Rachmaninov US 14/6/06 8:47 Pm Page 1

Total Page：16

File Type：pdf, Size：1020Kb

557817rear Rachmaninov US 14/6/06 8:47 pm Page 1 CMYK NAXOS NAXOS Opera may not have been of central importance to Rachmaninov’s long and diverse creative life but, relatively early in his career, he completed two one-act operas. The intense psychological study The Miserly Knight takes as its source of inspiration a tragic tale by Pushkin. Francesca da Rimini is based on an episode at the end of Canto V of Dante’s Inferno. The earlier Aleko, based on a tale of love and jealousy in a gypsy camp, 8.557817 RACHMANINOV: RACHMANINOV: won the composer the gold medal for composition at the Moscow Conservatory in 1892. All three works demonstrate Rachmaninov’s gift for yearning melodies, as well as his DDD mastery of orchestral colour and drama. Playing Time Sergey 75:56 RACHMANINOV (1873–1943) Aleko Zemfira . Mariana Zvetkova, Soprano Old Woman . Andreana Nikolova, Mezzo-Soprano Opera Highlights Opera Highlights Young Gypsy . Boiko Zvetanov, Tenor Aleko . Alexander Tekeliev, Bass-Baritone Old Gypsy . Peter Naydenov, Bass The Miserly Knight Made inCanada www.naxos.com/libretti/rachoperas.htm Sung textsandtranslationscanbefoundat: Booklet notesinEnglish Albert . Boiko Zvetanov, Tenor www.naxos.com Duke . Niko Isakov, Baritone & Baron . Plamen Beykov, Bass Ꭿ Francesca da Rimini 2006 NaxosRightsInternationalLtd. Francesca . Mariana Zvetkova, Soprano Paolo . Boiko Zvetanov, Tenor Lanceotto . Peter Naydenov, Bass Sofia National Opera Chorus and Orchestra • Nayden Todorov 1-# Aleko (excerpts) $-( The Miserly Knight )-¤ Francesca da Rimini (excerpts) (excerpts) 8.557817 8.557817 Recorded in the National Palace of Culture, Sofia, Bulgaria, from 16th to 27th May, 2005. Producer: Nayden Todorov • Engineer: Ivailo Janev • Editors: Rumania Stoyanova and Minko Krastev Booklet Notes: Keith Anderson • Please see the booklet for a detailed track list • Editions: MUZYKA (Moscow) Cover Picture: The figures of Francesca and Paolo appear to Dante and Virgil (Illustration of Dante’s Inferno, Canto V) by Ary Scheffer (1795–1858) (Louvre, Paris, France / Bridgeman Art Library).

Copy Link

Recommended publications

Rachmaninoff's Piano Works and Diasporic Identity 1890-1945: Compositional Revision and Discourse
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-7-2018 12:30 PM Rachmaninoff's Piano Works and Diasporic Identity 1890-1945: Compositional Revision and Discourse Renee MacKenzie The University of Western Ontario Supervisor Nolan, Catherine The University of Western Ontario Sylvestre, Stéphan The University of Western Ontario Kinton, Leslie The University of Western Ontario Graduate Program in Music A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Musical Arts © Renee MacKenzie 2018 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Music Performance Commons Recommended Citation MacKenzie, Renee, "Rachmaninoff's Piano Works and Diasporic Identity 1890-1945: Compositional Revision and Discourse" (2018). Electronic Thesis and Dissertation Repository. 5572. https://ir.lib.uwo.ca/etd/5572 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract This monograph examines the post-exile, multi-version works of Sergei Rachmaninoff with a view to unravelling the sophisticated web of meanings and values attached to them. Compositional revision is an important and complex aspect of creating musical meaning. Considering revision offers an important perspective on the construction and circulation of meanings and discourses attending Rachmaninoff’s music. While Rachmaninoff achieved international recognition during the 1890s as a distinctively Russian musician, I argue that Rachmaninoff’s return to certain compositions through revision played a crucial role in the creation of a narrative and set of tropes representing “Russian diaspora” following the 1917 Bolshevik Revolution.
