Jo Stafford, 1939-1941 Tyler Anderson  Music & Theatre Arts  University of Wisconsin-Eau Claire

Total Page:16

File Type:pdf, Size:1020Kb

Jo Stafford, 1939-1941 Tyler Anderson  Music & Theatre Arts  University of Wisconsin-Eau Claire Tracing the Footsteps of Swing Legends: Tommy Dorsey & Jo Stafford, 1939-1941 Tyler Anderson Music & Theatre Arts University of Wisconsin-Eau Claire Jo Stafford Tommy Dorsey Born November 12, 1917, Project Overview Born November 19, 1905, This project researched the itinerant touring schedule of the Tommy Dorsey Stafford first rose to notoriety Dorsey was one of the most Big Band from 1939-1941, the years Stafford toured with the group. This during the Swing era after three iconic band leaders of the swing information will inform Dr. Ryan Jones in his ongoing monograph project years on the road with Tommy era. Known as “The Sentimental about Jo Stafford herself, specifically concerning this first high-profile stage Dorsey (1939–1941)—during Gentleman of Swing” because of her career in which she sang as a member of the Pied Pipers vocal which swing bands regularly of his highly lyrical and smooth group within Dorsey’s band. The goal of this project is the creation of a crisscrossed the nation, moving trombone playing, Dorsey led a detailed timeline that documents the whereabouts of Stafford vis-à-vis from venue-to-venue in band that was wildly successful Dorsey—where, when, what, and with whom they performed—throughout automobile caravans to feed the swing dance craze. from the 1930s into the 1950s. His band would not this formative three-year period in Stafford’s development. Among her many career achievements, Stafford was only kick start the career of Stafford, but also singing the first female vocalist to sell 25 million albums. legend Frank Sinatra. April 1939 February 2, 1940 May 21, 1940 April 10, 1941 November 11,1942 Dorsey band opens at Beginning of three week Band begins Band begins to tour the Midwest “Ship Ahoy,” featuring the Paramount Theater in stay at the Lyric Theater, fourteen week and East Coast throughout the Dorsey Band, begins NYC. Indianapolis sojourn at the Astor Spring and Summer. principal shooting in Roof, NYC. Hollywood. 1939 1940 1941 1942 December 1938 Fall 1939 February 20, 1940 October 31, 1940 August 24, 1941 Jo Stafford and the Dorsey and his band at Band concludes a Dorsey opens at the Band plays at Lake Pied Pipers join the the Palmer House, Midwest tour at Frank Palladium Ballroom in Compounce in Bristol, Tommy Dorsey band. Chicago Dailey’s Meadowbrook in Hollywood Connecticut. Research funded by Faculty/Student Research Collaboration (ORSP) New Jersey. Printing of this poster was funded by Differential Tuition. "We traveled a lot by tour bus and well, a band bus is arranged like a bandstand. If you have strings, the strings are in front, and they're fairly calm people who behave themselves. Next are the saxophones, who get a little rowdy, but not too much. Next come the trombones, who get pretty raunchy, and then the trumpet players who are out of control. All the way in back was the rhythm section. They were the worst; they were real evil. That's where Frank sat. So did I." - Jo Stafford .
Recommended publications
  • Jo April 2019.PPP
    An alphabetical listing of her studio recordings, including recording dates, matrix numbers and, when known, dates first issued. Compiled by Jim Marshall, and updated April 2019 I first produced a Jo Stafford discography ‘way back in 1995, encouraged by the late Tom Colborn who probably knew more about Jo’s career than the lady herself. Tom had already done much of the groundwork and, knowing that I’d acquired a computer - an early Amstrad - suggested that I take over the task. I was well into my research when the indispensable "In Tune" magazine started publishing its own in-depth listing of Jo’s huge catalogue of recordings. The work put into that by Brian Henson, Colin Morgan, Robert W. Rice and others was an immeasurable help. My thanks also go to Ken Seavor, John Ridgeway, Lucas Tuinstra, Jeff Lasbury and Ray Purslow plus, of course Jo Stafford and Paul Weston , all of whom contributed to Tom’s original research. More recently I’ve had important help from Michel Ruppli, Tim Weston, Robert Rice, Richard Weize and Adam Daff resulting in what I like to think is an almost “complete" alphabetical listing of Jo’s commercial recordings, including her work with the Pied Pipers and her alter egos, Cinderella G. Stump and Darlene Edwards, not forgetting Jonathan! (Apologies if I’ve forgotten anyone!) Apart from a handful of never-ever issued Capitol and Columbia tracks, almost all Jo’s studio recordings seem to have been reissued on CD and are probably still in print. In fact, the seemingly relentless reissue of Stafford CDs, mainly in the UK, is proof, if proof was needed, of the lady’s long-lasting popularity.
