American Square Dance Vol. 36, No. 2
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The History of Square Dance
The History of Square Dance Swing your partner and do-si-do—November 29 is Square Dance Day in the United States. Didn’t know this folksy form of entertainment had a holiday all its own? Then it’s probably time you learned a few things about square dancing, a tradition that blossomed in the United States but has roots that stretch back to 15th-century Europe. Square dance aficionados trace the activity back to several European ancestors. In England around 1600, teams of six trained performers—all male, for propriety’s sake, and wearing bells for extra oomph—began presenting choreographed sequences known as the morris dance. This fad is thought to have inspired English country dance, in which couples lined up on village greens to practice weaving, circling and swinging moves reminiscent of modern-day square dancing. Over on the continent, meanwhile, 18th- century French couples were arranging themselves in squares for social dances such as the quadrille and the cotillion. Folk dances in Scotland, Scandinavia and Spain are also thought to have influenced square dancing. When Europeans began settling England’s 13 North American colonies, they brought both folk and popular dance traditions with them. French dancing styles in particular came into favor in the years following the American Revolution, when many former colonists snubbed all things British. A number of the terms used in modern square dancing come from France, including “promenade,” “allemande” and the indispensable “do-si-do”—a corruption of “dos-à-dos,” meaning “back-to-back.” As the United States grew and diversified, new generations stopped practicing the social dances their grandparents had enjoyed across the Atlantic. -
Be Square Caller’S Handbook
TAble of Contents Introduction p. 3 Caller’s Workshops and Weekends p. 4 Resources: Articles, Videos, etc p. 5 Bill Martin’s Teaching Tips p. 6 How to Start a Scene p. 8 American Set Dance Timeline of Trends p. 10 What to Call It p. 12 Where People Dance(d) p. 12 A Way to Begin an Evening p. 13 How to Choreograph an Evening (Programming) p. 14 Politics of Square Dance p. 15 Non-White Past, Present, Future p. 17 Squeer Danz p. 19 Patriarchy p. 20 Debby’s Downers p. 21 City Dance p. 22 Traveling, Money, & Venues p. 23 Old Time Music and Working with Bands p. 25 Square Dance Types and Terminology p. 26 Small Sets p. 27 Break Figures p. 42 Introduction Welcome to the Dare To Be Square Caller’s handbook. You may be curious about starting or resuscitating social music and dance culture in your area. Read this to gain some context about different types of square dancing, bits of history, and some ideas for it’s future. The main purpose of the book is to show basic figures, calling techniques, and dance event organizing tips to begin or further your journey as a caller. You may not be particularly interested in calling, you might just want to play dance music or dance more regularly. The hard truth is that if you want trad squares in your area, with few ex- ceptions, someone will have to learn to call. There are few active callers and even fewer surviving or revival square dances out there. -
New Square Dance Vol. 24, No. 11
THE EDITORS' PAGE 41 A recent letter challenged us to re- quest that minority groups be sought out and especially included when pro- moting new classes. We're going to re- neg on this, and here's why — Most of us are pretty proud of our square dance reputations — the trouble free, nuisance free atmosphere of our conventions and festivals, the neatness and color or our costumes, the smooth- ness and beauty of our dances, and the phrase of the music and move rhyth- friendliness and warmth of our dan- mically to and fro where it leads us? cers. We'd just like to hope and believe Why do we shout in triumph when we that dancers everywhere would main- emerge from a series of smooth, intri- tain this pride in their dancing and ex- cate figures to catch our corners for an tend a welcome to every individual allemande? who comes tb participate in the joy Because, oh readers, we are doing and happiness of dancing. Why must our "thing", a thing that man has been we seek to involve a single ethnic or doing since he stretched skins and racial group for special attention? We made the first tomtom -- DANCING! want more people who love dancing, "A rhythmic stepping in time to the whether their eyes are slanted, their beat of the music" used by mankind skins dark, their eyes blue, their ac- as a form of self-expression. We are cents Latin, their hair white or their not usually very introspective about ages in the teens. our hobby. -
