High Technology Letters ISSN NO : 1006-6748

Exploration of Indianess and East-West Conflicts: A Critical Study of R.K. Narayan’s

Novel The Vendor of Sweets.

Dr. L. Sangeetha

Head, P.G Department of English

Thiruvalluvar University

Constituent College of Art and Science

Kallakurichi 606202, Tamilnadu,( India)

Abstract:

R.K. Narayan is one of the giant literary figure who plays a significant role to enrich literary

flavor of Indian English literature. Along with Mulk Raj Anand and Raja Rao he is labelled as a

strong pillar of early Indian literature. He is mainly known for his works that are sets in his own

imaginative town , a fictional town in South India. Narayan’s writings acclaimed at

global level and received appreciation of many renowned English critics and writers such as

Graham Greene. Greene played a striking role to publish some of his notable works such Swami

and Friends, and . Besides he has also provided preface

and introduction to Narayan’s novels which is a great achievement for the writer. As far as

Malgudi is concerned in Narayan novels setting, was the first novel that

provide the picture of this town to the readers. Narayan’s contribution in Indian literature is

unforgettable and momentous. His numerous novels and short stories give us the scenario of

Indian life, cultural differences, pre independent pictures of the country and other remarkable

themes and subjects which makes his writings noticeable and substantial. This paper discusses

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Narayan’s novel Vendor of Sweets painstakingly and the themes such as east- west cultural issues

and exploration of Indianess in his writings.

Keywords: R.K. Narayan, Indian society, cultural exploration, east west conflicts, Indian

literature.

R. K. Narayan is one of the Indian writer who is known particularly for the art of

characterization and depicting the local culture, social, political and domestic issues of the

society. He is often compared with American novelist William Faulkner who is also known for

his fictional novel settings in Mississippi. In his novel Narayan mainly brings out the social

aspects of the society which is reflected by his everyday life of his persona. For subjects, themes

and narrative techniques of his short stories, he is compare with great short story writer Guy de

Maupassant. Narayan received many notable awards for his novels and short stories collections.

He is the first Indian English writer who is awarded notable Sahitya Academy Award for his

widely known novel in 1960. Besides an Indian movie was made on this novel which

remain highly popular in Indian cinema. Another literary achievements he received are A. C.

Benson Medal award, Sahtiya Academy fellowship, PadamBhushan and others. Jhumpha Lahiri,

Pulitzer winner, called his stories alike his novels and also acclaimed for creating fictional

Malgudi town which provide settings for mostly works, she says:

Setting aside his plentiful and remarkable novels, Narayan firmly occupies a seat

in the pantheon of 19th and 20th century Chekhov, O. Henry, Frank O’ Connor and

Flannery O’Connor. …Malgudi is on that wonderful map of places in the literary

universe, either real or imaginary, that not only provide a setting but possess a

soul. Faulkner’s Yoknapatawapha County, Garcia Marquez Macondo, and Joyce

Dublin are just three examples of the way certain writers cling stubbornly to

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single terrain, entering its residents within. …Malgudi is the setting not only for

the stories in this volume, but for practically everything else Narayan has written.

(Lahiri 1)

Narayan captures the daily routine life, common characters, recurrent domestic things which

somehow correlate his readers to the stories in the novels. Besides Narayan doesn’t shy away to

reveal the social absurdities, love triangle, greediness, women independence and exploitation as

well. His novels vividly present Indianess at every level. The depiction of the cultural ethos,

rituals, social dogmas, Gandhi, Gita, Upanishads, ghetto society, crowded markets vividly

reflects Indianness in his writings. Moreover his characters also imbibe everything that could be

observed in daily of Indian people. Malgudi town occupies all the things that it reflects Indian

society, town and village life. Narayan every works explore Indianess in its setting, characters,

their activities and life. Vendor of Sweets is one of his striking piece of fiction which explores

Indian views of life through the characters and settings of the novel. Here the writer brings out

the story of a conventional protagonist Jagan and his son Mali. Jagan is portrayed a sweet vendor

of the Malgudi Town and the follower Gandhian and Gita principals. Through his characters

Narayan describes Indian way of life. Narayan novels mainly noted for his remarkable

characters. In his persona he inculcate human nature and they reflects the vivid experience of

life, weakness and strength and thinks like ordinary real human beings and realistic perception of

life which is noteworthy and meticulous. In the context of his characters peculiarity one of the

critic asserts that:

Narayan’s characters are like caravans journeying along life’s varied experiences.

