Artist Roster Danilo Perez
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Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
Patricia Zarate Perez Other Bios Performance
Patricia Zarate Perez Other Bios Performance: Patricia started playing the guitar and singing Chilean songs at age 10 in Santiago and Santa Cruz, Chile. She picked up the saxophone at age 13 and studied in Chile with renowned Chilean saxophone players. She moved to the US at age 20 and became the first female Chilean student to graduate from Berklee College of Music. Later, she pursued her master's degree in Jazz Studies at New York University with a full scholarship. Her saxophone teachers in the USA included Jerry Bergonzi, Jackie McLean, George Garzone, among others. Zarate has performed in North, Central, and South America with various bands in diverse settings. She has performed at Lincoln Center, Chicago's Jazz Showcase, Detroit Jazz Festival, Conservatory of Paris, Havana Jazz Festival, among many other sites, and in countries like Korea, Puerto Rico, Panama, Chile, USA, Gabon, Cameroon, Spain, among others. She regularly participates in her husband's (Panamanian pianist Danilo Perez) educational and diplomatic projects, and her life has been immensely influenced by the musical and non- musical lessons of saxophonist Wayne Shorter. Music Therapy: Zarate Perez graduated with the first generation of students from the music therapy department at Berklee College of Music in 1999, where she met her mentor Colin Lee. She worked as a music therapy intern at the Psychiatric Unit of the New Hampshire State Hospital, where she provided music therapy services to acute psychiatric patients. She later worked at the Boston Institute For Arts Therapies and Arts in Progress where she worked with children with behavioral difficulties, autism, and Down Syndrome. -
Creative Thinking at Berklee
Creative Thinking at Berklee Toronto and other places around the world. They give back to the community by working with children, teaching music in Boston and in other cities they visit while performing. In June, the BGJI Quartet attended the Toronto Jazz Festival and worked with the Youth Jazz in the City program and with Japanese jazz artists Yamaki Shohei and fular_pad from Sapporo, Japan. One of the goals of the Berklee Global Jazz Institute is to connect creating thinking in music with the restoration of nature, using music as a tool for the betterment of society. In short, students learn to become role models for a new generation of musicians and to inspire leadership in others. berklee.edu/focused/global-jazz Danilo Perez The Berklee Global Jazz Institute some of the world’s finest young (BGJI) celebrated its one year jazz players to concentrate on anniversary in April with a special creativity and musicianship. concert by saxophone legend The students are mentored by Wayne Shorter, who performed with jazz masters at Berklee, and they Institute faculty and students at the also travel together to perform at Berklee Performance Center. festivals in Panama, Puerto Rico, The concert was part of Berklee’s Global Jazz Summit for Humanity and Peace, which looked at ways in which musicians can get involved in creating a better world through their music. “The Berklee Global Jazz Institute’s mission and commitment to interconnected learning is inspiring,” says Shorter, who encouraged young musicians to “experience life and go beyond what music is.” The Institute is under the artistic direction of Danilo Pérez, the renowned jazz pianist from Panama. -
To See Anew: Experiencing American Art in the 21St Century
Initiatives in Art and Culture To See Anew: Experiencing American Art in the 21st Century 21ST ANNUAL AMERICAN ART CONFERENCE FRIDAY – SATURDAY, MAY 20 – 21, 2016 1851, after an original of 1851, The Greek Slave, The Greek Stuart Davis, Swing Landscape, 1938, oil on canvas, 86¾ x 172⅞ in. Indiana University Art Museum, Bloomington, Indiana. © Estate of Stuart Davis/Licensed Hiram Powers, Powers, Hiram Art University x 18¼ in. Yale 1844, marble, 65¼ x 21 Dann Fund. 1962.43, Olive Louise Gallery, by VAGA, New York, NY. Jonathan Boos. Jonathan Boos. 36 x 29 in. Private collection; photo: courtesy, canvas, Guy Pène du Bois, Country Wedding, Henry Peters Gray, The Wages of War, 1848, oil on 1929, oil on canvas, 48¼ x 76¼ in. The Metropolitan Museum of Art, gift of Several Ladies and Gentlemen, 1873. 