    [Show full text]
  • Jimmy Dorsey Orchestratm Jimmy’S Musical Training Began When He Was a Young Boy in Pennsylvania
    America’s Music On Parade Enjoy an evening of America’s Hits that inspired many of the greatest recordings ever made. A memory of these songs touched our deepest feelings in a way no other songs have or ever will. American’s Hits On Parade are legendary songs from the most thrilling era of music that captured our hearts during an amazing ten years of music and history. The America’s Hits On Parade was everywhere! Radio’s broadcasted from ballrooms like the Aragon, Palomar, Palladium and the “Make Believe” Ballroom. Juke Boxes whirled at home while a world away GI’s warmly welcomed the sounds of America’s Hits. We danced at night clubs, USO’s, ballrooms and truly had the greatest time of our lives. Sit back and enjoy America’s Hits On Parade with an evening of the songs we cherished the most and will never forget listening to - I’ll Never Smile Again - In The Mood - I’m Getting Sentimental Over You - Tangerine - There Are Such Things - Dream - Boogie Woogie - So Rare - Stardust………. and many more. Jimmy Dorsey OrchestraTM Jimmy’s musical training began when he was a young boy in Pennsylvania. Along with his brother Tommy, the talented young musicians joined Paul Whiteman’s Orchestra and at the same time they were recording many records under the billing “The Dorsey Brothers Orchestra”. Their band continued through the early thirties until a dispute over a tempo of a song separated the brothers for decades. Jimmy found himself an instant leader of the band that became the birth of the Jimmy Dorsey Orchestra.
    [Show full text]
  • Books & Records to Consider
    V O LU M E 127 BIG BAND JUMP NEWSLETTER MARCH-APRIL, 2010 Dean Martin, as well as his wife June Hutton who had been the female voice with a later edition of the Pied Pipers. In the late 1950s he was musical director of the television program “Startime.” He released instru­ mental albums under his own name for Dot, Decca and Capi­ tol, but was never as prominent as he was working with Sinatra. Frank & Axel In 1961 Sinatra and Stordahl worked together one more time on the singer’s last Capitol album, “Point Of No Return.” By that time Axel Stordahl was fighting cancer, a fight he lost in 1963. He was fifty years old. In issue number 128 - May-June, 2010 , arranger Pete Rugolo BOOKS & RECORDS TO CONSIDER THE GIFT OF MUSIC- Sammy Nestico This is an autobiogra­ Stordahl with him as his music director resulting in the phy every music fan string-filled sound that so effectively presented the should consider hav­ Sinatra sound. Stordah l was arranger and conductor for ing in his collection, well over 200 of the nearly 300 sides cut by Sinatra at for it covers the au­ Columbia as well as providing orchestral backing for thors work with solid hundreds of songs performed by Sinatra on various swing bands, but the radio programs. He also arranged the music for the more generalized Academy Award- winning motion picture, “Anchors work with singers and Aweigh” starring Sinatra and Gene Kelly. television. Sammy Nestico is one of those The story ofAxelStordahl’scollaboration in writing his arrangers whose first hit was told as part of the “Sammy Cahn Legacy” name is not well- program.