[Show full text]
UNIVERSITY of CALIFORNIA Los Angeles
UNIVERSITY OF CALIFORNIA Los Angeles Transcending Imagination; Or, An Approach to Music and Symbolism during the Russian Silver Age A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Musicology by Ryan Isao Rowen 2015 © Copyright by Ryan Isao Rowen 2015 ABSTRACT OF THE DISSERTATION Transcending Imagination; Or, An Approach to Music and Symbolism during the Russian Silver Age by Ryan Isao Rowen Doctor of Philosophy in Musicology University of California, Los Angeles, 2015 Professor Mitchell Bryan Morris, Chair The Silver Age has long been considered one of the most vibrant artistic movements in Russian history. Due to sweeping changes that were occurring across Russia, culminating in the 1917 Revolution, the apocalyptic sentiments of the general populace caused many intellectuals and artists to turn towards esotericism and occult thought. With this, there was an increased interest in transcendentalism, and art was becoming much more abstract. The tenets of the Russian Symbolist movement epitomized this trend. Poets and philosophers, such as Vladimir Solovyov, Andrei Bely, and Vyacheslav Ivanov, theorized about the spiritual aspects of words and music. It was music, however, that was singled out as possessing transcendental properties. In recent decades, there has been a surge in scholarly work devoted to the transcendent strain in Russian Symbolism. The end of the Cold War has brought renewed interest in trying to understand such an enigmatic period in Russian culture. While much scholarship has been ii devoted to Symbolist poetry, there has been surprisingly very little work devoted to understanding how the soundscape of music works within the sphere of Symbolism.
[Show full text]
Roberto Devereux
GAETANO DONIZETTI roberto devereux conductor Opera in three acts Maurizio Benini Libretto by Salvadore Cammarano, production Sir David McVicar after François Ancelot’s tragedy Elisabeth d’Angleterre set designer Sir David McVicar Saturday, April 16, 2016 costume designer 1:00–3:50 PM Moritz Junge lighting designer New Production Paule Constable choreographer Leah Hausman The production of Roberto Devereux was made possible by a generous gift from The Sybil B. Harrington Endowment Fund The presentation of Donizetti’s three Tudor queen operas this season is made possible through a generous grant from Daisy Soros, general manager in memory of Paul Soros and Beverly Sills Peter Gelb music director James Levine Co-production of the Metropolitan Opera principal conductor Fabio Luisi and Théâtre des Champs-Élysées 2015–16 SEASON The seventh Metropolitan Opera performance of GAETANO DONIZETTI’S This performance roberto is being broadcast live over The Toll Brothers– devereux Metropolitan Opera International Radio Network, sponsored by Toll Brothers, conductor America’s luxury Maurizio Benini homebuilder®, with generous long-term in order of vocal appearance support from sar ah (sar a), duchess of not tingham The Annenberg Elīna Garanča Foundation, The Neubauer Family queen eliz abeth (elisabet ta) Foundation, the Sondra Radvanovsky* Vincent A. Stabile Endowment for lord cecil Broadcast Media, Brian Downen and contributions from listeners a page worldwide. Yohan Yi There is no sir walter (gualtiero) r aleigh Toll Brothers– Christopher Job Metropolitan Opera Quiz in List Hall robert (roberto) devereux, e arl of esse x today. Matthew Polenzani This performance is duke of not tingham also being broadcast Mariusz Kwiecien* live on Metropolitan Opera Radio on a servant of not tingham SiriusXM channel 74.
[Show full text]
Volume 70, Number 11 (November 1952) Guy Mccoy
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 11-1-1952 Volume 70, Number 11 (November 1952) Guy McCoy Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation McCoy, Guy. "Volume 70, Number 11 (November 1952)." , (1952). https://digitalcommons.gardner-webb.edu/etude/123 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. IN THE FINEST HOMES ••. ON THE LeTTeRS CONCERT STAGE ~~ T o T B E E D I T o R ITS liL1ristmasShopping &Juide . ~ ; ¢=.<- ~ am going to try and start one of INSTRUMENTS IN MINIATURE Articles these libraries for my few pupils as Piano, Violin, Cornet, Cello, Banjo, Trom- LYREAND WREATH PIN bone, Guitar, Drum, Saxophone. Sir: I would like to express a the benefit her students receive well deserved compliment to the from this library must be too nu- J-70 reads Music J_22A Gold Plated (Pin Back Only). .60 tJ-228 Sterling Pin or Chorm ETUDE Magazine. I think the Au- merous to mention. .75 J-71 reads Choir (Specify which instrument) gust issue is one of the best ever Roger Warren Roszell J-72 Plain Bar or Engraving *BRACElET WITH NINE CHA.RMS published.
