New on Naxos | July 2020
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
ALL-VIRGINIA BAND and ORCHESTRA Saturday, April 8, 2017
Virginia Band and Orchestra Directors’ Association ALL-VIRGINIA BAND and ORCHESTRA Saturday, April 8, 2017 Charles J. Colgan, Sr. High School Center for Fine and Performing Arts Manassas, VA Concert Band: Jamie Nix, Columbus State University Symphonic Band: Gary Green, the University of Miami Orchestra: Anthony Maiello, George Mason University Virginia Band and Orchestra Directors Association Past Presidents Stephen H. Rice (2014-2016) H. Gaylen Strunce (1974-1976) Allen Hall (2012-2014) Carroll R. Bailey (1972-1974) Keith Taylor (2010-2012) James Lunsford (1970-1972) Doug Armstrong (2008-2010) James Simmons (1968-1970) Rob Carroll (2006-2008) Harold Peterson (1966-1968) Denny Stokes (2004-2006) David Mitchell (1964-1966) T. Jonathan Hargis (2002-2004) John Perkins (1962-964) Jack Elgin (2000-2002) Ralph Shank (1960-1962) Joseph Tornello (1998-2000) Gerald M. Lewis (1958-1960) Linda J. Gammon (1996-1998) Leo Imperial (1956-1958) Stanley R. Schoonover (1994-1996) Philip J. Fuller (1953-1956) Dwight Leonard (1992-1994) Clyde Duvall (1952-1953) Diana Love (1990-1992) Russell Williams (1950-1952) Steve King (1988-1990) Sidney Berg (1948-1950) Scott Lambert (1986-1988) William Nicholas (1946-1948) Carl A. Bly (1984-1986) Sharon B. Hoose (1944-1946) Vincent J. Tornello (1982-1984) J.H. Donahue, Jr. (1943-1944) Daniel J. Schoemmell (1980-1982) G.T. Slusser (1942-1943) Edward Altman (1978-1980) Fred Felmet, Jr. (1941-1942) Fred Blake (1976-1978) Sharon B. Hoose (1940-1941) Gilbert F. Curtis (1930-1940) Virginia Band and Orchestra Directors Association 75th Anniversary In recognition of the 75th anniversary of the Virginia Band and Orchestra Directors Association, three works were commissioned to be written by composers with ties to Virginia. -
Radio 3 Listings for 3 – 9 May 2008 Page 1 of 4 SATURDAY 03 MAY 2008 SUNDAY 04 MAY 2008 to Supper
Radio 3 Listings for 3 – 9 May 2008 Page 1 of 4 SATURDAY 03 MAY 2008 SUNDAY 04 MAY 2008 to Supper. SAT 01:00 Through the Night (b00b1npd) SUN 00:00 The Early Music Show (b007n30p) Interwoven with the poetry is music such as Schubert's Trout Including 1.00 Sibelius, Grieg, Mozart, Hindemith, Durufle. Emilio's Wedding Quintet, the chorus in Strauss' Die Fledermaus where the guests 3.25 Bach, Shostakovich, Rossini, Purcell, Wolf. 5.00 look forward to supper, and Biber's Mensa Sonora (music Kabalevsky, Purcell, Barber, Vivaldi, Biber, Sibelius, Chopin. Emilio's Wedding: Catherine Bott looks back on the life of suitable to accompany aristocratic dining) Emilio de Cavalieri, famous for co-ordinating the music for one of the most lavish wedding celebrations in history. There's the "Rice aria" from Rossini's Tancredi, which the food SAT 05:00 Through the Night (b00b1nq1) loving composer apparently composed whilst waiting for his Through the Night risotto to cook and Nellie Melba, the soprano who gave her SUN 01:00 Through the Night (b00b525r) name to the Peach Melba, sings the Melba Waltz. John Shea concludes the programme with music by Kabalevsky, Including 1.00 Berg, Strauss, Jernefelt, Debussy, Satie. 3.10 Purcell, Barber, Vivaldi, Biber, Sibelius, Chopin, Browne, Ravel, Clerambault, Brahms, Beethoven, Sibelius. 5.00 Rimsky- Plus popular food music by Fats Waller (Hold Tight I Want Faure and Kodaly. Korsakov, Schubert, Mozart, Bach, Haydn, Mendelssohn. Some Seafood Mama), The Beatles (Savoy Truffle) and Bob Dylan (Country Pie). SAT 07:00 Breakfast (b00b5d6f) SUN 05:00 Through the Night (b00b525t) Perhaps the most peculiar choice is a medieval song about eggs Including Vivaldi: Trio in C, RV82. -
570403 Bk Peabody US
