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![Barbara Gittings and Kay Tobin Lahusen Collection, 1950-2009 [Bulk: 1964-1975] : Ms.Coll.3](https://docslib.b-cdn.net/cover/2283/barbara-gittings-and-kay-tobin-lahusen-collection-1950-2009-bulk-1964-1975-ms-coll-3-92283.webp)
Barbara Gittings and Kay Tobin Lahusen Collection, 1950-2009 [Bulk: 1964-1975] : Ms.Coll.3
Barbara Gittings and Kay Tobin Lahusen collection, 1950-2009 [Bulk: 1964-1975] : Ms.Coll.3 Finding aid prepared by Alina Josan on 2015 PDF produced on July 17, 2019 John J. Wilcox, Jr. LGBT Archives, William Way LGBT Community Center 1315 Spruce Street Philadelphia, PA 19107 [email protected] Barbara Gittings and Kay Tobin Lahusen collection, 1950-2009 [Bulk: 1964-1975] : Ms.Coll.3 Table of Contents Summary Information .................................................................................................................................... 3 Biographical / Historical ................................................................................................................................ 4 Scope and Contents ........................................................................................................................................ 4 Administrative Information ............................................................................................................................ 7 Related Materials ........................................................................................................................................... 7 Controlled Access Headings .......................................................................................................................... 8 Collection Inventory ....................................................................................................................................... 8 Subject files ................................................................................................................................................ -
BUTCH ENOUGH? Drummer Presents Some “Found” Prose ©Jack from the Red Queen, Arthur Evans by Jack Fritscher
HOW TO LEGALLY QUOTE THIS MATERIAL www.JackFritscher.com/Drummer/Research%20Note.html DRUMMER EDITORIAL ©Jack Fritscher. See Permissions, Reprints, Quotations, Footnotes GETTING OFF Bitch bites butch, and vice versa... DRAFTBUTCH ENOUGH? Drummer Presents Some “Found” Prose ©Jack from the Red Queen, Arthur Evans by Jack Fritscher This entire editoral "Butch Enough?" is also available in Acrobat pdf. Author's historical introduction Actual editorial as published Illustrations AUTHOR'S HISTORICAL CONTEXT INTRODUCTION Produced September 1978, and publishedFritscher in Drummer 25, December 1978. This piece is about Gay Civil War in the Titanic ’70s. For all its entertainment value, Drummer was a timely test-bed for purposeful versions and visions of the gay-liberation dream unfolding. Some misunderstand homomasculinity as if it were an absolute. When I coined the term in 1972, I meant not masculinity as a power tool of male privilege or male entitlement, but rather a masculinity whose identity was in traditionally masculine goodness in the Latin sense of virtue, which comes from the Latin word vir, meaning man, causing virtue to be the quality of a man, and that was quintessence I sought to define in my coinage. I published this article written by the Red Queen, Arthur Evans, for a reason of political “authenticity” just as I recommend the “authentic” political analysis of unfolding gender ambiguities made by David Van Leer in his benchmark book of the years between World War II and Stonewall, The Queening of America: Gay Culture in a Straight Society. In the gay civil wars of the ’70s, I respected Arthur Evans’ representing one kind of “authentic” queening and queering. -
Sip-In" That Drew from the Civil Rights Movement by History.Com, Adapted by Newsela Staff on 11.07.19 Word Count 887 Level 1020L
