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Anya Gallaccio
ANYA GALLACCIO Born Paisley, Scotland 1963 Lives London, United Kingdom EDUCATION 1985 Kingston Polytechnic, London, United Kingdom 1988 Goldsmiths' College, University of London, London, United Kingdom SOLO EXHIBITIONS 2019 NOW, The Scottish National Gallery of Modern Art, Edinburgh, Scotland Stroke, Blum and Poe, Los Angeles, CA 2018 dreamed about the flowers that hide from the light, Lindisfarne Castle, Northumberland, United Kingdom All the rest is silence, John Hansard Gallery, Southampton, United Kingdom 2017 Beautiful Minds, Thomas Dane Gallery, London, United Kingdom 2015 Silas Marder Gallery, Bridgehampton, NY Lehmann Maupin, New York, NY Museum of Contemporary Art San Diego, San Diego, CA 2014 Aldeburgh Music, Snape Maltings, Saxmundham, Suffolk, United Kingdom Blum and Poe, Los Angeles, CA 2013 ArtPace, San Antonio, TX 2011 Thomas Dane Gallery, London, United Kingdom Annet Gelink, Amsterdam, The Netherlands 2010 Unknown Exhibition, The Eastshire Museums in Scotland, Kilmarnock, United Kingdom Annet Gelink Gallery, Amsterdam, The Netherlands 2009 So Blue Coat, Liverpool, United Kingdom 2008 Camden Art Centre, London, United Kingdom 2007 Three Sheets to the wind, Thomas Dane Gallery, London, United Kingdom 2006 Galeria Leme, São Paulo, Brazil One art, Sculpture Center, New York, NY 2005 The Look of Things, Palazzo delle Papesse, Siena, Italy Blum and Poe, Los Angeles, CA Silver Seed, Mount Stuart Trust, Isle of Bute, Scotland 2004 Love is Only a Feeling, Lehmann Maupin, New York, NY 2003 Love is only a feeling, Turner Prize Exhibition, -
Tate Report 08-09
Tate Report 08–09 Report Tate Tate Report 08–09 It is the Itexceptional is the exceptional generosity generosity and and If you wouldIf you like would to find like toout find more out about more about PublishedPublished 2009 by 2009 by vision ofvision individuals, of individuals, corporations, corporations, how youhow can youbecome can becomeinvolved involved and help and help order of orderthe Tate of the Trustees Tate Trustees by Tate by Tate numerousnumerous private foundationsprivate foundations support supportTate, please Tate, contact please contactus at: us at: Publishing,Publishing, a division a divisionof Tate Enterprisesof Tate Enterprises and public-sectorand public-sector bodies that bodies has that has Ltd, Millbank,Ltd, Millbank, London LondonSW1P 4RG SW1P 4RG helped Tatehelped to becomeTate to becomewhat it iswhat it is DevelopmentDevelopment Office Office www.tate.org.uk/publishingwww.tate.org.uk/publishing today andtoday enabled and enabled us to: us to: Tate Tate MillbankMillbank © Tate 2009© Tate 2009 Offer innovative,Offer innovative, landmark landmark exhibitions exhibitions London LondonSW1P 4RG SW1P 4RG ISBN 978ISBN 1 85437 978 1916 85437 0 916 0 and Collectionand Collection displays displays Tel 020 7887Tel 020 4900 7887 4900 A catalogue record for this book is Fax 020 Fax7887 020 8738 7887 8738 A catalogue record for this book is available from the British Library. DevelopDevelop imaginative imaginative education education and and available from the British Library. interpretationinterpretation programmes programmes AmericanAmerican Patrons Patronsof Tate of Tate Every effortEvery has effort been has made been to made locate to the locate the 520 West520 27 West Street 27 Unit Street 404 Unit 404 copyrightcopyright owners ownersof images of includedimages included in in StrengthenStrengthen and extend and theextend range the of range our of our New York,New NY York, 10001 NY 10001 this reportthis and report to meet and totheir meet requirements. -
An Exhibition of Conceptual Art
THE MUSEUM OF ME (MoMe) An Exhibition of Conceptual Art by Heidi Ellis Overhill A thesis exhibition presented to the University of Waterloo in fulfillment of the thesis requirement for the degree of Master of Fine Arts in Studio Art East Campus Hall Gallery of the University of Waterloo April 13 to April 24, 2009 Waterloo, Ontario, Canada, 2009. ©Heidi Overhill 2009 i Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-54870-7 Our file Notre référence ISBN: 978-0-494-54870-7 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L’auteur conserve la propriété du droit d’auteur ownership and moral rights in this et des droits moraux qui protège cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