570465 bk Reflections US 7/30/07 11:02 AM Page 5 Craig Morris John Adler, Trumpet Scott Davis, Horn Wan-Chun Liao, Percussion Ronald Rivera, Michael Anderson, Peter Elliot, Clarinet Guglielmo Manfredi, Horn English Horn WIND BAND CLASSICS Craig Morris is currently the Professor of Trumpet at the University of Miami, Frost Trombone Alice Esposito, Tuba Anthony McFarlane, Cristhian Rodriguez, School of Music, where he devotes himself to his teaching and his career as a soloist and Beth Behrman, Horn Giovanni Garcia, Horn Euphonium Clarinet Sam Berkstrom, Bassoon Joseph Giammalvo, Andrew McGuire, Jeremy Rogers, Clarinet chamber musician. He has been a prominent orchestral musician, most notably holding David Birrow, Percussion Bassoon Percussion Tammy Saurman, the prestigious post of Principal Trumpet in the Chicago Symphony Orchestra. He came Yehonahton Bostick- Greg Goldfarb, Flute Doug Mead, Oboe Saxophone to Chicago from the San Francisco Symphony where he held the position of Associate Epperson, Clarinet Michael Hancock, Clarinet Cara Morantz, Trumpet Tracey Siepser, Bassoon REFLECTIONS Principal for three years. Prior to joining the SFS, he was briefly a member of the Jonathan Braithwaite, Gary Heath, Euphonium Matt Mulvaney, Saxophone Caitlyn Smith, Horn Chicago Symphony Orchestra, performing as Fourth/Utility Trumpet in 1998. He has Clarinet Joel Keene, Trombone George Nicholson, Scott Smith, Oboe been a member of the Dallas Brass, an international touring brass quintet, and was Nick Bryan, Clarinet Susan Kirschbaum, Horn String Bass Rod Squance, Percussion David Maslanka: Symphony No. 3 Principal Trumpet of the Sacramento Symphony Orchestra, Opera and Ballet. He has Maria Castillo, Flute Jason Kush, Saxophone Chris O’Farrill, Trumpet Nicholas Thompson, Oboe been featured as soloist with the Chicago Symphony Orchestra, playing Bach’s Jonathan Cofino, Bassoon Robert LaDue, Percussion Stacey Osborn, Bassoon Joshua Tetreault, Trumpet Brandenburg Concerto No. -
JAMES D. BABCOCK, MBA, CFA, CPA 191 South Salem Road Ridgefield, Connecticut 06877 (203) 994-7244 [email protected]
JAMES D. BABCOCK, MBA, CFA, CPA 191 South Salem Road Ridgefield, Connecticut 06877 (203) 994-7244 [email protected] List of Addendums First Addendum – Middle Ages Second Addendum – Modern and Modern Sub-Categories A. 20th Century B. 21st Century C. Modern and High Modern D. Postmodern and Contemporary E. Descrtiption of Categories (alphabetic) and Important Composers Third Addendum – Composers Fourth Addendum – Musical Terms and Concepts 1 First Addendum – Middle Ages A. The Early Medieval Music (500-1150). i. Early chant traditions Chant (or plainsong) is a monophonic sacred form which represents the earliest known music of the Christian Church. The simplest, syllabic chants, in which each syllable is set to one note, were probably intended to be sung by the choir or congregation, while the more florid, melismatic examples (which have many notes to each syllable) were probably performed by soloists. Plainchant melodies (which are sometimes referred to as a “drown,” are characterized by the following: A monophonic texture; For ease of singing, relatively conjunct melodic contour (meaning no large intervals between one note and the next) and a restricted range (no notes too high or too low); and Rhythms based strictly on the articulation of the word being sung (meaning no steady dancelike beats). Chant developed separately in several European centers, the most important being Rome, Hispania, Gaul, Milan and Ireland. Chant was developed to support the regional liturgies used when celebrating Mass. Each area developed its own chant and rules for celebration. In Spain and Portugal, Mozarabic chant was used, showing the influence of North Afgican music. The Mozarabic liturgy survived through Muslim rule, though this was an isolated strand and was later suppressed in an attempt to enforce conformity on the entire liturgy. -
Robert Graves the White Goddess