The gay "sip-in" that drew from the civil rights movement By History.com, adapted by Newsela staff on 11.07.19 Word Count 887 Level 1020L Image 1. A bartender in Julius's Bar refuses to serve John Timmins, Dick Leitsch, Craig Rodwell and Randy Wicker, members of the Mattachine Society, an early American gay rights group, who were protesting New York liquor laws that prevented serving gay customers on April 21, 1966. Photo from: Getty Images/Fred W. McDarrah. In 1966, on a spring afternoon in Greenwich Village, three men set out to change the political and social climate of New York City. After having gone from one bar to the next, the men reached a cozy tavern named Julius'. They approached the bartender, proclaimed they were gay and then requested a drink, but were promptly denied service. The trio had accomplished their goal: their "sip-in" had begun. The men belonged to the Mattachine Society, an early organization dedicated to fighting for gay rights. They wanted to show that bars in the city discriminated against gay people. Discrimination against the gay community was a common practice at the time. Still, this discrimination was less obvious than the discriminatory Jim Crow laws in the South that forced racial segregation. Bartenders Refused Service To Gay Couples This article is available at 5 reading levels at https://newsela.com. A person's sexual orientation couldn't be detected as easily as a person's sex or race. With that in mind, the New York State Liquor Authority, a state agency that controls liquor sales, took action. -
The Temperamentals
Temperamentals.qxd 5/18/2012 1:59 PM Page i THE TEMPERAMENTALS BY JON MARANS ★ ★ DRAMATISTS PLAY SERVICE INC. Temperamentals.qxd 5/18/2012 1:59 PM Page 2 THE TEMPERAMENTALS Copyright © 2010, Jon Marans All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of THE TEMPERAMENTALS is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recita- tion, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and dis- tribution, such as CD, DVD, the Internet, private and file-sharing networks, informa- tion storage and retrieval systems, photocopying, and the rights of translation into for- eign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for THE TEMPERAMENTALS are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016. No professional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of DRAMATISTS PLAY SERVICE, INC., and paying the requisite fee. -
Chapter Six: Activist Agendas and Visions After Stonewall (1969-1973)
Chapter Six: Activist Agendas and Visions after Stonewall (1969-1973) Documents 103-108: Gay Liberation Manifestos, 1969-1970 The documents reprinted in The Stonewall Riots are “Gay Revolution Comes Out,” Rat, 12 Aug. 1969, 7; North American Conference of Homophile Organizations Committee on Youth, “A Radical Manifesto—The Homophile Movement Must Be Radicalized!” 28 Aug. 1969, reprinted in Stephen Donaldson, “Student Homophile League News,” Gay Power (1.2), c. Sep. 1969, 16, 19-20; Preamble, Gay Activists Alliance Constitution, 21 Dec. 1969, Gay Activists Alliance Records, Box 18, Folder 2, New York Public Library; Carl Wittman, “Refugees from Amerika: A Gay Manifesto,” San Francisco Free Press, 22 Dec. 1969, 3-5; Martha Shelley, “Gay is Good,” Rat, 24 Feb. 1970, 11; Steve Kuromiya, “Come Out, Wherever You Are! Come Out,” Philadelphia Free Press, 27 July 1970, 6-7. For related early sources on gay liberation agendas and philosophies in New York, see “Come Out for Freedom,” Come Out!, 14 Nov. 1969, 1; Bob Fontanella, “Sexuality and the American Male,” Come Out!, 14 Nov. 1969, 15; Lois Hart, “Community Center,” Come Out!, 14 Nov. 1969, 15; Leo Louis Martello, “A Positive Image for the Homosexual,” Come Out!, 14 Nov. 1969, 16; “An Interview with New York City Liberationists,” San Francisco Free Press, 7 Dec. 1969, 5; Bob Martin, “Radicalism and Homosexuality,” Come Out!, 10 Jan. 1970, 4; Allan Warshawsky and Ellen Bedoz, “G.L.F. and the Movement,” Come Out!,” 10 Jan. 1970, 4-5; Red Butterfly, “Red Butterfly,” Come Out!, 10 Jan. 1970, 4-5; Bob Kohler, “Where Have All the Flowers Gone,” Come Out!, 10 Jan. -
Looking Back at Mccardell: It's a Lot Like Looking at Todayi4
