Radio Reports Issue #1394 Through 1405
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Siriusxm-Schedule.Pdf
on SCHEDULE - Eastern Standard Time - Effective: Sept. 6/2021 ET Mon Tue Wed Thu Fri Saturday Sunday ATL ET CEN MTN PAC NEWS NEWS NEWS 6:00 7:00 6:00 5:00 4:00 3:00 Rewind The Doc Project The Next Chapter NEWS NEWS NEWS 7:00 8:00 7:00 6:00 5:00 4:00 Quirks & The Next Now or Spark Unreserved Play Me Day 6 Quarks Chapter Never NEWS What on The Cost of White Coat NEWS World 9:00 8:00 7:00 6:00 5:00 8:00 Pop Chat WireTap Earth Living Black Art Report Writers & Company The House 8:37 NEWS World 10:00 9:00 8:00 7:00 6:00 9:00 World Report The Current Report The House The Sunday Magazine 10:00 NEWS NEWS NEWS 11:00 10:00 9:00 8:00 7:00 Day 6 q NEWS NEWS NEWS 12:00 11:00 10:00 9:00 8:00 11:00 Because News The Doc Project Because The Cost of What on Front The Pop Chat News Living Earth Burner Debaters NEWS NEWS NEWS 1:00 12:00 The Cost of Living 12:00 11:00 10:00 9:00 Rewind Quirks & Quarks What on Earth NEWS NEWS NEWS 1:00 Pop Chat White Coat Black Art 2:00 1:00 12:00 11:00 10:00 The Next Quirks & Unreserved Tapestry Spark Chapter Quarks Laugh Out Loud The Debaters NEWS NEWS NEWS 2:00 Ideas in 3:00 2:00 1:00 12:00 11:00 Podcast Now or CBC the Spark Now or Never Tapestry Playlist Never Music Live Afternoon NEWS NEWS NEWS 3:00 CBC 4:00 3:00 2:00 1:00 12:00 Writers & The Story Marvin's Reclaimed Music The Next Chapter Writers & Company Company From Here Room Top 20 World This Hr The Cost of Because What on Under the NEWS NEWS 4:00 WireTap 5:00 4:00 3:00 2:00 1:00 Living News Earth Influence Unreserved Cross Country Check- NEWS NEWS Up 5:00 The Current -
Canada's Public Space
CBC/Radio-Canada: Canada’s Public Space Where we’re going At CBC/Radio-Canada, we have been transforming the way we engage with Canadians. In June 2014, we launched Strategy 2020: A Space for Us All, a plan to make the public broadcaster more local, more digital, and financially sustainable. We’ve come a long way since then, and Canadians are seeing the difference. Many are engaging with us, and with each other, in ways they could not have imagined a few years ago. Our connection with the people we serve can be more personal, more relevant, more vibrant. Our commitment to Canadians is that by 2020, CBC/Radio-Canada will be Canada’s public space where these conversations live. Digital is here Last October 19, Canadians showed us that their future is already digital. On that election night, almost 9 million Canadians followed the election results on our CBC.ca and Radio-Canada.ca digital sites. More precisely, they engaged with us and with each other, posting comments, tweeting our content, holding digital conversations. CBC/Radio-Canada already reaches more than 50% of all online millennials in Canada every month. We must move fast enough to stay relevant to them, while making sure we don’t leave behind those Canadians who depend on our traditional services. It’s a challenge every public broadcaster in the world is facing, and CBC/Radio-Canada is further ahead than many. Our Goal The goal of our strategy is to double our digital reach so that 18 million Canadians, one out of two, will be using our digital services each month by 2020. -
Download Channel Lineup
Tbaytel Business TV Channel Lineup A&E HD 401 CTV Calgary HD 290 Global TV Toronto HD 216 A.Side HD 516 CTV Comedy Channel HD 501 Global TV Vancouver HD 217 ABC Grand Forks HD 232 CTV Drama Channel HD 404 Global TV Winnipeg HD 218 ABC Seattle HD 234 CTV Halifax HD 285 Golf Channel HD 730 ABC Spark HD 429 CTV Kitchener HD 279 GSN (Game Show Network) HD 449 addikTV HD 938 CTV Life Channel HD 439 HGTV Canada HD 434 Adult Swim HD 338 CTV Moncton HD 288 Historia HD 960 Al Jazeera English HD 671 CTV Montreal HD 281 History HD 607 AMC HD 405 CTV News Channel HD 655 History 2 HD 608 American Heroes Channel HD 611 CTV North Bay HD 278 HLN HD 668 AMI-audio 1112 CTV