9500 Liberty - Synopsis ======

Total Page:16

File Type:pdf, Size:1020Kb

9500 Liberty - Synopsis ====== 9500 Liberty - Synopsis ============================== An immigration law implemented in Prince William County, Virginia sparked a political and vigilant campaign to rid the county of 'illegal' citizens. Hispanics were harassed and aggressively pursued vis a vis racial profiled traffic stops. Additionally, people looking for day jobs at local spots such as Home Depot were detoured by the daily presence of local law enforcement. Racial tension and threats of violence erupted. Supporters of the law ride a wave of hysteria to an election victory. But many reconsidered when the local economy feels the impact of a sudden exodus of workers, consumers, and business owners. In 2009, a documentary movie was released about the negative economic effects of losing Hispanic brethren as well as a show of characters in action (politicians, law officers, etc.). 9500 Liberty documents the first time in U.S. history that an Arizona-style immigration law was actually implemented—and the surprising grassroots opposition that led to its repeal. ========= Teaching the Lesson: 1. Students watch the 4 min 23 sec movie trailer (or the entire movie, 9500 Liberty). https://www.youtube.com/watch?v=OjHUb9PqysI&feature=player_embedded 2. Explain to students that they are about to participate in a debate. Have students complete a graphic organizer (T- Chart) making notes about the two sides of the debate. 3. Show the video trailer a second time and ask students to take notes indicating what issues each side is arguing for/against. 4. Create in advance table tents with both sides containing one character’s biography and picture. 5. Hand out the eight character biographies. Decide in advance which 8 students will role play each character. Students not assigned a role should be placed as audience either for repealing the anti-immigration “Probably Cause” law or for the citizens who want the ‘illegals’ to leave their county. 6. Instruct students who are posing as one of the named characters to read their biographies and underline key traits. Instruct ‘audience’ students to make protesting signs and write mottos they can chant during the debate. * Remind students to dress their part as much as possible when they debate on Day 2. 7. During the second day of class, have the room set up for a debate. Prepare to record or take pictures. Use a microphone or prop to control the speaking parts to ensure only one person can speak at a time. Circulate around the room or sit in audience and encourage students to stay on track in ‘in character.’ 8. After the role play is finished, encourage students to ask questions to clarify any misunderstandings. 9. Students should complete the writing prompts in class or for homework. IMPORTANT POST ROLEPLAYING ACTIVITY As this is an intense role play with heated feelings expressed, it’s always good to ‘lighten’ the air and do something fun that everyone will enjoy. In Freedom Writers fashion, I always end role playing with our own, personal, ‘Academy Awards’ ceremony. In a trophy store, I purchased for $5 a trophy that looks exactly like the one Academy Award winners receive. On the plate in front of the marble slab, I had inscribed: BEST FREEDOM WRITER ACTING This phrase keeps everything gender neutral and allows me to ‘reuse’ the award for each person who receives an award. I purchased, again quite inexpensive, crushed red velvet fabric. I found some gold stars made out of cardboard. Lay out the ‘red carpet’ and scatter the gold stars to create the fun environment. Decide which categories you will award; (e.g. Best Actor, Best Actress, Best Supporting, Best Staying in Character, etc.) One by one, announce the winners and have each recipient make a very brief acceptance speech. Your students will be talking about this for years to come. SCAFFOLDING SUGGESTIONS: 1. Mark a character FOR the immigration law with a green check. Mark a character who is AGAINST the law with a red X to help students ‘see’ what side they are representing (and to avoid confusion). 2. Choose the audience’s roles if necessary. Sometimes students buy into a process more when they have the choice of which role to play. 3. I suggest selecting the 8 characters instead of randomly assigning to effect a well acted roleplaying. 4. Direct the 8 characters to underline key points so they are certain to make statements that demonstrate clearly their position in the debate. WRITING PROMPTS Directions: Write your answers to the following questions. 1. In a New York Times article by Sabrina Tavernise titled “Tough Law Reduced Immigrants, Study Shows.” Tavernise quotes Eric Byler, one of the filmmakers; “If anything this is the measure of the controversy’s impact, not a measure of the policy’s impact.” Read the entire, brief article published on November 17, 2010. http://www.nytimes.com/2010/11/17/us/17immig.html?