Dancing Dancers
Single Copy $1.00 Annual 58.00 "THE BOSS" by elegraft Choice of Dedicated Professional Dance Leaders Fred Staeben, an avid user of Clinton Sound Equipment Fred Staeben of Dozier, Alabama, has been a square dance caller and has been teaching square dance classes without a break since 1955. While stationed in Europe with the USAF (1955-58) he called dances in several of the European countries. Fred and his wife Ruth were a part of the nucleus of dancers, callers and square dance leaders who first organized the European Association of American Square Dance Clubs. He was also one of those who were in- strumental in the organization of the European Callers and Teachers Association. Fred is past president of the Denver Area Square Dance Callers Association and past president of the Colorado Springs Square Dance Callers Association. He was publisher and editor of a square dance newsletter (Colorado), Square Talk, from 1966 to 1971. Fred has also been a caller lab member since 1974. Join the long list of successful Clinton-equipped profes- sionals. Please write or call for full details concerning this superb sound system. Say you saw it in ASD (Credit Burdick) CLINTON INSTRUMENT COMPANY, PO Box 505, Clinton CT 06413 Tel: 203-669-7548 2 AMERICAN M VOLUME 35, No. 11 NOVEMBER, 1980 SQUARE DANCE THE NATIONAL MAGAZINE WITH THE SWINGING LINES ~35tbtr AnniversaryK 4 Co-Editorial 5 By-Line 6 Grand Zip 7 Meanderings 11 Are You Civilized? 13 Squares and Rounds Publishers and Editors 15 The Belles of the Balls Stan & Cathie Burdick 19 Perspective Workshop -
December 1952 Editor's Mail B
DECEMBER 1952 THE MAGAZINE OF FOLK AND SQUARE DANCING 25c EDITOR'S MAIL B A G - SEE PAGE 7 SQUARE DANCE FOLK DANCE DRESSES, GRACE FERRYMAN'S BLOUSES, SKIRTS, SLIPPERS PLEASANT PEASANT DANCING WE MAKE COSTUMES TO ORDER CHRISTMAS CARDS BEGINNERS—Fridays, 7-9 p.m. Moll Mart Smart Shop 625 Polk St., California Hall, San Francisco 7 Different Motifs—4 colors 5438 Geary Boulevard San Francisco INTERMEDIATES—Thursdays, 8-10:30 p.m. lOc and 20c each Mollie Shiman, Prop. EVergreen 6-0470 Beresford Park School, 28th Ave., San Mateo DON'T DELAY! MAIL YOUR ORDER WITH CHECK OR MONEY ORDER Second Annual Order one or 100 Write "Fiddle and Squares" DANCE INSTITUTE 291 I-A No. 5th St. Milwaukee 12, Wis. FOLK, SQUARE, ROUND, AND CONTRA DANCING SAN FRANCISCO STATE COLLEGE (Urmte New Campus—19th Avenue at Holloway, San Francisco 451 Kearney St., San Francisco Opportunities to learn and review dances, and do practice-teaching if desired. CLASSES College Credit May Be Earned Fee: $7.50 Monday 7 to 8:30 P.M. Friday, Dec. 26, through Tuesday, Dec. 30, 1952 Scottish Country Dances Co-Directors: Tuesday, 7 to 8:30 Eleanor Wakefield, San Francisco State College Spanish and Mexican Dances (Castanets, Latin American Dances, Ed Kremers, Past President, Folk Dance Federation of California Rumba, Tango, Samba, Mambo) Information may be obtained from Leo Cain, Dean of Educational Services, San Private Lessons $2 per half hour Francisco State College, 124 Buchanan, San Francisco 2, or from Co-Directors By appointment, day or evening- SUtter 1-2203 SPEND THE HOLIDAYS DANCING! a double feature in SEPARATES FOLK DANCING OR DAYTIME-EVENING WEAR EXQUISITE HAND LOOMED IMPORTED FABRICS of finest light weight wool FOR SKIRTS AND MATCHING STOLES AUTHENTIC BAVARIAN BORDER DESIGNS in contrasting colors AGAINST BACKGROUND COLORS OF: RED LIGHT GRAY ROYAL BLUE GREEN BLACK DARK GRAY BROWN WHITE It's Easy! It's Fun! MAKE YOUR OWN COSTUME CAPER OR SOCIAL WHIRLER 2 YARDS MAKE LOVELY DAYTIME OR EVENING SKIRT 3 YARDS MAKE LOVELY DANCE SKIRT 38" WIDE . -
