Lane Tech TODAY Newsletter of the Lane Tech Alumni Association
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Outlawing Governmental Underreach in Health Law
EXCEPTIONS MEET ABSOLUTISM: OUTLAWING GOVERNMENTAL UNDERREACH IN HEALTH LAW † CHRISTINA S. HO ABSTRACT Health measures are sometimes struck, not for “overbreadth,” but for “underbreadth.” Short of an equal protection problem, a guaranteed right, an unconstitutional condition, or other constitutional problem, how does the effort to moderate a law by carving out exceptions to accommo- date important concerns necessarily doom the underlying legal provision itself? Is there any pattern to the courts’ use of relatively malleable ad- ministrative law review doctrines to strike down health rules, not just because of what they do, but ostensibly because of what they leave un- done? This Article tackles the underappreciated vulnerability of excep- tions-based rules in health law. I look at three examples: New York City’s notorious Soda Portion Cap Rule that exempted refills; the FDA’s decision to allow age-restricted, over-the-counter (OTC) emergency con- traception; and Pennsylvania’s Medicaid rules providing eyeglasses, an optional benefit, to beneficiaries with eye disease but not to those with refraction error. Each case exhibits three common elements that charac- terize how a rule’s exceptions, deliberately tailored to prevent overreach, can turn out to be the rule’s Achilles’ heel. The courts in each of these cases insist upon an extra-legal policy absolutism that challenges not only our assumptions of a default judicial posture favoring cost-benefit analysis but also deeper assumptions about the rule-based nature of law. TABLE OF CONTENTS INTRODUCTION ..................................................................................... 110 A. Conventional Wisdom: Courts Employ Cost-Benefit Defaults ... 113 B. Contrasting Pattern ..................................................................... 114 I. RULES, COMPOUND JUSTIFICATIONS, AND EXTERNAL EXCEPTIONS 115 A. -
Ken Nordine Vesle Hallvard Lørdag Kl
130 | KEN NORDINE VESLE HALLVARD LØRDAG KL. 21.00 CHRISTOPHER NIELSEN PRESENTERER KEN NORDINE THE EYE IS NEVER FILLED – WORD JAZZ IN MORPHING PICTURES CHRISTOPHER NIELSEN besøkte Kortfilmfestivalen i fjor CHRISTOPHER NIELSEN visited Grimstad last year with a med et work-in-progress-seminar om animasjonsfilmen work-in-progress seminar about his animation film Free Slipp Jimmy fri, som ble vist under Cannes-festivalens Jimmy, which was screened during the Critics’ Week in Can- Kritikeruke tidligere i år. Nå inviterer vi Nielsen til Grim- nes earlier this year. Now we have invited Nielsen to Grim- stad for å snakke om noe helt annet, nemlig den levende stad to talk about something entirely different: the living legenden Ken Nordine, word-jazzens konge. Christop- legend Ken Nordine, the king of word jazz. Christopher Ni- her Nielsen vil presentere Ken Nordines lydklassikere fra elsen will present Ken Nordine’s sound classics from his DVD-en «The Eye Is Never Filled – Word Jazz in Morphing DVD «The Eye Is Never Filled – Word Jazz in Morphing Pic- Pictures», som innholder 30 abstrakte data-animasjoner. tures», which contains thirty abstract computer animations. Nordine’s deep, resonant voice has been featured on many commercial advertisements. One critic wrote that «you may not know Ken Nordine by name or face, but you’ll almost certainly recognize his voice.» Ken Nordine is an American voiceover and recording artist, born in Chicago, Illinois on January 19, 1920. He initially attracted attention when he recorded the aural vignet- tes on Word Jazz (1957). Among his more than 20 solo albums, the most famous ones are Word Jazz (1966) and Colors (1995) which have an almost legendary cult status. -
The Wrecking Crew—Whether You Knew It Or Not