CVAN Open Letter to the Secretary of State for Education
Press Release: Wednesday 12 May 2021 Leading UK contemporary visual arts institutions and art schools unite against proposed government cuts to arts education ● Directors of BALTIC, Hayward Gallery, MiMA, Serpentine, Tate, The Slade, Central St. Martin’s and Goldsmiths among over 300 signatories of open letter to Education Secretary Gavin Williamson opposing 50% cuts in subsidy support to arts subjects in higher education ● The letter is part of the nationwide #ArtIsEssential campaign to demonstrate the essential value of the visual arts This morning, the UK’s Contemporary Visual Arts Network (CVAN) have brought together leaders from across the visual arts sector including arts institutions, art schools, galleries and universities across the country, to issue an open letter to Gavin Williamson, the Secretary of State for Education asking him to revoke his proposed 50% cuts in subsidy support to arts subjects across higher education. Following the closure of the consultation on this proposed move on Thursday 6th May, the Government has until mid-June to come to a decision on the future of funding for the arts in higher education – and the sector aims to remind them not only of the critical value of the arts to the UK’s economy, but the essential role they play in the long term cultural infrastructure, creative ambition and wellbeing of the nation. Working in partnership with the UK’s Visual Arts Alliance (VAA) and London Art School Alliance (LASA) to galvanise the sector in their united response, the CVAN’s open letter emphasises that art is essential to the growth of the country. -
Michael Landy Born in London, 1963 Lives and Works in London, UK
Michael Landy Born in London, 1963 Lives and works in London, UK Goldsmith's College, London, UK, 1988 Solo Exhibitions 2017 Michael Landy: Breaking News-Athens, Diplarios School presented by NEON, Athens, Greece 2016 Out Of Order, Tinguely Museum, Basel, Switzerland (Cat.) 2015 Breaking News, Michael Landy Studio, London, UK Breaking News, Galerie Sabine Knust, Munich, Germany 2014 Saints Alive, Antiguo Colegio de San Ildefonso, Mexico City, Mexico 2013 20 Years of Pressing Hard, Thomas Dane Gallery, London, UK Saints Alive, National Gallery, London, UK (Cat.) Michael Landy: Four Walls, Whitworth Art Gallery, Manchester, UK 2011 Acts of Kindness, Kaldor Public Art Projects, Sydney, Australia Acts of Kindness, Art on the Underground, London, UK Art World Portraits, National Portrait Gallery, London, UK 2010 Art Bin, South London Gallery, London, UK 2009 Theatre of Junk, Galerie Nathalie Obadia, Paris, France 2008 Thomas Dane Gallery, London, UK In your face, Galerie Paul Andriesse, Amsterdam, The Netherlands Three-piece, Galerie Sabine Knust, Munich, Germany 2007 Man in Oxford is Auto-destructive, Sherman Galleries, Sydney, Australia (Cat.) H.2.N.Y, Alexander and Bonin, New York, USA (Cat.) 2004 Welcome To My World-built with you in mind, Thomas Dane Gallery, London, UK Semi-detached, Tate Britain, London, UK (Cat.) 2003 Nourishment, Sabine Knust/Maximilianverlag, Munich, Germany 2002 Nourishment, Maureen Paley/Interim Art, London, UK 2001 Break Down, C&A Store, Marble Arch, Artangel Commission, London, UK (Cat.) 2000 Handjobs (with Gillian -
A Brief History of the Arts Catalyst
