Art History 15 American Artists
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MoI&rIJJ~f) ~<CrIJJl11P1ltDJI& By Rick Stewart THE C.M. RUSS E LL MUSEUM MAGAZINE Thebest part of trying to raise S1.1 million to purchase C.M. Russell's painting The Exalted Ruler is the personal contact and the stories related to MUSEUM BOARD OF DIRECTORS Barbara Moe. President the donations. Every day, people come to the Museum to donate an inch and Daniel Ewen, Vice President often share their reasons with us. Jayne McManus, Secretary In November 1936 James B. Rankin, who was Charles C. Aberna th y, Treasurer For instance, one individual who had her left knee replaced, together C. W illi am Briggs preparing a biography and catalogue of the work of Shei la Buchanan with her orthopedic surgeon, donated the two inches covering the left knee of Elliott Dybdal Charles M. Russell, wrote the famous American The Exalted Ruler; an ophthalmologist bought an eye of the elk; and the river Barbara Henry Gregg Holt sculptor John Gutzon Borglum for an assessment of was selected because of a special childhood experience. Every part of the Polly Kolstad the Montana artist's work. Borglum replied that there Robert E. Lee painting holds a story. Gifts have been given in memory of a relative or ET Meredith were three artists "deserving of great place" in their Eric Myhre friend, to honor a grandchild, for Father's Day, and to honor a 50th wedding Robert H. Oakland portrayal of the American West: his brother Solon H. anniversary. Some have given because they have said the painting must not Carl Rostad Borglum, Frederic Remington, and Charles M. -
Teaching Strategies: How to Explain the History and Themes of Abstract Expressionism to High School Students Using the Integrative Model
Andrews University Digital Commons @ Andrews University Honors Theses Undergraduate Research 2014 Teaching Strategies: How to Explain the History and Themes of Abstract Expressionism to High School Students Using the Integrative Model Kirk Maynard Follow this and additional works at: https://digitalcommons.andrews.edu/honors Part of the Art and Design Commons Recommended Citation Maynard, Kirk, "Teaching Strategies: How to Explain the History and Themes of Abstract Expressionism to High School Students Using the Integrative Model" (2014). Honors Theses. 92. https://digitalcommons.andrews.edu/honors/92 This Honors Thesis is brought to you for free and open access by the Undergraduate Research at Digital Commons @ Andrews University. It has been accepted for inclusion in Honors Theses by an authorized administrator of Digital Commons @ Andrews University. For more information, please contact [email protected]. Thank you for your interest in the Andrews University Digital Library of Dissertations and Theses. Please honor the copyright of this document by not duplicating or distributing additional copies in any form without the author’s express written permission. Thanks for your cooperation. 2014 Kirk Maynard HONS 497 [TEACHING STRATEGIES: HOW TO EXPLAIN THE HISTORY AND THEMES OF ABSTRACT EXPRESSIONISM TO HIGH SCHOOL STUDENTS USING THE INTEGRATIVE MODEL] Abstract: The purpose of my thesis is to create a guideline for teachers to explain art history to students in an efficient way without many blueprints and precedence to guide them. I have chosen to focus my topic on Abstract Expressionism and the model that I will be using to present the concept of Abstract Expressionism will be the integrated model instructional strategy. -
A Bestiary of the Arts
LA LETTRE ACADEMIE DES BEAUX-ARTS A BESTIARY OF THE ARTS 89 Issue 89 Spring 2019 Editorial • page 2 News: Annual Public Meeting of the Five Academies News: Installations under the Coupole: Adrien Goetz and Jacques Perrin News: Formal Session of the Académie des beaux-arts • pages 3 to 7 Editorial The magnificent Exhibition: “Oriental Visions: Cynocephalus adorning the cover of this edition of From Dreams into Light” La Lettre emanates a feeling of peaceful strength Musée Marmottan Monet true to the personality of its author, Pierre-Yves • pages 8 and 9 File: Trémois, the oldest member of the Académie des Beaux-Arts after being elected to Paul Lemangy’s “A bestiary of the arts” seat on 8 February 1978. • pages 10 to 34 Through the insatiable curiosity and astounding energy that he brings to the table at the age of News: “Concerts for a seat” ninety-eight, Pierre-Yves Trémois shows us Elections: Jean-Michel Othoniel, the extent to which artistic creation can be Marc Barani, Bernard Desmoulin, regenerative, especially when it is not seeking to conform to any passing trend. News: The Cabinet des estampes de la In May 2017 we elected forty-three year-old composer Bruno Mantovani to Jean bibliothèque de l’Institut Prodromidès’ seat. Tribute: Jean Cortot Watching the two passionately converse about art, we realized that the half • pages 35 to 37 century separating them was of no importance. The Académie des Beaux-Arts is known for the immense aesthetic diversity Press release: “Antônio Carlos Jobim, running throughout its different sections. highly-elaborate popular music” This reality is in stark contrast with academicism. -