    [Show full text]
  • 2015 STREET DATES MAY 4 MAY 12 Orders Due April 7 Orders Due April 15 5/4/15 AUDIO & VIDEO RECAP
    ISSUE 10 MUSIC • FILM • MERCH axis.wmg.com NEW RELEASE GUIDE 2015 STREET DATES MAY 4 MAY 12 Orders Due April 7 Orders Due April 15 5/4/15 AUDIO & VIDEO RECAP ARTIST TITLE LBL CNF UPC SEL # SRP ORDERS DUE Minstrel In The Gallery 40th Anniversary Jethro Tull PRH CD 825646157181 157181 18.98 4/07/2015 La Grandé Edition Minstrel In The Gallery 40th Anniversary Jethro Tull PRH CX 825646157204 157204 44.98 4/07/2015 La Grandé Edition (2CD/2DVD) Minstrel In The Gallery 40th Anniversary Jethro Tull PRH A 825646157198 157198 24.98 4/07/2015 La Grandé Edition (180 Gram Vinyl) Plumb Exhale CUR CD 715187941625 79416-C 13.98 4/07/2015 Readers Digest: A Kiss Readers Digest: A Kiss Is Still a Kiss TSV CD 610583516425 31154-D 29.98 4/07/2015 Is Still a Kiss (4CD) Readers Digest: Long Readers Digest: Long Ago and Far Away TSV CD 610583516326 31153-D 29.98 4/07/2015 Ago and Far Away (4CD) Readers Digest: Moon Readers Digest: Moon River (4CD) TSV CD 610583516227 31152-D 29.98 4/07/2015 River Readers Digest: White Readers Digest: White Cliffs of Dover TSV CD 610583516128 31151-D 29.98 4/07/2015 Cliffs of Dover (4CD) Readers Digest: Autumn Readers Digest: Autumn Leaves (4CD) TSV CD 610583505320 30992-D 29.98 4/07/2015 Leaves Readers Digest: Readers Digest: Moonlight In Vermont TSV CD 610583515824 31103-D 29.98 4/07/2015 Moonlight In Vermont (4CD) Readers Digest: Readers Digest: Moonlight Piano (4CD) TSV CD 610583512427 31060-D 29.98 4/07/2015 Moonlight Piano Readers Digest: Mr Readers Digest: Mr Sandman (2CD) TSV CD 610583505221 30989-D 19.98 4/07/2015 Sandman Readers Digest: The Readers Digest: The Piano Men (4CD) TSV CD 610583515923 31102-D 29.98 4/07/2015 Piano Men Readers Digest: Those Readers Digest: Those Sentimental Years TSV CD 071138730220 07302 24.98 4/07/2015 Sentimental Years (3CD) Seals & Crofts Original Album Series (5CD) FLS CD 081227955908 547364 24.95 4/07/2015 Schulz, Robin Prayer ATL CD 825646111374 549656 13.99 4/07/2015 Last Update: 03/23/15 For the latest up to date info on this release visit axis.wmg.com.
    [Show full text]
  • Martha Tilton Recalled Raymond Scott
    M artha Tilton recalled Raym ond Scott - Part of 1937 In M usic Pictorial clue in Trivia Quiz Presorted Standard U.S. Postage PAID Atlanta, GA Permit No. 3259 BIG BAND JUMP NEWSLETTER VOLUME 112 BIG BAND JUMP NEWSLETTER SEPTEMBER-OCTOBER. 2007 INTERVIEWS JO STAFFORD & M AR TH A TILTO N These newsletters take on a direction of their own. Early this year we began to re-visit some of the Big Band girl vocalists, promising in that issue to do it again. During preparation for this newsletter two letters arrived asking about the girl singers, encouraging us to continue our se­ ries in this issue. (See LETTERS TO THE EDI­ TOR.) As a result of two letters inquiring about female singers and the continuation of our series on those singers, much of the first half of this newsletter is devoted to “The Girl Singers. ” Stafford in the '50s Two other events also encouraged the direction of this issue. One was a rare public appearance BBJ: Your first professional singing work? of Jo Stafford in May at the annual Big Band Academy of America get-together in Studio City. JS: I had two older sisters, quite a bit older, 11 and The other was the recent loss of singer Martha 14 years older than I. They were already in Tilton who died in early December last year at local radio in Long Beach, California and finally came age 91. We re-acquaint ourselves with both of up to Hollywood, doing radio in and around Los them through their own words Angeles.
    [Show full text]
  • Jazzletter 93023 June 1986 S Vol.5 No.6
    P.O. BOX 24-O Ojai. Calif. Jazzletter 93023 June 1986 S Vol.5 No.6 GI J0 and Paul -. disrupted the flight pattern over their home field rather than change bands (to get their landing orders) during one of her Early in Walter Murphyls novel The Vicar o_/Christ, one ofthe songs. main characters, a Marine Corps sergeant major, is pictured The favorite of all her records among servicemen, she listening on a radio to Jo Stafford’s On Top Q/'0l¢I Smokyjust believes, was I'll Be Seeing You. before a battle of the Korean War. ‘ Jo Stafford slipped almost unnoticed into the American Stafford’s recording of Blues in the Night figures in a scene in consciousness as the lead singer with a Tommy Dorsey vocal James Michener’s The Dri/iers, and a character in one of the group called The Piped Pipers. That's what she liked doing, James Hilton novels, talking about what he would select to take group singing, and she became a star half by accident because of to a desert island, includes a Jo Stafford collection in his list. a song called Little Man with a Candy Cigar. She went to qThat scene in The Vicar of Christ somehow sets Stafford's Dorsey and said, “Tommy, this is the first time l‘ve ever done ace in the American culture. You’re getting pretty famous this, and it'll probably be the last, but l want a favor of you. l when your name turns up in crossword puzzles; you are woven want to do the record of Little Man with the Candi‘ Cigar solo." into a nation’s history when you turn up in its fiction.