A Brief History of The Arts Catalyst 1 Introduction This small publication marks the 20th anniversary year of The Arts Catalyst. It celebrates some of the 120 artists’ projects that we have commissioned over those two decades. Based in London, The Arts Catalyst is one of Our new commissions, exhibitions the UK’s most distinctive arts organisations, and events in 2013 attracted over distinguished by ambitious artists’ projects that engage with the ideas and impact of science. We 57,000 UK visitors. are acknowledged internationally as a pioneer in this field and a leader in experimental art, known In 2013 our previous commissions for our curatorial flair, scale of ambition, and were internationally presented to a critical acuity. For most of our 20 years, the reach of around 30,000 people. programme has been curated and produced by the (founding) director with curator Rob La Frenais, We have facilitated projects and producer Gillean Dickie, and The Arts Catalyst staff presented our commissions in 27 team and associates. countries and all continents, including at major art events such as Our primary focus is new artists’ commissions, Venice Biennale and dOCUMEntA. presented as exhibitions, events and participatory projects, that are accessible, stimulating and artistically relevant. We aim to produce provocative, Our projects receive widespread playful, risk-taking projects that spark dynamic national and international media conversations about our changing world. This is coverage, reaching millions of people. underpinned by research and dialogue between In the last year we had features in The artists and world-class scientists and researchers. Guardian, The Times, Financial Times, Time Out, Wall Street Journal, Wired, The Arts Catalyst has a deep commitment to artists New Scientist, Art Monthly, Blueprint, and artistic process. -
Press Release Adam Chodzko, 2007 (Pdf)
For immediate release 13/11/ 07 THEN, an intriguing new Breaking Ground multi-part public artwork in various locations across Dublin by acclaimed British artist Adam Chodzko. Residents of Ballymun are perplexed this morning by a series of posters, which have mysteriously appeared overnight on hoarding along the Balbutcher Road, announcing a meeting to take place in the foyer of the Hagens Hotel, Måløy, Sogn og Fjordane, on the island of Vågsøy. Yet the photo on the poster seems to be a streetscape in Mexico City, taken in the early ‘70’s. Each afternoon, on the top floor of the recently restored Na Píobairí Uilleann /Uillean Pipers headquarters on Henrietta Street, a new sci-fi film, ‘Around’, documenting the paranormal and uncanny properties of an otherwise unremarkable boundary wall and its effects on an unsuspecting group of individuals, is showing. And visitors to Dublin City Gallery the Hugh Lane, can swap their shoes for someone else’s, which they’ll wear as they walk around the Gallery’s other exhibitions and permanent collection. Meanwhile, preliminary discussions with property developer Mick Wallace are being had, about the possibility of using the name Ballymun in a new development somewhere else in the city, some time in the future. “Adam Chodzko is recognised internationally for his multi-media work which triggers a shift in our perception of where we think we belong in the world. Fact and fiction are provocatively intermixed, and terms such as ‘community’ and ‘the public’ are deviated as we enter a surrealist world which plays on notions that we take for granted and assume that we understand!” says Aisling Prior, curator of Breaking Ground. -
Future Refrains
Future Refrains ASC Gallery The Chaplin Centre, Taplow House, Thurlow Street, London SE17 2DG; www.ascstudios.co.uk www.PeerSessions.com 18th September – 27th October 2017 Private view – 6-9pm Friday 15th September Event day – Collaboration in Question 1-5:30pm 23rd September Press Release Friendship means sharing a refrain, a semiotic set that allows us to see the same vision and helps us create a world out of chaos.1 Peer Sessions is proud to present Future Refrains, an exhibition at ASC Gallery featuring newly commissioned work funded by Arts Council England. Peer Sessions is a London-based nomadic crit group, established in 2009 by artists Kate Pickering and Charlotte Warne Thomas. Peer Sessions’ monthly meetings provide a forum for artists to come together to discuss and receive feedback on recent work in relation to current concerns in contemporary art and culture. In addition, we organise projects: workshops, exhibitions and residencies focusing on direct artistic collaboration. For Future Refrains, Peer Sessions selected three