................ 8 1.2. HISTORICAL BACKGROUND ................................................................................................. 10 1.3. WORLDWIDE RAP ............................................................................................................. 21 2. EMINEM ................................................................................................................. 25 2.1. BIOGRAPHICAL KEY FEATURES ............................................................................................. 25 2.2 RACE AND GENDER CONFLICTS ...........................................................................................
[Show full text]
Preparing for the Spring Semester
THE HARBINGER HARPER COMMUNITY COLLEGE TUESDAY, JANUARY 20, 2015 48TH YEAR » ISSUE SIX WELCOME BACK STUDENTS! A warm welcome from the Harbinger! done now, so that you can be successful five Another semester has begun and believe it years from now! or not, it will go by faster than you know! It’s Some of us might feel as though time no different than any other semester. management is a super stressful thing and of The start of the semester is always a course it is, but if your life is hard now, it will little rough, getting used to your schedule, only get harder from here on out. getting to know your professors, making it to Your education is key, especially if class on time, but more importantly getting you plan on transferring over to a university back on track! and or try and get a job after you graduate Some of us are still in the midst of from Harper. recovering from Winter Break, while others of Harper offers many resources for us are glad to be back! It’s a different story students and offers them with passion and for each of us, but the one thing we can all willingness. There are many on campus sites make a promise to, is to make this semester that you can visit during that hour break in a great one! If you were a student who fell between classes to better yourself. It just takes behind last semester, now is your time to get some motivation and dedication. Harper back up and recover.
[Show full text]
The Darkest Hour Mp3, Flac, Wma
Madchild The Darkest Hour mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: The Darkest Hour Country: US Released: 2017 Style: Hardcore Hip-Hop MP3 version RAR size: 1421 mb FLAC version RAR size: 1750 mb WMA version RAR size: 1579 mb Rating: 4.6 Votes: 551 Other Formats: ADX XM FLAC MPC APE WAV AIFF Tracklist Hide Credits A1 Write It Down 4:35 A2 Imaginary Tears 3:24 Body Bag A3 3:17 Featuring – Domo Genesis, Oh No A4 Broken Record 3:27 Green Light A5 2:57 Featuring – Evidence Double Tap A6 3:48 Featuring – A$ton Matthews*, Fashawn A7 Badchild 2:41 Corleone B1 3:23 Featuring – Evidence B2 Cold Crush 3:20 Club 33 B3 3:44 Featuring – Alchemist, Evidence Land B4 3:07 Featuring – iLLmacuLate B5 Black And White 3:28 B6 Drama 2:43 All I Know B7 3:02 Featuring – Evidence , Krondon Companies, etc. Copyright (c) – Battle Axe Records Produced At – Enzo's Garage Studios Mixed At – The Drug Lab Mastered At – Baker Mastering Credits Booking – Zack Johnson Design – Matt Bone, Teen Executive-Producer – Ivory Daniel, Kevin Zinger, Shane Ralph Layout – Jake Stevens Management – Barney Cronen, Derek Gordon Mastered By – Tom Baker Mixed By – Federico "c sik" Lopez Photography By – Jana Taylor, Punit Dhesi Producer – Evidence Product Manager – Ken Seaton Public Relations – Harriet Duncan, James Wright Notes This was supposed to be a green/black splatter vinyl release, but due to complications during manufacturing, they turned out blue/white splatter instead. Only 100 were made. All of them opened, signed, and numbered.
[Show full text]
Journal of Hip Hop Studies
et al.: Journal of Hip Hop Studies Published by VCU Scholars Compass, 2014 1 Journal of Hip Hop Studies, Vol. 1 [2014], Iss. 1, Art. 1 Editor in Chief: Daniel White Hodge, North Park University Book Review Editor: Gabriel B. Tait, Arkansas State University Associate Editors: Cassandra Chaney, Louisiana State University Jeffrey L. Coleman, St. Mary’s College of Maryland Monica Miller, Lehigh University Editorial Board: Dr. Rachelle Ankney, North Park University Dr. Jason J. Campbell, Nova Southeastern University Dr. Jim Dekker, Cornerstone University Ms. Martha Diaz, New York University Mr. Earle Fisher, Rhodes College/Abyssinian Baptist Church, United States Dr. Daymond Glenn, Warner Pacific College Dr. Deshonna Collier-Goubil, Biola University Dr. Kamasi Hill, Interdenominational Theological Center Dr. Andre Johnson, Memphis Theological Seminary Dr. David Leonard, Washington State University Dr. Terry Lindsay, North Park University Ms. Velda Love, North Park University Dr. Anthony J. Nocella II, Hamline University Dr. Priya Parmar, SUNY Brooklyn, New York Dr. Soong-Chan Rah, North Park University Dr. Rupert Simms, North Park University Dr. Darron Smith, University of Tennessee Health Science Center Dr. Jules Thompson, University Minnesota, Twin Cities Dr. Mary Trujillo, North Park University Dr. Edgar Tyson, Fordham University Dr. Ebony A. Utley, California State University Long Beach, United States Dr. Don C. Sawyer III, Quinnipiac University Media & Print Manager: Travis Harris https://scholarscompass.vcu.edu/jhhs/vol1/iss1/1 2 et al.: Journal of Hip Hop Studies Sponsored By: North Park Universities Center for Youth Ministry Studies (http://www.northpark.edu/Centers/Center-for-Youth-Ministry-Studies) . FO I ITH M I ,I T R T IDIE .ORT ~ PAru<.UN~V RSllY Save The Kids Foundation (http://savethekidsgroup.org/) 511<, a f't.dly volunteer 3raSS-roots or3an:za6on rooted :n h;,P ho,P and transf'orMat:ve j us6c.e, advocates f'or alternat:ves to, and the end d, the :nc..arc.eration of' al I youth .