Two School Candidates QEC Endorsement
Grosse Pointe ews Vol. 44 - No. 22 Grosse POinte, Michigan, Thursday, June 2, 1983 30 cents 40 Pages Two school candidates • Wln QEC endorsement By Joanne Gouleche about educatIn~ the commumty on Each candIdate was allowed A group of local parents keepmg the school clOSIng plan We realize three-mInute openIng remarks B'Stilia Blues a close eye on the June 13 school we have a lot of work cut out for and a two-mlllute closing speech board electIOn threw Its support to us, but we're WIlling to go the dIS- WhIle several residents posed Good news for all you Grosse tance," Mrs Nutter said POInte Blues Band fans Shak- two contenders followmg a League questIOns on Supt Brummel's ey, ChiP, Flip, SkIP, DIp and of Women Voters candidate forum Also seekmg two four-year spots school consolidation plan, o~iJt:r the rest of the preppy players last week at the War MemOrIal. on the Board of Education are In- concerns Included education 10 the 21st century» the rcc~;:t ::.~ti:::~::! will i.Je puttIng It to the estab- Thomas Peters and Frank Stel- cumbent Dorothy Kennel, VIncent lIshment at B'StIlla's grand LoCicero, DaVId Russell, Anthony study of education, hIgh school lingwerf receIved endorsements curriculum and the current teach- opemng Friday evemng, June from the QualIty EducatIOn Coal- Skomski and Sharon Vasher 17 er negotiations Ition, (QEC) formed last month by Those candIdates, along WIth Actually, the restaurant isn't parents to urge Supt Kenneth Stelhngwerf and Peters, answered really opemng It's more of a Brummel to halt his plan to con- -
1 TRADITIONAL DANCE in MISSOURI VOLUME ONE SOUTHERN MISSOURI JIG DANCING Douglas and Wayne Counties, Missouri Peter and Marg
1 TRADITIONAL DANCE IN MISSOURI VOLUME ONE SOUTHERN MISSOURI JIG DANCING Douglas and Wayne Counties, Missouri Peter and Margret Lippincott Childgrove Country Dancers 410 South Meramec Avenue, St. Louis, Missouri, 63105 TABLE OF CONTENTS: Missouri Dancing in Wayne and Douglas Counties 1 Dance Fiddling In Missouri 4 Glossary 6 Basic Square Dance Information 7 The Dances: Across the Hall (Ava) 13 Across the Hall (Greenville) 14 Around and Through (Ava) 9 Bird In The Cage (Ava) 10 Circle Eight (Greenville) 15 Circle Home (Greenville) 12 Cut Away Six (Greenville) 14 Figure 8, Figure 0 (Ava) 12 Figure 8, Figure 0 (Greenville) 13 Form a Star (Ava) 11 Half-way Up and Half-way Back (Ava) 9 Katy Walk the Corner (Ava) 8 Right Hand Lady (Greenville) 16 Texas Star (Greenville) 16 Two Gents Right Elbow (Greenuille) 15 Two Little Hobos (Ava) 10 Two Little Sisters (Greenville) 17 Wave The Ocean (Ava) 8 Wind Up the Grapevine (Ava) 12 MISSOURI DANCING IN WAYNE AND DOUGLAS COUNTIES By Peter Lippincott and Marget Lippincott Old time dances in Missouri are an intimate part of the social life of the community. Of course we can "discover" the dance figures, write them up, and dance them some place else. They are pleasant entertainment, but they are changed uihen the basic community meaning is no longer present. Dancers in a traditional community know what is correct and pleasing to them in their dance. Thus the dancing in each community is special to that community. The subtle differences that make a dance "right" in a community are often hard for an outsider to grasp. -
Code Title Artists Composer 8664 (Just Like) Starting Over John Lennon John Lennon (Shake, Shake, Shake) Shake Your K.C
CODE TITLE ARTISTS COMPOSER 8664 (JUST LIKE) STARTING OVER JOHN LENNON JOHN LENNON (SHAKE, SHAKE, SHAKE) SHAKE YOUR K.C. & THE SUNSHINE 8699 CASEY / FINCH BOOTY BAND 8094 10,000 PROMISES BACKSTREET BOYS SANDBERG 8001 100 YEARS FIVE FOR FIGHTING ONDRASIK, JOHN 8563 1-2-3 GLORIA ESTEFAN G. ESTEFAN/ E. GARCIA 8572 19-2000 GORILLAZ ALBARN/HEWLETT 8642 2 BECOME 1 JEWEL KILCHER/MENDEZ 9058 20 YEARS OF SNOW REGINA SPEKTOR SPEKTOR MICHAEL LEARNS TO 8865 25 MINUTES JASCHA RICHTER ROCK WATKINS/GAZE/RICHARDSO 8767 4 AM FOREVER LOSTPROPHETS N/OLIVER/LEWIS JAMES HARRIS/TERRY 8208 4 SEASONS OF LONELINESS BOYZ II MEN LEWIS 9154 5, 6, 7, 8 STEPS LIPTON AND CROSBY 9370 5:15 THE WHO PETE TOWNSHEND 9005 500 MILES PETER, PAUL & MARY HEDY WEST 8140 52ND STREET BILLY JOEL BILLY