Diverse facets of human nature are presented at times the social order is

threatened. But the comic always presupposes some stable social values against

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which the instincts and aberrations of individuals are focused in their word

postures. In spite of their frailties there is an elemental simplicity about them.

These is sure a human feel in the virtues as well as the vices of the Malgudians.

(Biswal 32)

In this novel Narayan portrays numerous scenes and characters who reflects Indian views of life.

Jagan’s life projects his dual personality. Though he follows Gandhian principles and Gita

philosophy but in practical life he was very miser, greedy and self-centered man. His attire and

daily routine activities exhibits Indianness in his characters. His attire shows his inclination

towards indigenous tradition and Swadeshi style of living:

He wore a loose jibba over his dhoti, both made of materials spun with his own

hand; everyday he spun for an hour, and produced enough yam for his sartorial

requirements. He never possessed more than two sets of clothes at any one time

and he delivered all the excess yarn in neat bundles to the local handloom

committee in exchange for cash… (Narayan, 274)

Nevertheless Jagan follows strongly nature in his daily life such as the use of tree branch in place

of toothbrush which he divine gift or Sanjeewini and wear the slipper made of old dead cows

skin because for him it was against Gandhi principals of life and a sin to wear a young cow

killing for his comfort zone. Besides such daily life things, he was a traditional man in real sense,

who had followed the rituals and conventions as a part of life. Such things reflects Jagan

attachment with the cultural heritage. He always prays of deity and conducted every kind of

rituals which he believe as sacred, source of satisfaction and to keep divine power happy for his

better future life:

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Jagan sat under the framed picture of the Goddess Laxmi hanging on the wall, and

offered prayers first thing in the day by reverentially placing a string of Jasmine

on top of the frame; he also lit an incense stick and stuck it in a crevice in the

wall. The air was charged with the scent of Jasmine and incense and

imperceptibly blended with the fragrance of sweetmeats frying in ghee, in the

kitchen across the hall. (Narayan, 273)

Jagan commitment with his cultural values and other conventional approaches represent

exploration of locale and traditional Indian life. He doesn’t believe in modern way of life and the

things that deviate him from his cultural heritage. He also scold his wife for taking medicine pills

for headache. He regarded such pills poisonious which are harmful for a person health. He

dislikes toothbrush by saying that it bristles are made of the hair of pig’s tail and eulogize

Margossa tree leaves by telling his benefits such as it kills bacteria of the stomach and air passes

through this tree are anti-typhoid. On the other side his wife dislikes his health giving theories

and lives her life in her own way. So these are the examples that explicitly shows the Indianness

in Narayan’s novels. Another striking instance of Indian life is the description of the statue and

different people around it, such as young and the old, pensioners, idlers, tired workers and sickly

citizens.

Furthermore this novel also present east west conflicts through the characters of Jagan

and his son Mali. Jagan is a symbol of traditional Indian life while Mali describes as haughty and

stubborn boy who disagrees with his father’s old way of life. He didn’t like his father’s business

of sweets selling, his attire and daily routine activities. Mali considered all these things as a sign

of backward and an old fashioned man. He studies in a college and imbibe modern ideas and also

want to live like a European gentlemen which Jagan sees venomous for a good life. First instance

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of their conflict of ideology occur on the breakfast table when Mali announce to give up his

studies and to pursue another thing, he says; “The boy paused while swallowing his breakfast. I

can’t study any more. Tell me what has happened. 'Nothing', said the boy, 'I do not find it

interesting, that's all', and he went on munching his food with his eyes down,(Narayan).” Jagan

find this behavior strange and rude and feel angry but didn’t shows his temper before his son. His

unwillingness for study reminds Jagan his discontinuation of studies but that was happen for a

great cause of independence as Jagan believed. Later he came to know from the cousin (a

mediator between father and son) that he wanted to go America to become a writer. On hearing

this Jagan feel depressed for his son decision of living him at home. Earlier he feel annoyed and

fear of losing cultural ethos from his son life; Here he was trying to shape the boy into an

aristocrat with a bicycle, college life, striped shirts and everything, and he wanted to be a writer.