PDF of Points West, Spring 2013
BUFFALO BILL HISTORICAL CENTER n CODY, WYOMING n SPRING 20132013 n Finding the real Frederic Remington n Camp Monaco Prize To the point ©2013 Buffalo Bill Historical Center (BBHC). Written permission recently read a Buffalo Bill is required to copy, reprint, or distribute Points West materials in any medium or format. All photographs in Points West are Historical Center newsletter BBHC photos unless otherwise noted. Questions about image from January 1979. It rights and reproduction should be directed to Rights and Reproductions, [email protected]. Bibliographies, works I cited, and footnotes, etc. are purposely omitted to conserve reported that, as of January space. However, such information is available by contacting the 26, the Center would have a editor. Address correspondence to Editor, Points West, BBHC, 720 new name. “The Historical Sheridan Avenue, Cody, Wyoming 82414, or [email protected]. Center now includes four Managing Editor: major museums, and there is Ms. Marguerite House every indication of continued Assistant Editor: Ms. Nancy McClure growth,” Mrs. Henry H.R. Designer: “Peg” Coe, Chairman of the Ms. Tiffany Swain Olson By Bruce Eldredge Executive Director Board of Trustees at the time, Contributing Staff Photographers: explained. “A new operational Dr. Charles R. Preston, Ms. Emily Buckles name for the institution could more adequately describe Historic Photographs/Rights and Reproductions: Mr. Sean Campbell the immense segment of our western heritage which it Credits and Permissions: encompasses.” Ms. Ann Marie Donoghue Advisory Team: That particular name change effort more than thirty Marguerite House, Public Relations & Managing Editor years ago lost steam, but we know how Peg felt. -
THE CLEVELAN ORCHESTRA California Masterwor S
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"A Note from the Artists' Fellowship" American
QUICK SKETCHES The founders of the Artists’ Fellowship. A Note From the Artists’ Fellowship Most artists know what organiza- disciplines, including law, medicine, tions to apply to when seeking business, and finance. The common grants to aid in the creation of denominator for board members is a body of work. However, many their passion for art. Many are also are less familiar with resources members of art organizations and that provide aid to an artist in the through their networks they spread case of an emergency, such as the the word about the Fellowship’s Artists’ Fellowship, Inc., which has mission. Each month a meeting is been in existence since 1859. held at the Salmagundi Club, in New The Fellowship was started by a York City, and cases from all over the group of compassionate artists and country are reviewed. Applications business leaders who recognized for aid are reviewed by the Relief the need to assist professional fine and Assistance Committee, and artists and their families in times then presented to the full board with of emergency or financial hardship. recommendations. After discussing The organization’s success can be each case, the board decides who will attributed to the all-volunteer board receive assistance and how much and the devoted advisors, several will be allocated at one time—or, in of whom have served for decades. extreme cases, on a monthly basis. Half of the board is composed of Unfortunately, there are always far artists, as mandated by the Fellow- more applicants than available funds. ship’s bylaws. The remainder of The board considers each case care- the trustees come from an array of fully, and each applicant’s privacy is 10 American Artist www.ArtistDaily.com AAFEB2011QuickSketch.indd 10 1/14/11 2:00:47 PM QUICK SKETCHES (Left to right) Artists’ Fellowship president Babette Bloch, Artists’ Fellowship honorees Robert Kipniss and Milton Esterow, and Annette Blaugrund at the 2010 Annual Awards Dinner in New York City. -
To See Anew: Experiencing American Art in the 21St Century
