Spl Sha Po Lang Torrent Download SPL: Sha Po Lang

Total Page:16

File Type:pdf, Size:1020Kb

Spl Sha Po Lang Torrent Download SPL: Sha Po Lang spl sha po lang torrent download SPL: Sha Po Lang. SPL: Sha Po Lang is a 2005 Hong Kong action film written and directed by Wilson Yip, and starring Donnie Yen, Sammo Hung and Simon Yam. The film was released in Hong Kong on 18 November 2005. Yam portrays a police detective who, suffering from cancer and about to retire, resorts to illegal means in order to catch a ruthless triad boss. The title Sha Po Lang refers to three words derived from Chinese astrology that each represent a different star capable of good or evil depending on their position in the heavens. 1. Plot The movie is set before 1997, prior to the return of Hong Kong to the Peoples Republic of China. Chan Kwok-chung Simon Yam, a Hong Kong police inspector, has dedicated his career to putting Wong Po Sammo Hung, a notorious triad boss, behind bars. While escorting a witness with damning evidence of Wongs wrongdoings to court, Chans car is rammed by another car driven by Jack Wu Jing, a ruthless assassin. Jack then executes the witness, ensuring Wong Po would walk free. Chan survives with a piece of glass stuck in his head. After the glass is removed, the doctor informs Chan of a tumor in his brain that will soon kill him. Chan becomes even more determined to bring down Wong Po, using any means necessary. Three years later, Ma Kwun Donnie Yen, a police officer from another precinct, is assigned to replace Chan, who is going to retire soon. Ma will lead Chans team, composed of Wah, Sum and Lok. The three men are very protective of Chan, who has since adopted the slain witness daughter, as her mother was killed in the earlier car crash. An electronics shop owner brings to the police station a video tape of Wong Po torturing an undercover agent. In the video, Wong hits the agent repeatedly with a golf club, then one of his men finishes him off. Chan and his colleagues decide to alter the tape, intimidate the shop owner into accusing Wong Po of being the murderer, and eliminate the real killer. Ma, who once beat up a drug trafficker so badly that the latter became mentally handicapped, has vowed to abstain from using questionable means in his career. Ma notices that Chans team is acting suspiciously, but he still helps in the arrest of Wong Po. Ma then catches Chans teams in the act of murdering the henchman that actually killed the undercover agent. Ma briefly fights the four of them. The group receives a message warning them against leaving the police station that night. Ignoring the threat, Lok goes to buy a gun to serve as Wong Pos "murder weapon", but is trapped in an enclosed area and ends up getting killed by a knife-wielding Jack. Meanwhile, a copy of the original video tape is given to Chans superior, Cheung Chun-fei. Seeing that Chan had tampered with evidence to frame Wong Po, Cheung releases Wong and tries to arrest Chan. An elderly policeman called Uncle Ba who had received help from Chan earlier in the film helps Chan avoid arrest. Later that night, Jack sneaks up on Wah and Sum and stabs them to death. Ma rushes to save them but arrives too late. Before dying, Wah confesses to Ma that he, Sum and Lok had stolen money from Wong Po when they busted one of Wongs drug operations earlier to help Chan raise his adopted daughter, and were targeted for retaliation by Wong. At the station, Ma has a heated argument with Cheung over the handling of the case. Furious, he turns in his badge and gun. Chan goes to Wong Pos office, pretending to bring the stolen money. He shoots a few henchmen but is stabbed and overpowered by Jack, then tortured by Wong Po, who calls Ma and tells him that he has taken Chan captive. Ma heads to Wong Pos office. Jack confronts and battles Ma in an alley. Jack wrestles Mas baton away from him, but Ma eviscerates Jack with his own knife. In Wongs office, where Chan is tied up, Ma returns the money and fights Wong. The crime lord is seemingly defeated when he is slammed onto a glass display of bottles. Ma pours himself a drink, but Wong suddenly gets up and pushes Ma out of a window. Ma lands on the car carrying Wongs wife and baby son, caving in the roof. All three are killed instantly. Wong gazes down at Mas body and recognizes the car underneath. Wong starts sobbing, broken with grief. In the final scene, Chan and his adopted daughter are seen on the beach, with the girl playing near the shore. Chan finally succumbs to his tumour and dies. Fatal Contact (2006) Contemporary martial arts action film produced, written and directed by Dennis Law, featuring