HISTORY JUNE 2012 Kent Hartman “You are in for a big surprise!” —Dusty street The Inside StoryWrecking of Rock and Roll’s Best-Kept Crew Secret Part Hit Men and part Laurel Canyon, this hidden history of rock and roll chronicles the uncredited studio musi- cians who provided the soundtrack for a generation dur- ing the 1960s and 1970s. If you were a fan of popular music in the 1960s and early ’70s, you were a fan of the Wrecking Crew—whether you knew it or not. On hit record after hit record by everyone from the Byrds, the Beach Boys, and the Monkees to the Grass Roots, the 5th Dimension, Sonny & Cher, and Simon & Garfunkel, this collection of West Coast studio musicians from diverse backgrounds established themselves as the driving sound of pop music—sometimes over the objection of actual band members forced to make way for Wrecking Crew members. Industry insider Kent Hartman tells the dramatic, definitive story of the musicians who forged a reputation throughout the business as the secret weapons behind the top recording stars. Mining invaluable interviews, the author follows the Read by Dan John Miller careers of such session masters as drummer Hal Blaine Category: History/Music and keyboardist Larry Knechtel, as well as trailblazing Running Time: 10 hrs 30 min - Unabridged bassist Carol Kaye. Listeners will discover the Wrecking Hardcover: 02/14/2012 (35,000 Thomas Dunne Books) Territory: US and Canada Crew members who would forge careers in their own right, On Sale Date: 06/18/2012 including Glen Campbell and Leon Russell, and learn of Trade 9781452608068 9 Audio CDs $39.99 the relationship between the Crew and such legends as Phil Library 9781452638065 9 Audio CDs $83.99 Spector and Jimmy Webb. -
The Sam Eskin Collection, 1939-1969, AFC 1999/004
The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia. -
The Recordings
Appendix: The Recordings These are the URLs of the original locations where I found the recordings used in this book. Those without a URL came from a cassette tape, LP or CD in my personal collection, or from now-defunct YouTube or Grooveshark web pages. I had many of the other recordings in my collection already, but searched for online sources to allow the reader to hear what I heard when writing the book. Naturally, these posted “videos” will disappear over time, although most of them then re- appear six months or a year later with a new URL. If you can’t find an alternate location, send me an e-mail and let me know. In the meantime, I have provided low-level mp3 files of the tracks that are not available or that I have modified in pitch or speed in private listening vaults where they can be heard. This way, the entire book can be verified by listening to the same re- cordings and works that I heard. For locations of these private sound vaults, please e-mail me and I will send you the links. They are not to be shared or downloaded, and the selections therein are only identified by their numbers from the complete list given below. Chapter I: 0001. Maple Leaf Rag (Joplin)/Scott Joplin, piano roll (1916) listen at: http://www.youtube.com/watch?v=9E5iehuiYdQ 0002. Charleston Rag (a.k.a. Echoes of Africa)(Blake)/Eubie Blake, piano (1969) listen at: https://www.youtube.com/watch?v=R7oQfRGUOnU 0003. Stars and Stripes Forever (John Philip Sousa, arr. -
WDAM Radio's History of the Animals
WDAM Radio's Hit Singles History Of The Turtles # Artist Title Chart Comments Position/Year 01 Crossfires “Dr. Jekyll & Mr. Hyde” –/1963 02 Crossfires “Out Of Control” –/1964 03 Crossfires “One Potato Two Potato (Three –/1965 Potato, Four Potato) 04 Turtles “It Ain’t Me Babe” #8/1965 04A Bob Dylan “It Ain’t Me Babe” #43 -Albums/ From Another Side Of Bob Dylan. 1964 05 Turtles “Let Me Be” #29/1965 06 Turtles “You Baby” #20/1966 06A Vogues “You Baby” –/1965 First known version; they rejected releasing as a single, so the composers P.F. Sloan & Jeff Barry, gave it to the Turtles. 07 Turtles “Grim Reaper Of Love” #81/1966 08 Turtles “Can I Get To Know You Better” #89/1966 08A Betty Everett “Can I Get To Know You” –/1964 P.F. Sloan & Jeff Barry – composers. 