58 L-f THE NEW YQRK TIMES, WEDNESDAY, MA\ Y 24,1972 — yamily /ood fashions' /iirntshirigs: Looking Back at McCardell: It's a Lot Like Looking at Todayi4 . By BERVADilME MORRIS The Paris fashion world has Chanel as its monument. New 1 ^Yorlc has_CJaire McCardehV "Both- women, though de ceased, have influenced the current casual mood of fash ion. Chanel invented the sweater, McCardell invented the American Look. » It was born in the Depres-' sion-ridden nineteen-thirties-, flourished during the war •yeara of the forties, felLoff at the end of the fifties (McCardell died in 1958), and all but disappeared, in the sixties, when_Paris regained^ center-stage" with swinging , London close behind. "Now that sportswear, the crux of the American Look, . has: become the dominant- • trend-on Seventh Avenue and other satellite fashion cen ters, the Fashion Institute of. Technology felt the time was -rightfor. a McCardell retro- • apettlve. • • • • • ' —• Tt.wasjhcld Monday night In the school's auditorium, 227. West 27th Street, fol lowed by a $125-a-person black tie supper dance in the lobby. Like a Premiere Seventh Avenue, which supports the state-run col lege, came out in droves. Stu dents lined up outside trie *"scTibo1"to cheer arrival fit tlie limousines carrying such per sonalities as Lynn Revson (whose- husband,' ChBrles, heads Revlon) in her sequin- sparkling red jacket over a black dress by Norman No- rel);—Beth Levine, the shoe designer, in her Halston caf tan, and Jerry Silverman, the., manufacturer, with Pauline Trigdre, in herTrigore. It had all the earmarks of a Hollywood premiere, way hack when. -
2010–2011 Our Mission
ANNUAL REPORT 2010–2011 OUR MISSION The Indianapolis Museum of Art serves the creative interests of its communities by fostering exploration of art, design, and the natural environment. The IMA promotes these interests through the collection, presentation, interpretation, and conservation of its artistic, historic, and environmental assets. FROM THE CHAIRMAN 02 FROM THE MELVIN & BREN SIMON DIRECTOR AND CEO 04 THE YEAR IN REVIEW 08 EXHIBITIONS 18 AUDIENCE ENGAGEMENT 22 PUBLIC PROGRAMS 24 ART ACQUISITIONS 30 LOANS FROM THE COLLECTION 44 DONORS 46 IMA BOARD OF GOVERNORS 56 AFFILIATE GROUP LEADERSHIP 58 IMA STAFF 59 FINANCIAL REPORT 66 Note: This report is for fiscal year July 2010 through June 2011. COVER Thornton Dial, American, b. 1928, Don’t Matter How Raggly the Flag, It Still Got to Tie Us Together (detail), 2003, mattress coils, chicken wire, clothing, can lids, found metal, plastic twine, wire, Splash Zone compound, enamel, spray paint, on canvas on wood, 71 x 114 x 8 in. James E. Roberts Fund, Deaccession Sculpture Fund, Xenia and Irwin Miller Fund, Alice and Kirk McKinney Fund, Anonymous IV Art Fund, Henry F. and Katherine DeBoest Memorial Fund, Martha Delzell Memorial Fund, Mary V. Black Art Endowment Fund, Elizabeth S. Lawton Fine Art Fund, Emma Harter Sweetser Fund, General Endowed Art Fund, Delavan Smith Fund, General Memorial Art Fund, Deaccessioned Contemporary Art Fund, General Art Fund, Frank Curtis Springer & Irving Moxley Springer Purchase Fund, and the Mrs. Pierre F. Goodrich Endowed Art Fund 2008.182 BACK COVER Miller House and Garden LEFT The Wood Pavilion at the IMA 4 | FROM THE CHAIRMAN FROM THE CHAIRMAN | 5 RESEARCH LEADERSHIP From the In addition to opening the new state-of-the-art Conservation Science Laboratory this past March, the IMA has fulfilled the challenge grant from the Andrew W. -
Modern Minoica As Religious Focus in Contemporary Paganism