[Show full text]
Troika.Pdf (128.9
TROIKA ALEKO, MISERLY KNIGHT, FRANCESCA DA RIMINI Composer: SERGEI RACHMANINOV ALEKO Librettist: VLADIMIR NEMIROVICH DANCHENKO, AFTER THE GYPSIES, ALEXANDER PUSHKIN Musical version: BOLSHOI THEATER, MOSKVA, 27/4/1893 Piano Score: BOOSEY & HAWKES Orchestra Score: BOOSEY & HAWKES THE MISERLY KNIGHT Librettist: ALEXANDER PUSHKIN Musical version: BOLSHOI THEATER, MOSKVA, 11/1/1906 Piano score: EDITION RUSSE DE MUSIQUE VIA B & H Orchestra score: EDITION RUSSE DE MUSIQUE VIA B & H FRANCESCA DA RIMINI Librettist: MODEST TCHAIKOVSKY AFTER DANTE Musical version: BOLSHOI THEATER, MOSKVA, 11/1/1906 Piano score: BOOSEY & HAWKES Orchestra score: BOOSEY & HAWKES Timing: 1H/50MIN/1H – 3H40 INCLUDING 2 INTERMISSIONS Production by: THÉÂTRE ROYAL DE LAMONNAIE-DEMUNT Season: 2014/2015 Storage: BRUSSELS Premièred at Théâtre National for LaMonnaie-DeMunt on 16 June 2015 sets destroyed ; costumes and video available for rent and sale ARTISTIC TEAM Conductor: MIKHAIL TATARNIKOV Stage director: KIRSTEN DEHLHOLM (Hotel pro Forma) Co-director: JON R. SKULBERG Sets: MAJA ZISKA Costumes: MANON KÜNDIG Lighting: JESPER KONGSHAUG Video: MAGNUS PIND BJERRE Dramaturg: KRYSTIAN LADA CAST Aleko Principals: ♂:3 ♀:2 Chorus: ♂:22 ♀:18 The Miserly knight Principals: ♂:5 Chorus: 0 Francesca da Rimini Principals: ♂:4 ♀:1 Chorus: ♂:22 ♀:18 SCENERY/PROPS Number oF containers: 1 For costumes ORCHESTRA COSTUMES & MAKE UP Violin I: 12 Aleko Violin II: 11 Aleko: 1 Alto: 8 Young gipsy: 1 Cello: 7 Old gipsy: 1 Contrabass: 5 ZemFira: 1 Flute: 3 Gipsy woman: 1 Oboe: 3 Chorus: ♂:22 ♀:18
[Show full text]
Download the Concert Programme (PDF)
London Symphony Orchestra Living Music Wednesday 15 February 2017 7.30pm Barbican Hall UK PREMIERE: MARK-ANTHONY TURNAGE London’s Symphony Orchestra Mark-Anthony Turnage Håkan (UK premiere, LSO co-commission) INTERVAL Rachmaninov Symphony No 2 John Wilson conductor Håkan Hardenberger trumpet Concert finishes approx 9.30pm Supported by LSO Patrons 2 Welcome 15 February 2017 Welcome Living Music Kathryn McDowell In Brief Welcome to tonight’s LSO concert at the Barbican, THE LSO ON TOUR which features the UK premiere of one of two works by Mark-Anthony Turnage co-commissioned by the This month, the LSO will embark on a landmark LSO this season. Håkan is Mark-Anthony Turnage’s tour of the Far East. On 20 February the Orchestra second work for trumpeter Håkan Hardenberger; will open the UK-Korea Year of Culture in Seoul, regular members of the audience will remember the followed by performances in Beijing, Shanghai and LSO’s performance of the first concerto, From the Macau. To conclude the tour, on 4 March the LSO will Wreckage, in 2013. It is a great pleasure to welcome make history by becoming the first British orchestra this collaboration of composer and soloist once again. to perform in Vietnam, conducted by Elim Chan, winner of the 2014 Donatella Flick LSO Conducting The LSO is very pleased to welcome conductor Competition. A trip of this scale is possible thanks to John Wilson for this evening’s performance, and the support of our tour partners. The LSO is grateful is grateful to him for stepping in to conduct at to Principal Partner Reignwood, China Taiping, short notice.