JOEL JOEM FAHRENKROG- 8927 99 RED BALLOONS NENA PETERSON/CARLOS KARGES 8674 A CERTAIN SMILE JOHNNY MATHIS WEBSTER/FAIN 8554 A FIRE I CAN'T PUT OUT GEORGE STRAIT DARRELL STAEDTLER 8594 A FOOL IN LOVE IKE & TINA TURNER TURNER 8455 A FOOL SUCH AS I ELVIS PRESLEY BILL TRADER 9224 A HARD DAY'S NIGHT THE BEATLES LENNON/ MCCARTNEY 8054 A HORSE WITH NO NAME AMERICA DEWEY BUNNEL 9468 A LIFE ON THE OCEAN WAVE P.D. 9469 A LITTLE MORE CIDER TOO P.D. DURITZ/BRYSON/MALLY/MIZ 8320 A LONG DECEMBER COUNTING CROWS E/GILLINGHAM/VICKREY 9112 A LOVER'S CONCERTO SARAH VAUGHAN LINZER / RANDEL 9470 A MAIDENS WISH P.D. ENGELBERT LIVRAGHI/MASON/PACE/MA 8481 A MAN WITHOUT LOVE HUMPERDINCK RIO 9183 A MILLION LOVE SONGS TAKE THAT GARY BARLOW GERRY GOFFIN/CAROLE 8073 A NATURAL WOMAN ARETHA FRANKLIN KING/JERRY WEXLER 9157 A PLACE IN THE SUN STEVIE WONDER RON MILLER/BRYAN WELLS 9471 A THOUSAND LEAGUES AWAY P.D. -
Dunn, Larry, Chairman-Groton Conservation Commission
Testimony for General Assembly Bill No. 6502 AN ACT CONCERNING THE USE OF CERTAIN POLYSTYRENE PRODUCTS, THE AVAILABILITY OF SINGLE-USE STRAWS, THE RELEASE OF CERTAIN BALLOONS AND THE COMPOSTABLE NATURE OF SINGLE-USE PRODUCE BAGS. Submitted by: Town of Groton Conservation Commission Larry Dunn Chairman 91 Crosswinds Dr, Groton Ct 06340 Dear Co-Chairs Christine Cohen and Dorinda Borer The Town of Groton Conservation Commission supports Bill No. 6502. This bill is in line with and expands the Groton Town Ordinance #293 – Single use Plastic and Polystyrene Regulations to include limiting schools’ use of polystyrene trays. The Town of Groton already has an ordinance limiting single-use plastic bags, single use containers in restaurants and plastic straws. This ordinance was supported by over 70% of the citizens of the Town (per Town survey). This has been successfully implemented in the town with no discernable issues. We also support the investigation into defining compostable single-use product bags. Thank you for your consideration Larry Dunn Chairman, Town of Groton Conservation Commission Cc: Town Manager John Burt Mayor Patrice Granatosky Attach: Town of Groton Ordinance #293 ORDINANCE #293 IN AMENDMENT OF CHAPTER 10 OF THE CODE OF ORDINANCES, TOWN OF GROTON, ENTITLED, “LICENSES, PERMITS AND MISCELLANEOUS BUSINESS REGULATIONS” SECTION 1. That Chapter 10 of the Code of Ordinances, Town of Groton, entitled, “Licenses, Permits and Miscellaneous Business Regulations” is hereby amended by adding the following new article: ARTICLE VII. SINGLE USE PLASTIC AND POLYSTYRENE REGULATIONS Sec. 10-191. – Short Title. This article shall be known and may be cited as "Single Use Plastic and Polystyrene Regulations" for the Town of Groton. -
Ár Rincí Fóirne Thirty Popular Céilí Dances Eagrán 2003 an COIMISIÚN LE RINCÍ GAELACHA, 6 Sráid Fhearchair, Baile Átha
Ár Rincí Fóirne Thirty Popular Céilí Dances Eagrán 2003 AN COIMISIÚN LE RINCÍ GAELACHA, 6 Sráid Fhearchair, Baile Átha Cliath 2 IRISH DANCE MUSIC A well-known exponent of Irish Dancing once remarked that the happiness and pleasure of dancing was the stimulus of gay spirited music. How true these words are can be realized when we see a party of dancers at a Céilí endeavouring to perform such a fine spirited dance as the ‘High-Cauled Cap’ to dull, insipid, lifeless music. Spiritless music means that there is a lack of ‘Rhythmic Vitality’ – which is part of the player´s own soul. Perhaps the only outside help he can get is a correct understanding of the dances. ‘Speeding’ is no certain cure for the absence of ‘Rhythmic Vitality’, the most essential element in Irish dance Music. Generally speaking, the more speedy the music, the more lifeless it becomes. Not alone does over-hasty playing destroy the outline and sentiment of the tune, it also tends to spoil the technique of the dancers. The ‘Tempo’ of Irish Dancing must be regulated by the ages of the dancers. Children, as a rule, require quicker time than do adults, as young people are unable to get the control necessary for slow music without a great deal of effort and concentration, resulting in a loss of spirit and enjoyment. Adults, on the other hand, prefer a moderate Tempo, as they have not the physical strenght necessary for our lively, energetic dances when taken at a quick pace. This question of Tempo can only be solved by regulating it to suit the majority, rather than the few, and thus assist in the retention of that grace, beauty and elegance of movement which is a natural characteristic of all Irish Dances. -