Strange, (Narayan, 289).” But later after watching his son resolute behavior he justify his own

principals to agree with his son choice; “There are bound to be changes of outlook from

generation to generation. Otherwise there will be no progress, he added in a sudden outburst of

theorizing, once again a vestige of his Satyagraha days, (297-298).” Mali’s attraction towards

west shows the difference between him and his father ideology. Later then we find the

communication gap between them in which Jagan always tried to speak but Mali didn’t. When

Cousin told Jagan about Mali’s final decision to go to America he felt sad and internally disliked

his son idea of joining west society; “The first shock of the impact blanked out Jagan’s mind for

a time, and he caught his breath as he had a momentary panic at the thought of his son removing

himself so far geographically, (302).” Cousin describes American culture in the context of

people open life, drinking and bathing without cloths but Jagan manipulated him and it shows his

only compromise with the things, he says; “It may not all be true', not wishing to think a country

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to which Mali was going was one to corrupt his body with wine, women and meat, and his soul

with other things, (303).” However shows his ignorant attitude towards his father old cultural

notions and again talks about modernity and advancement; “Oh, these are not the days of your

ancestors. Today we have to compete with advanced countries not only in economics and

industry, but also in culture, (Narayan).” Another shocking revelation for Jagan made by cousin

that Mali has chalked out all his arrangements without his father help. Furthermore Mali’s

luxurious life reveals through his letters to his father where he mock the Indian culture and talks

about his changing life, beef eating and modern cultural adaption, he writes; “I have taken to

eating beef; and I don’t think I’m any the worse for it. Steak is something quite tasty and juicy.

Now I want to suggest why not you people start eating beef? It’ll solve the problem of useless

cattle in our country and we won’t have to beg food from America. I sometimes feel ashamed

when India asks for American aid. Instead of that, why not slaughter useless cows which wander

in the streets and block the traffic, (Narayan).” Such things crushed and disillusioned Jagan

effectively. Marriage is regarded as an important ritual in Indian society. It is considered an

auspicious ceremony in Indian society. Narayan ironically presents the discord between east and

west generation through this social system of marriage in the novel. In traditional society

marriage is regarded as a sacred and conventional thing while the modern generation has their

own view point to lead a life full of joy such as live in relationship and they consider marriage as

a burden and backward part of society. When Mali returned from America with an American girl

and told his father that they are married. This unknowing relationship makes Jagan baffled and

his dream of doing his son marriage in a perfect Indian cultural manner vanished completely. He

begun to think about people’s reaction of the society when they would know this castles girl

(Half Korean and Half American); “He began to avoid people. He walked hurriedly to his shop

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with down cast eyes. Even his cousin found great stretches of silence when they met. Jagan had

grown unwilling to talk about his son. Everything about him had become an inconvenient

question, (312).” Another instance of western culture find in the dressing of Mali which quietly

annoyed Jagan. His cloths and ways of life makes him a person of different culture:

Mali never wore a dhoti at home, but a pair of dark trousers over a white shirt,

and always had his feet in slippers. He hardly ever left his room, or visited any

part of the house. He carried himself like a celebrity avoiding the attention of the

rabble. (314)

Besides there are another references which shows the complication between father and son. They

were different in their principles, conviction and temperaments. Jagan belong to a traditional

schools of thought and always he keeps ambition from his son like many fathers whereas Mali,

his son, reflects modern notions in his belief and lifestyle. Thus both were failed to comprehend

the feelings of each other. During serious temperament Jagan utter his feelings for Mali that;

“For twenty year he has grown up with me, under the same roof, but how little I have known

him. But the boy has been up to something. He will count for something sooner or later,

(Narayan).” In the novel we observe many times that initially Jagan’s reaction to his son

remained lenient and kind but Mali was not similar in this way. During the episode of writing

machine Mali reaction reflects his modern orientation and comments indirectly on his father

traditional ideologies, he says; “Father, you do not understand. I want to write something

different, (Narayan).” When Mali talks about his plan to start story writing machine he

demonstrates his benefits which somehow overshadow Indian culture and conventions.