the national Chinese sport of kickboxing, Sanshou or Sanda. Trailer. Wu Jing, often credited as Jacky Wu, stars as “Kong Ko”, a martial arts champion. In real-life, Wu Jing is a former member of the famous Beijing Wushu Team, and multiple Chinese Wushu Champion. Miki Yeung, a Cantopop star and actress plays “Siu Tin”. A fellow member of her band “Cookies”, Theresa Fu joins her as Chui Chi. Another Cantopop singer and actor, Ronald Cheng, plays “Captain Chan Shing”, who befriends Kong Ko. Actor Cheung Siu-fai, (“Mr So” in Johnnie To’s “Election”), stars as Ma Ho-keung, who arranges Kong Ko’s fights. Jackie Chan’s former bodyguard and stunt team member, Ken Lo, plays a pimped-up gangster and gambler, Chan Sun. Yu Gu plays Chan Sun’s gambling rival, Fai. Regular Hong Kong action supporting stars Andy On, Xing Yu and Timmy Hung play Kong Ko’s opponents. Set in modern-day Hong Kong, Kong Ko is a gifted Chinese wushu champion earning a living performing martial arts for a Peking Opera company. Ma Ho-Keung and his henchmen see his performance and identify Kong Ko as a potential competitor for their illegal underground full contact fights. Kong initially declines their offer, but frustrated with not having much money, the pretty Siu Tin persuades Kong to give it a go. Kong beats his first opponent in spectacular fashion. Gangster Ma Ho-keung, is suitably impressed and arranges for Kong to be looked after by street hustler Captain Chan Shing, whilst he arranges for a more lucrative fight. Wealthy gangster and gambler Fai sees Kong fighting and offers a big money match against his rival Chan Sun’s fighters. Kong easily defeats two of Chan Sun’s best fighters. Humiliated, Chan Sun challenges Fai to a $10 million three-on-three street fight. In a brutal contest, Chan Sun’s men fight dirty, forcing Kong to become equally as vicious to defeat them. Captain helps Kong recover from his injuries and prepare for his next fight, believing he lacks the “killer instinct” to beat the best – and nastiest – fighters. In his next fight, Kong shows no mercy when he takes on and defeats a K1 champion in a big money contest. With Kong establishing himself as the best fighter on the circuit, Fai decides to fix a fight to clean up at the bookmakers. Believing Siu Tin to be in danger, Kong must decide whether to stay true to himself, or throw the fight. Action. Having shone as a villain in 2005’s “SPL: Sha Po Lang” (AKA “Kill Zone”), talented martial artist, Wu Jing, was given the lead as the hero of “Fatal Contact”. He portrays Kong Ko, a mainland wushu champion, mirroring Wu Jing’s real life status as a former national wushu champion. The opening credits show Wu Jing demonstrating his genuine physical ability with some gravity defying aerial cartwheels and butterfly twists, and his dexterity with the nine-section whip chain. This movie however, is all about the grubby world of illegal underground fights. In preparation for the role, Wu Jing trained with the Beijing Sanda Team. Sanda, sometimes known as Sanshou, is a competitive ringsport based on Chinese martial arts techniques. Along with conventional kicks and punches, participants can sweep, grapple and throw their opponents. He also apparently spent some time training in Thai boxing with kickboxing champion, Billy Chow, his co-star from “Tai Chi Boxer”. The fight sequences were choreographed by Nicky Li, a member of the Jackie Chan Stunt Team. The first couple of fights the viewer is treated to are short, but impressive. The choreography mixes more realistic grappling, kneeing and elbowing, whilst always managing to create enough space for a few spectacular kicks to be unleashed. Wire assistance is present, but reasonably balanced between techniques that defy the laws of physics, and brutal realism. The fight sequences really start to come alive when Kong Ko faces more challenging opposition. Early on, Wu Jing takes on burly Caucasian, Paul Smith, with a greater emphasis on grappling. In one slow-motion sequence, you can clearly see Smith wearing a gumshield so he can take a kick to the jaw full-on for added realism. The three-on-three fight is a particularly brutal tag-team battle, that will make many viewers wince. One of the fighters hides 3 inch steel nails in his boots and gloves, using them to cut and shred Wu Jing. One spectacular sequence sees Wu Jing performing a two-footed jumping kick to his opponent’s chest, whilst fellow up-and-coming martial arts star, Andy On, simultaneously front somersaults onto Wu Jing! As Kong Ko becomes more deeply embroiled in the fighting, he takes on K1 Champion “King”, played by real-life Shaolin Temple disciple, Xing Yu.