    [Show full text]
  • Illustrated Sheet Music of American Popular Songs from World War I to the 1940S
    Trinity College Trinity College Digital Repository Watkinson Library (Rare books & Special Watkinson Publications Collections) Fall 2006 You're the Top: Illustrated Sheet Music of American Popular Songs from World War I to the 1940s Peter J. Knapp Trinity College, [email protected] Anne H. Knapp Follow this and additional works at: https://digitalrepository.trincoll.edu/exhibitions Part of the Illustration Commons, and the Music Commons Recommended Citation Knapp, Peter J. and Knapp, Anne H., "You're the Top: Illustrated Sheet Music of American Popular Songs from World War I to the 1940s" (2006). Watkinson Publications. 11. https://digitalrepository.trincoll.edu/exhibitions/11 Illustrated Sheet Music of American Popular Songs from World War I to the 1940s uring the 19th century, publishers of American popular songs began Dproducing illustrated covers for sheet music. Featuring intricate designs and thematic images, the covers enhanced eye appeal and attracted interest. The music was arranged primarily for piano and included lyrics. From about World War I on, many covers included photographs of composers or performing artists, a trend that continued well into the 20th century. The covers helped promote sales of music and contributed to the popularity of individual songs, many of which were composed for Broadway shows and later also for motion picture musicals. Popularity was also heightened, especially during the 1930s and 1940s, by the performance of songs at live concerts and as dance music by orchestras such as those of Duke Ellington, Glenn Miller, Tommy Dorsey, and Benny Goodman. In addition, songs were heard on radio broadcasts, phonograph records, and in films.
    [Show full text]
  • Rutterfield W Ill Record for Capitol Capitol Records Has Signed Trumpet-Ace Billy Butterfield to an Exclusive Recording Contract
    NEWS FROM HOLLYWOOD i ! V O L . 4 , M A Y , 1 9 4 6 Rutterfield W ill Record For Capitol Capitol Records has signed trumpet-ace Billy Butterfield to an exclusive recording contract. The star trumpet-man is currently en­ gaged in building a band back in NYC where he will cut his first sides under the new recording deal with C apitol. Contrary to earlier reports which had Butterfield preparing a library for a FREDDIE SLACK looks pretty “ studio” band, that is, a band of hand­ ELLA MAE MORSE was caught happy sitting at the Steinway and picked irregular musicians meeting for singing the blues at her latest Capi­ he has a right to the pleased expres­ occasional wax dates and air shows, the tol disc date, results of which are sion. The boogie-woogie expert has musician wants it made clear that his next crew will be a regular traveling ready for you on record shop coun­ just released two more Capitol plat­ outfit. Plans for it are not completely ters right now. With b.w. pianist ter sides co-starring his keyboard set yet (girl and boy singers, for ex­ Freddie Slack, Miss Morse sw u n g with Ella Mae Morse’s unbeatable ample, haven’t been chosen) but Billy through two new sides ( “ The House vocals. The duo of blues-specialists expects to be on the move with his new of Blue Lights” and “ Hey, Mr. Post­ who made “Cow Cow Boogie” a crew shortly. man” ) that look powerful enough to household phrase are out to make dim any of her earlier song suc­ more musical history with two new Duke Ellington cesses.
    [Show full text]
  • A 5-Album Set of Swing Classics
    I* g < X Tkr ★ ★ ★ X ★ A X A X ★ ★★ Exciting offer to new members of the RCA VICTOR TOMMY DORSEY POPULAR ALBUM CLUB The great Dorsey group of the YES INDEED! late 1930s and early 10s playing TOMMY DORSEY their biggest hits. Featuring Frank Sinatra. Bunny Berigan, Jo Stafford with The Pied Pipers. A 5-ALBUM 12 selections, including Marie, Star Dust. I'll .\ercr Smile Again, Song of India, Opus .\o. 1. ★ ★ * Á A k À ★ ★ ★ ★ A A A H A ★ SET OF SWING >en GLENN MILLER in Los Angeles, CLASSICS Miller's best, including Moon­ ;he age of eight light Serenade. In the Mood. Tux­ voted #2 amori; «Äter edo Junction, String of Pearls, for only s in Downbeat: American Patrol, Little Broun I gli'N—from ¡ties. Jug. St. Louis Blues. Pennsvh ania 6-5000, U't e Got a Gal in) Kala­ RETAIL VALUE AS tous points in his HIGH AS «1OBO $398 mazoo. Boulder Buff. Farewell aried experience Blues, King Porter Stomp. df to play, with nilton, Jo Jone> . if you agree lo buy five albums from the Club during the *n. It spread om next twelve months from at least 100 to be made available th the Jackson Cootie William- BENNY GOODMAN his exciting new plan, under the direction of the Book-of-the- ty Hodges, Budl TMonth Club, enables you to have on tap a variety of popular The King, his band and Quartet, music for family fun and happier parties . and at an immense saving. Moreover, once and for all, it takes bewilderment out of ■e has culminated I at their swinging best in II masterpieces; with Krupa.