member artists and invited each to choose a recent MA Fine Art graduate with whom to collaborate. Future Refrains will feature these three new commissions, alongside works from established artists Adam Chodzko and Lindsay Seers, who have each guest moderated recent Peer Sessions crit groups. As part of Future Refrains, a performance and screening day with live panel discussion, Collaboration in Question, on Saturday 23rd September will explore the processes and implications of collaborative practice for this project and in the wider world of contemporary art. Peer Sessions derives its name from the double meaning of the word peer: both in terms of examining something in depth and referring to a group of equals – artists who have recently completed postgraduate education. -
Arts-And-Culture-Autumn-2015.Pdf
WELCOME... This season we present a magnificent feast With a thought provoking selection of of arts and culture events including two talks and debates plus the work of Adam new artistic residencies, a new Creative Chodzko featured at our own Sidney Partner relationship, plus a wonderful Cooper Gallery, there really is something selection of music and theatre as part of for everyone. Canterbury Festival. Join the feast and book your tickets online The autumn programme is always one today! of our busiest and this year there is so much to look forward to. We are proud Sally Abbott, Director of Arts and Culture to announce that we are now the Creative Partner of the Creative Foundation’s Folkestone Book Festival and that Propeller Theatre Company and Reckless Sleepers now have new homes as Associate Companies here. Don’t miss Reckless Sleepers performing The Last Supper – a superb and intimate theatre show designed as a dinner party of last words and last moments from the famous and not so famous from Marilyn Sally Abbott, Director of Arts and Culture (right) Monroe to Beethoven. Sophie Hosking, Arts and Culture Co-ordinator For alternative formats, please email: [email protected] Designed and produced by the Department of Art, Culture and Sport Canterbury Christ Church University. ART 02 MUSIC 07 THEATRE 17 LEARNING 19 WORD 20 DIRECTIONS 22 CALENDAR 24 MICHAEL JANISCH PARADIGM SHIFT Image © Monika Jakobowsk P13 A R T Our visual arts programme contains an extensive and dynamic range of events and exhibitions. We have three dedicated gallery spaces, the Sidney Cooper Gallery, an acclaimed contemporary art space within Canterbury city centre, and The Burton Gallery and The Old Lookout Gallery at Broadstairs, which both offer an exciting range of exhibitions, events and annual publications. -
PRESS RELEASE 05 July 2018
UNDER STRICT EMBARGO UNTIL THURSDAY 5 JULY AT 10.00PM PRESS RELEASE 05 July 2018 TATE ST IVES WINS £100,000 ART FUND MUSEUM OF THE YEAR 2018 This evening (5 July 2018), Tate St Ives was announced as Art Fund Museum of the Year 2018, the largest and most prestigious museum prize in the world. Anne Barlow, Director of Tate St Ives, was presented with the £100,000 prize by artist Isaac Julien and the ‘world’s best teacher’ Andria Zafirakou at an award ceremony at the V&A, London. The winner was chosen from five finalists: Brooklands Museum (Weybridge), Ferens Art Gallery (Hull), Glasgow Women’s Library, The Postal Museum (London) and Tate St Ives (Cornwall). Each of the other finalist museums received a £10,000 prize in recognition of their achievements. Among the 400 guests at the dinner hosted by Stephen Deuchar, director, Art Fund were: Artists: Ron Arad, David Batchelor, Mat Collishaw, Michael Craig-Martin, Roger Hiorns, Gary Hume, Chantal Joffe, Isaac Julien, Ben Langlands and Nikki Bell, Lawrence Lek, Peter Liversidge, Junko Mori, Humphrey Ocean, Cornelia Parker, Grayson Perry, Gerald Scarfe, Yinka Shonibare, Bob & Roberta Smith, Linder Sterling, Mitra Tabrizian, Gavin Turk, Gillian Wearing, Stephen Willats and Bill Woodrow. Arts leaders: Maria Balshaw, Peter Bazalgette, Iwona Blazwick, Nicholas Cullinan, Michael Ellis MP, Alex Farquharson, Gabriele Finaldi, Tristram Hunt, Jay Jopling, Diane Lees, Jonathan Marsden, Nick Merriman, Munira Mirza, Frances Morris, Maureen Paley, Axel Rüger, Ralph Rugoff, and Nicholas Serota. The biggest museum prize in the world, Art Fund Museum of the Year seeks out and celebrate innovation, imagination and exceptional achievement in museums and galleries across the UK. -