_r=0 Then explain what Byler’s quote means. Be sure to summarize the controversy and give examples from the article. 2. How did you feel playing your role? Consider these questions as you answer the question: How well prepared did you feel to take a stand? Were you able to connect to the character’s opinion? What new ideas did you learn from doing the role playing activity that you didn’t pick up while watching the movie (movie clip)? TAKING IT FURTHER 1. Watch the video (2:59) on youtube: Annabel at the Immigrant’s Panel http://www.tr3s.com/videos/anabel-at-the-inmigrants-panel-576309/ Do you agree with Annabel’s stand? Can you make a personal connection with her message about fitting in when you move to a new place (or join a new community)? 2. Read about the film’s Director/Producer, Annabel Park: http://9500liberty.com/filmmakers.html Write interview questions in a letter for Ms. Park. We will send her the letters and invite her to visit our class. 9500 Liberty - The Characters Greg Letiecq Greg Letiecq is an influential and controversial blogger turned political activist. He is the President of Help Save Manassas and Save the Old Dominion, organizations he formed to reduce the number of undocumented immigrants living in Manassas, Prince William County, and Virginia. Greg is also a member of the gun rights group Virginia Citizens Defense League, and the Prince William County Republican Committee. Of French Canadian descent, he grew up near Syracuse, NY, and majored in international relations at George Washington University. Before becoming an activist and a blogger, he worked as a programmer in the defense industry. Corey A. Stewart Republican Corey A. Stewart was elected as Chairman of the Prince William Board of County Supervisors on November 7, 2006 in a special election after Chairman Sean Connaughton was appointed as head of the U.S. Maritime Administration. Previously, Stewart had been elected as the Occoquan District Supervisor in 2003. Stewart began the sudden “crackdown” on illegal immigration in July 2007, and was reelected in November 2007 using “Fighting Illegal Immigration” as his campaign slogan. During the height of his fame, Chairman Stewart hinted he may run for Congress in 2008 or for Lieutenant Governor in 2009, but he did not announce his candidacy for either race. He resides in Woodbridge with his wife Maria and two sons. Col. Charlie T. Deane Chief Charlie T. Deane of Prince William County is the longest serving police chief in the region. He has seen Prince William County transform from a farming community to one of the fastest growing, most diverse counties the country. He has grappled with the “DC sniper” case in 2002, and the uproar of immigration policy in 2007 and 2008. After pointing out the potential unintended consequences of the proposed “Probable Cause” standard for mandatory immigration status checks, he executed the policy faithfully until its repeal. Chief Deane joined the Prince William County police department at its inception in 1970. He served 12 years as a criminal investigator and rose through the ranks to become Deputy Police Chief in 1985. Chief Deane is a graduate of George Mason University with a Masters degree in Public Administration. In addition, he has a Bachelors degree in Administration of Justice from American University. Gaudencio Fernandez Gaudencio Fernandez is a home improvement contractor and father of three. He immigrated to the United States from Mexico as a teenager and became a citizen in the 1980’s. Gaudencio and his wife Delia have owned the property at 9500 Liberty Street in Manassas, VA since 2003. They were renting the house to tenants in 2006 when it was destroyed in a fire. During the process of tearing down the home, Gaudencio decided to leave one wall standing and create Liberty Wall in order to protest Prince William County’s Immigration Resolution. The first of his three banners began, “Prince William Co. Stop Your Racism to Hispanics!” The sign directly faced the center of town where thousands of passengers board the Virginia Railway Express and Amtrak. Liberty Wall soon became a lightning rod for controversy. Supporters of the Immigration Resolution demanded that the sign be removed, but the City of Manassas refused to take action against the Fernandez family citing protected speech. Alanna Almeda Alanna Almeda worked as a programmer for the U.S. Department of Transportation until the birth of her youngest child. She has three daughters and a son with her husband of 18 years. She has lived in the Manassas area since the age of seven, and is a life-long Republican and an evangelical Christian. Alanna was an outspoken critic of the Immigration Resolution. For months, she was frustrated in her efforts to counter Greg Letiecq’s influence on her county government, until she figured out the real battlefield was on the Internet and created the blog antibvbl.net.