Recommended publications
  • Hong Kong 20 Ans / 20 Films Rétrospective 20 Septembre - 11 Octobre
    HONG KONG 20 ANS / 20 FILMS RÉTROSPECTIVE 20 SEPTEMBRE - 11 OCTOBRE À L’OCCASION DU 20e ANNIVERSAIRE DE LA RÉTROCESSION DE HONG KONG À LA CHINE CO-PRÉSENTÉ AVEC CREATE HONG KONG 36Infernal affairs CREATIVE VISIONS : HONG KONG CINEMA, 1997 – 2017 20 ANS DE CINÉMA À HONG KONG Avec la Cinémathèque, nous avons conçu une programmation destinée à célé- brer deux décennies de cinéma hongkongais. La période a connu un rétablis- sement économique et la consécration de plusieurs cinéastes dont la carrière est née durant les années 1990, sans compter la naissance d’une nouvelle génération d’auteurs. PERSISTANCE DE LA NOUVELLE VAGUE Notre sélection rend hommage à la créativité persistante des cinéastes de Hong Kong et au mariage improbable de deux tendances complémentaires : l’ambitieuse Nouvelle Vague artistique et le film d’action des années 1980. Bien qu’elle soit exclue de notre sélection, il est utile d’insister sur le fait que la production chinoise 20 ANS / FILMS KONG, HONG de cinéastes et de vedettes originaires de Hong Kong, tels que Jackie Chan, Donnie Yen, Stephen Chow et Tsui Hark, continue à caracoler en tête du box-office chinois. Les deux films Journey to the West avec Stephen Chow (le deuxième réalisé par Tsui Hark) et La Sirène (avec Stephen Chow également) ont connu un immense succès en République Populaire. Ils n’auraient pas été possibles sans l’œuvre antérieure de leurs auteurs, sans la souplesse formelle qui caractérise le cinéma de Hong Kong. L’histoire et l’avenir de l’industrie hongkongaise se lit clairement dans la carrière d’un pionnier de la Nouvelle Vague, Tsui Hark, qui a rodé son savoir-faire en matière d’effets spéciaux d’arts martiaux dans ses premières productions télévisuelles et cinématographiques à Hong Kong durant les années 70 et 80.
    [Show full text]
  • Johnnie to Kei-Fung's
    JOHNNIE TO KEI-FUNG’S PTU Michael Ingham Hong Kong University Press The University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © 2009 Michael Ingham ISBN 978-962-209-919-7 All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without prior permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Pre-Press Ltd. in Hong Kong, China Contents Series Preface vii Acknowledgements xi 1 Introducing the Film; Introducing Johnnie — 1 ‘One of Our Own’ 2 ‘Into the Perilous Night’ — Police and Gangsters 35 in the Hong Kong Mean Streets 3 ‘Expect the Unexpected’ — PTU’s Narrative and Aesthetics 65 4 The Coda: What’s the Story? — Morning Glory! 107 Notes 127 Appendix 131 Credits 143 Bibliography 147 ●1 Introducing the Film; Introducing Johnnie — ‘One of Our Own’ ‘It is not enough to think about Hong Kong cinema simply in terms of a tight commercial space occasionally opened up by individual talent, on the model of auteurs in Hollywood. The situation is both more interesting and more complicated.’ — Ackbar Abbas, Hong Kong Culture and the Politics of Disappearance ‘Yet many of Hong Kong’s most accomplished fi lms were made in the years after the 1993 downturn. Directors had become more sophisticated, and perhaps fi nancial desperation freed them to experiment … The golden age is over; like most local cinemas, Hong Kong’s will probably consist of a small annual output and a handful of fi lms of artistic interest.
    [Show full text]
  • Bullet in the Head
    JOHN WOO’S Bullet in the Head Tony Williams Hong Kong University Press The University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © Tony Williams 2009 ISBN 978-962-209-968-5 All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without prior permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Condor Production Ltd., Hong Kong, China Contents Series Preface ix Acknowledgements xiii 1 The Apocalyptic Moment of Bullet in the Head 1 2 Bullet in the Head 23 3 Aftermath 99 Appendix 109 Notes 113 Credits 127 Filmography 129 1 The Apocalyptic Moment of Bullet in the Head Like many Hong Kong films of the 1980s and 90s, John Woo’s Bullet in the Head contains grim forebodings then held by the former colony concerning its return to Mainland China in 1997. Despite the break from Maoism following the fall of the Gang of Four and Deng Xiaoping’s movement towards capitalist modernization, the brutal events of Tiananmen Square caused great concern for a territory facing many changes in the near future. Even before these disturbing events Hong Kong’s imminent return to a motherland with a different dialect and social customs evoked insecurity on the part of a population still remembering the violent events of the Cultural Revolution as well as the Maoist- inspired riots that affected the colony in 1967.