[Show full text]
“We Ain't Terrorists, but We Droppin' Bombs”: Language
“WE AIN’T TERRORISTS, BUT WE DROPPIN’ BOMBS”: LANGUAGE USE AND LOCALIZATION OF HIP HOP IN EGYPT BY ANGELA SELENA WILLIAMS THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Arts in Linguistics in the Graduate College of the University of Illinois at Urbana-Champaign, 2009 Urbana, Illinois Adviser: Assistant Professor Marina Terkourafi ABSTRACT In this thesis I explore the localization of hip hop in the context of Egypt. I examine the process of localization in terms of the content (issues and topics), forms (language forms) and musical styles that are used in the cases of four Egyptian groups, MTM, Arabian Knightz, Y-Crew and Asfalt. I argue that despite one group’s (Arabian Knightz) frequent use of English, all the groups have become localized in terms of exploiting local themes and language conventions, as well as creating new language practices. I explore how the groups resist established usage conventions and redefine language ideologies. In demonstrating that language choices in hip hop lyrics do not merely reflect the existing social norms and language ideology, it will be seen that English, which usually functions as an ‘elite code’ in Egypt, is actually used in the lyrics to resist the English-speaking world. Through the production of rap music, the groups also change local traditions (i.e. meanings of local language), as well as create a space (via the Internet and media) for these traditions to spread (Pennycook 2007:139). I demonstrate that in regards to hip hop culture, localization is a process that involves local topics and the use of language conventions that authenticate the artists as being legitimate participants of hip hop culture while constructing their own hip hop identities.
[Show full text]
Rapping Islam: a Comparative Study of Hip Hop Culture in Indonesia, Tunisia and the United States
Rapping Islam: A Comparative Study of Hip Hop Culture in Indonesia, Tunisia and the United States Author Golpushnezhad, Elham Published 2017 Thesis Type Thesis (PhD Doctorate) School School of Humanities, Languages and Social Science DOI https://doi.org/10.25904/1912/2876 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/366343 Griffith Research Online https://research-repository.griffith.edu.au Rapping Islam: A Comparative Study of Hip Hop Culture in Indonesia, Tunisia and the United States Elham Golpushnezhad BA, MA School of Humanities, Languages and Social Science Griffith Centre for Social and Cultural Research Arts, Education & Law Griffith University Submitted in fulfilment of the requirements of the degree of Doctor of philosophy 30 January 2017 1 Abstract The thesis analyses Muslim youth hip hop cultures in three countries of Indonesia, Tunisia and the United States. Hip hop and its Islamic roots have often been mentioned by African-American hip hop pioneers and the Muslim hip hoppers in Muslim countries. Hip hop often represents marginal youths’ symbolic resistance against racism, police brutality and poverty in an American context. Its marriage to Islamic ideology creates a space for further research and investigation. The hip hop prophecies of liberty, hope and success together with Islamic standards and moral values of redemption, equality and promoting virtue and preventing vice1, have shaped vibrant youth scenes in post-Suharto Indonesia (1998 onwards), post- Ben Ali’s Tunisia (2011 onwards) and the United states in the time of Obama (2009-2017). The thesis is built on data from ethnographic fieldwork that was carried out for 13 months (July 2014-august 2015) in Indonesia, Tunisia and the United States.