Recommended publications
  • Roger Ebert's
    The College of Media at Illinois presents Roger19thAnnual Ebert’s Film Festival2017 April 19-23, 2017 The Virginia Theatre Chaz Ebert: Co-Founder and Producer 203 W. Park, Champaign, IL Nate Kohn: Festival Director 2017 Roger Ebert’s Film Festival The University of Illinois at Urbana–Champaign The College of Media at Illinois Presents... Roger Ebert’s Film Festival 2017 April 19–23, 2017 Chaz Ebert, Co-Founder, Producer, and Host Nate Kohn, Festival Director Casey Ludwig, Assistant Director More information about the festival can be found at www.ebertfest.com Mission Founded by the late Roger Ebert, University of Illinois Journalism graduate and a Pulitzer Prize- winning film critic, Roger Ebert’s Film Festival takes place in Urbana-Champaign each April for a week, hosted by Chaz Ebert. The festival presents 12 films representing a cross-section of important cinematic works overlooked by audiences, critics and distributors. The films are screened in the 1,500-seat Virginia Theatre, a restored movie palace built in the 1920s. A portion of the festival’s income goes toward on-going renovations at the theatre. The festival brings together the films’ producers, writers, actors and directors to help showcase their work. A film- maker or scholar introduces each film, and each screening is followed by a substantive on-stage Q&A discussion among filmmakers, critics and the audience. In addition to the screenings, the festival hosts a number of academic panel discussions featuring filmmaker guests, scholars and students. The mission of Roger Ebert’s Film Festival is to praise films, genres and formats that have been overlooked.
    [Show full text]
  • Gazette Packet
    AlexandriaAlexandria Gazette Packet Arts ❖ Entertainment ❖ Leisure TheThe officesoffices ofof AdamsAdams andand AssociatesAssociates areare homehome toto aa beatenbeaten biscuitbiscuit machinemachine andand otherother historicalhistorical items.items. The Way We Tours,Tours, PagePage 33 Once Lived www.ConnectionNewspapers.com Alexandria Gazette Packet ❖ September 18-24, 2008 ❖ 1E History Genealogist to explain how she is uncovering the secrets of the Working Backwards Freedman’s Cemetery. By Michael Lee Pope connected to the cemetery. Gazette Packet here was not a former slave, possibly two. What kinds of challenges does this We are talking about the Lumpkins and the native of Alexandria, Char kind of work present? Beckhams. They were free prior to the Civil McCargo Bah is a genealogist Mostly in genealogy you take the present War. One would assume that you would A who is conducting genealogical and work backward. With this project I’m have people flooding in during the war that research for the city of Alexan- taking someone who died in the 1860s and many of them would have been runaway dria on the Freedman’s Cemetery. She has trying to locate their descendants. So I’m slaves. But some of them were not. So you lectured throughout the East Coast, and she really working backwards to forwards, can’t assume that everybody in the cemetery belongs to more than a dozen genealogical which is very different from how most ge- was a former slave. and historical societies. On Sept. 20 from nealogists work. Another challenge is that 11 a.m. to 1 p.m., she will deliver a special many of the descendants may not know a Is this an ongoing project? lecture about how she traced descendants whole lot about their family.