[Show full text]
Order Form Package Pricing*
NEW YORK 2016 2017 SEASON PACKAGE ORDER FORM NUMBER 1ST CHOICE 1ST CHOICE 2ND CHOICE 2ND CHOICE SUB * OF SEATS LOCATION PRICE LOCATION PRICE PRICING TOTAL ALEKO/PAGLIACCI Rose Theater, Jazz at Lincoln Center ON SALE NOW! * Does not apply to multiple dates September 8 at 7:30pm of same production. September 10 at 7:30pm September 11 at 4:00pm CREATE YOUR OWN September 13 at 7:30pm SEASON PACKAGE NEW YORK CITY OPERA CONCERTS “PASIÓN LATINA” The Appel Room, Jazz at Lincoln Center 10% of when you buy 3 Events* October 26 at 7:30pm 15% of when you buy 4 Events* CANDIDE Rose Theater, Jazz at Lincoln Center 20% of when you buy 6 Events* January 6 at 7:30pm January 7 at 2:00pm January 7 at 8:00pm EARLY BIRD SPECIAL January 8 at 4:00pm Order by September 14, 2016 and get an early January 11 at 7:30pm bird discount on Create Your Own Packages January 12 at 7:30pm 20% of when you buy 3 Events* NEW YORK CITY OPERA CONCERTS “VALENTINE’S CONCERT” The Appel Room, Jazz at Lincoln Center 25% of when you buy 4 Events* February 14 at 7:00pm 30% of when you buy 6 Events* LA CAMPANA SOMMERSA Rose Theater, Jazz at Lincoln Center March 31 at 7:30pm Single Ticket Pricing on reverse side. April 1 at 8:00pm April 4 at 7:30pm April 5 at 7:30pm ROSE THEATER ANGELS in AMERICA Rose Theater, Jazz at Lincoln Center JAZZ AT LINCOLN CENTER June 10 at 8:00pm Orchestra Prime $150 / $125 June 12 at 7:30pm June 14 at 7:30pm Orchestra Rear $95 / $75 June 16 at 7:30pm Orchestra Boxes $150 / $95 Mezzanine Boxes $125 / $95 / $75 SUB-TOTAL Mezzanine $75 / $55 EARLY BIRD DISCOUNT by 9/14/2016: 20% of 3 Events, 25% of 4 Events, 30% of 6 Events Balcony Boxes $55 / $20 PACKAGE DISCOUNT after 9/14/2016: 10% of 3 Events, $15% of 4 Events, 20% of 6 Events Balcony $25 / $20 FACILITY FEE: $3.50 x number of tickets HANDLING FEE $10 THE APPEL ROOM CONTRIBUTION to The People’s Fund ** JAZZ AT LINCOLN CENTER TOTAL Orchestra Prime $95 / $65 Orchestra Rear $35 ** The People’s Fund enables City Opera to ensure that every production will have tickets starting at $20 or $25.