73.5. THE GRADUATE CENTER, THE CITY UNIVERSITY OF NEW YORK To See Anew: Experiencing American Art in the 21st Century 21ST ANNUAL AMERICAN ART CONFERENCE Heilbrun, 1922). Chanler. Robert Winthrop Ivan Narodny, (from: 1921 Chanler, Robert Winthrop New York: William New York: Avian Arabesque, Avian Arabesque, The Art of In this conference, Initiatives in Art and Culture considers iconic works by recognized masters, seeking to understand both why they were celebrated in their own time and why they retain their power today. At the same time, we explore the works of artists who did not retain the renown they enjoyed during their lifetimes and who fell into obscurity. But obscurity is not necessarily forever, and as cycles of taste have changed, these once-forgotten artists and their largely unknown works have re-surfaced to startle us today. -
Hybridity and Identity in the Pan-American Jazz Piano Tradition
Hybridity and Identity in the Pan-American Jazz Piano Tradition by William D. Scott Bachelor of Arts, Central Michigan University, 2011 Master of Music, University of Michigan, 2013 Master of Arts, University of Michigan, 2015 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2019 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by William D. Scott It was defended on March 28, 2019 and approved by Mark A. Clague, PhD, Department of Music James P. Cassaro, MA, Department of Music Aaron J. Johnson, PhD, Department of Music Dissertation Advisor: Michael C. Heller, PhD, Department of Music ii Copyright © by William D. Scott 2019 iii Michael C. Heller, PhD Hybridity and Identity in the Pan-American Jazz Piano Tradition William D. Scott, PhD University of Pittsburgh, 2019 The term Latin jazz has often been employed by record labels, critics, and musicians alike to denote idioms ranging from Afro-Cuban music, to Brazilian samba and bossa nova, and more broadly to Latin American fusions with jazz. While many of these genres have coexisted under the Latin jazz heading in one manifestation or another, Panamanian pianist Danilo Pérez uses the expression “Pan-American jazz” to account for both the Afro-Cuban jazz tradition and non-Cuban Latin American fusions with jazz. Throughout this dissertation, I unpack the notion of Pan-American jazz from a variety of theoretical perspectives including Latinx identity discourse, transcription and musical analysis, and hybridity theory. -
PLANNER PROJECT 2016... the 60S!
1 PLANNER PROJECT 2016... THE 60s! EDITOR’S NOTE: Listed below are the venues, performers, media, events, and specialty items including automobiles (when possible), highlighting 1961 and 1966 in Planner Project 2016! 1961! 1961 / FEATURED AREA MUSICAL VENUES FROM 1961 / (17) AREA JAZZ / BLUES VENUES / (4) Kornman’s Front Room / Leo’s Casino (4817 Central Ave.) / Theatrical Restaurant / Albert Anthony’s Welcome Inn AREA POP CULTURE VENUES / (13) Herman Pirchner’s Alpine Village / Aragon Ballroom / Cleveland Arena / the Copa (1710 Euclid) / Euclid Beach (hosts Coca-Cola Day) / Four Provinces Ballroom (free records for all attendees) / Hickory Grill / Homestead Ballroom / Keith’s 105th / Music Hall / Sachsenheim Ballroom / Severance Hall / Yorktown Lanes (Teen Age Rock ‘n Bowl’ night) 1961 / FEATURED ARTISTS / MUSICAL GRPS. PERFORMING HERE IN 1961 / [Individuals: (36) / Grps.: (19)] [(-) NO. OF TIMES LISTED] FEATURED JAZZ / BLUES ARTISTS PERFORMING HERE IN 1961 / (12) Gene Ammons / Art Blakely & the Jazz Messengers / John Coltrane / Harry ‘Sweets’ Edison / Ramsey Lewis / Jimmy McPartland / Shirley Scott / Jimmy Smith / Sonny Stitt / Stanley Turrentine / Joe Williams / Teddy Wilson POP CULTURE: FEATURED NORTHEAST OHIO / REGIONAL ARTISTS FROM 1961 / (6) Andrea Carroll / Ellie Frankel trio / Bobby Hanson’s Band / Dennis Warnock’s Combo / West Side Bandstand (with Jack Scott, Tom King & the Starfires) FEATURED NATIONAL ARTISTS PERFORMING HERE IN 1961 / [Individuals: (16) / Groups: (14)] Tony Bennett / Jerry Butler / Cab Calloway (with All-Star -
How to Play in a Band with 2 Chordal Instruments
FEBRUARY 2020 VOLUME 87 / NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
88-Page Mega Version 2016 2015 2014 2013 2012 2011 2010