Ottawa HD 280 Hollywood Suite 70s HD 326 AMI-télé HD 1113 CTV Regina HD 289 Hollywood Suite 80s HD 327 AMI-tv HD 1111 CTV Sault Ste. Marie HD 275 Hollywood Suite 90s HD 328 Animal Planet HD 617 CTV Sci-Fi Channel HD 414 Hollywood Suite 2000s HD 329 CTV Sudbury HD 277 APTN (Aboriginal People’s TV) 227 ICI ARTV HD 947 CTV Sydney HD 284 APTN (Aboriginal People’s TV) HD 228 ICI Explora HD 961 CTV Thunder Bay HD 205 Aquarium Channel 105 ICI Radio-Canada Télé Toronto HD 931 CTV Timmins HD 276 ATN HD 910 ICI Radio-Canada Télé Winnipeg HD 930 CTV Toronto HD 206 AXS TV HD 517 ICI RDI HD 965 CTV Vancouver HD 207 BabyTV 542 ID (Investigation Discovery) HD 418 CTV Winnipeg HD 208 BBC Earth HD 604 La chaîne Disney HD 953 CTV2 Atlantic HD 212 BBC First HD 515 LCN HD 966 CTV2 Barrie HD 211 BBC World News HD 670 Lifetime HD 428 CTV2 London HD 296 beIN SPORTS HD 725 Love Nature HD 616 CTV2 Ottawa HD 295 -
Ed Phelps Logs His 1,000 DTV Station Using Just Himself and His DTV Box. No Autologger Needed
The Magazine for TV and FM DXers October 2020 The Official Publication of the Worldwide TV-FM DX Association Being in the right place at just the right time… WKMJ RF 34 Ed Phelps logs his 1,000th DTV Station using just himself and his DTV Box. No autologger needed. THE VHF-UHF DIGEST The Worldwide TV-FM DX Association Serving the TV, FM, 30-50mhz Utility and Weather Radio DXer since 1968 THE VHF-UHF DIGEST IS THE OFFICIAL PUBLICATION OF THE WORLDWIDE TV-FM DX ASSOCIATION DEDICATED TO THE OBSERVATION AND STUDY OF THE PROPAGATION OF LONG DISTANCE TELEVISION AND FM BROADCASTING SIGNALS AT VHF AND UHF. WTFDA IS GOVERNED BY A BOARD OF DIRECTORS: DOUG SMITH, SAUL CHERNOS, KEITH MCGINNIS, JAMES THOMAS AND MIKE BUGAJ Treasurer: Keith McGinnis wtfda.org/info Webmaster: Tim McVey Forum Site Administrator: Chris Cervantez Creative Director: Saul Chernos Editorial Staff: Jeff Kruszka, Keith McGinnis, Fred Nordquist, Nick Langan, Doug Smith, John Zondlo and Mike Bugaj The WTFDA Board of Directors Doug Smith Saul Chernos James Thomas Keith McGinnis Mike Bugaj [email protected] [email protected] [email protected] [email protected] [email protected] Renewals by mail: Send to WTFDA, P.O. Box 501, Somersville, CT 06072. Check or MO for $10 payable to WTFDA. Renewals by Paypal: Send your dues ($10USD) from the Paypal website to [email protected] or go to https://www.paypal.me/WTFDA and type 10.00 or 20.00 for two years in the box. Our WTFDA.org website webmaster is Tim McVey, [email protected]. -
In Indigeneity: the Musical Practices of Cris Derksen and Jeremy Dutcher
Contemporary Music Review ISSN: (Print) (Online) Journal homepage: https://www.tandfonline.com/loi/gcmr20 Reclaiming the ‘Contemporary’ in Indigeneity: The Musical Practices of Cris Derksen and Jeremy Dutcher Alexa Woloshyn To cite this article: Alexa Woloshyn (2020): Reclaiming the ‘Contemporary’ in Indigeneity: The Musical Practices of Cris Derksen and Jeremy Dutcher, Contemporary Music Review, DOI: 10.1080/07494467.2020.1806627 To link to this article: https://doi.org/10.1080/07494467.2020.1806627 Published online: 07 Sep 2020. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=gcmr20 Contemporary Music Review, 2020 https://doi.org/10.1080/07494467.2020.1806627 Reclaiming the ‘Contemporary’ in Indigeneity: The Musical Practices of Cris Derksen and Jeremy Dutcher Alexa Woloshyn Indigenous musical modernities have thrived across centuries of innovation and mobilisation through both exchange and resistance. Settler colonialism seeks to deny Indigenous Peoples a ‘contemporary’ by asserting both a temporal and spatial boundary. The temporal and spatial boundaries intended for Indigenous Peoples foster expectations from the dominant white culture regarding Indigeneity. Cree Mennonite cellist Cris Derksen and Wolastoqi singer Jeremy Dutcher mobilise settler expectations and institutional opportunities in their distinctive musical practices. These musical practices are the results of exchange and dialogue between Euro-American classical music and Indigenous musics, resulting in what Dawn Avery calls ‘Native Classical Music’. Such dialogues are negotiated through these musicians’ resistance to Euro- American classical music hierarchies, settler logics about authenticity and their resourcefulness in navigating settler institutions. -
