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Download-To-Own and Online Rental) and Then to Subscription Television And, Finally, a Screening on Broadcast Television
Exporting Canadian Feature Films in Global Markets TRENDS, OPPORTUNITIES AND FUTURE DIRECTIONS MARIA DE ROSA | MARILYN BURGESS COMMUNICATIONS MDR (A DIVISION OF NORIBCO INC.) APRIL 2017 PRODUCED WITH THE ASSISTANCE OF 1 EXPORTING CANADIAN FEATURE FILMS IN GLOBAL MARKETS Acknowledgements This study was commissioned by the Canadian Media Producers Association (CMPA), in partnership with the Association québécoise de la production médiatique (AQPM), the Cana- da Media Fund (CMF), and Telefilm Canada. The following report solely reflects the views of the authors. Findings, conclusions or recom- mendations expressed in this report are those of the authors and do not necessarily reflect the views of the funders of this report, who are in no way bound by any recommendations con- tained herein. 2 EXPORTING CANADIAN FEATURE FILMS IN GLOBAL MARKETS Executive Summary Goals of the Study The goals of this study were three-fold: 1. To identify key trends in international sales of feature films generally and Canadian independent feature films specifically; 2. To provide intelligence on challenges and opportunities to increase foreign sales; 3. To identify policies, programs and initiatives to support foreign sales in other jurisdic- tions and make recommendations to ensure that Canadian initiatives are competitive. For the purpose of this study, Canadian film exports were defined as sales of rights. These included pre-sales, sold in advance of the completion of films and often used to finance pro- duction, and sales of rights to completed feature films. In other jurisdictions foreign sales are being measured in a number of ways, including the number of box office admissions, box of- fice revenues, and sales of rights. -
Bruce Greenwood, Leslie Hope, Benjamin Ayres
Directed by Jerry Ciccoritti Written by Jeff Kober Starring: Bruce Greenwood, Leslie Hope, Benjamin Ayres, Megan Follows, David Hewlett, Kris Holden-Reid, Jeff Kober, Grace Lynn Kung, Kristin Lehman, Daniel Maslany, Tony Nappo, Paula Rivera TRT: 92:26 Format: 2:39 Sound: 5.1 surround sound Rating: (pending) Country: Canada Language: English Genre: Drama Trailers: Available Website: www.IndicanPictures.com Table of Contents Synopsis ...................................................................................................................................................................... 2 Director’s Statement .................................................................................................................................................. 3 Producer’s Statement ................................................................................................................................................. 3 Artist’s Statement (Jeff Kober) ................................................................................................................................... 4 Cast Bios ...................................................................................................................................................................... 5 Bruce Greenwood (Frank) ...................................................................................................................................... 5 Leslie Hope (Melanie) ............................................................................................................................................ -
America's Closet Door: an Investigation of Television and Its Effects on Perceptions of Homosexuality
University of Tennessee at Chattanooga UTC Scholar Student Research, Creative Works, and Honors Theses Publications 12-2014 America's closet door: an investigation of television and its effects on perceptions of homosexuality Sara Moroni University of Tennessee at Chattanooga, [email protected] Follow this and additional works at: https://scholar.utc.edu/honors-theses Part of the English Language and Literature Commons Recommended Citation Moroni, Sara, "America's closet door: an investigation of television and its effects on perceptions of homosexuality" (2014). Honors Theses. This Theses is brought to you for free and open access by the Student Research, Creative Works, and Publications at UTC Scholar. It has been accepted for inclusion in Honors Theses by an authorized administrator of UTC Scholar. For more information, please contact [email protected]. America’s Closet Door An Investigation of Television and Its Effects on Perceptions of Homosexuality Sara Moroni Departmental Thesis The University of Tennessee at Chattanooga English Project Director: Rebecca Jones, PhD. 31 October 2014 Christopher Stuart, PhD. Heather Palmer, PhD. Joanie Sompayrac, J.D., M. Acc. Signatures: ______________________________________________ Project Director ______________________________________________ Department Examiner ____________________________________________ Department Examiner ____________________________________________ Liaison, Departmental Honors Committee ____________________________________________ Chair, Departmental Honors Committee 2 Preface The 2013 “American Time Use Survey” conducted by the Bureau of Labor Statistics calculated that, “watching TV was the leisure activity that occupied the most time…, accounting for more than half of leisure time” for Americans 15 years old and over. Of the 647 actors that are series regulars on the five television broadcast networks (ABC, CBS, The CW, Fox, and NBC) 2.9% were LGBT (Lesbian, Gay, Bisexual, Transgender) in the 2011-2012 season (GLAAD). -
Clive Russell
Clive Russell Theatre Title Role Director Producer Touching The Blue Derek Hodges Joe Wenborne Assembly Rooms Edinburgh Moby Dick Narrator Alessandro Baricco Rome Festival The Bill Thames Television Rainbow Kiss Richard Wilson Royal Court The Permanent Way Max Stafford Clark Film Title Role Director Producer The Last Duel The Uncle of the King Ridley Scott Outlaw King Mackinnon David Mackenzie Supervised Jerry Steve Barron The Hatton Garden Job Kenny Ronnie Thompson Their Finest Mr Starling Lone Scherfig Limehouse Golam The Warder Juan Carlos Medina Christ the Lord: Out of Egypt Weer Cyrus Nowrasteh 1492 Pictures The List Peter Klaus Huettmann Still Det Penton Simon Blake Thor: The Dark World Tyr Alan Taylor The Artists Partnership 21-22 Warwick Street, Soho, London W1B 5NE (020) 7439 1456 Sherlock Holmes II Captain Tanner Guy Ritchie Elementary Prods Outpost: Black Sun Marius Steve Barker Black Camel Mary's Ride Lord Douglas Thomas Imbach Okofilm Prod. The Wicker Tree Beame Robin Hardy Tressock Films The Book of Blood Wyburd John Harrison Cinema One The Wolfman Macquarry Joe Johnston Universal Sherlock Holmes Captain Tanner Guy Ritchie Warner Brothers Dead Man Running Mc Clintoch Alex De Rakoff Lecture 21 Alessandro Baricco Bono Bob Brian & Me Steve David Williams Made of Honour Finlay Paul Weiland Paul Weiland Films The Festival Brother Mike Annie Griffin Pirate Productions King Arthur Antoine Fuqua Green Hills Ladies in Lavender Adam Penruddock Charles Dance Scala The Rocket Post Angus Stephen Whitaker Ultimate Pictures Silent Cry Dennis -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
Getting a on Transmedia
® A PUBLICATION OF BRUNICO COMMUNICATIONS LTD. SPRING 2014 Getting a STATE OF SYN MAKES THE LEAP GRIon transmediaP + NEW RIVALRIES AT THE CSAs MUCH TURNS 30 | EXIT INTERVIEW: TOM PERLMUTTER | ACCT’S BIG BIRTHDAY PB.24462.CMPA.Ad.indd 1 2014-02-05 1:17 PM SPRING 2014 table of contents Behind-the-scenes on-set of Global’s new drama series Remedy with Dillon Casey shooting on location in Hamilton, ON (Photo: Jan Thijs) 8 Upfront 26 Unconventional and on the rise 34 Cultivating cult Brilliant biz ideas, Fort McMoney, Blue Changing media trends drive new rivalries How superfans build buzz and drive Ant’s Vanessa Case, and an exit interview at the 2014 CSAs international appeal for TV series with the NFB’s Tom Perlmutter 28 Indie and Indigenous 36 (Still) intimate & interactive 20 Transmedia: Bloody good business? Aboriginal-created content’s big year at A look back at MuchMusic’s three Canadian producers and mediacos are the Canadian Screen Awards decades of innovation building business strategies around multi- platform entertainment 30 Best picture, better box offi ce? 40 The ACCT celebrates its legacy Do the new CSA fi lm guidelines affect A tribute to the Academy of Canadian 24 Synful business marketing impact? Cinema and Television and 65 years of Going inside Smokebomb’s new Canadian screen achievements transmedia property State of Syn 32 The awards effect From books to music to TV and fi lm, 46 The Back Page a look at what cultural awards Got an idea for a transmedia project? mean for the business bottom line Arcana’s Sean Patrick O’Reilly charts a course for success Cover note: This issue’s cover features Smokebomb Entertainment’s State of Syn. -
Film Genre Patterns and Complex Narrative Strategies in the Service of Authorship*
Acta Universitatis Wratislaviensis • No 3869 Literatura i Kultura Popularna XXIV, Wrocław 2018 DOI: 10.19195/0867-7441.24.3 Andrea Virginás ORCID: 0000-0003-1867-1083 Sapientia Hungarian University of Transylvania, Romania Film genre patterns and complex narrative strategies in the service of authorship* Keywords: film genre, complex narration, author cinema, generic allegory, contemporary film Słowa kluczowe: gatunki filmowe, złożoność narracyjna, kino autorskie, alegoria gatunkowa, kino współczesne Introduction As the title of the article indicates, I am working with three categories of an- alysis: film genre(s), film(ic) narratives and filmmakers on their way to acquiring authorial status. These entities — genre, narration, authorship — obviously influ- ence each other in any