The artifice of Daidalos: Modern Minoica as religious focus in contemporary Paganism More than a century after its discovery by Sir Arthur Evans, Minoan Crete continues to be envisioned in the popular mind according to the outdated scholarship of the early twentieth century: as a peace-loving, matriarchal, Goddess-worshipping utopia. This is primarily a consequence of more up-to-date archaeological scholarship, which challenges this model of Minoan religion, not being easily accessible to a non-scholarly audience. This paper examines the use of Minoan religion by two modern Pagan groups: the Goddess Movement and the Minoan Brotherhood, both established in the late twentieth century and still active. As a consequence of their reliance upon early twentieth-century scholarship, each group interprets Minoan religion in an idealistic and romantic manner which, while suiting their religious purposes, is historically inaccurate. Beginning with some background to the Goddess Movement, its idiosyncratic version of history, and the position of Minoan Crete within that timeline, the present study will examine the interpretation of Minoan religion by two early twentieth century scholars, Jane Ellen Harrison and the aforementioned Sir Arthur Evans—both of whom directly influenced popular ideas on the Minoans. Next, a brief look at the use of Minoan religious iconography within Dianic Feminist Witchcraft, founded by Zsuzsanna Budapest, will be followed by closer focus on one of the main advocates of modern Goddess worship, thealogian Carol P. Christ, and on the founder of the Minoan Brotherhood, Eddie Buczynski. The use of Minoan religion by the Goddess Movement and the Minoan Brotherhood will be critiqued in the light of Minoan archaeology, leading to the conclusion that although it provides an empowering model upon which to base their own beliefs and practices, the versions of Minoan religion espoused by the Goddess Movement and the Minoan Brotherhood are historically inaccurate and more modern than ancient. -
Meet Pioneer of Gay Rights, Harry Hay
Meet Pioneer of Gay Rights, Harry Hay His should be a household name. by Anne-Marie Cusac August 9, 2016 Harry Hay is the founder of gay liberation. This lovely interview with Hay by Anne-Marie Cusac was published in the September 1998 issue of The Progressive magazine. Then-editor Matt Rothschild called Hay "a hero of ours," writing that he should be a household name. He wrote: "This courageous and visionary man launched the modern gay-rights movement even in the teeth of McCarthyism." In 1950 Hay started the first modern gay-rights organization, the underground Mattachine Society, which took its name from a dance performed by masked, unmarried peasant men in Renaissance France, often to protest oppressive landlords. According to Hay's 1996 book, Radically Gay, the performances of these fraternities satirized religious and political power. Harry Hay was one of the first to insist that lesbians and gay men deserve equality. And he placed their fight in the context of a wider political movement. "In order to earn for ourselves any place in the sun, we must with perseverance and self-discipline work collectively . for the first-class citizenship of Minorities everywhere, including ourselves," he wrote in 1950. At first, Hay could not find anyone who would join him in forming a political organization for homosexuals. He spent two years searching among the gay men he knew in Los Angeles. Although some expressed interest in a group, all were too fearful to join a gay organization that had only one member. But drawing on his years as a labor organizer, Hay persisted. -
C O a S T O Ut
C o v e OOm r i n g U U a t h e TT S ON g p a THE c e a a n CC d T z r O e O a s u i r AA e C n o S n a S s t s e Issue #071, October 2008 TT 4060 W. New Haven Out on the Coast magazine INSIDE Melbourne, FL published by OOTC Publishing, Inc. PO Box 155, Roseland, FL 32957 (321) 724-1510 Horoscope .......................................... 