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Jazzflits 01 09 2003 - 01 09 2021
1 19de JAARGANG, NR. 361 16 AUGUSTUS 2021 IN DIT NUMMER: 1 BERICHTEN 5 JAZZ OP DE PLAAT Eve Beuvens, Steve Cole, Flat Earth Society Orchestra, Ben van de Dungen, Gerry Gibbs e.a. EN VERDER (ONDER MEER): 10 Lee Morgan (Erik Marcel Frans) 16 Europe Jazz Media Chart Augustus 18 J AAR JAZZFLITS 01 09 2003 - 01 09 2021 NR. 362 KOMT 13 SEPT. UIT ONAFHANKELIJK JAZZPERIODIEK SINDS 2003 BERICHTEN CORONA-EDITIE FESTIVAL GENT JAZZ TREKT 20.000 BEZOEKERS In de tien dagen dat Gent Jazz ‘Back to Live’ duurde (van 9 tot en met 18 juli), passeerden zo’n twintigdui- zend mensen de festivalkassa. Van- wege de coronacrisis was op het laatste moment een speciale editie van het jaarlijkse zomerfestival in elkaar gezet met veel Belgische mu- sici. Maar ook de pianisten Monty Alexander, Tigran Hamasyan en ac- cordeonist Richard Galliano kwamen naar Gent. Festivaldirecteur Ber- trand Flamang sprak na afloop van een succesvol evenement. Cassandra Wilson tijdens het North Sea Jazz Festival 2015. (Foto: Joke Schot) Flamang: “In mei leek het er nog op dat deze editie niet zou doorgaan. Maar op CASSANDRA WILSON, STANLEY CLARKE twee maanden tijd zijn we erin geslaagd EN BILLY HART BENOEMD TOT NEA JAZZ MASTER om een coronaveilig evenement op po- ten te zetten.” Bezoekers konden zich Drummer Billy Hart, Bassist Stanley Clarke en zangeres niet vrij bewegen. Ze zaten per bubbel Cassandra Wilson zijn Benoemd tot NEA Jazz Master aan stoelen en tafels onder een giganti- 2022. Saxofonist Donald Harrison ontvangt de A.B. Spell- man NEA Jazz Masters Fellowship for Jazz Advocacy. -
Lee Morgan Chronology 1956–1972 by Jeffery S
Delightfulee Jeffrey S. McMillan University of Michigan Press Lee Morgan Chronology 1956–1972 By Jeffery S. McMillan This is an annotated listing of all known Lee Morgan performances and all recordings (studio, live performances, broadcasts, telecasts, and interviews). The titles of studio recordings are given in bold and preceded by the name of the session leader. Recordings that appear to be lost are prefaced with a single asterisk in parentheses: (*). Recordings that have been commercially issued have two asterisks: **. Recordings that exist on tape but have never been commercially released have two asterisks in parentheses: (**). Any video footage known to survive is prefaced with three asterisks: ***. Video footage that was recorded but appears to now be lost is prefaced with three asterisks in parentheses: (***). On numerous occasions at Slugs’ Saloon in Manhattan, recording devices were set up on the stage and recorded Morgan’s performances without objection from the trumpeter. So far, none of these recordings have come to light. The information herein is a collation of data from newspapers, periodicals, published and personal interviews, discographies, programs, pamphlets, and other chronologies of other artists. Morgan’s performances were rarely advertised in most mainstream papers, so I drew valuable information primarily from African-American newspapers and jazz periodicals, which regularly carried ads for nightclubs and concerts. Entertainment and nightlife columnists in the black press, such as “Woody” McBride, Masco Young, Roland Marsh, Jesse Walker, Art Peters, and Del Shields, provided critical information, often verifying the personnel of an engagement or whether an advertised appearance occurred or was cancelled. Newspapers that I used include the Baltimore Afro-American (BAA), Cleveland Call & Post (C&P), Chicago Defender (CD), New Jersey Afro-American (NJAA), New York Amsterdam News (NYAN), Philadelphia Tribune (PT), and Pittsburgh Courier (PC). -
Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967
Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2012 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 James M. Maynard Trinity College, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the American Film Studies Commons, American Literature Commons, and the American Popular Culture Commons Recommended Citation Maynard, James M., "Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967". Senior Theses, Trinity College, Hartford, CT 2012. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/170 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 Jamie Maynard American Studies Program Senior Thesis Advisor: Louis P. Masur Spring 2012 1 Table of Contents Introduction..…………………………………………………………………………………4 Chapter One: Developing the niche for rock culture & Monterey as a “savior” of Avant- Garde ideals…………………………………………………………………………………...7 Chapter Two: Building the rock “umbrella” & the “Hippie Aesthetic”……………………24 Chapter Three: The Yin & Yang of early hippie rock & culture—developing the San Francisco rock scene…………………………………………………………………………53 Chapter Four: The British sound, acid rock “unpacked” & the countercultural Mecca of Haight-Ashbury………………………………………………………………………………71 Chapter Five: From whisperings of a revolution to a revolution of 100,000 strong— Monterey Pop………………………………………………………………………………...97 Conclusion: The legacy of rock-culture in 1967 and onward……………………………...123 Bibliography……………………………………………………………………………….128 Acknowledgements………………………………………………………………………..131 2 For Louis P. Masur and Scott Gac- The best music is essentially there to provide you something to face the world with -The Boss 3 Introduction: “Music is prophetic. It has always been in its essence a herald of times to come. Music is more than an object of study: it is a way of perceiving the world. -
Valerie November · Yvan Leanza
Valerie November · Yvan Leanza Risk, Disaster and Crisis Reduction Mobilizing, Collecting and Sharing Information Risk, Disaster and Crisis Reduction Valerie November • Yvan Leanza Risk, Disaster and Crisis Reduction Mobilizing, Collecting and Sharing Information 123 Valerie November Yvan Leanza CNRS Laboratoire Psychologie et Cultures Laboratoire Techniques Territoires Université Laval et Société (LATTS) Quebec City, QC, Canada Paris, France ISBN 978-3-319-08541-8 ISBN 978-3-319-08542-5 (eBook) DOI 10.1007/978-3-319-08542-5 Springer Cham Heidelberg New York Dordrecht London Library of Congress Control Number: 2014952304 © Springer International Publishing Switzerland 2015 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer. Permissions for use may be obtained through RightsLink at the Copyright Clearance Center. Violations are liable to prosecution under the respective Copyright Law. -
Blue Note Label Discography Was Compiled Using Our Record Collections, Schwann Catalogs from 1949 to 1982, a Phono-Log from 1963
Discography Of The Blue Note Label Blue Note was started in New York City in 1938 by Alfred W. Lion. Blue Note recorded jazz only. The following history of the Blue Note record label is from the Blue Note Website (bluenote.com). “In 1925, 16-year old Alfred Lion noticed a concert poster for Sam Wooding's orchestra near his favorite ice-skating arena in his native Berlin, Germany. He'd heard many of his mother's jazz records and began to take an interest in the music, but that night his life was changed. The impact of what he heard live touched a deep passion within him. His thirst for the music temporarily brought him to New York in 1928 where he worked on the docks and slept in Central Park to get closer to the music. On December 23, 1938, Lion attended the celebrated Spirituals to Swing concert at Carnegie Hall. The power, soul and beauty with which boogie woogie piano masters Albert Ammons and Meade Lux Lewis rocked the stage gripped him. Exactly two weeks later, on January 6 at 2 in the afternoon, he brought them into a New York studio to make some recordings. They took turns at the one piano, recording four solos each before relinquishing the bench to the other man. The long session ended with two stunning duets. Blue Note Records was finally a reality. The label's first brochure in May of 1939 carried a statement of purpose that Lion rarely strayed from throughout the many styles and years during which he built one of the greatest jazz record companies in the world. -