Cfflci COLLEGE of MEDIA COMMUNICATION and INFORMATION
CfflCI COLLEGE OF MEDIA COMMUNICATION AND INFORMATION University of Colorado Boulder Ready to communicate creatively? At the College of Media, Communication and Information (CMCI), we explore how to communicate and tell stories through data, words, strategy and evolving forms of media. Each degree we offer is designed for a diverse range of students who love to create, connect and solve problems, allowing us to prepare students to be leaders in our ever-changing information society. An innovative education for an evolving world Our unique interdisciplinary education prepares you for a professional journey, not just a single job. If you’re an innovative thinker who likes to work across boundaries, the world of communication, media and information needs you. COMMUNICATION Break through the noise. Be heard, be responsive and be a leader. Learn how to be a skilled communicator who adapts to variations in context and culture. BA Communication | Minor in Communication | MA Communication | PhD Communication INFORMATION SCIENCE Connect the dots and design the future. Analyze the relationships between people, data and technology to generate creative solutions for complex social issues. BS Information Science | BS/MS Information Science | Minor in Information Science | PhD Information Science JOURNALISM Tell stories and tell them well. Embrace journalistic values like reporting truth and holding powerful people accountable as you master emerging digital methods to become a multiplatform journalist. BA Journalism | Minor in Journalism | MA Journalism | MA Journalism Entrepreneurship | PhD Journalism Studies MEDIA PRODUCTION Develop and explore inventive ways to create media. Learn the skills to carry out a range of creative practices—including documentary, performance and sound—and study the many ways that making media can affect the world. -
Channel Listing Satellite Tv Current As of February 11, 2021
CHANNEL LISTING SATELLITE TV CURRENT AS OF FEBRUARY 11, 2021. CLASSICAL 96FM TORONTO ...............963 N STINGRAY LOUD .........................................580 GOOD CLUB JUNIOR......................... (ON DEMAND) NEWSTALK 1010 ...........................................964 STINGRAY MUSIC STATIONS .......901-947 COUNTRY FM 105 .......................................968 NPR (NATIONAL PUBLIC RADIO) ........965 STINGRAY RETRO ........................................578 THE MAJOR NETWORKS, PLUS A SELECTION CTV - KINGSTON (CKWS) .......................233 O STINGRAY VIBE .............................................579 OF SPECIALTY CHANNELS. INCLUDES ALL OF CTV - OSHAWA (CHEX2).........................583 OZ-FM - ST. JOHN’S ....................................951 T THE CHANNELS IN THE STARTER PACKAGE. CTV - PETERBOROUGH (CHEX) ............217 P THE WEATHER NETWORK ......................505 # F PALMARÈSADISQ PAR STINGRAY .......187 TSC ......................................................................660 * 102.1 THE EDGE ............................................. 955 FAITHTV ...........................................................591 PLANETE JAZZ .............................................960 TSN RADIO 1050 ......................................... 995 104.5 CHUM FM ...........................................990 I PREMIÈRE CHAÎNE FM 97.7 TSN RADIO 1290 WINNIPEG ................. 984 680 NEWS ...................................................... 958 ICI MUSIQUE - MONTREAL (CBFX FM) .975 VANCOUVER (CBUF-FM) .........................977 -