medium, not only film, and what I aim to present is a pos- sible story of how this process of mutual interdependence might be unfolding in contemporary Euro-American film. The observation of Edward Buscombe in his seminal text “The idea of genre in the American cinema” provides a set focus with its reference to the intertwining of individual goals and inhabiting generic patterns on the part of the filmmakers (directors): “[t]he artist brings to the genre his or her own concerns, techniques, and capacities — in the widest sense, a style — but receives from the genre a formal pattern that directs and disciplines the work”.1 The present paper is extracted from a longer analysis2 that covers four film directors — Vincenzo Natali, Darren Aronofsky, Tom Tykwer and Christopher * This work was supported by a grant of the Romanian Ministry of Research and Innovation (CNCS — UEFISCDI), Exploratory Research Project no. -
GLAAD Where We Are on TV (2020-2021)
WHERE WE ARE ON TV 2020 – 2021 WHERE WE ARE ON TV 2020 – 2021 Where We Are on TV 2020 – 2021 2 WHERE WE ARE ON TV 2020 – 2021 CONTENTS 4 From the office of Sarah Kate Ellis 7 Methodology 8 Executive Summary 10 Summary of Broadcast Findings 14 Summary of Cable Findings 17 Summary of Streaming Findings 20 Gender Representation 22 Race & Ethnicity 24 Representation of Black Characters 26 Representation of Latinx Characters 28 Representation of Asian-Pacific Islander Characters 30 Representation of Characters With Disabilities 32 Representation of Bisexual+ Characters 34 Representation of Transgender Characters 37 Representation in Alternative Programming 38 Representation in Spanish-Language Programming 40 Representation on Daytime, Kids and Family 41 Representation on Other SVOD Streaming Services 43 Glossary of Terms 44 About GLAAD 45 Acknowledgements 3 WHERE WE ARE ON TV 2020 – 2021 From the Office of the President & CEO, Sarah Kate Ellis For 25 years, GLAAD has tracked the presence of lesbian, of our work every day. GLAAD and Proctor & Gamble gay, bisexual, transgender, and queer (LGBTQ) characters released the results of the first LGBTQ Inclusion in on television. This year marks the sixteenth study since Advertising and Media survey last summer. Our findings expanding that focus into what is now our Where We Are prove that seeing LGBTQ characters in media drives on TV (WWATV) report. Much has changed for the LGBTQ greater acceptance of the community, respondents who community in that time, when our first edition counted only had been exposed to LGBTQ images in media within 12 series regular LGBTQ characters across both broadcast the previous three months reported significantly higher and cable, a small fraction of what that number is today. -
GAVIN SMITH Director of Photography
REPRESENTATION : Tina Horwitz tina @vanguardeartists.com http://gavinsmithcsc.com GAVIN SMITH Director of Photography SELECTED FEATURE CREDITS A Christmas Horror Story Copperheart Productions Directors: Grant Harvey, Brett Sullivan, Steve Hoban Producer: Mark Smith, Steve Hoban Wolves Copperheart Entertainment Director: David Hayter Producers: Steve Hoban, Benedict Carver DeBug Copperheart Entertainment Director: David Hewlett Producers: Mark Smith, Steve Hoban My Awkward Sexual Adventure Phase 4 Films Director: Sean Garrity Producers: Jonas Chernick, Juliette Halgopean 388 Arletta Ave. Copperheart Entertainment Director: Randal Cole Producers: Mark Smith, Steve Hoban Ginger Snaps II Unleashed Lions Gate Films Director: Brett Sullivan Producers: Steve Hoban, John Fawcett Another Day American Zoetrope Director: Jeff Reiner Alliance Atlantis Producers: Peter Sussman, Jean Dearmeaux The Ice Men First Frame Films Director: Thom Best Producer: Rick Warden Punk Probably Hard Core Rotterdam Picture Arts Director: Mark Hesselink Producer: Mark Hesselink SELECTED TELEVISION CREDITS Young Drunk Punk Seven24/Rogers Producers: Bruce McCulloch, Susan Cavan, Jordy Randall, Tom Cox Series The Best Laid Plans PDM/CBC Producers: Brian Dennis, Peter Moss, Phyllis Platt Mini-series Combat Hospital Sienna Films/ ABC/Global Producers: Julia Sereny, Jennifer Kawaja 13 x 1hrs Series My Babysitter's A Vampire Teletoon/ Disney Producers: Brian Irving, Tom McGillis 13 x ½ hrs Series The Border I, II & III White Pine Pictures/CBC Producers: Peter Raymont, Brian -
Trabalho De Conclusão De Curso “Homoafetividade Na TV: Análise Das Séries Queer As Folk, the L Word E Looking”4
Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação XXXVIII Congresso Brasileiro de Ciências da Comunicação – Rio de Janeiro - RJ – 4 a 7/9/2015 Homoafetividade na TV: análise do casal Brian e Justin na série Queer As Folk1 Daniel Silveira da CRUZ2 Fabio Sadao NAKAGAWA3 Universidade Federal da Bahia, Salvador, Bahia Resumo O presente artigo analisa como os relacionamentos homoafetivos são representados em séries de televisão americanas. A pesquisa toma como objeto de análise o casal Brian e Justin de Queer As Folk. Com base em diferentes teóricos, os conceitos homossexualidade, homoerotismo e o termo homoafetividade colaboram para entender as definições acerca da atração por pessoas do mesmo sexo. Além disso, lançamos mãos da literatura sobre televisão, abordando as narrativas seriadas e um breve histórico sobre os personagens gays na TV. Palavras-chave: Queer as Folk; Homoafetividade; Homossexualidade; Séries televisuais Introdução O presente artigo é um recorte da pesquisa para o Trabalho de Conclusão de Curso “Homoafetividade na TV: análise das séries Queer As Folk, The L Word e Looking”4. O estudo foi realizado com as primeiras temporadas das séries citadas a fim de responder a questão: como são representados os casais homoafetivos em séries de TV americanas? Ou seja, de que maneira os afetos entre casais homossexuais são construídos pelas narrativas serializadas americanas? Neste artigo, abordaremos a construção da homoafetividade no casal Brian Kinney e Justin Taylor usando como corpus a primeira temporada de Queer As Folk. A série lançada em 2000 foi exibida originalmente no canal Showtime, nos Estados Unidos e no canal Showcase, no Canadá. Mostra, em cinco temporadas, histórias dos amigos gays Brian Kinney (Gale Harold), Michael Novotony (Hal Sparks), Emmet Honeycutt (Peter Page), Ted Schmidt (Scot Lowell) e Justin Taylor (Randy Harrison). -
This Is a Test
‘LIES BETWEEN FRIENDS’ CAST BIOS GABRIELLE ANWAR (Joss) – Born in Berkshire, England, the endearing and accomplished Gabrielle Anwar has more than 45 film and television performances to her credit in both Europe and the United States, including her breakout film, “Scent of a Woman,” where she was whisked off her feet into an acclaimed tango with Al Pacino. Anwar has enthralled in a vast array of diverse characters from the blind diving horse circus performer in Disney’s biopic “Wild Hearts Can’t Be Broken” to the risqué royal in Showtime’s “The Tudors” to the supercilious counterpart to Noah Wyle in TNT’s “The Librarian II.” She also played the fatal object of desire in “Things To Do In Denver When You’re Dead,” the regal Queen Anne in “The Three Musketeers,” the party girl in BBC’s adaptation of Mortimer’s “Summer’s Lease” and the coquette pursuing Dermott Mulroney and Hope Davis in the independent feature “Happy Together.” Currently, Anwar stars as Fiona in the USA Network original series “Burn Notice.” With three children, a canine, a feline, an art studio, a yoga fanatic, a garden and a slew of literature in the works, Anwar lacks any free time. # # # CRAIG SHEFFER (Sheriff Zach Watts) – After studying theatre at East Stroudsburg University, Craig Sheffer immediately relocated to New York to pursue a career in acting. Early auditions landed him a role in the off-Broadway play Punchy, and he soon found himself co- starring in the award-winning Broadway production Torch Song Trilogy. In less than a year, producers spotted his work on Broadway and cast him in his feature-film debut opposite Emilio Estevez in “That Was Then, This Is Now.” Sheffer later landed starring roles in the John Hughes comedy “Some Kind of Wonderful” and the father/son drama “Split Decisions,” with Gene Hackman. -
Introduction: Placing the Self Within the Frame 1 New Storytelling
Notes Introduction: Placing the Self within the Frame 1. This is performed by the Mamas and the Papas (see Chapter 6). 2. For various opinions on the potential of textual analysis see Childs (2006), Kovala (2008) and McKee (2003). 3. Although Gwen Haworth’s documentary is relevant to lesbian discourse, as Haworth, a male to female transsexual, expresses lesbian desire, I have not included this work in my book, as the focus is largely transsexual. Despite this, Haworth’s documentary is highly contiguous to the theoretical ideas expressed within this book, concerning self-reflexive narrative expression and sexual diversity. 4. Also there are still laws which oppress non-heterosexuals within the Western world. 5. It is important to note that this often includes production funding from Anglocentric sources, which bears its own implications of textual influence. 1 New Storytelling: Transitions from the Past 1. Howard Auster had changed his name to Howard Austen early in his career, on advice from Gore Vidal to avoid advertising his Jewish identity at a time when it was hard to obtain work as a Jew (Vidal, 1995). In Gore Vidal’s mem- oir, Howard’s name is restored to the original spelling; hence I have adopted it here. 2. I use the term ‘literature’ in the general sense as ‘serious writing’, esteemed by authority such as academia. 3. I am only discussing the media of radio in this chapter, as a precursor to later developments in television, film and new media through the World Wide Web. 4. It is important to note that in some non-Western countries conversely homo- sexuality under certain circumstances may be considered to offer positive myths.