772.913.3008 Jacqueline www.myspace.com/coldkegnightclub [email protected] publisher/editor Tea Time ..............................................10 Miss T www.coldkegnightclub.com Lee A. Newell II [email protected] Spiritually Speaking .......................12 Rev. Dr. Jerry Seay contributing writers Rev. Dr. Jerry L. Seay In My Words ......................................18 Lexi Wright Rev. Gregory L. Denton. Oct 31 & Nov 1 Miss T Member Maps ...............................................1 - 17 photographers In the New s ...................................22 Ghouls Curse of Richard Cases Directory ..............................28 - 29 account executives Dan Hall 772-626-1682 Subscription information: $24 for 12 issues. Gone Wild The Keg Subscribe on-line at: OOTCmag.com or send [email protected] your check or money order to: Out on the Coast Shane Combs 321-557-2193 magazine, PO Box 155, Roseland, FL 32957-0155 with with [email protected] Issues mailed First Class in plain envelope. Wesley Strickland 321-626-5308 Tasha Scott Velvet LeNore [email protected] Charles Sullivan 321-914-4021 & Roz Russell & Company [email protected] national advertising representative st Rivendell Media Company Costume contest both nights with 1 & 1248 Rt. -
Guide to the One Archives Cataloging Project: Founders and Pioneers
GUIDE TO THE ONE ARCHIVES CATALOGING PROJECT: FOUNDERS AND PIONEERS FUNDED BY THE NATIONAL ENDOWMENT FOR THE HUMANITIES ONE NATIONAL GAY & LESBIAN ARCHIVES AT THE UNIVERSITY OF SOUTHERN CALIFORNIA GUIDE TO THE ONE ARCHIVES CATALOGING PROJECT: FOUNDERS AND PIONEERS Funded by the National Endowment for the Humanities Grant #PW-50526-10 2010-2012 Project Guide by Greg Williams ONE NATIONAL GAY & LESBIAN ARCHIVES AT THE UNIVERSITY OF SOUTHERN CALIFORNIA LOS ANGELES, 2012 Copyright © July 2012 ONE National Gay & Lesbian Archives Director’s Note In October 1952, a small group began meeting to discuss the possible publication and distribution of a magazine by and for the “homophile” community. The group met in secret, and the members knew each other by pseudonyms or first names only. An unidentified lawyer was consulted by the members to provide legal advice on creating such a publication. By January 1953, they created ONE Magazine with the tagline “a homosexual viewpoint.” It was the first national LGBTQ magazine to openly discuss sexual and gender diversity, and it was a flashpoint for all those LGBTQ individuals who didn’t have a community to call their own. ONE has survived a number of major changes in the 60 years since those first meetings. It was a publisher, a social service organization, and a research and educational institute; it was the target of major thefts, FBI investigations, and U.S. Postal Service confiscations; it was on the losing side of a real estate battle and on the winning side of a Supreme Court case; and on a number of occasions, it was on the verge of shuttering… only to begin anew. -
Hay, Harry (1912-2002) by Linda Rapp
Hay, Harry (1912-2002) by Linda Rapp Encyclopedia Copyright © 2015, glbtq, Inc. A portrait of Harry Hay by Entry Copyright © 2004, glbtq, inc. Stathis Orphanos. Reprinted from http://www.glbtq.com Courtesy Stathis Orphanos.Image Activist Harry Hay is recognized as one of the principal founders of the gay liberation copyright © Stathis movement in the United States. An original member of both the Mattachine Society Orphanos.All Rights Reserved. and the Radical Faeries, he devoted his life to the cause of equality and dignity for glbtq people. Early Life and Education Hay's parents, both American, met and married in South Africa, where his father Henry Hay, known as Big Harry, was a manager in Cecil Rhodes' mining company. When the birth of their first child was impending, Margaret Neall Hay sailed for England, where their son Henry, Jr., called Little Harry, was born on April 7, 1912 in Worthington, Sussex. The senior Hay saw little of his family for the next two years, but when World War I broke out, he sent for them to join him in Chile, where he had another mining job. After suffering a serious injury on a work site, Hay resettled the family in California. "Big Harry" Hay was harsh, opinionated, demanding, and quick to criticize anything that he perceived as less than perfect in his elder son, from insufficient "manliness" to his grades in school. In later years Hay spoke of his determination to live a life completely different from his father's because of his "personal hatred" for the man. Hay stated that he was aware--however indistinctly at first--of his sexual orientation at a very early age.