Download the Complete Satellite TV Channel List
CHANNEL LISTING SATELLITE TV CURRENT AS OF JULY 5, 2021. CTV DRAMA CHANNEL ...........................620 NOOVO - MONTRÉAL HD* .................. 1803 TLN ......................................................................700 GOOD CTV DRAMA CHANNEL HD ..................1734 NOOVO - QUÉBEC* ....................................109 THE NEWS FORUM .....................................506 CTV NEWS CHANNEL................................501 NOOVO - SAGUENAY* ..............................104 THE WEATHER NETWORK ......................505 THE MAJOR NETWORKS, PLUS A SELECTION CTV NEWS CHANNEL HD .....................1562 NOOVO - SHERBROOKE* .......................106 TOON-A-VISION ..........................................567 OF SPECIALTY CHANNELS. INCLUDES ALL OF CTV SCI-FI CHANNEL ...............................627 NOOVO - TROIS-RIVIERES* .................540 TREEHOUSE ................................................... 553 THE CHANNELS IN THE STARTER PACKAGE. CTV SCI-FI CHANNEL HD ..................... 1746 NOOVO - VAL-D’OR* ................................ 544 TREEHOUSE HD .........................................1640 NPR (NATIONAL PUBLIC RADIO) ........965 TSC ......................................................................660 # D NTV ...................................................................... 199 TSN1 ....................................................................400 102.1 THE EDGE ............................................. 955 DAYSTAR CANADA .....................................650 NTV HD ...........................................................1008 -
John Beckwith Fonds CA OTUFM 10
University of Toronto Music Library John Beckwith fonds CA OTUFM 10 © University of Toronto Music Library 2020 Contents John Beckwith ................................................................................................................................................. 3 John Beckwith fonds .................................................................................................................................... 4 Series A : Compositions ...................................................................................................................... 4 Series B: Librettos, texts, performance records ........................................................................ 26 Series C: Other activities ................................................................................................................... 35 Series D: Other correspondence.................................................................................................... 39 Series E: Biographical ......................................................................................................................... 41 Series F: Recordings ........................................................................................................................... 43 John Beckwith fonds University of Toronto Music Library CA OTUFM 10 John Beckwith 1927- John Beckwith (born March 9, 1927 in Victoria, British Columbia) is a composer, pianist, author, and teacher. He moved to Toronto in 1945 to study piano with Alberto Guerrero at the Royal Conservatory. -
State of the Blues PAST, PRESENT and FUTURE by JACK HADLEY
BIMONTHLY NEWS OF THE COLORADO BLUES SCENE • VOL. 24, NO. 4 • AUG. - SEPT. 2018 • [email protected] 2013 KBA WINNER BLUES SOCIETY STATE OF THE BLUES PAST, PRESENT AND FUTURE BY JACK HADLEY Most Americans growing up in the age of pop music never listened to the blues. It wasn’t played on commercial radio and, sadly, not much has changed. I realize that any roots music in 2018 is hidden in plain sight. It’s out there if you look for it. I was at a blues jam re- cently and I was surprised at the music I heard. It was uniformly real blues mu- sic. There were no reggae covers or pop tunes played under the guise of blues. The most telling part of the