[Show full text]
August 2016 List
August 2016 Catalogue Prices valid until Wednesday 28�� September 2016 unless stated otherwise 0115 982 7500 [email protected] 1 Welcome! Dear Customer, The ‘Shakespeare 400’ celebrations have been in full swing for a few months now, with performances and special events happening around the UK and beyond. Here at Europadisc, we have seen an uplift of interest in the DVD/Blu- ray versions of his plays recorded at the RSC and The Globe Theatre (issued by Opus Arte), and there have been a noticeable number of Shakespeare-themed recitals on CD featuring items such musical settings of the sonnets. Although our focus is primarily on classical music, we have agreed to feature a new CD set issued by Decca this month containing the complete plays, sonnets and poems of Shakespeare recorded by The Marlowe Dramatic Society back in the ‘50s and ‘60s, originally released on Argo Records. It is a beautifully presented boxset containing 100 CDs alongside a 200pp booklet crammed with fascinating notes and historical information. Much more information can be found on p.4 - highly recommended! Other boxsets featured this month include the Complete Remastered Stereo Collection of recordings from Jascha Heifetz on Sony (RCA), the Complete Decca Recordings of pianist Julius Katchen and some bargain re-issues of wonderful recordings from EMI, Virgin, Warner and Erato in Warner Classics’ Budget Boxset range. Of course, we mustn’t forget the many interesting new recordings being released: highlights include the next discs in both the Classical Piano Concerto (FX Mozart/Clementi) and the Romantic Violin Concerto (Stojowski/Wieniawski) series on Hyperion (p.5); four brand new titles from Dutton Epoch (see opposite); the already well-reviewed final instalment in Osmo Vänskä’s latest Sibelius cycle on BIS (Disc of the Month - see below); and a brilliant performance of works by Telemann from Florilegium (p.8).
[Show full text]
Rachmaninoff and the Flexibility of the Score: Issues Regarding Performance Practice
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2018 Rachmaninoff and the Flexibility of the Score: Issues Regarding Performance Practice Tanya Gabrielian The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2762 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] RACHMANINOFF AND THE FLEXIBILITY OF THE SCORE: ISSUES REGARDING PERFORMANCE PRACTICE by TANYA GABRIELIAN A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Musical Arts, The City University of New York 2018 Ó 2018 TANYA GABRIELIAN All Rights Reserved ii Rachmaninoff and the Flexibility of the Score: Issues Regarding Performance Practice by Tanya Gabrielian This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor of Musical Arts. Date Anne Swartz Chair of Examining Committee Date Norman Carey Executive Officer Supervisory Committee: Geoffrey Burleson Sylvia Kahan Ursula Oppens THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Rachmaninoff and the Flexibility of the Score: Issues Regarding Performance Practice by Tanya Gabrielian Advisor: Geoffrey Burleson Sergei Rachmaninoff’s piano music is a staple of piano literature, but academia has been slower to embrace his works. Because he continued to compose firmly in the Romantic tradition at a time when Debussy, Stravinsky, and Schoenberg variously represented the vanguard of composition, Rachmaninoff’s popularity has consequently not been as robust in the musicological community.
[Show full text]
GULF COAST REGION AUDITIONS SUNDAY, FEBRUARY 28, 2021 the 2020 National Council Finalists Photo: Fay Fox / Met Opera
NATIONAL COUNCIL 2020–21 SEASON GULF COAST REGION AUDITIONS SUNDAY, FEBRUARY 28, 2021 The 2020 National Council Finalists photo: fay fox / met opera CAMILLE LABARRE NATIONAL COUNCIL AUDITIONS chairman The Metropolitan Opera National Council AuDitions program cultivates young opera CAROL E. DOMINA singers and assists in the development of their careers. The AuDitions are held annually president in 39 districts and 12 regions of the United States, CanaDa, and Mexico—all aDministered MELISSA WEGNER by deDicated National Council members and volunteers. Winners of the region auDitions executive director advance to compete in the national semifnals. National fnalists are then selected and BRADY WALSH compete in the Grand Finals Concert. During the 2020–21 season, the auDitions are being administrator held virtually via livestream. Singers compete for prize money and receive feeDback from LISETTE OROPESA juDges at all levels of the competition. national advisor Many of the worlD’s greatest singers, among them Lawrence Brownlee, Anthony Roth Costanzo, Renée Fleming, Lisette Oropesa, Eric Owens, anD FreDerica von StaDe, have won National Semifnals the AuDitions. More than 100 former auDitioners appear appear on the Met roster each season. SunDay, May 9, 2021 The National Council is grateful to its donors for prizes at the national level and to the Tobin Grand Finals Concert Endowment for the Mrs. Edgar Tobin Award, given to each frst-place region winner. SunDay, May 16, 2021 Support for this program is generously proviDed by the Charles H. Dyson National Council For up to date auDitions results, alumni AuDition Program EnDowment Fund at the Metropolitan Opera. news, and other general information, follow @MONCAuDitions on Facebook and Instagram.