Tate Papers - Awkward Relations
Tate Papers - Awkward Relations http://www.tate.org.uk/research/tateresearch/tatepapers/04autumn/mulho... ISSN 1753-9854 TATE’S ONLINE RESEARCH JOURNAL Awkward Relations Neil Mulholland Fig.1 Keith Farquhar, John Lewis Partnership , 2000 Courtesy of the artist 1. UK ↔ DJ Yeah, I’d say all their work was informed by a crushingly naïve political viewpoint that could only have been nurtured in the bubble of an art school. I think the misfortune of that kind of art is that it’s politically imbecilic, and on an intellectual level they’re still living off the arguments of the Frankfurt school – Adorno and Horkheimer – from the Sixties. They argued that we are all slaves to something called dominant ideology; this bourgeois thing that was constructing our way of thinking for us, our politics and our society. Whereas the world we live in today is one that actually offers us much more choice to resist, rebel and construct our own community and I don’t think any of the artists in that programme have really taken that on board. The weakness of the art to me is that it is quite patronising actually. They’re trying to tell me something that I disagree with and they’re saying ‘Because we’re artists we know better’, and I think that’s one of the Modernist art myths they haven’t managed to get rid of.1 (Film director Ben Lewis on Relational Art, 2004) Since the mid 1990s ‘relational aesthetics’ has become an increasingly popular neologism for a series of practices identified in contemporary art by French curator Nicolas Bourriaud, including the work of artists such as Philippe Parreno , Douglas Gordon and Rirkrit Tiravanija, Liam Gillick , Pierre Huyghe , Maurizio Cattelan , and Vanessa Beecroft. -
This World & Nearer Ones Nyc's First
FOR IMMEDIATE RELEASE MEDIA CONTACT Nicholas Weist, Creative Time [email protected] 212.206.6674 x 205 CREATIVE TIME PRESENTS PLOT09: THIS WORLD & NEARER ONES NYC’S FIRST PUBLIC ART QUADRENNIAL, ON GOVERNORS ISLAND, NYC 19 public art commissions by major international artists Free, Opening June 27 Work by Mark Wallinger, Lawrence Weiner, Anthony McCall, Krzysztof Wodiczko, Patti Smith, AA Bronson, and more PLOT09: This World & Nearer Ones Opening June 27 Free and open to the public Fridays 11-4 and Saturdays and Sundays, 12-6 Digital press center: http://creativetime.org/programs/archive/2009/GI/ (May 29, 2009 New York, NY) Creative Time is pleased to announce its new public art quadrennial: PLOT, taking place on historic Governors Island and featuring international artists responding to the island with new, site-responsive artworks. The first edition of PLOT, This World & Nearer Ones, is curated by Mark Beasley. The project is produced in association with Governors Island Preservation and Education Corporation, the National Park Service, NYC & Company, and the Office of the Mayor. PLOT09 will draw thousands to Governors Island to explore the artwork and numerous other public programs. PLOT09 is free and open to the public, and will open on June 27. This World & Nearer Ones will intervene in the architectural and natural fabric of the island, transforming its historic buildings and vast lawns—from the iconic Fort Jay to St. Cornelius Chapel—through installation, performance, video, and auditory works, inviting audiences to reconsider the island’s past and future. PLOT09 will feature artists from 9 different countries, including Edgar Arceneaux, AA Bronson and Peter Hobbs, The Bruce High Quality Foundation, Adam Chodzko, Tue Greenfort, Jill Magid, Teresa Margolles, Anthony McCall, Nils Norman, Susan Philipsz, Patti Smith and Jesse Smith, Tercerunquinto, Tris Vonna-Michell, Mark Wallinger, Klaus Weber, Lawrence Weiner, Judi Werthein, Guido van der Werve, and Krzysztof Wodiczko, realizing temporary projects in various sites throughout Governors Island.