    [Show full text]
  • New Macau Association Wants to Keep Hotel Estoril Façade P7
    TOURISM ‘MASTER PLAN’ TRIBUTE TO MANUEL VERIZON CONSULTATION CONCLUDED VICENTE MGTO gathered over 1,100 The work of Portuguese BUYS opinions on the plan to develop the architect Manuel Vicente YAHOO tourism industry during the two- is the theme of “Macau: FOR month public consultation period Reading the Hybrid City” USD4.83B P2 P5 MDT REPORT P8 TUE.26 Jul 2016 T. 27º/ 32º C H. 65/ 95% Blackberry email service powered by CTM MOP 7.50 2607 N.º HKD 9.50 FOUNDER & PUBLISHER Kowie Geldenhuys EDITOR-IN-CHIEF Paulo Coutinho “ THE TIMES THEY ARE A-CHANGIN’ ” WORLD BRIEFS CHINA | CORRUPTION CHINA The International Champions Cup match between Premier League rivals Manchester United and Manchester City has been canceled after Former top PLA recent extreme weather made the playing surface at Beijing’s National Stadium unfit for play. general jailed for life P11 AP PHOTO PHILIPPINES President New Macau Association wants Rodrigo Duterte declared a unilateral cease- fire with communist guerrillas effective to keep Hotel Estoril façade P7 immediately yesterday and asked the rebels to do the same to end decades of deadly violence and foster the resumption of peace talks. More on p.13 VIETNAM An Australian woman has been arrested in Vietnam for allegedly trafficking heroin, state media reported. The Thanh Nien newspaper said the 37-year old woman of Vietnamese origin was detained Sunday at Tan Son Nhat airport in the southern hub of Ho Chi Minh City after authorities found nearly 5 kilograms of heroin hidden in her luggage. AP PHOTO US-BRUNEI U.S.
    [Show full text]
  • Download This PDF File
    Humanity 2012 Papers. ~~~~~~ “‘We are all the same, we are all unique’: The paradox of using individual celebrity as metaphor for national (transnational) identity.” Joyleen Christensen University of Newcastle Introduction: This paper will examine the apparently contradictory public persona of a major star in the Hong Kong entertainment industry - an individual who essentially redefined the parameters of an industry, which is, itself, a paradox. In the last decades of the 20th Century, the Hong Kong entertainment industry's attempts to translate American popular culture for a local audience led to an exciting fusion of cultures as the system that was once mocked by English- language media commentators for being equally derivative and ‘alien’, through translation and transmutation, acquired a unique and distinctively local flavour. My use of the now somewhat out-dated notion of East versus West sensibilities will be deliberate as it reflects the tone of contemporary academic and popular scholarly analysis, which perfectly seemed to capture the essence of public sentiment about the territory in the pre-Handover period. It was an explicit dichotomy, with commentators frequently exploiting the notion of a culture at war with its own conception of a national identity. However, the dwindling Western interest in Hong Kong’s fate after 1997 and the social, economic and political opportunities afforded by the reunification with Mainland China meant that the new millennia saw Hong Kong's so- called ‘Culture of Disappearance’ suddenly reconnecting with its true, original self. Humanity 2012 11 Alongside this shift I will track the career trajectory of Andy Lau – one of the industry's leading stars1 who successfully mimicked the territory's movement in focus from Western to local and then regional.