Initiatives in Art and Culture To See Anew: Experiencing American Art in the 21st Century 21ST ANNUAL AMERICAN ART CONFERENCE FRIDAY – SATURDAY, MAY 20 – 21, 2016 1851, after an original of 1851, The Greek Slave, The Greek Stuart Davis, Swing Landscape, 1938, oil on canvas, 86¾ x 172⅞ in. Indiana University Art Museum, Bloomington, Indiana. © Estate of Stuart Davis/Licensed Hiram Powers, Powers, Hiram Art University x 18¼ in. Yale 1844, marble, 65¼ x 21 Dann Fund. 1962.43, Olive Louise Gallery, by VAGA, New York, NY. Jonathan Boos. Jonathan Boos. 36 x 29 in. Private collection; photo: courtesy, canvas, Guy Pène du Bois, Country Wedding, Henry Peters Gray, The Wages of War, 1848, oil on 1929, oil on canvas, 48¼ x 76¼ in. The Metropolitan Museum of Art, gift of Several Ladies and Gentlemen, 1873. 73.5. THE GRADUATE CENTER, THE CITY UNIVERSITY OF NEW YORK To See Anew: Experiencing American Art in the 21st Century 21ST ANNUAL AMERICAN ART CONFERENCE Heilbrun, 1922). Chanler. Robert Winthrop Ivan Narodny, (from: 1921 Chanler, Robert Winthrop New York: William New York: Avian Arabesque, Avian Arabesque, The Art of In this conference, Initiatives in Art and Culture considers iconic works by recognized masters, seeking to understand both why they were celebrated in their own time and why they retain their power today. At the same time, we explore the works of artists who did not retain the renown they enjoyed during their lifetimes and who fell into obscurity. But obscurity is not necessarily forever, and as cycles of taste have changed, these once-forgotten artists and their largely unknown works have re-surfaced to startle us today. -
B a U M a N R a R E B O O
B A U M A N R A R E B O O K S Holiday 2020 BaumanRareBooks.com 1-800-97-BAUMAN (1-800-972-2862) or 212-751-0011 [email protected] New York 535 Madison Avenue (Between 54th & 55th Streets) New York, NY 10022 800-972-2862 or 212-751-0011 Mon-Fri: 10am to 5pm and by appointment Las Vegas Grand Canal Shoppes The Venetian | The Palazzo 3327 Las Vegas Blvd., South, Suite 2856 Las Vegas, NV 89109 888-982-2862 or 702-948-1617 Mon-Sat: 11am to 7pm; Sun: 12pm to 6pm Philadelphia 1608 Walnut Street Philadelphia, PA 19103 215-546-6466 | (fax) 215-546-9064 by appointment ALL BOOKS ARE SHIPPED ON APPROVAL AND ARE FULLY GUARANTEED. Any items may be returned within ten days for any reason (please notify us before returning). All reimbursements are limited to original purchase price. We accept all major credit cards. Shipping and insurance charges are additional. Packages will be shipped by UPS or Federal Express unless another carrier is requested. Next-day or second-day air service is available upon request. WWW.BAUMANRAREBOOKS.COM TWITTER.COM/BAUMANRAREBOOKS FACEBOOK.COM/BAUMANRAREBOOKS Cover image from Lithographs of Marc Chagall. On this page: Item no. 35. Table of Contents 4 10 37 48 52 61 68 74 Featured Items 4 History 61 Literature 10 Science & Medicine 68 Art & Illustration 37 Holiday Gifts 74 Religion 48 Index 99 Americana 52 F Featured Items “In The Future Days, Which We Seek To Make e Secure, We Look Forward To A World Founded Upon Four Essential Human Freedoms…” a t 1. -
2001 Great Plains Prairie
2001 Great Plains Prairie Pronghorns Burrowing Owls Black-tailed Prairie Dog American Buffalo Painted Lady Butterfly 2001 Great Plains Prairie Western Meadowlark Badger Plains Spadefoot Eastern Short-horned Lizard Two-striped Grasshopper 2001 perf. 11¼x11 die cut 11 die cut 8½ vert. American Buffalo American Buffalo American Buffalo die cut 11¼ die cut 10½x11¼ American Buffalo American Buffalo Eagle Eagle United We Stand die cut 11¼ die cut 10½x10¾ die cut 9¾ vert., sq. corner die cut 9¾ vert., rd. corner United We Stand United We Stand United We Stand United We Stand 2001-03 George Washington die cut 11¼x11 die cut 10½x11 die cut 11¼x11¾, “2001” George Washington George Washington George Washington die cut 8½ vert., “2001” perf. 11¼, “2002” die cut 8½ vert., “2002” George Washington George Washington George Washington die cut 11¼x11, “2002” die cut 10½x11, “2002” die cut 11, “2003” George Washington George Washington George Washington Atlas die cut 8½ vert., “2001” die cut 11 vert., “2003” Atlas Atlas 2001 We Give Thanks Diamond in the Square Lone Star Diabetes Roy Wilkins The Nobel Prize Peanuts Honoring Veterans Frida Kahlo Sunshine & Shadow James Madison Double Ninepatch Variation 2001 Venus Flytrap Yellow Trumpet Cobra Lily English Sundew Leonard Bernstein Lucille Ball Pan-American Exposition perf. 12, unwmk., dated “2001” perf. 12, unwmk., dated “2001” perf. 12, unwmk., dated “2001” Fast Lake Navigation Fast Express Automobile 2001 Woody Wagon Enrico Fermi Love Love Love die cut 11½x10¾ Love die cut 11¼ Love Love 2001-09 Eid die cut 11¼, dated “2001” die cut 11, dated “2002” Eid Eid Eid Eid Eid Eid 2001-03 Washington Landmarks U.S. -
Rockwell Kent Collection