    [Show full text]
  • 2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
    2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter
    [Show full text]
  • 35 Years of Nominees and Winners 36
    3635 Years of Nominees and Winners 2021 Nominees (Winners in bold) BEST FEATURE JOHN CASSAVETES AWARD BEST MALE LEAD (Award given to the producer) (Award given to the best feature made for under *RIZ AHMED - Sound of Metal $500,000; award given to the writer, director, *NOMADLAND and producer) CHADWICK BOSEMAN - Ma Rainey’s Black Bottom PRODUCERS: Mollye Asher, Dan Janvey, ADARSH GOURAV - The White Tiger Frances McDormand, Peter Spears, Chloé Zhao *RESIDUE WRITER/DIRECTOR: Merawi Gerima ROB MORGAN - Bull FIRST COW PRODUCERS: Neil Kopp, Vincent Savino, THE KILLING OF TWO LOVERS STEVEN YEUN - Minari Anish Savjani WRITER/DIRECTOR/PRODUCER: Robert Machoian PRODUCERS: Scott Christopherson, BEST SUPPORTING FEMALE MA RAINEY’S BLACK BOTTOM Clayne Crawford PRODUCERS: Todd Black, Denzel Washington, *YUH-JUNG YOUN - Minari Dany Wolf LA LEYENDA NEGRA ALEXIS CHIKAEZE - Miss Juneteenth WRITER/DIRECTOR: Patricia Vidal Delgado MINARI YERI HAN - Minari PRODUCERS: Alicia Herder, Marcel Perez PRODUCERS: Dede Gardner, Jeremy Kleiner, VALERIE MAHAFFEY - French Exit Christina Oh LINGUA FRANCA WRITER/DIRECTOR/PRODUCER: Isabel Sandoval TALIA RYDER - Never Rarely Sometimes Always NEVER RARELY SOMETIMES ALWAYS PRODUCERS: Darlene Catly Malimas, Jhett Tolentino, PRODUCERS: Sara Murphy, Adele Romanski Carlo Velayo BEST SUPPORTING MALE BEST FIRST FEATURE SAINT FRANCES *PAUL RACI - Sound of Metal (Award given to the director and producer) DIRECTOR/PRODUCER: Alex Thompson COLMAN DOMINGO - Ma Rainey’s Black Bottom WRITER: Kelly O’Sullivan *SOUND OF METAL ORION LEE - First
    [Show full text]
  • A N N U a L R E P O
    2007 annual report 2006 WWW.ASIANAMERICANMEDIA.ORG Cover Image Credits left to right Tibet Hope Tre Na Kamalei: The Men of Hula The Princess of Nebraska New Year Baby Ken Leung The Learning Filmmaker Spencer Nakasako c o n t e n t s 2 from the executive director 4 note from the board chair 5 article: the making of the princess of nebraska 8 caam projects 2006–2007 14 article: the new face of the american electorate 18 highlights from the 25 th san francisco international asian american film festival 20 financial statements 24 thank you to our supporters 28 caam board & staff executive director’s year in review statement dear friends and members of caam: Greetings and welcome to our 2007 annual report! I’d like to share with you a personal recollection from the past year that stood out from so many memorable moments, and one that exemplifies our work, as it speaks to the history of Asian American filmmaking within the context of family, community and the larger society. Last March, as a special presentation of the 25th sfiaaff we presented the first public screening in more than 90 years of the first Chinese American feature film, The Curse Of Quon Gwon, directed by a remarkable woman named Marion Wong. The film dramatically tells the story of a young Chinese American bride (played by Marion Wong’s sister-in- law, Violet) and her ordeal to endure the jealousy and harsh treatment of her husband’s first wife (played, with steely relish by Marion Wong herself). Although never truly “lost”, as the film was always in the care of Wong family members, the film had nonetheless escaped the attention of film historians and archivists until word of its existence was passed on to filmmaker Arthur Dong during the research for his caam-supported documentary Hollywood Chinese.