The Lee Morgan Discography
Delightfulee Jeffrey S. McMillan University of Michigan Press Lee Morgan Discography by Jeffery S. McMillan, Updated July 10, 2018 1956-11-04 Lee Morgan Quintet – Lee Morgan Indeed! Lee Morgan (tp), Clarence Sharpe (as), Horace Silver (p), Wilbur Ware (b), Philly Joe Jones (ds) RVG Studios, Hackensack, NJ, November 4, 1956 tk. 3 Gaza Strip (Owen Marshall) Blue Note BLP-1538, Mosaic MD4-162 tk. 4 Reggie Of Chester (Benny Golson) - tk. 6 Little T (Donald Byrd) - tk. 7 Little T (Byrd) - Alt.Take Mosaic MD4-162 tk. 9 Stand By (Golson) Blue Note BLP-1538, Mosaic MD4-162 tk. 11 Roccus (Horace Silver) - tk. 14 The Lady (Marshall) - 1956-11-05 Hank Mobley Quintet – Introducing Lee Morgan with Hank Mobley Quintet Lee Morgan (tp), Hank Mobley (ts), Hank Jones (p), Doug Watkins (b), Art Taylor (ds) RVG Studios, Hackensack, NJ, November 5, 1956 SHM6901 Hank's Shout (Hank Mobley) Savoy MG-12091, SV-0016, Atlantic 92905-2 SHM6902 Bet (Doug Watkins) - SHM6903 Medley: Softly As a Morning Sunrise / P.S. I Love You / Easy Living / That’s All* SV-0116 *Morgan only plays on P.S. I Love You. 1956-11-07 Hank Mobley Quintet – Introducing Lee Morgan with Hank Mobley Quintet Lee Morgan (tp), Hank Mobley (ts), Hank Jones (p), Doug Watkins (b), Art Taylor (ds) RVG Studios, Hackensack, NJ, November 7, 1956 SHM6904 Nostalgia (Fats Navarro) Savoy MG-12091, SV-0016, Atlantic 92905-2 SHM6905 Thad's Blues (Thad Jones) Savoy MG-12092, Atlantic 92905-2 SHM6906-2 A-1 (Mobley) – Alt. Take Atlantic 92905-2 SHM6906-3 A-1 (Mobley) Savoy MG-12092, Atlantic 92905-2 SHM6907 Doug's Minor B'ok (Watkins) - 1956-11-25 Hank Mobley Sextet – Hank Mobley With Donald Byrd And Lee Morgan Donald Byrd, Lee Morgan (tp), Hank Mobley (ts), Horace Silver (p), Paul Chambers (b), Charli Persip (ds) RVG Studios, Hackensack, NJ, November 25, 1956 tk. -
A Musical Analysis of the Improvisational Bebop Style of Nat Adderley (1955-1964)
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Student Research, Creative Activity, and Performance - School of Music Music, School of 12-2020 A Musical Analysis of the Improvisational Bebop Style of Nat Adderley (1955-1964) Kyle Granville University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/musicstudent Part of the Music Commons Granville, Kyle, "A Musical Analysis of the Improvisational Bebop Style of Nat Adderley (1955-1964)" (2020). Student Research, Creative Activity, and Performance - School of Music. 152. https://digitalcommons.unl.edu/musicstudent/152 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Student Research, Creative Activity, and Performance - School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. A MUSICAL ANALYSIS OF THE IMPROVISATIONAL BEBOP STYLE OF NAT ADDERLEY (1955-1964) by Kyle M. Granville A DOCTORAL DOCUMENT Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Musical Arts Major: Music Under the Supervision of Professor Darryl White Lincoln, Nebraska December, 2020 A MUSICAL ANALYSIS OF THE IMPROVISATIONAL BEBOP STYLE OF NAT ADDERLEY (1955-1964) Kyle M. Granville, D.M.A. University of Nebraska, 2020 Advisor: Darryl White Nathaniel Carlyle Adderley was an American jazz artist active in New York City, Florida and Europe throughout his extensive musical career. A prominent cornet player and composer, Adderley was highly respected by many of his peers in New York City, Florida, as well as all over Europe. -