THE ROCKWELL KENT COLLECTION THE ROCKWELL KENT COLLECTION Digitized by the Internet Archive in 2015 https://archive.org/details/rockwellkentcollOObowd THE ROCKWELL KENT COLLECTION BOWDOIN COLLEGE MUSEUM OF ART 1972 COPYRIGHT 1972 BY THE PRESIDENT AND TRUSTEES OF BOWDOIN COLLEGE BRUNSWICK, MAINE LIBRARY OF CONGRESS CATALOG CARD NUMBER 72-93429 Acknowledgments HIS little catalogue is dedicated to Sally Kent in gratitude for her abiding interest and considerable help in the for- mation of this collection. With the aid of Mrs. Kent, and the support of a generous donor, the Bowdoin College Museum of Art was able to obtain a representative collec- tion of the work of the late Rockwell Kent, consisting of six paintings and eighty-two drawings and watercolors. This collection, in addition to the John Sloan collection and the Winslow Homer collection already established here, will provide both the general public and researchers the opportunity to see and study in great detail certain important aspects of American art in the early twentieth century. Our appreciation is also extended to Mr. Richard Larcada of the Larcada Galleries, New York City, for his help during all phases of selection and acquisition. R.V.W. [5] Introduction HE paintings, drawings and watercolors in this collection pro- vide a varied cross section of Rockwell Kent's activities as painter, draftsman and illustrator. They range over a wide variety of style and technique, from finished paintings and watercolors to sketches and notations intended for use in the studio. As such, they provide an insight, otherwise unavailable, into the artist's creative processes and methods. -
Celebrating Andrew Wyeth the American Artist’S Centennial Is Being Honored with Two Major Retrospectives of His Work
along the way Celebrating Andrew Wyeth The American artist’s centennial is being honored with two major retrospectives of his work. Andrew Wyeth may have been a favorite of U.S. presidents. In 1963, he became the first painter to receive the Presidential Medal of Freedom when John F. Kennedy bestowed the honor. Richard Nixon once sponsored a White House exhibition of works by the Pennsylvania- and Maine- based artist, and both Bushes honored Wyeth, with the Congressional Gold Medal in 1990 and the National Medal of the Arts in 2007. At the other end of the spectrum, comic- strip character Snoopy owned a Wyeth that he displayed prominently in his doghouse. In between, the artist was alternately lauded and dismissed by critics but remained a perennial commercial favorite. This year marks the centennial of Wyeth’s birth, and two major museum retrospectives have been assembled NORTH CAROLINA MUSEUM OF ART, RALEIGH ART, OF MUSEUM CAROLINA NORTH ©ANDREW WYETH/ARTISTS RIGHTS SOCIETY (ARS), RIGHTS WYETH/ARTISTS ©ANDREW for the occasion. Andrew Wyeth at 100 can be seen at Winter 1946, tempera, Andrew Wyeth (1917-2009) the Farnsworth Art Museum in Rockland, Maine, through December 31 (farnsworthmuseum.org), and Andrew in Andrew Wyeth: Maine Watercolors, 1938–2008, the focal Wyeth: In Retrospect is on display through September exhibition in a series of five exhibitions that make upAndrew 17 at the Brandywine River Museum in Chadds Ford, Wyeth at 100, on display at the museum’s Wyeth Center and in Pennsylvania (brandywinemuseum.org), and from October its Hadlock and Wyeth Study Center galleries. -
Art of Judging
NEW YORK UNIVERSITY LAW REVIEW VOLUME 71 JUNE 1996 NUMBER 3 THE ART OF JUDGING STEWART G. POLLOCK* In the second annual William J. Brennan, Jr. Lectur4 New Jersey Supreme Court Justice Stewart G. Pollock explores the relationship between art and adjudication. The separationof powers, the federalist system, and the inherent constraints of the common law confine state courts. Notwithstanding those constraints,state courts have demonstrated creativity when interpretingstate statutes and constitutionsand when adapting the common law to changing conditions. Thus, Justice Pollock fnds artistry in the work of state courts. He begins by exploring creativity in statu- tory interpretation. Then, Justice Pollock examines two areasof substantive law of greatpublic concern: public-school-financelitigation under state constitutions and the common-law redefinition of the modem family. Justice Pollock demonstrates how state appellate courts, through public-school-finance litigation, have shaped the constitutionalright to a public-school education. Justice Pollock then discusses how state courts have reacted to the changing composition of the American family. By recognizing these changes, state courts have redefined the family in areas as diverse as zoning ordinances, surrogacy agreements, and same-sex marriages. Common to all these endeavors is protection of the inherent dignity of the individ- ual Justice Pollock concludes that an appreciationof the similarities between art and judging may lead to a better understandingof the judicial process. Delivering the Brennan Lecture in Vanderbilt Hall is for me deeply moving. Justice Brennan graced the New Jersey Supreme Court for four years before starting his remarkable service on the United States Supreme Court. Also, this building is named for the former dean of this law school and the Chief Justice of the New Jersey Supreme Court with whom Justice Brennan served, Arthur T.