    [Show full text]
  • July 2019, Short Version CATHERINE J. ROSS the George
    July 2019, short version CATHERINE J. ROSS The George Washington University Law School Telephone: 202/ 994.9456 2000 H St., N.W. email: [email protected] Washington, D.C. 20052 EDUCATION: Yale Law School J.D., 1987 Yale University Ph.D. in History, 1977 Yale College B.A., magna cum laude, 1971, Honors in History Academic Appointments in Law Current Position: Fred C. Stevenson Research Professor of Law, The George Washington University Law School, 2016 to present Professor, 2004, effective January 1, 2005-2016 Associate Professor with tenure (July 1999-December 2004) Associate Professor with term (July 1996-June 1999) Visiting Appointments: Visiting Scholar, Harvard Graduate School of Education, 2015-2016 Member, Institute for Advanced Study (School of Social Science) Princeton, New Jersey, 2008-2009 Visiting Professor, School of Law, St. John’s University, 2011-2012 Visiting Associate Professor, University of Pennsylvania Law School, Fall 2001, and Visiting Scholar, Center for Children’s Policy, Practice and Research, University of Pennsylvania, Fall 2001 through 2002 Visiting Associate Professor of Law, Boston College Law School (joint appointments in the School of Education and Department of History), 1994-1996. 1 WORKS IN PROGRESS WORKS IN PROGRESS Books: Government regulation of lies, fraud and prevarications and the First Amendment from fortune telling to libel, truth- in-advertising, lies and sex, and political campaigns. Articles: Lies and Romance 10,000 Lies and Counting PUBLICATIONS Books LESSONS IN CENSORSHIP: HOW SCHOOLS AND
    [Show full text]
  • Best Performance by a Web Site
    Best performance by a Web site The critics are calling it “powerfully simple” and “an incredible performance.” We call it IMS SiteManager and it’s an incredibly easy way for your Web site to achieve star status without a supporting cast of thousands. IMS SiteManager delivers real return on your investment by combining design, hosting 133 S. Butler St., Suite 201 and content management into one easy-to-use product. Site updating is quick and simple Madison, WI 53703-5606 using just your Web browser. 608-663-8920 locally or Contact us for a free demo and your ticket to effortless Web performance and red 888.205.0244 anywhere carpet treatment. sitemanager.ims.net Madison Gives Restaino Bunbury Four Stars! #### #### #### “OUR EXPERIENCE WITH “MELISSA REALLY KNEW “MARK PROVIDED THE 877.963.FILM ✿ LIZ LAUER HAS BEEN HER STUFF. SHE MADE IT HIGHEST QUALITY OF REAL EXCELLENT. IN FACT, ALL GO VERY SMOOTHLY. ESTATE KNOWLEDGE, AS I’VE TOLD HER SHE’S OUR WE WOULD RECOMMEND WELL AS AN HONEST AND WWW.WIFILMFEST.ORG WWW.WIFILMFEST.ORG ‘REALTOR FOR LIFE!’ ” HER TO EVERYONE!” CONSIDERATE CHARISMA.” ✿ — Sharon Larson — Matt and Katie — Anny and Karl APRIL 12-15, 2007 ✿ MADISON ✿ Chris Atkinson Jenny Bunbury Tom Bunbury Mark Gladue Brandon Grosse Melissa Hogg Barbara Kubly Liz Lauer Nina Lebwohl Kim Nemacheck Visit Our Stars at the Downtown / Isthmus Office Masters of Real Estate 119 West Washington Avenue • Madison • 608-310-5777 One block from Capitol Square • www.RestainoBunbury.com WISCONSIN FILM FESTIVAL WISCONSIN FILM FESTIVAL ...from Cottages to Castles... 2 WE ARE CHARTER MEDIA.