X********************************************************** Reproductions Supplied by EDRS Are the Best That Can Be Made from the Original Document
DOCUMENT RESUME ED 339 074 CS 507 670 TITLE Mass Communication. Special Collection Number 10. INSTITUTION ERIC Clearinghouse on Reading and Communication Skills, Bloomington, IN. SPONS AGENCY Office of Educational Research and Improvement (ED), Washington, DC. PUB DATE 91 CONTRACT RI88062001 NOTE 63p.; Also published by EDINFO Press. AVAILABLE FROM ERIC Clearinghouse on Reading and Communication Skills, Indiana University, 2805 E. 10th St., Suite 150, Bloomington, IN 47408-2698 ($5.95 plus $2.00 postage and handling). PUB TYPE Information Analyses - ERIC Clearinghouse Products (071) -- Collected Works - General (020) EDRS PRICE MF01/PC03 Plus Postage. DESCRIPTORS Advertising; Class Activities; Communication Skills; Elementary Secondary Education; Ethics; Higher Education; *Journalism; Mass Media Role; *Mass Media Use; Newspapers; Organizational Communication; Television Viewing IDENTIFIERS ERIC Digests; Religious Broadcasting ABSTRACT This ERIC/RCS Special Collection contains 10 or more Digests (brief syntheses of the research on a specific topic in contemporary education) and FAST Bibs (Fomised Access to Selected Topics--annotated bibliographies with selected entries from the ERIC database), providing up-to-date information in an accessible format. The collection focrses on the field of mass communication (including broadcast and print media, and products such as video tapes, audio tapes, compact disks, and records) and its connections with education. The material in the special collection is designed for use by teachers, students, administrators, researchers, policy makers, and parents. A profile of the ERIC Clearinghouse on Reading and Communication Skills (ERIC/RCS); an order form; an information on a computerized search service, on searching ERIC in print, on submitting material to ERIC/RCS, and on books available from ERIC/RCS are attached. -
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AIR POWER Journal of Air Power and Space Studies Vol. 3, No. 1, Spring 2008 (January-March) AIR POWER CENTRE FOR AIR POWER STUDIES New Delhi AIR POWER is published quarterly by the Centre for Air Power Studies, New Delhi, established under an inde- pendent trust titled Forum for National Security Studies registered in 2002 in New Delhi. Board of Trustees Shri M.K. Rasgotra, former Foreign Secretary and former High Commissioner to the UK Chairman Air Chief Marshal O.P. Mehra, former Chief of Air Staff and former Governor Maharashtra and Rajasthan Mrs.N.K. Narang, IDAS, FA (DS), Ministry of Defence (Finance) Shri K. Subrahmanyam, former Secretary Defence Production and former Director IDSA Shri N.N. Vohra, former Defence Secretary and former Principal Secretary to PM Dr. Sanjaya Baru, Media Advisor to the Prime Minister (former Chief Editor Financial Express) Captain Ajay Singh, Jet Airways, former Deputy Director Air Defence, Air HQ Air Commodore Jasjit Singh, former Director IDSA Managing Trustee AIR POWER Journal welcomes research articles on defence, military affairs and strategy (especially air power and space issues) of contemporary and historical interest. Articles in the Journal reflect the views and conclusions of the authors and not necessarily the opinions or policy of the Centre or any other institution. Editor-in-Chief Air Commodore Jasjit Singh AVSM VrC VM (Retd) Managing Editor Group Captain D.C. Bakshi VSM (Retd) Publications Advisor Anoop Kamath Distributor KW Publishers Pvt. Ltd. All correspondence may be addressed to Managing Editor AIR POWER P-284, Arjan Path, Subroto Park, New Delhi 110 010 Telephone: (91.11) 25699131-32 Fax: (91.11) 25682533 e-mail: [email protected] website: www.aerospaceindia.org © Centre for Air Power Studies All rights reserved. -