[Show full text]
Family Disfunction Prime Time Real Estate Online Exclusives
arts and entertainment weekly entertainment and arts THE FINAL HIT THE END OF A MOB ERA primeprice tags time of TV’s real rich andestate famous households more family disfunction ABC’s escapades with crazy kin online exclusives Tyrone Wells in Fullerton and red carpet in Westminister, only online 2 BUZZ 04.05.07 daily.titan THE FINAL HIT pg.5 The saga of the Soprano’s is in it’s final act. In homage to the head honcho himself, The Buzz takes a look back at Tony’s best moments. PRIME TIME REAL EState pg.4 ENTERTAINMENT EDITOR Jickie Torres Ever wonder about Bree’s Wisteria lane mortgage pay- ment? What about the Cohen’s household commodity? A EXECUTIVE EDITOR new Web site estimates these TV dream homes and more. Adam Levy DIRECTOR OF ADVERTISING NOT YOUR TYPICAL FAMILY pg.4 Emily Alford ABC found a hit drama in Brothers and Sisters. The Buzz ASSISTANT DIRECTOR OF ADVERTISING catches up with its stars and its creators. Beth Stirnaman PRODUCTION Jickie Torres WHAT’S THE BUZZ p.7 ACCOUNT EXECUTIVES Read about who wow’d us and who bored us in the lastest Sarah Oak, Ailin Buguis releases in music, movies and more The Daily Titan 714.278.3373 The Buzz Editorial 714.278.5426 [email protected] Editorial Fax 714.278.4473 The Buzz Advertising 714.278.3373 [email protected] ONLINE EXCLUSIVES Advertising Fax 714.278.2702 The Buzz , a student publication, is a supplemental insert for the Cal State Fullerton Daily Titan. It is printed every Thursday.
[Show full text]
Revised Evidence Press Release
For Immediate Release: Highly acclaimed MC and Producer Evidence steps out on his own from the globally praised Hip Hop trio Dilated Peoples with his debut solo album The Weatherman LP featuring spectacular guest appearances from The Alchemist, Planet Asia as well as Philly soul singing sensation and current Gnarls Barkley vocalist RES When the highly acclaimed alternative hip hop trio Dilated Peoples began making noise in the late 1990s on Capitol Records, the group consisting of Evidence, Rakaa and DJ Babu hoped their success would serve as a platform for solo projects, much as the Wu- Tang Clan’s success had done before them. Four critically acclaimed albums, countless performances around the globe, gracing the covers of a myriad of publications and outside production work-including tracks for the Beastie Boys, Linkin Park, Swollen Members, Defari, Planet Asia and co- production on Kanye West's Grammy award winning album College Dropout, Evidence gives his fans a brilliant taste of his own individual talent on his debut solo album The Weatherman LP (ABB Records/Imperial) "I don't train for sprints, I train for marathons," announces Evidence on the opening track of Dilated Peoples' first album in three years. He's not exaggerating: The anti-materialistic L.A. trio has been knocking around the margins of mainstream hip-hop since the mid- Nineties….Dilated haven't lost their gritty tone, but it looks like this neighborhood is risin' up.” Rolling Stone Magazine The high-caliber The Weatherman erases the misconception that it never rains in Southern California, as Evidence’s reign over the rap world is imminent.
[Show full text]
Dilated Peoples Good As Gone
Good As Gone Dilated Peoples Dilated Peoples DJ Premier on the beat DJ Babu on the cut (You know the saga, who liver) (Sacrifice my light but I won’t give in) (That’s why I’m driven, blessed with the God given) (See with your eyes dilated for the for the sake of the G’s) I was getting buried alive Heard the dirt hit the coffin top, I barely survived But I broke through my grave ripped the pine box seal apart Head first yelling “maggot break, funkadelic art” Fear is a dark side fair-weather friends fly, Hitchcock Same birds scatter when the end stop Couple let their guards down, figure they was there for certain Talking about “time to pull the plug and close the curtain” Eyes wide, bug like, [?] and Lazarus I thought that y’all were...nevermind, material still hazardous Hazmat, clutching their chests like asthmatics For mathematics, a natural dash of black magic Salute to new voices flexing power advancing The ballot’s a modern branding, classic sound clashing Took heavy fire, survived the crash landing Smiled to walk away from the wreckage, the last standing They thought that it was gone for good They figured it was good as gone Rakaa: They thought that it was gone for good They figured it was good as gone (You know the saga, who liver) (Sacrifice my light but I won’t give in) They thought that it was gone for good (See with your eyes dilated for the for the sake of the G’s) Evidence: Devise a plan and I execute it ‘til I’m undisputed If the record never stated, I’ve been showing most improvement At a time where my peers declined, I used
[Show full text]
WOW Hall Notes 2015-03.Indd
K k MARCH 2015 KWOW HALL NOTES g VOL. 27 #3 H WOWHALL.ORGk Kitty, Daisy & Lewis to open for Lewis worked with legendary Mick them on Coldplay’s Viva La Vida Jones of The Clash, who produced tour in 2009. 2011 saw the release the album. The band eschews of the celebrated Smoking in modernity in recording, not to fit Heaven, a dazzling and daring col- into any style, but rather because lection of songs that manages to of the rich tonal complexities and sound both informed by the past, emotions that are lost when the yet wholly its own entity and cur- digital world enters into the studio. rent. Songs vary from the instru- The songs “Whenever You See mental “Paan Man Boogie” featur- Me”, “No Action” and “Baby Bye ing horns and rollicking piano, to Bye” -- all available when pre- “Baby Don’t You Know” which ordering The Third on iTunes -- starts out with sultry and soulful find the band confident and in vocals before amping up into a control of their sound. The album showcase for guitars, bass and adds funk, tinges of disco and even drums. strings to the band’s already Kitty, Daisy & Lewis seemingly impressive repertoire to create col- trade off instruments at will. orful, diverse and immersive Currently on tour in Europe before soundscapes that feel unique in hitting the WOW stage, their live today’s musical climate. performances are hypnotic and Gemma Ray was born in KITTY, DAISY & LEWIS have at times featured their mother Basildon, England and currently and father accompanying them.