    [Show full text]
  • KENT A. ONO [Abbreviated Curriculum Vitae] Born February 18, 1964 (Casper, Wyoming)
    KENT A. ONO [Abbreviated Curriculum Vitae] Born February 18, 1964 (Casper, Wyoming) University Contact Information Department of Communication telephone: (801) 585-9128 2400 LNCO email: [email protected] University of Utah Salt Lake City, UT 84112-0491 Education 1992 Ph.D., University of Iowa, Rhetorical Studies 1988 M.A., Miami University, Communication 1987 B.A., DePauw University, English (Composition) Administrative Appointments 2012 – Present Chair, Department of Communication, University of Utah (Utah) 2002 – 2007 Director, Asian American Studies Program, University of Illinois, Urbana-Champaign (Illinois) 2005 – 2006 Director (Interim), Center on Democracy in a Multiracial Society (Illinois) 1999 – 2002 Director and Adviser, Cultural Studies Graduate Program, University of California-Davis (UCD) 1999 – 2000 Director (Interim), Mentorship for Undergraduate Research in Agriculture, Letters, and Science (MURALS) (UCD) Academic Positions 2012 – Present Professor, Communication (Utah) June 2012 – Visiting Professor, Global Communications, American University of July 2012 Paris (AUP) 2002 – 2012 Professor, Asian American Studies, Media and Cinema Studies Affiliate Faculty Member, Communication (Illinois) 1998 – 2002 Associate Professor, American Studies, Asian American Studies, (UCD) 1996 – 1998 Assistant Professor, American Studies, Asian American Studies (UCD) 1992 – 1996 Assistant Professor, Rhetoric and Communication (UCD) Ono - 2 Selected Awards, Fellowships, and Major Grants Distinguished Scholar Award, Critical and Cultural Studies Division, National Communication Association, 2015 Distinguished Scholar Award, Rhetorical and Communication Theory Division, National Communication Association, 2015 Teachers on Teaching Award, National Communication Association, 2015 Grazier Distinguished Lecture in Communication, University of South Florida, 2014 Paul Boase Prize for Outstanding Scholarship, School of Communication Studies at Ohio University, 2013 Asian American Studies Undergraduate Teaching Award (Illinois), 2011 Charles H.
    [Show full text]
  • 50.000 Ruller Sære Film
    SMALL BUSINESS COMMISSION CITYAND COUNTYOF SAN FRANCISCO M ARK DWIGHT, PRESIDENT EDWIN M. LEE, M AYOR REGINA D ICK-E NDRIZZI, D IRECTOR Legacy Business Registry Staff Report HEARING DATE OCTOBER 24, 2016 ODDBALL FILMS Application No.: LBR-2016-17-007 Business Name: Oddball Films Business Address: 275 Capp Street District: District 9 Applicant: Stephen Parr, Director Nomination Date: August 15, 2016 Nominated By: Supervisor David Campos Staff Contact: Richard Kurylo [email protected] BUSINESS DESCRIPTION Oddball Films is a stock footage licensing company in the Mission District on Capp Street between 16th Street and 17th Street that has served as an archival and teaching facility focusing on film collection and film preservation. Stephen Parr, the owner, has been a collector of rare and unusual historical films since 1984 and officially registered the business in 1994 after gaining a following of film industry clients seeking unique and rare footage to use. Oddball Films has worked with many renowned, innovative, and pioneer filmmakers and film professionals often seeking footage to use for films based on telling the stories and histories of underrepresented groups. The business has grown in its library and archive collection and has become a “service hub” for award- winning filmmakers in San Francisco. Oddball Films also offers a film and media intern training program that teaches students about archiving and film preservation and, for the past ten years, has offered public screenings, seminars, classes, and benefits. CRITERION 1: Has the applicant has operated in SF for 30 or more years, with no break in SF operations exceeding two years? No, the applicant has not operated in San Francisco for 30 or more years.
    [Show full text]
  • Scribner Paperback, 1996; Reissued by University of Washington Press, 2005)
    Shawn Wong's second novel, American Knees, was published by Simon & Schuster in 1995 (Scribner paperback, 1996; reissued by University of Washington Press, 2005). The film version of American Knees, titled "Americanese," was released in 2013 (directed by Eric Byler). The film won several film festival awards and Wong served as associate producer (www.americanknees.com). Wong's first novel, Homebase (Reed and Cannon, 1979; reissued by Plume/NAL, 1990 and again by the University of Washington Press in 2008), won both the Pacific Northwest Booksellers Award and the 15th Annual Governor's Writers Day Award of Washington. He is also the co-editor and editor of six Asian American and American multicultural literary anthologies including the pioneering anthology Aiiieeeee! An Anthology of Asian American Writers (Howard University Press, 1974; reprinted in four different editions, most recently by Meridian in 1997) and, The Big Aiiieeeee! An Anthology of Chinese America and Japanese America in Literature (Meridian/NAL, 1991) and Literary Mosaic: Asian American Literature (HarperCollins, 1995). and Asian Diasporas: Cultures, Identities, Representations (Hong Kong University Press, 2004). He is co-editor of Before Columbus Foundation Fiction/Poetry Anthology: Selections from the American Book Awards, 1980-1990, two volumes of contemporary American multicultural poetry and fiction (W. W. Norton, 1992). Wong has also been awarded a National Endowment for the Arts Creative Writing Fellowship and a Rockefeller Foundation residency in Italy. He has won several writing awards including a first prize from the Society of Professional Journalists in the humor category in 1997. Wong was featured in the 1997 PBS documentary, “Shattering the Silences” and in the Bill Moyers’ PBS documentary, “Becoming American: The Chinese Experience,” in 2003.