United Artists Consolidated Series
United Artists Consolidated Series In 1972, United Artists changed their catalog numbering system to one consolidated system that included all the United Artists series and also the labels they owned or distributed. This consolidated series continued until the label was discontinued in 1981. The first two letters in the catalog number indicated the label (UA=United Artists, PP=Poppy, etc.) , followed by “LA”which designated an LP, followed by the catalog sequence number, with a letter suffix that was a pricing code. In 1979, when UA was sold to Capitol, the catalog numbers began reflecting the Capitol coding sequence (LT-, LOO-, etc.). Because the albums all used “LA”in the catalog number (until 1979), this consolidated series is often referred to as the “LA series.” United Artists “LA”Consolidated Series United Artists UA-LA-001-F - Doremi Fasol Latido - Hawkwind [1972] Brainstorm/Space In Deep/One Change//Lord of Light/Down Through The Night/Time We Left This World Today/The Watcher 002 Poppy PP-LA-003-F - Amanda - Amanda Tree [1972] Reissue of PYS 5707? This album is on the Poppy Label. Green Ring/No Rains/Pineapple Dinosaur/Prehistoric Animals/Queen Wilhemena/Rock Salt/Sitting on the Black Stairs/Spirit/Sunny/Winter Country Poppy PP-LA-004-F - The Late, Great Townes Van Zandt - Townes Van Zandt [1972] This album is on the Poppy Label. No Lonesome Tune/Sad Cinderella/German Mustard/Don't Let The Sunshine Fool You/Honky Tonkin'/Snow Don't Fall//Fraulein/Poncho and Lefty/If I Needed You/Silver Ships of Andilar/Heavenly Houseboat Blues United Artists UA-LA-005-F - Little Mama - Monk Higgins [1972] Little Mama/Walking In My Sleep/Trusting You (La, La, La Song)/So Far Away/Can’tStop//Black Fox/If/Heaven Only Knows/God’sin the Blessing Business/Highway Number 101 (Pacific Coast Highway) Blue Note BN-LA-006-F - Extensions - McCoy Tyner [1972] The label on this album is Blue Note. -
Downloads/Phd Unimi R10055.Pdf
Nationalism, Chauvinism and Racism as Reflected in European Musical Thought and in Compositions from the Interwar Period Eastern European Studies in Musicology Edited by Maciej Gołąb Editorial board Mikuláš Bek (Brno) Gražina Daunoravičienė (Vilnius) Luba Kyjanovska (Lviv) Mikhail Saponov (Moscow) Adrian Thomas (Cardiff) László Vikárius (Budapest) Volume 14 Eastern European Studies Andrzej Tuchowski in Musicology Edited by Maciej Gołąb Editorial board Mikuláš Bek (Brno) Gražina Daunoravičienė (Vilnius) Luba Kyjanovska (Lviv) Mikhail Saponov (Moscow) Adrian Thomas (Cardiff) Nationalism, Chauvinism and Racism as László Vikárius (Budapest) Reflected in European Musical Thought Volume 14 and in Compositions from the Interwar Period Translated by Tomasz Zymer Bibliographic Information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Na- tionalbibliografie; detailed bibliographic data is available in the internet at http://dnb.d-nb.de. Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. The Publication is founded by Ministry of Science and Higher Education of the Republic of Poland as a part of the National Programme for the Development of the Humanities. This publication reflects the views only of the authors, and the Ministry cannot be held responsible for any use which may be made of the information contained therein. Printed by CPI books GmbH, Leck ISSN 2193-8342 978-3-631-78727-4 (Print) 978-3-631-79589-7 (E-PDF) 978-3-631-79590-3 (EPUB) 978-3-631-79591-0 •(MOBI) DOI 10.3726/ b15888 • • Open Access: This work is licensed under a Creative Commons Attribution Non Commercial No Derivatives 4.0 unported license.