The Gift Guide YEAR-LONG, ALL OCCCASION GIFT IDEAS! 88-PAGE MEGA VERSION 2017 2016 2015 2014 2013 2012 2011 2010 COMBINED jazz & blues report jazz-blues.com The Gift Guide YEAR-LONG, ALL OCCCASION GIFT IDEAS! INDEX 2017 Gift Guide •••••• 3 2016 Gift Guide •••••• 9 2015 Gift Guide •••••• 25 2014 Gift Guide •••••• 44 2013 Gift Guide •••••• 54 2012 Gift Guide •••••• 60 2011 Gift Guide •••••• 68 2010 Gift Guide •••••• 83 jazz &blues report jazz & blues report jazz-blues.com 2017 Gift Guide While our annual Gift Guide appears every year at this time, the gift ideas covered are in no way just to be thought of as holiday gifts only. Obviously, these items would be a good gift idea for any occasion year-round, as well as a gift for yourself! We do not include many, if any at all, single CDs in the guide. Most everything contained will be multiple CD sets, DVDs, CD/DVD sets, books and the like. Of course, you can always look though our back issues to see what came out in 2017 (and prior years), but none of us would want to attempt to decide which CDs would be a fitting ad- dition to this guide. As with 2016, the year 2017 was a bit on the lean side as far as reviews go of box sets, books and DVDs - it appears tht the days of mass quantities of boxed sets are over - but we do have some to check out. These are in no particular order in terms of importance or release dates. -
PROGRAM NOTES Guided Tour
13/14 Season SEP-DEC Ted Kurland Associates Kurland Ted The New Gary Burton Quartet 70th Birthday Concert with Gary Burton Vibraphone Julian Lage Guitar Scott Colley Bass Antonio Sanchez Percussion PROGRAM There will be no intermission. Set list will be announced from stage. Sunday, October 6 at 7 PM Zellerbach Theatre The Annenberg Center's Jazz Series is funded in part by the Brownstein Jazz Fund and the Philadelphia Fund For Jazz Legacy & Innovation of The Philadelphia Foundation and Philadelphia Jazz Project: a project of the Painted Bride Art Center. Media support for the 13/14 Jazz Series provided by WRTI and City Paper. 10 | ABOUT THE ARTISTS Gary Burton (Vibraphone) Born in 1943 and raised in Indiana, Gary Burton taught himself to play the vibraphone. At the age of 17, Burton made his recording debut in Nashville with guitarists Hank Garland and Chet Atkins. Two years later, Burton left his studies at Berklee College of Music to join George Shearing and Stan Getz, with whom he worked from 1964 to 1966. As a member of Getz's quartet, Burton won Down Beat Magazine's “Talent Deserving of Wider Recognition” award in 1965. By the time he left Getz to form his own quartet in 1967, Burton had recorded three solo albums. Borrowing rhythms and sonorities from rock music, while maintaining jazz's emphasis on improvisation and harmonic complexity, Burton's first quartet attracted large audiences from both sides of the jazz-rock spectrum. Such albums as Duster and Lofty Fake Anagram established Burton and his band as progenitors of the jazz fusion phenomenon. -
For Immediate Release Exclusive Sfjazz 'Fridays At
FOR IMMEDIATE RELEASE Media Contact: TJ Gorton [email protected] 415.283.0309 EXCLUSIVE SFJAZZ 'FRIDAYS AT FIVE' FOUR-PART BROADCAST TO BENEFIT WAYNE SHORTER Four Historic Wayne Shorter Celebration Concerts From January 2019 Featuring Herbie Hancock, Kamasi Washington, Branford Marsalis, Terence Blanchard, Terrace Martin, Danilo Pérez, John Patitucci, and Brian Blade to Air on SFJAZZ “Fridays at Five” Online Series (SAN FRANCISCO, CA, May 18, 2020) -- SFJAZZ announced a historic Wayne Shorter Celebration concert series with Herbie Hancock, Kamasi Washington, Branford Marsalis, Terence Blanchard, Terrace Martin, Danilo Pérez, John Patitucci, Brian Blade, and more will be broadcasted for the first time ever on “Fridays at Five.” For these four-night broadcasts, all contributions will go directly to the Wayne Shorter fund to support his ongoing medical needs. All concerts also feature members of Wayne Shorter’s quartet including pianist Danilo Pérez, bassist John Patitucci, and drummer Brian Blade. “FRIDAYS AT FIVE” is SFJAZZ’s new weekly online membership program launched in the face of the COVID-19 crisis to support SFJAZZ’s ongoing operations and artists in anticipation of reopening. The program is supported by a $5 monthly/$60 yearly membership. Direct support of artists is provided via a “tip jar” that is available prior, during and after the broadcast that is split 50/50 between artist and SFJAZZ. For these four concerts 100% of the “tip jar” proceeds will go to Wayne Shorter for needed medical expenses. BROADCAST DATES Friday, May 22 | 5PM PT w/ Kamasi Washington and Terrace Martin Friday, June 26 | 5PM PT w/ Herbie Hancock, Terence Blanchard, Terrace Martin Friday, July 31 | 5PM PT w/ Branford Marsalis and Terence Blanchard + 1 MORE TBA ABOUT WAYNE SHORTER CELEBRATION CONCERTS Legendary saxophonist and composer Wayne Shorter had been scheduled to perform with his quartet over four nights in Miner Auditorium in January of 2019, but unfortunately an illness that precluded travel prevented Wayne from appearing that week. -