    [Show full text]
  • Donnie Yen's Kung Fu Persona in Hypermedia
    Studies in Media and Communication Vol. 4, No. 2; December 2016 ISSN 2325-8071 E-ISSN 2325-808X Published by Redfame Publishing URL: http://smc.redfame.com Remediating the Star Body: Donnie Yen’s Kung Fu Persona in Hypermedia Dorothy Wai-sim Lau1 113/F, Hong Kong Baptist University Shek Mun Campus, 8 On Muk Street, Shek Mun, Shatin, Hong Kong Correspondence: Dorothy Wai-sim Lau, 13/F, Hong Kong Baptist University Shek Mun Campus, 8 On Muk Street, Shek Mun, Shatin, Hong Kong. Received: September 18, 2016 Accepted: October 7, 2016 Online Published: October 24, 2016 doi:10.11114/smc.v4i2.1943 URL: http://dx.doi.org/10.11114/smc.v4i2.1943 Abstract Latest decades have witnessed the proliferation of digital media in Hong Kong action-based genre films, elevating the graphical display of screen action to new levels. While digital effects are tools to assist the action performance of non-kung fu actors, Dragon Tiger Gate (2006), a comic-turned movie, becomes a case-in-point that it applies digitality to Yen, a celebrated kung fu star who is famed by his genuine martial dexterity. In the framework of remediation, this essay will explore how the digital media intervene of the star construction of Donnie Yen. As Dragon Tiger Gate reveals, technological effects work to refashion and repurpose Yen’s persona by combining digital effects and the kung fu body. While the narrative of pain and injury reveals the attempt of visual immediacy, the hybridized bodily representation evokes awareness more to the act of representing kung fu than to the kung fu itself.
    [Show full text]
  • Written & Directed by and Starring Stephen Chow
    CJ7 Written & Directed by and Starring Stephen Chow East Coast Publicity West Coast Publicity Distributor IHOP Public Relations Block Korenbrot PR Sony Pictures Classics Jeff Hill Melody Korenbrot Carmelo Pirrone Jessica Uzzan Judy Chang Leila Guenancia 853 7th Ave, 3C 110 S. Fairfax Ave, #310 550 Madison Ave New York, NY 10019 Los Angeles, CA 90036 New York, NY 10022 212-265-4373 tel 323-634-7001 tel 212-833-8833 tel 212-247-2948 fax 323-634-7030 fax 212-833-8844 fax 1 Short Synopsis: From Stephen Chow, the director and star of Kung Fu Hustle, comes CJ7, a new comedy featuring Chow’s trademark slapstick antics. Ti (Stephen Chow) is a poor father who works all day, everyday at a construction site to make sure his son Dicky Chow (Xu Jian) can attend an elite private school. Despite his father’s good intentions to give his son the opportunities he never had, Dicky, with his dirty and tattered clothes and none of the “cool” toys stands out from his schoolmates like a sore thumb. Ti can’t afford to buy Dicky any expensive toys and goes to the best place he knows to get new stuff for Dicky – the junk yard! While out “shopping” for a new toy for his son, Ti finds a mysterious orb and brings it home for Dicky to play with. To his surprise and disbelief, the orb reveals itself to Dicky as a bizarre “pet” with extraordinary powers. Armed with his “CJ7” Dicky seizes this chance to overcome his poor background and shabby clothes and impress his fellow schoolmates for the first time in his life.
    [Show full text]
  • Newsletter 11/08 DIGITAL EDITION Nr
    ISSN 1610-2606 ISSN 1610-2606 newsletter 11/08 DIGITAL EDITION Nr. 231 - Juni 2008 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 11/08 (Nr. 231) Juni 2008 editorial Hallo Laserdisc- und DVD-Fans, Ob es nun um aktuelle Kinofilme, um nen Jahr eröffnet und gelangte vor ein liebe Filmfreunde! besuchte Filmfestivals oder gar um paar Wochen sogar ganz regulär in die Die schlechte Nachricht gleich vorweg: einen nostalgischen Blick zurück auf deutschen Kinos. Wer den Film dort unsere Versandkostenpauschale für die liebgewonnene LaserDisc geht – verpasst hat oder ihn (verständlicher- Standard-Pakete erhöht sich zum 01. die angehende Journalistin weiß, wo- weise) einfach noch einmal sehen Juli 2008. Ein gewöhnliches Paket ko- von sie schreibt. Kennengelernt haben möchte, der kann die US-DVD des Ti- stet dann EUR 6,- (bisher: EUR 4,-), wir Anna während ihres Besuchs beim tels ab September in seine Film- eine Nachnahmesenduung erhöht sich 1. Widescreen-Weekend in der Karlsru- sammlung integrieren. Der Termin für auf EUR 13,- (bisher: EUR 9,50). Diese her Schauburg. Ein Wort ergab das eine deutsche Veröffentlichung wurde Preiserhöhung ist leider notwendig andere – und schon war die junge Frau zwar noch nicht bekanntgegeben, doch geworden, da unser Vertriebspartner Feuer und Flamme, für den Laser wird OUTSOURCED mit Sicherheit DHL die Transportkosten zum 01. Juli Hotline Newsletter zu schreiben. Wir auch noch in diesem Jahr in Deutsch- 2008 anheben wird.