ROBERT GRAVES THE WHITE GODDESS IN DEDICATION All saints revile her, and all sober men Ruled by the God Apollo's golden mean— In scorn of which I sailed to find her In distant regions likeliest to hold her Whom I desired above all things to know, Sister of the mirage and echo. It was a virtue not to stay, To go my headstrong and heroic way Seeking her out at the volcano's head, Among pack ice, or where the track had faded Beyond the cavern of the seven sleepers: Whose broad high brow was white as any leper's, Whose eyes were blue, with rowan-berry lips, With hair curled honey-coloured to white hips. Green sap of Spring in the young wood a-stir Will celebrate the Mountain Mother, And every song-bird shout awhile for her; But I am gifted, even in November Rawest of seasons, with so huge a sense Of her nakedly worn magnificence I forget cruelty and past betrayal, Careless of where the next bright bolt may fall. FOREWORD am grateful to Philip and Sally Graves, Christopher Hawkes, John Knittel, Valentin Iremonger, Max Mallowan, E. M. Parr, Joshua IPodro, Lynette Roberts, Martin Seymour-Smith, John Heath-Stubbs and numerous correspondents, who have supplied me with source- material for this book: and to Kenneth Gay who has helped me to arrange it. Yet since the first edition appeared in 1946, no expert in ancient Irish or Welsh has offered me the least help in refining my argument, or pointed out any of the errors which are bound to have crept into the text, or even acknowledged my letters. -
An Annotated Bibliography and Performance Commentary of The
The University of Southern Mississippi The Aquila Digital Community Dissertations Spring 5-1-2016 An Annotated Bibliography and Performance Commentary of the Works for Concert Band and Wind Orchestra by Composers Awarded the Pulitzer Prize in Music 1993-2015, and a List of Their Works for Chamber Wind Ensemble Stephen Andrew Hunter University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Composition Commons, Fine Arts Commons, Music Education Commons, Music Performance Commons, and the Other Music Commons Recommended Citation Hunter, Stephen Andrew, "An Annotated Bibliography and Performance Commentary of the Works for Concert Band and Wind Orchestra by Composers Awarded the Pulitzer Prize in Music 1993-2015, and a List of Their Works for Chamber Wind Ensemble" (2016). Dissertations. 333. https://aquila.usm.edu/dissertations/333 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. AN ANNOTATED BIBLIOGRAPHY AND PERFORMANCE COMMENTARY OF THE WORKS FOR CONCERT BAND AND WIND ORCHESTRA BY COMPOSERS AWARDED THE PULITZER PRIZE IN MUSIC 1993-2015, AND A LIST OF THEIR WORKS FOR CHAMBER WIND ENSEMBLE by Stephen Andrew Hunter A Dissertation Submitted to the Graduate School and the School of Music at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts Approved: ________________________________________________ Dr. Catherine A. Rand, Committee Chair Associate Professor, School of Music ________________________________________________ Dr. -
An Evaluation of Compositions for Wind Band According to Specific Criteria of Serious Artistic Merit: a Second Update
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Student Research, Creative Activity, and Performance - School of Music Music, School of 8-2011 An Evaluation of Compositions for Wind Band According to Specific Criteria of Serious Artistic Merit: A Second Update Clifford Towner University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/musicstudent Part of the Music Practice Commons, and the Other Music Commons Towner, Clifford, "An Evaluation of Compositions for Wind Band According to Specific Criteria of Serious Artistic Merit: A Second Update" (2011). Student Research, Creative Activity, and Performance - School of Music. 44. https://digitalcommons.unl.edu/musicstudent/44 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Student Research, Creative Activity, and Performance - School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. AN EVALUATION OF COMPOSITIONS FOR WIND BAND ACCORDING TO SPECIFIC CRITERIA OF SERIOUS ARTISTIC MERIT: A SECOND UPDATE by Clifford N. Towner A DOCTORAL DOCUMENT Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Musical Arts Major: Music Under the Supervision of Professor Carolyn Barber Lincoln, Nebraska August, 2011 AN EVALUATION OF COMPOSITIONS FOR WIND BAND ACCORDING TO SPECIFIC CRITERIA OF SERIOUS ARTISTIC MERIT: A SECOND UPDATE Clifford Neil Towner, D.M.A. University of Nebraska, 201l Adviser: Carolyn Barber This study is an update to the 1978 thesis of Acton Eric Ostling, Jr. -