Reflective Paper – My Experience in BGJI, Class of 2019
Reflective paper – my experience in BGJI, class of 2019 My time could be summed up in the Berklee Global Jazz Institute as nothing short of transformative. I have been challenged and stretched beyond my previous predictions and anticipations. The experiences, opportunities and situations I have been exposed to over the past 10 months have cracked me open as musician and human being and led me to realise that there is nothing that can’t be accessed and achieved when one has pure-hearted motive, conviction and persistence. My time could be summed up in the Berklee Global Jazz Institute as nothing short of transformative. I have been challenged and stretched beyond my previous predictions and anticipations. The experiences, opportunities and situations I have been exposed to over the past 10 months have cracked me open as musician and human being and led me to realise that there is nothing that can’t be accessed and achieved when one has pure-hearted motive, conviction and persistence. I began playing the drums at 14 years old and instantly fell in love with the rhythmic responsibility playing a percussion instrument granted me. Since performing professionally at age 16, I have strived to study and seek out guidance and direction towards becoming the greatest musician and drummer I can possible. This serendipitously led me to undertake a Masters degree in the Berklee Global Jazz Institute, spearheaded by artistic director and master pianist Danilo Perez and managing director and renowned saxophonist Marco Pignataro. Through collaborating and learning from the highest calibre of musicians (Terri-Lyne Carrington, Ben Street, John Pattitucci, Joe Lovano, Alan Pasqua and George Garzone, to name a few), including Perez and Pignataro, I experienced and was consistently exposed first-hand, to examples to some of the highest peaks of musical and artistic mastery, accomplishment and integrity. -
2012 SJF Press Release FINAL
FOR IMMEDIATE RELEASE Event dates: June 22 – August 4, 2012, with special preview performance June 17 Organization: Stanford Jazz Workshop, a 501(c)(3) nonprofit organization Press contact: Ernie Rideout Phone: 650-736-0324, ext. 305 E-mail: [email protected] Web site: www.stanfordjazz.org Stanford Jazz Workshop announces 2012 Stanford Jazz Festival, June 22 – August 4, 2012 Stanford, CA—April 17, 2012: Celebrating its 40th anniversary, the Stanford Jazz Workshop is pleased to announce the 2012 season of the Stanford Jazz Festival. This summer’s stellar lineup features a must-see mix of the finest jazz artists in the world, performing in the intimate and easily accessible South Bay setting of the Stanford University campus. Tickets will go on sale on May 1. The Festival presents a total of 38 concerts over the course of the summer, involving over 100 artists, including living legends (Roy Haynes, Charles McPherson, Houston Person), rising stars (Sasha Dobson, Vertical Voices, Kendrick Scott, Julian Lage), trail blazers (Victor Wooten, Peter Erskine, Terrell Stafford), and world jazz sensations (Poncho Sanchez, SJF 2012: 1 Danilo Pérez Trio Luciana Souza and Romero Lubambo). Following two preview events (Kitty Margolis on 6/17 and the SJW Faculty All-Stars on 6/21), the Festival opens with a blockbuster weekend, beginning Friday, June 22 with the Danilo Pérez Trio, continuing with Bobby Hutcherson and the Joey DeFrancesco Trio, and winding up with West African jazz guitarist Lionel Loueke on Sunday, June 24. The Festival culminates with All-Star WeeK, from July 29 – August 4, with performances by Wycliffe Gordon, Matt Wilson’s Arts & Crafts, Taylor Eigsti, Gretchen Parlato, Kenny Barron, Dena DeRose, and more.