    [Show full text]
  • Chinese Audio DESCRIPTIONS
    Chinese Audio DESCRIPTIONS Beginning Chinese I, Audio to follow Professor Chang’s textbook. Available Chapters 1-9 from website http://llc.mtsac.edu . Go to “Materials”>>”Online Audio/Video”. Choose “Chinese1.” Password is china. Beginning Chinese II, Audio to follow Professor Chang’s textbook. Available Chapters 1-5 from website http://llc.mtsac.edu . Go to “Materials”>>”Online Audio/Video”. Choose “Chinese2.” Password is china. Intermediate Chinese Level 3 - 2007 Chapters 1-Audio to follow Professor Chang’s textbook. Available 4 from website http://llc.mtsac.edu . Go to “Materials”>>”Online Audio/Video”. Choose “Chinese3.” Password is china. Intermediate Chinese Level 4 – 2007 Chapters 5- Audio to follow Professor Chang’s textbook. Available 8 from website http://llc.mtsac.edu . Go to “Materials”>>”Online Audio/Video”. Choose “Chinese4.” Password is china. Whole New World 1 Chinese Audio 12/5/2012 Chinese Internet Sites DESCRIPTIONS Chinese Character Search Engine http://search.yahoo.com/search?p=Chinese+Character+Search+E ngine&type= Internet _ Oxford Dictionary http://www.oxfordlanguagedictionaries.com/Home.html?direction= b-zh-en Learn Chinese Online http://www.csulb.edu/~txie/online.htm Learn Real Chinese Online - BBC http://www.bbc.co.uk/languages/chinese/real_chinese/ Prof. Dong Chinese 3 – Integrated Chinese – http://video.csupomona.edu/mdong/cheng-tsui.htm LVL 1 – Part 2 Quia _ Practice Chinese by subject http://www.quia.com/shared/search?category=9&adv_search=true Quizlet _ Chinese http://quizlet.com/subject/chinese/ Translate Chinese http://search.yahoo.com/search?p=Translate+Chinese&type= Translate to or from Chinese http://babelfish.yahoo.com/ Watch Taiwanese TV on line http://www.ttv.com.tw/videocity/ Zhongwen Website http://www.zhongwen.com 2 Chinese Internet 12/5/2012 CHINESE DVD DESCRIPTIONS Court Love Girls On the golf links, two boys and eight girls don’t know each other well.
    [Show full text]
  • “China Factor” in Contemporary Hong Kong Genre Cinema
    Concentric: Literary and Cultural Studies 46.1 March 2020: 11-37 DOI: 10.6240/concentric.lit.202003_46(1).0002 Re-Negotiations of the “China Factor” in Contemporary Hong Kong Genre Cinema Ting-Ying Lin Department of Information and Communication Tamkang University, Taiwan Abstract Given the long-existing and multifaceted negotiations of the “China factor” in Hong Kong film history, this article centers on the political function of genre films by exploring how contemporary Hong Kong filmmakers utilize filmmaking as a flexible strategy to re-negotiate and reflect on the China factor concerning current post-handover political dynamics. By focusing on several recent Hong Kong genre films as case studies, it examines how the China factor is negotiated in Vulgaria (低俗喜劇 Disu xiju, 2012) and The Midnight After (那夜凌晨,我坐上了旺角開往大埔的紅 VAN Naye lingchen, wo zuoshang le Wangjiao kaiwang Dapu de hong van, 2014), considering the politics of languages alongside the imaginary of the disappearance of Hong Kong’s local cultures in the post-handover era. It also highlights two post-Umbrella- Revolution films, Trivisa ( 樹大招風 Shuda zhaofeng, 2016) and The Mobfathers (選老頂 Xuan lao ding, 2016), to explore how the China factor is negotiated in light of the collective anxieties of Hongkongers regarding the handover and controversies in the current electoral system of Hong Kong. By doing so, this article argues that the re-negotiations of the China factor in contemporary Hong Kong genre cinema have become more and more politically reflexive given the increasingly severe political interference of the Beijing sovereignty that has violated the autonomy of Hong Kong, while forming a discourse of resistance of Hongkongers against possible neo- colonialism from the Chinese authorities in the postcolonial city.