Public Events April 2019
Public Events April 2019 Subscribe to this publication by emailing Shayla Butler at [email protected] Table of Contents Overview Highlighted Events ................................................................................................. 3 Kaplan Security Dialogues ..................................................................................... 5 Neighborhood and Community Relations Youth Summer Camps ........................................................................................... 6 1800 Sherman, Suite 7-100 Evanston, IL 60208 Northwestern Events www.northwestern.edu/communityrelations Arts Music Performances ..................................................................................... 16 Theater .......................................................................................................... 19 Dave Davis Art Exhibits .................................................................................................. 20 Executive Director Art Discussions ............................................................................................. 21 [email protected] Film Screenings ............................................................................................23 847-491-8434 Living Leisure and Social ........................................................................................ 24 Norris Mini Courses To receive this publication electronically Around Campus every month, please email Shayla Butler at ARTica (art studio) [email protected] -
FROM the LAND FALLEN a Chamber Opera in Two Acts and An
FROM THE LAND FALLEN A Chamber Opera in Two Acts and an Interlude For Singers, Actors, Puppeteers, Chorus and Chamber Orchestra A Libretto by Wang Jie & Anne Babson Wang Jie Music © 2015 Contact: All Right Reserved Wang Jie 209 West 109th Street #5E New York NY 10025 (212) 380-1483 MAIN CHARACTORS DEER-CRY Soprano Singer, healer, and wife of Pine. In her late 20’s. Appears as an innocent and playful young lady, but she is aware of the dangers of politics. Her dedication to the Art of music and healing is at the heart of her bond to Pine. Her sense of their mission is to be healers and practice their magic at all cost. The only way they can perform that mission is to be together. Pine’s political awareness threatens her mission, which leads to marital issues. PINE/PINE-THE Tenor Singer, healer, and husband of Deer- FLASHBACK cry. In his early 30’s. He is an idealistic and honorable man, a dutiful husband. He loves his wife more than he loves the music. Pine views his love for Deer-cry as eternal, romantic and something that transcends the barrier of life and death. He believes there are things in life worth dying for. But he is torn between idealistic dedication and his love for Deer-cry. PIP Puppeteer Deer-cry and Pine’s pet peacock. He wears one bright red feather at the center of his tail. He possesses dog- like qualities. He is instrumental in the couple’s singing/healing ritual. He toots songs he has memorized from his masters. -
Concert Collection 1 - 1180
CONCERT COLLECTION 1 - 1180 2. THE CONCERTS 297. INDEX OF WORKS 335. INDEX OF ARTISTS 364. INDEX OF LOCATIONS - 1 - 1 2 3 4 Hindemith Miaskovsky Benjamin Berlioz Chamber Music n° 5 20’ Symphony n° 1 45’ Sudden Time 15’ Harold en Italie, op. 16 43’ Chamber Music n° 4 21’ Symphony n° 27 37’ Palimpsest I 7’ Symphonie fantastique, op. 14 51’ Chamber Music n° 1 (Finale) 6’ Palimpsest II 10’ Dance Figures 15’ Beethoven Symphony n° 1, op. 21 25’ State Academy Symphony Orch. Boulez Donald McInnes, viola Roman Belyshev , conductor Notations 1, 7, 4, 3, 2 (p.) 4’ Notations 1, 7, 4, 3, 2 (orch.) 15’ Orchestre national de France Moscow Leonard Bernstein, conductor Wolfram Christ , viola Malaya Nikitskaya Studio Kolja Blacher , violin Paris Friday 25 February 2005 Pierre-Laurent Aimard , piano Théâtre des Champs-Élysées Gustav Mahler Chamber Orch. Claudio Abbado , conductor SWR Sinfonieorchester Tuesday 02 November 1976 George Benjamin , conductor