night for me was a band of young people who hit the stage. A standard lineup of guitar, bass, drums and a lead vocalist. I have to admit they didn’t look like they knew any- thing about the music. I was dead wrong. These kids (anyone under 30 is a kid to me now) hit it real hard. It was on the blues rock end of the scale and more blues than I expected. Howlin’ Wolf and a few other classic covers. It was well done and I felt the blues coming from the stage. No, they didn’t sound like any of the artists on this page (Sonny Boy Williamson, Rick Estrin & The Nightcats and Christone “Kingfish” Ingram, clockwise from left to right). They sounded like themselves. And it’s still called the blues. -
Download the Music Market Access Report Canada
CAAMA PRESENTS canada MARKET ACCESS GUIDE PREPARED BY PREPARED FOR Martin Melhuish Canadian Association for the Advancement of Music and the Arts The Canadian Landscape - Market Overview PAGE 03 01 Geography 03 Population 04 Cultural Diversity 04 Canadian Recorded Music Market PAGE 06 02 Canada’s Heritage 06 Canada’s Wide-Open Spaces 07 The 30 Per Cent Solution 08 Music Culture in Canadian Life 08 The Music of Canada’s First Nations 10 The Birth of the Recording Industry – Canada’s Role 10 LIST: SELECT RECORDING STUDIOS 14 The Indies Emerge 30 Interview: Stuart Johnston, President – CIMA 31 List: SELECT Indie Record Companies & Labels 33 List: Multinational Distributors 42 Canada’s Star System: Juno Canadian Music Hall of Fame Inductees 42 List: SELECT Canadian MUSIC Funding Agencies 43 Media: Radio & Television in Canada PAGE 47 03 List: SELECT Radio Stations IN KEY MARKETS 51 Internet Music Sites in Canada 66 State of the canadian industry 67 LIST: SELECT PUBLICITY & PROMOTION SERVICES 68 MUSIC RETAIL PAGE 73 04 List: SELECT RETAIL CHAIN STORES 74 Interview: Paul Tuch, Director, Nielsen Music Canada 84 2017 Billboard Top Canadian Albums Year-End Chart 86 Copyright and Music Publishing in Canada PAGE 87 05 The Collectors – A History 89 Interview: Vince Degiorgio, BOARD, MUSIC PUBLISHERS CANADA 92 List: SELECT Music Publishers / Rights Management Companies 94 List: Artist / Songwriter Showcases 96 List: Licensing, Lyrics 96 LIST: MUSIC SUPERVISORS / MUSIC CLEARANCE 97 INTERVIEW: ERIC BAPTISTE, SOCAN 98 List: Collection Societies, Performing -
Revitalization of the AM Radio Service ) ) ) )
Before the FEDERAL COMMUNICATIONS COMMISSION Washington, DC In the matter of: ) ) Revitalization of the AM Radio Service ) MB Docket 13-249 ) ) COMMENTS OF REC NETWORKS One of the primary goals of REC Networks (“REC”)1 is to assure a citizen’s access to the airwaves. Over the years, we have supported various aspects of non-commercial micro- broadcast efforts including Low Power FM (LPFM), proposals for a Low Power AM radio service as well as other creative concepts to use spectrum for one way communications. REC feels that as many organizations as possible should be able to enjoy spreading their message to their local community. It is our desire to see a diverse selection of voices on the dial spanning race, culture, language, sexual orientation and gender identity. This includes a mix of faith-based and secular voices. While REC lacks the technical knowledge to form an opinion on various aspects of AM broadcast engineering such as the “ratchet rule”, daytime and nighttime coverage standards and antenna efficiency, we will comment on various issues which are in the realm of citizen’s access to the airwaves and in the interests of listeners to AM broadcast band stations. REC supports a limited offering of translators to certain AM stations REC feels that there is a segment of “stand-alone” AM broadcast owners. These owners normally fall under the category of minority, women or GLBT/T2. These owners are likely to own a single AM station or a small group of AM stations and are most likely to only own stations with inferior nighttime service, such as Class-D stations.