08B Mark Wynter “Can I Get To Know You Better” –/1965 U.K. pop and move star. 09 Turtles “Outside Chance” –/1966 Warren Zevon – composer. Tried to emulate the sound of the Beatles – “Taxman.” 10 Turtles “She’ll Come Back” –/1966 From the beach/spy spoof movie, Out Of Sight. 11 Turtles “Happy Together” #1/1967 Grammy Hall Of Fame. 11A Hugo Montenegro “Happy Together” #112/1969 12 Turtles “She’d Rather Be With Me” #3/1967 13 Turtles “You Know What I Mean” #12/1967 14 Turtles “She’s My Girl” #14/1967 15 Turtles “Guide For The Married Man” –/1967 Title song from the movie, starring Walter Matthau and Jayne Mansfield. This was Jayne Mansfield’s last film. -
Affordant Chord Transitions in Selected Guitar-Driven Popular Music
Affordant Chord Transitions in Selected Guitar-Driven Popular Music Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Gary Yim, B.Mus. Graduate Program in Music The Ohio State University 2011 Thesis Committee: David Huron, Advisor Marc Ainger Graeme Boone Copyright by Gary Yim 2011 Abstract It is proposed that two different harmonic systems govern the sequences of chords in popular music: affordant harmony and functional harmony. Affordant chord transitions favor chords and chord transitions that minimize technical difficulty when performed on the guitar, while functional chord transitions favor chords and chord transitions based on a chord's harmonic function within a key. A corpus analysis is used to compare the two harmonic systems in influencing chord transitions, by encoding each song in two different ways. Songs in the corpus are encoded with their absolute chord names (such as “Cm”) to best represent affordant factors in the chord transitions. These same songs are also encoded with their Roman numerals to represent functional factors in the chord transitions. The total entropy within the corpus for both encodings are calculated, and it is argued that the encoding with the lower entropy value corresponds with a harmonic system that more greatly influences the chord transitions. It is predicted that affordant chord transitions play a greater role than functional harmony, and therefore a lower entropy value for the letter-name encoding is expected. But, contrary to expectations, a lower entropy value for the Roman numeral encoding was found. Thus, the results are not consistent with the hypothesis that affordant chord transitions play a greater role than functional chord transitions. -
IUF 1000: WHAT IS the GOOD LIFE Spring 2016 Lecture: T/R: Period 6
IUF 1000: WHAT IS THE GOOD LIFE Spring 2016 Lecture: T/R: Period 6. Location: Turlington L007 INSTRUCTOR Dr. Craig Smith, Associate Professor, School of Art and Art History Contact Info: [email protected], 273-3025, 335 Fine Arts Bldg. D Office Hours: Mondays 9-10. TEACHING ASSISTANTS TA 1. Dominguez, M. Office Hours: M 9am-11am/ Location Turlington B333 TA 2. Deij Prado, M. Ofice Hours/Location: TBD TA 3. Casler, J. Offie Hours: F Periods 8-9/ Location: Turlington B333 TA 4. Goodwiin, J. Office Hours TBD/Location: Turlington B333 TA 5. Ghonim, A. fice Hours/Location: TBD Section Time Location Teaching Assistant 0614 R7 CHE 237 Dominguez, Miriam 064H F4 NPB 1011 Dominguez, Miriam 0641 F5 NPB 1216 Dominguez, Miriam 0619 R7 FAC 127 Deij Prado, Macarena 064A R8 MAT 13 Deij Prado, Macarena 065F F5 ROL 115 Deij Prado, Macarena 062B R7 LEI 242 Casler, Jessica Jean 066G F6 MAT 12 Casler, Jessica Jean 064F F7 MAT 112 Casler, Jessica Jean 0622 R8 LIT 239 Goodwin, Joshua 0640 F4 MAEB 238 Goodwin, Joshua 0647 F5 NSC 227 Goodwin, Joshua 0637 R8 FLG 285 Ghonim, Asmaa 065G F6 MAT 10 Ghonim, Asmaa 0665 F7 TUR 2346 Ghonim, Asmaa COURSE DESCRIPTION Drawing on the cluster of disciplines that make up the Humanities and the considerable resources at UF in support of the Humanities, this course inquires into the very nature and experience of being human. Applying multi-disciplinary and cross-cultural approaches to explore the question “What is the good life?,” students consider the cost of the good life, examine how people have chosen to live as members of local and global communities, and analyze conceptions and expressions of beauty, power, love, and health. -