[Show full text]
2020 04 EXILES Rakhmaninov
Exiles from Revolution Rakhmaninov reclaimed Sergei Rakhmaninov left Russia in December 1917, soon after the Bolsheviks seized power. He never returned. In the early Soviet years his music was seen as archaic “not so much the music of yesterday, as sometime last week”. For a while it seemed that Rakhmaninov might simply fade from Soviet memory. But that didn’t happen. In the 1930s Soviet musical aesthetics changed. Modernism receded into the past. The new style converged with Rakhmaninov… but with a socialist message. Soviet acceptance of Rakhmaninov was speeded up by his patriotic response to the 1941 Nazi invasion. After his death, in 1943, a process of reclamation began. In 1944 an early symphony emerged from a Leningrad archive. Suppressed by Rakhmaninov since the 1890s, this gave a radical new perspective on the composer. © 2020 Terry Metheringham [email protected] +44 7528 835 422 Soviet Music: Exiles from Revolution Session 4: Rakhmaninov reclaimed 2 Rakhmaninov’s background Sergei Rakhmaninov (1873-1943) was born into an aristocratic family. It was a family with musical pedigree too: his grandfather had been a piano pupil of John Field. Sergei graduated from Moscow Conservatoire in 1892 only the third person to be awarded the Great Gold Medal. His teachers were Siloti piano. (Siloti was Sergei’s cousin, underlining the family musical pedigree.) Taneyev counter-point. Arensky composition. Rakhmaninov built an international reputation as a composer, conductor and pianist. He lived in Dresden 1906-09 (in part as an escape from the revolutionary turmoil in Russia, which had started in 1905). He undertook concert tours of USA in 1909, and Britain in 1914.
[Show full text]
Calendar Information Is Current As of July 25, 2016. for Complete Up-To-Date Information on the Campus-Wide Performance Schedule, Visit Lincolncenter.Org
SEPTEMBER 2016 CALENDAR OF EVENTS Calendar information is current as of July 25, 2016. For complete up-to-date information on the campus-wide performance schedule, visit LincolnCenter.org. To receive this monthly calendar by email, send your email address to [email protected]. September 1 Thursday METROPOLITAN OPERA September 4 Sunday Summer HD Festival DAVID RUBENSTEIN ATRIUM Cavalleria Rusticana and JAZZ AT LINCOLN CENTER AT LINCOLN CENTER Pagliacci Nate Smith Trio Atrium 360° k Josie Robertson Plaza Featuring Dave Holland and Tabou Combo 8 PM Jaleel Shaw k David Rubenstein Atrium Lessons from Our Masters 7:30 PM NEW YORK PUBLIC LIBRARY Dizzy's Club Coca-Cola FOR THE PERFORMING ARTS 7:30 & 9:30 PM JAZZ AT LINCOLN CENTER “Music for Moderns”: The Bruce Harris and Partnership of George Avakian METROPOLITAN OPERA The Big Sax Section and Anahid Ajemian Summer HD Festival Opening Night of the Coca-Cola This exhibit explores some of Turandot Generations in Jazz Festival the most important artists of k Josie Robertson Plaza Dizzy's Club Coca-Cola all time. 8 PM 7:30 & 9:30 PM k Vincent Astor Gallery 10:30 AM–Close September 5 Monday METROPOLITAN OPERA September 3 Saturday JAZZ AT LINCOLN CENTER Summer HD Festival Big Band Mondays La Cenerentola JAZZ AT LINCOLN CENTER Robin Eubanks & the Mass k Josie Robertson Plaza Dayna Stephens Quintet Line Big Band 7:30 PM Featuring Tom Harrell Dizzy's Club Coca-Cola and Al Foster 7:30 & 9:30 PM NEW YORK PUBLIC LIBRARY Lessons from Our Masters FOR THE PERFORMING ARTS With pianist Gerald Clayton and METROPOLITAN OPERA “Music for Moderns”: The bassist Buster Williams Summer HD Festival Partnership of George Avakian Dizzy's Club Coca-Cola Les Pêcheurs de Perles and Anahid Ajemian 7:30 & 9:30 PM k Josie Robertson Plaza This exhibit explores some of 8 PM the most important artists of METROPOLITAN OPERA all time.
[Show full text]