Luzern Kultur- und Kongresszentrum Strasbourg Palais de la Musique et des Monday 23 August 2004 Congrès, Salle Erasme Friday 23 September 2005 - 2 - 5 6 7 8 Milhaud Bernstein Ravel Thomas La Création du Monde 16’ On the Waterfront 21’ Miroirs : Alborada del gracioso 8’ Raymond ou le Secret de la reine, Le Boeuf sur le toit 19’ West Side Story 24’ Shéhérazade 11’ ouverture 9’ Corcovado 2’ Piano Concerto in G 22’ Rachmaninov Tzigane 11’ Saint-Saëns Schumann Piano Concerto n° 3, op. 30 16’ La Valse 13’ Le Rouet d’Omphale 10’ Cello Concerto, op. 129 23’ Boléro 15’ Roussel Bloch Symphony n° 3 27’ Schelomo 22’ -
Listed in Alphabetical Order: Sey Ahn, Honor Orchestra Of
Listed in Alphabetical Order: Sey Ahn, Honor Orchestra of America Assistant Conductor Born in 1986 in Seoul, Korea, Sey Ahn began playing the piano at the age of three. After immigrating to America at the age of ten, she consistently won accolades at numerous competitions such as the National Symphony Orchestra Concerto Competition, Music Teachers National Association Piano Competition, International Young Artist Piano Competition and the Ylda Novik Piano Concerto Competition, to name a few. As a result, she concertized extensively, performing recitals as well as soloing with various orchestras including the Georgetown Symphony Orchestra and the Frederick Orchestra. From 2004-2008, Ahn attended the Northwestern University Bienen School of Music, where she received a Bachelor of Music Degree in Piano Performance under the guidance of Professors Alan Chow and James Giles. During her years at Northwestern, Ahn also studied conducting with Maestro Victor Yampolsky, Professor and Director of Orchestras at the Bienen School. In 2008, Ahn moved to Los Angeles, California to pursue a Master of Music Degree in Piano Performance at the Thornton School of Music of the University of Southern California. While studying piano with Professor Norman Krieger, Ahn was accepted into the private conducting class of Professor Larry Livingston, Chair of the Department of Instrumental Conducting and Music Director of Thornton School Orchestras. Subsequently, in the fall of 2010, she was admitted as one of two orchestral conducting majors in the Master’s Degree program. Ahn has taken part in master classes and workshops led by renowned maestros Kurt Masur, Carl St. Clair, Jorge Mester, Helmuth Rilling, Mei-Ann Chen, Alexander Mickelthwate and Larry Rachleff. -
New on Naxos | September 2015
NEW ON The World’s Leading ClassicalNAXOS Music Label SEPTEMBER 2015 This Month’s Other Highlights © 2015 Naxos Rights US, Inc. • Contact Us: [email protected] www.naxos.com • www.classicsonlinehd.com • www.naxosmusiclibrary.com • blog.naxos.com NEW ON NAXOS | SEPTEMBER 2015 8.559742 Playing Time 69:40 6 36943 97422 3 © Adriane White © Marin Alsop Leonard BERNSTEIN (1918–1990) Companion Titles Symphony No. 3 ‘Kaddish’1 Missa Brevis2 • The Lark3 Claire Bloom, Narrator1,3 Kelley Nassief, Soprano1 Paulo Mestre, Countertenor2,3 The Maryland State Boychoir1 The Washington Chorus1 The São Paulo Symphony Choir2,3 Members of The São Paulo Symphony Orchestra2,3 Baltimore Symphony Orchestra1 8.559177 8.559622-23 Marin Alsop Three examples of Leonard Bernstein’s vocal art can be heard in this recording. His Symphony No. 3 ‘Kaddish’ shuns traditional symphonic ideas in favor of an eclectic theatrical and oratorio-like form with a prominent rôle for speaker. For this recording Marin Alsop has returned to the work’s original narrative text, heard before the 1977 revision. The Lark – heard in a concert version with added narration – derives from Lillian Hellman’s adaptation of L’Alouette on the life of Joan of Arc, and it was this music that Bernstein reworked into his Missa Brevis many years later. 8.559245 8.572486 Key Features • Marin Alsop conducts the Baltimore Symphony in Marin Alsop is an inspiring and powerful voice in the international this recording. She is a Bernstein protégé, and has written fondly and music scene. She made history with her appointment as the 12th extensively about studying with him.