Cashexclusivelyboxby “The Official Publication of the Automatic Music Industry of America” —
NOYEMBER 19, 1948 Caught going over the music of his latest wax hit, the sensational “Mule Train”, are Bing Crosby and his youngest son Lindsay. Those ranch outfits Bing and his son are wearing aren’t props either, since Bing and the family have been spending a great deal of time out on their ranch. Bing’s etching of “Mule Train” has caught on throughout the nation to the tune of more than 200,000 sales in less than two weeks. Other current hot items for the Crosby crooner are “Weddin’ Day”, “The Meadow Of Heaven” and “Top O’ The Morning”, the latter from the Paramount picture of the same name. Bing Crosby is exclusively featured on Decca Records. YOUR VOTES DECIDE THE WINNERS IN THE 4th ANNUAL POLL OF THE AUTOMATIC MUSIC INDUSTRY OF AMERICA TO CHOOSE THE BEST RECORDS AND RECORDING ARTISTS OF 1949 i VOTE TODAY-FILL OUT AND MAIL PREPAID POSTCARD IN THIS ISSUE POLL CLOSES RUSH YOUR VOTING FRIDAY CARD NOVEMBER RIGHT 25 NOW! > ’b SpawBsared and Canducted THE CASHExclusivelyBOXby “The Official Publication of the Automatic Music Industry of America” — The great success being enjoyed by the *^THE COISFWENTIAL WEEKLY OF THE COIN MACHINE INDUSTRY” shuffle and rebound games has almost every- one in the industry gasping with amaze- ment. Yet, certain old heads in the business THE CASH IS BOX THE OPERATOR’S MAGAZINE aren’t at all sui*prised. They believe this IT IS NOT SOLD ON NEWSSTANDS definitely points to the fact that this is a changeable business. And, as such a busi- ness, it caters to the public’s instinct for new and different amusement. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Daryl Lowery Sample Songlist Bridal Songs
DARYL LOWERY SAMPLE SONGLIST BRIDAL SONGS Song Title Artist/Group Always And Forever Heatwave All My Life K-Ci & Jo JO Amazed Lonestar At Last Etta James Because You Loved Me Celine Dion Breathe Faith Hill Can't Help Falling In Love Elvis Presley Come Away With Me Nora Jones Could I Have This Dance Anne Murray Endless Love Lionel Ritchie & Diana Ross (Everything I Do) I Do It For You Bryan Adams From This Moment On Shania Twain & Brian White Have I Told You Lately Rod Stewart Here And Now Luther Van Dross Here, There And Everywhere Beatles I Could Not Ask For More Edwin McCain I Cross My Heart George Strait I Do (Cherish You) 98 Degrees I Don't Want To Miss A Thing Aerosmith I Knew I Loved You Savage Garden I'll Always Love You Taylor Dane In Your Eyes Peter Gabriel Just The Way You Are Billy Joel Keeper Of The Stars Tracy Byrd Making Memories Of Us Keith Urban More Than Words Extreme One Wish Ray J Open Arms Journey Ribbon In The Sky Stevie Wonder Someone Like You Van Morrison Thank You Dido That's Amore Dean Martin The Way You Look Tonight Frank Sinatra The Wind Beneath My Wings Bette Midler Unchained Melody Righteous Brothers What A Wonderful World Louis Armstrong When A Man Loves A Woman Percy Sledge Wonderful Tonight Eric Clapton You And Me Lifehouse You're The Inspiration Chicago Your Song Elton John MOTHER/SON DANCE Song Title Artist/Group A Song For Mama Boyz II Men A Song For My Son Mikki Viereck You Raise Me Up Josh Groban Wind Beneath My Wings Bette Midler FATHER/DAUGHTER DANCE Song Title Artist/Group Because You Loved Me Celine Dion Butterfly Kisses Bob Carlisle Daddy's Little Girl Mills Brothers Unforgettable Nat & Natalie King Cole What A Wonderful World Louis Armstrong Popular Selections: "Big Band” To "Hip Hop" Song Title Artist/Group (Oh What A Night) December 1963 Four Seasons 100% Pure Love Crystal Waters 1985 Bowling For Soup 1999 Prince 21 Questions 50 Cent 867-5309 Tommy Tutone A New Day Has Come Celine Dion A Song For My Son Mikki Viereck A Thousand Years Christine Perri A Wink And A Smile Harry Connick, Jr.