According to him if such kind machine is used at large level it would help to wipe out cultural

backwardness of our country which only consist no modern literature only old stories like the

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Ramayana and the Mahabharata. Mali’s bombastic statements reflect his inclination towards

western culture; “Oh, these are not the days of your ancestors. Today we have to compete with

advanced countries not only in economics and Industry, but also in culture, (326).” When Jagan

didn’t make any nod on his son statements He started to blame old generation in an irritate

forms, Mali says; “I really do not know what you mean. You expect everything to be said ten

times; no wonder nothing gets done in this country, (Narayan).” Such lethal remarks against

country outrage Jagan sometimes and he respond boldly to defend the own country status; “Why

do you blame the country for everything? It has been good enough for four hundred millions.

…You were not born in those days, (Narayan).” But mostly Jagan, a Gandhian follower and a

believer of Gita doesn’t confront his son and just show passive resistance against his son

activities. He becomes desolate and only upholder of his culture in his own house:

He had lost the quiet joy of anticipation he used to experience whenever he turned

the Statue Comer. He felt nervous as he approached the ancient house. The

expectant stare of Grace when he opened the door and, the significant side-

glances of Mali got on his nerves. He was aware of a silent tension growing,

(332).”

Furthermore another jolt that totally shattered Jagan when he came t to know about Mali and

Grace illicit affair and residing in an immoral western practice of live in relationship without

doing marriage ceremony. Grace’s reveal that “we are not married, (Narayan 54).” After

knowing this he renounce the house and decides to leave all worldly things. For his son affair he

was scolded by his family members and neighbors as well that strongly dismay Jagan. He ask the

cousin; “I feel my home is tainted now. I find it difficult to go back there, (371).” Jagan’s

detachment towards his son can also be seen when Mali was arrested for carrying liquor in his

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car, he says; “A dose of prison life is not a bad thing, (Narayan, 408).” He has left all the things

in the guardianship of Cousin and joined retreat which also reflects his resistance towards

western culture. A prominent English critic pointing out Jagan decision; “Jagan’s renunciation of

the world. …is of a piece with the Indian tradition, (161).”

Works-cited

Biswal, K. Jayant. A Critical Study of the Novels of R. K. Narayan. Nirmal Publishers and

distributors, New Delhi. 1987.

Lahiri, Jhumpha. “Review: Narayan Das: Rereading the master.” Boston Review: A Political

and Literary Forum, July-August, 2006.

Narayan, R.K. The Vendor of Sweets.Indian Thought Publications, Mysore. 1967.

Narayan RK. The Vendor of Sweets. Indian Thought Publications, 2006.

Raizada, Harish. R.K. Narayan: A Critical Study of his works. University of Michigan: Young

Asian Publication, 1969.

Holmstrom, Lakshmi. The Novels of R.K. Narayan. Writers Workshop Publication, Calcutta.

1973.

Dewari, D.S. The Use of Myth in R.K. Narayan’s Novels. Prestige Books, New Delhi. 2001.

Amur, G.S. R.K. Narayan in his own culture: An Approach to The Vendor of Sweets.

Explorations in Modern Indo- English Fiction. Ed.R.K.Dhawan. Delhi: Bahri. 1982. Pp. 123-

30.

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Gupta, Santosh. “Jagan’s Experiments with Truth in The Vendor of Sweets.” Indian writing

in English, Ed. Bhatnagar, M.K. and Rajeshwar, M., New Delhi, Atlantic Publication, 2000. Pp.

48-56.

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