    [Show full text]
  • IN FOCUS: Asian American Film and Media Introduction
    IN FOCUS: Asian American Film and Media Introduction by BRIAN HU and VINCENT N. PHAM, editors he opportunity to assemble an In Focus section dedicated to Asian American film and media, a first for Cinema Journal, is a special moment, bringing a field at least a quarter century in the making into the mainstream of cinema and media studies. But if Asian American media history has taught us anything, it’s that crossing overT should always give us pause. The Oliver Stone–produced The Joy Luck Club’s (Wayne Wang, 1993) cross-generational story of four Chinese American families earned critical acclaim, being placed on Roger Ebert and Gene Siskel’s list of top ten films of 1993. All-American Girl (ABC, 1994–1995) debuted in 1994 as the first prime-time sitcom with an all Asian American cast and marked Margaret Cho’s entrée into the living rooms of mainstream America. Better Luck Tomorrow ( Justin Lin, 2002) rocked the 2002 Sundance Film Festival, legendary for its conflict-ridden question-and-answer session that spurred Ebert to come to defend the movie against hostile audience members, and became the first movie acquired by MTV Films. Despite this collective excitement, these well-heralded instances of rare prime-time and commercial exposure have all proved less pivotal than audiences, commentators, and studios once imagined, relegated to discussions of missed opportunities or representational politics in the Asian American community. Repeatedly in the mainstream, Asian American communities have seen hopes dashed and voices marginal- ized in a racial landscape that is predominantly white and occasionally black.
    [Show full text]
  • S;Nce1929pacific CITIZEN Court-Martial Trial Is Slated for July 16
    'Nidoto Nai Yoni' Bainbridge Island is set Another Kartya . to remember the 65th anniversary of the WWII Move over Paul Kariya, your removal of JAs. brqther Martin is on the rise. COMMUNITY PAGE 5 SPORTS PAGE 7 1st Lt. Watada's second s;nce1929PACIFIC CITIZEN Court-martial trial is slated for July 16. The National Publication of the Japanese American Citizens League .The Legendary Nisei Racers Community Groups Work to Place a Mark 01 History on ·a Little Known WWII Camp Tuna Canyon 'Detention Center's mess hall circa 1933. During the turbulent war years, the Thna Canyon Detention Center imprisoned hundreds - mostly ISsei PHOTO COURTESY OF WN.l.Y PARKS NHRA MO:ORSPORTS MUSEUM men -labeled as 'enemy aliens ..' The Oka brothers display their 'Best Appearing Car' award at Carrell speedway in 1948. Pictured above (I-r) Yam Oka, HarrY Oka, Tom McLaughlin, and Chickie Hirashima. By LYNDA LIN Assistant Editor Nisei hot rod racers of the 1920s and down Fords and Chevys would be pimped for showca£; ing while adrenaline junky hot rod drivers would com­ 1930s made their mark in a racing world For three ears durin World War n, a chain link fence ~ with barb- pete for the fastest clocked speeds. surprisingly free of discrimination. wire enclosed the open grounds of the Verdugo Hills Golf Course in Thjunga, Here is where the legends of racing were born, Calif. and separated Issei men from their families. including famed Nisei racers like Yam aka, Tsuneo By CAROLINE AOYAGI-STOM Sumi Sliimatsu was 13 and a half when she stood five feet away from the ''Tunney'' Shigekuni, Frank Morimoto, Danny Sakai, Executive Editor fence to peer at her father, photographer Toklji Utsushigawa, on the inside of and Takeo "Chickie" Hirashima.
    [Show full text]