    [Show full text]
  • Diplomarbeit Schwert & Faust
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT SCHWERT & FAUST Kultureller Austausch OST-WEST / WEST-OST Am Beispiel physischer Techniken asiatischer Kampf-Kunst-Filme Verfasserin Mag. Art. Hannelore Hanja Dirnbacher angestrebter akademischer Grad Magistra der Philosophie Wien, 2009 Studienkennzahl lt. Studienblatt: A 317 295 Studienrichtung lt. Studienblatt: Theater- Film- und Medienwissenschaft Betreuerin / Betreuer: Prof. Dr. Ulf Birbaumer INHALT Zugang zur Thematik………………..……………………………….……1 1. Kontakte Ost-West Historischer Überblick...……………………….17 1.1. Japonisme………………………………………………………….....18 1.2. Kontakte Ost West in der Theaterkonzeption………………………..22 1.3. Ost-West Kontakte im Film der 1920-er Jahre………………………23 1.4. Fernöstliche Kultur, und Filmschnitt Technik……………………….24 1.5. Japanische Filmkultur und der Westen………………………………25 1.6. Der Japonisme martialer Körperkünste……………………………...26 Filmliste chronologisch…………………………………...................28 2. Beeinflussungen – der Western – die 1950-er und 60-er Jahre…... ..29 2.1. Der Deutsche Western……………………………………………….29 2.2. Der Italo Western – „Spaghetti Western“………………………........30 2.3. „Yojimbo“ ( 1961 ) „Per un pugno die Dollari“ ( 1964 )…………....32 2.3.1. Yojimbo Ken Do……………………………………………......33 2.3.2. Die Thematik…………………………………………………...34 2.4. Western in Italia……………………………………………………...36 2.5. Der neue Rollen Typ…………………………………………………37 2.6. Gesichter im Italo Western…………………………………………...39 2.7. Der zweite Film in Sereie…………………………………………….41 2.7.1. Ein Ken Do Duell……………………………………………….42 2.7.2. Der italienische Folgefilm Sergio Leones……………………....43 2.8. Der Weg des „Spaghetti Western“…………………………………...45 2.8.1. Das Schweigen im Schnee……………………………………...45 2.8.2. Italo Stile………………………………………………………..46 2.9. Il Western „Buffone“………………………………………………...49 2.9.1. Diverse Techniken……………………………………………...50 2.9.2.
    [Show full text]
  • Newsletter 07/11 DIGITAL EDITION Nr
    ISSN 1610-2606 ISSN 1610-2606 newsletter 07/11 DIGITAL EDITION Nr. 290 - April 2011 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 07/11 (Nr. 290) April 2011 editorial Hallo Laserdisc- und DVD-Fans, jetzt weitere Details bekannt. In liebe Filmfreunde! einem amerikanischen Branchen- Haben uns die schönen, warmen blatt berichtete ein Journalist jüngst Ostertage eben erst ein paar Tage über seine Erfahrungen mit legalen purer Erholung geschenkt, so geht Film-Downloads. Mit erschrecken- es gleich wieder in eine voll ge- dem Ergebnis. Denn die Qualität packte Woche bei der Laser der geprüften Filme entsprach ge- Hotline. Nicht nur gilt es diesen rade einmal VHS-Niveau! Da darf Newsletter zu stemmen, vielmehr man sich natürlich schon die Frage erwarten wir in dieser Woche auch stellen, wer im Zeitalter hochauflö- noch eine Delegation aus “Good senden Fernsehens und hochauflö- Old” England. Die etwa 40köpfige sender Blu-ray Discs einen Quan- Mannschaft der “Cinema Theatre tensprung zurück in die Steinzeit Association” will sich Kinos in und der Qualität machen möchte! Auch um Stuttgart herum anschauen, be- ist zu beobachten, dass in den USA vor sie schließlich weiter nach bereits einige Studios dazu über- München fährt. Bei der Suche nach gegangen sind, ihre Filme für Low mentan eigentlich nur noch einen einer kompetenten Kinoführung im Budget Labels zu lizenzieren. Diese sehr pessimistischen Blick in die Stuttgarter Raum sind die Organi- Low Budget Labels bieten die Fil- Zukunft des Home Entertainments satoren der Reise an uns herange- me dann zwar auf DVD und Blu- zu.
    [Show full text]