    [Show full text]
  • The Battle Over the FCC Blue Book: Determining the Role of Broadcast Media in a Democratic Society, 1945–8
    University of Pennsylvania ScholarlyCommons Departmental Papers (ASC) Annenberg School for Communication 3-2011 The Battle Over the FCC Blue Book: Determining the Role of Broadcast Media in a Democratic Society, 1945–8 Victor Pickard University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/asc_papers Part of the Communication Commons Recommended Citation Pickard, V. (2011). The Battle Over the FCC Blue Book: Determining the Role of Broadcast Media in a Democratic Society, 1945–8. Media, Culture & Society, 33 (2), 171-191. https://doi.org/10.1177/ 0163443710385504 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/asc_papers/426 For more information, please contact [email protected]. The Battle Over the FCC Blue Book: Determining the Role of Broadcast Media in a Democratic Society, 1945–8 Abstract During the 1940s a media reform movement of grassroots activists and a progressive Federal Communication Commission (FCC) emerged to challenge the commercial interests consolidating control of US media. A key initiative born out of this movement was the so-called Blue Book, a high-water mark for FCC progressive activism that mandated social responsibility obligations for broadcasters in return for their use of the public airwaves. Ultimately, red-baiting tactics defeated the policy initiatives outlined in the Blue Book and the media reform movement was largely contained. The following analysis draws from archival materials to illuminate the resulting arrangement
    [Show full text]
  • Bee Gee News September 24, 1947
    Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 9-24-1947 Bee Gee News September 24, 1947 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "Bee Gee News September 24, 1947" (1947). BG News (Student Newspaper). 827. https://scholarworks.bgsu.edu/bg-news/827 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. 3 7fc 7 7/ show some £ ee Ae^i school spirit ' Official Student Publication of Bowling Green Slat* University Volume Bowling Green. Ohio. Wednesday. September 24. 1947 96140 Number 1 Irish Playwrite-Director Applications Open surprise/ 'Late George Apley' Play For Student Court Russ Carlyle and his or- Applications for appointments chestra will appear for an all- Teaches Graduate Courses as justices of the Student Court campus dance at the Men's Scheduled for Homecoming gym next Tuesday evening Lennox Robinson, Irish playwright and director of the may be obtained in Dean McFall's "The Late George Apley" will be the first play presented Abbey Theatre, Dublin, is on campus this semester to teach office this week. All applications from 7 to 10. He is being this season at Bowling Green, Dr. Elden T. Smith announced graduate courses in play-writing and the history of the Irish must be turned in to the same of- brought here for this free today.
    [Show full text]
  • A Portrait of Tommy Dorsey
    A PORTRAIT OF TOMMY DORSEY Prepared by Dennis M. Spragg Glenn Miller Archive Updated April 21, 2015 1 THE TALENTED AND TEMPERAMENTAL TD Although he celebrated his birthday as November 19, 1905, according to Schuylkill County records, Thomas Francis “Tommy” Dorsey, Jr. was born November 27, 1905 in Mahanoy Plane, a small town outside Shenandoah, Pennsylvania, the second son of Thomas Francis “Pop” Dorsey (born 1872) and Theresa “Tess” Langton (married 1901), Americans of Irish ancestry. Their firstborn son was James Francis “Jimmy” Dorsey, born February 29, 1904. The Dorsey couple bore two additional offspring, Mary, born 1907 and Edward, born 1911. Edward only lived to the age of three. Shenandoah was located in the heart of Pennsylvania coal country. Coal miner Pop Dorsey was once quoted as saying; “I would do anything to keep my sons out of the mines”. The Dorsey parents were interested in music and musically inclined. They saw music as a path for their sons to escape what they considered the “dead-end” future of coal mining. Pop and Tess Dorsey instilled a love of music in their sons. The father favored the cornet as an instrument and his sons fought over who would play it better. Ultimately, Jimmy Dorsey would gravitate to reed instruments and Tommy Dorsey to brass instruments. As children, the sons played in local parades and concerts. As they grew into adolescence, the brothers took nonmusical jobs to supplement the Dorsey family income. Young Tommy worked as a delivery boy. In 1920, the family moved to Lansford, Pennsylvania, where Pop Dorsey became leader of the municipal band and a music teacher.
    [Show full text]