[Show full text]
The Representational Tactics of Eminem
Close to the Edge: The Representational Tactics of Eminem MARCIA ALESAN DAWKINS Introduction: Walking the Edge with Pedestrian Speech HE TITLE OF THIS PIECE IS SAMPLED FROM GRAND MASTER FLASH AND the Furious Five’s ‘‘The Message,’’ a seminal song in the de- Tvelopment of hip-hop culture. Flash repeats, ‘‘Don’t push me cause I’m close to the edge/I’m tryin’ not to lose my head/It’s like a jungle sometimes that makes me wonder/How I keep from goin’ under’’ (‘‘The Message’’). ‘‘The Message’’ is hip-hop in its ﬁnest form of social critique and expresses the hip-hop method for survival in a competitive commercial environment. Hip-hop avoids extinction by reinventing itself and challenging convention. Thus, the edge to which Grand Master Flash refers can be considered the border between what Michel de Certeau names the ‘‘near and far or here and there,’’ between the constitution of oneself as a subject and the constitution of an Other in relation to oneself (98). Walking close to the edge becomes a con- stant motion within ‘‘a space of enunciation’’ and the concept of the ‘‘here and there’’ addressed in hip-hop discourse shows the binary op- position of sameness/otherness at the heart of America’s entertainment and transracial politics (de Certeau 98). The conceptual framework of walking close to the edge between here and there is outlined in Michel de Certeau’s The Practice of Everyday Life. de Certeau maps the basic conditions of cultural navigation, spe- ciﬁcally those cultural moves that allow for creative cultural production by those who are traditionally deemed nonproducers.
[Show full text]
Download Youth for Democracy Anthology
Youth for Democracy Learning from nonviolent struggle across the world Youth for Democracy Learning from nonviolent struggle across the world © Humanity in Action Copenhagen 2012 Learn more about Youth for Democracy go to: www.humanityinaction.org/youthfordemocracy Learn more about Humanity in Action go to: www.humanityinaction.org Editor Magnus Meyer Harrison Co-editors Ea Arnoldi, Rasmus Rasmussen, Isa Lindemann Elowasson, Cecilie Bjerre, Theis Spaanheden Dencker, Jakob Skovgard, Vibeke Førisdahl, Morten Østervang, Ibrahim Baig Humanity in Action would like to thank everyone who helped shape, articulate, create and influence this anthology - especially all the contributing authors - this book could not have been without your great contributions. This book is part of Humanity in Action Denmark, Youth for Democracy Learning from nonviolent struggles across the world conference in Copenhagen, October 28. & 29. 2011. Youth for Democacy - Learning from nonviolent struggle across the world is supported by the Foreign Ministry of Denmark LEARNING FROM NONVIOLENT STRUGGLE ACROSS THE WORLD & the Dutch Ministry of Health, Welfare and Sports Imprint: Lassen Offset A/S ISBN 978-87-994984-0-6 Contents Foreword · 9 By Anders Jerichow – Chairman of Humanity in Action Denmark A Chronicle of Nonviolence · 11 By Steve Crawshaw – Author, Chief of Staff for the Secretary General Amnesty International Become the Change You Want · 15 – How to become a successful nonviolent movement By Srdja Popovic, Jordan Maze, Slobodan Djinovic – contribution by Centre for Applied Non Violent Action & Strategies. In Need of a Future · 19 – Causes and consequences of high youth unemployment By Dorothea Schmidt – Senior Researcher International Labour Organization - Cairo (Find full text on our website) Think Again: Nonviolent Resistance · 23 By Erica Chenoweth – Advisor to the International Center on Nonviolent Conflict, Ass Prof.
[Show full text]