Dance for Physically Disabled Persons: a Manual for Teaching Ballroom, Square, and Folk Dances to Users of Wheelchairs and Crutches
DOCUMENT RESUME ED 146 720 EC 102 698 AUTHOR Hill, Kathleen TITLE Dance for Physically Disabled Persons: A Manual for Teaching Ballroom, Square, and Folk Dances to Users of Wheelchairs and Crutches. INSTITUTION American Alliance for Health, Physical Education, and Recreation, Washington, D.C. SPONS AGENCY Bureau of Education for: the Handicapped (DHEW/OE), Washington, D.C. Div. cf Innovation and Development. MORT NO 447AH50022 PUB DATE Jun 76 GRANT G007500556 NOTE 114p.; For related information, see EC 102 692 - EL 102 697 AVAILABLE FROM Physical Education and Recreation for the Handicapped, Information and Research Utilization Center (IRUC), 1201 Sixteenth Sreet, N.W., Washington, D.C. 20036 ($7.95) EDRS PRICE ME-$0.83 Plus Postage. HC Not Available from EDRS. DESCRIPTORS Adapted Physical Education; *Dance; Physical Acti-rities; *Physically Handicapped; Psychological Needs; Recreation; Rehabilit_tion; *Teaching Methods; Wheel Chairs ABSTRACT . The final booklet in a series on physical education and sports for the handicapped presents ideas for teaching dance to the physically disabled. Introductory sections consider the rehabilitation role of dance, physiological and psychological benefits, and facilities for dance instruction. Step-by-step suggestions are given for teaching ballroom dance (waltz, foxtrot, merengue, cha-cha, rhumta, and tango), square dance, and folk dance to persons using wheelchairs and crutches. Also included are reprints of seven articles on dance :and a listing of additional resources on dance. (CL) *********************************************************************** * Documents acquired by ERIC include many irformal unpublished * * materials not available from other sources. ERIC makes every effort * * to obtain the best copy available. Nevertheless, items of marginal * * reproducibility are often encountered and this affects the quality * * of the microfiche and hardccpy reproductions ERIC makes available * * via the ERIC Document Reproduction Service (EDRS). -
Alabama American Folk Dance the Square Dance Is Known Widely Throughout the United States
Alabama American Folk Dance The square dance is known widely throughout the United States. It is a traditional dance that has been historically recorded since 1651. Following Oregon (1977), Washington (1979), and Tennessee (1980), Alabama became the fourth state to adopt an official state dance. It adopted the square dance as the "American folk dance of Alabama" in 1981 by Act no. 81-48. Leading this effort in Alabama was the Alabama Square & Round Dance Association, Inc. www.archives.state.al.us/emblems/st_dance.html Proudly Produced by Alabama Square and Round Dance Association, Inc. 1st Edition 2019 PRAYER FOR BEGINNERS May you dance as long as you want to and want to as long as you can. May your toes never stop tapping to the beat of the square dance band. I wish you a smile on your corner Thank Your and a partner that really can swing, and each hand a handclasp of friendship as you right and left grand the ring. May you never forget the struggle ‘til your lessons were finally through. May you always reach back with a helping hand that someone extended to you. May you never become a dancer who thinks he has no more to learn. In the midst of the muddle, come out of the huddle could be that you made the wrong turn? As long as you’re dancing, enjoy it, and the friends that you make ‘fore you’re done. With a smile and a song, promenade along, ‘CAUSE YOU SQUARE DANCE, MY FRIEND, FOR FUN’ www.cedar.net Caller & Cuer Organizations Your Club Caller(s) and Cuers belong to State and/or National associations that provide accredited caller training, licensing, and liability insurance for dance events.