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California High-Speed Rail San Francisco to San Jose Project
Section 3.12 Socioeconomics and Communities California High Speed Rail Authority 3.12 Socioeconomics and Communities 3.12.1 Introduction This section describes the regulatory setting and the Overview of Socioeconomic and affected environment for socioeconomics and Community Impacts communities; and the potential construction and operation impacts on communities, residents, ▪ Project construction would temporarily businesses, community facilities, and the local disrupt communities along the alignment, with the greatest effects associated with economy. The analysis addresses impacts of the San constructing the Brisbane Light Maintenance Francisco to San Jose Project Section (Project Facility, expanding the Millbrae Station, and Section, or project) on community cohesion, children’s the passing track and viaduct construction health and safety, the impacts of displacement and (under Alternative B). Project construction relocation, and economic impacts. The socioeconomic could permanently affect social relationships data used in the analysis are derived from various and perceptions of quality of life by sources, including the U.S. Census Bureau, California displacing residents, businesses, and Department of Finance, and the various county and community and public facilities. city agencies. ▪ No disproportionate impacts on children’s The San Francisco to San Jose Project Section health and safety would occur due to project Community Impact Assessment (San Francisco to San construction or operation. Jose Community Impact Assessment) (California -
Kathy Aoki Associate Professor of Studio Art Chair, Department of Art and Art History Santa Clara University, CA [email protected]
Kathy Aoki Associate Professor of Studio Art Chair, Department of Art and Art History Santa Clara University, CA [email protected] Education MFA ‘94, Printmaking. Washington University, School of Art, St. Louis, USA Recent Awards and Honors 2015 Prix-de-Print, juror Stephen Goddard, Art in Print, Nov-Dec 2015 issue. 2014 Turner Solo-Exhibition Award, juror Anne Collins Goodyear, Turner Print Museum, Chico, CA. 2013 Artist Residency, Frans Masereel Centrum, Kasterlee, Belgium Artist Residency, Fundaçion Valparaiso, Mojácar, Spain Palo Alto Art Center, Commission to create art installation with community involvement. (2012-2013) 2011-12 San Jose Museum of Art, Commission to make “Political Paper Dolls,” an interactive site-specific installation for the group exhibition “Renegade Humor.” 2008 Silicon Valley Arts Council Artist Grant. 2-d category. 2007 Artist’s Residency, Cité Internationale des Arts, Paris, France Strategic Planning Grant for pop-up book, Center for Cultural Innovation, CA. 2006 Djerassi Artist Residency, Woodside, CA 2004 Market Street Kiosk Poster Series, Public Art Award, SF Arts Commission Juror’s Award First Place, Paula Kirkeby juror, Pacific Prints 2004, Palo Alto, CA 2003 Artist Residency, Headlands Center for the Arts, Sausalito, CA 2002 Trillium Fund, artist grant to work at Trillium Fine Art Press, Brisbane, CA 2001 Artist Residency. MacDowell Colony, Peterborough, NH Selected Permanent Collections: 2010 New York Metropolitan Museum of Art 2009 de Saisset Museum, Santa Clara University, Santa Clara, CA. 2002 Harvard University Art Museums, Yale University Library 2000 Spencer Art Museum, University of Kansas 2001 Mills College Special Collections (Oakland, CA) and New York Public Library 1997, ‘99 Fine Arts Museums of San Francisco, Achenbach Collection 1998 San Francisco Museum of Modern Art, Special Artist Book Collection 1995 Graphic Chemical and Ink, print purchase award, Villa Park, IL 1994 1998 Olin Rare Books, Washington University in St. -
Fletcher Benton
Fletcher Benton Born 1931 Jackson, Ohio. Currently lives and maintains a studio in San Francisco, CA. Education 1956 BFA, Miami University, Oxford, Ohio Awards and Honors 1979 Award for Distinguished Service to the Arts, American Academy of Arts and Letters, New York 1980 President's Scholar Award, California State University, San Jose 1982 Award of Honor for Outstanding Achievement in Sculpture, San Francisco Arts Commission 1993 Honorary Doctor of Fine Arts, Miami University, Oxford, Ohio 1994 Ohioana Career Award, Ohioana Library Association, Columbus Honorary Doctor of Fine Arts, University of Rio Grande, Rio Grande, Ohio 2008 Lifetime Achievement in Contemporary Sculpture, International Sculpture Center 2012 Distinguished Arts Alumni Award, Miami University, Oxford, Ohio Teaching 1959 California College of Arts and Crafts, Oakland 1966-67 San Francisco Art Institute 1967-86 California State University, San Jose Selected Solo Exhibitions 1961 California Place of the Legion of Honor, San Francisco 1965 San Francisco Museum of Art 1967 Sonoma State College, Rohnert Park, California San Francisco Art Institute 1968 Humboldt State College, Arcata, California 1969 Milwaukee Art Center, Wisconsin 1970 San Francisco Museum of Art California State University, Ohico Berkeley Arts Center, Berkeley, California Reed College, Portland, Oregon Estudio Actual, Caracas, Venezuela 1971 Stanford University Museum of Art, California 1972 La Jolla Museum of Art, California 1973 Phoenix Art Museum, Arizona University of California, Davis AUSTIN ART PROJECTS -
VAL BRITTON CURRICULUM VITAE Born 1977 in Livingston, NJ
VAL BRITTON CURRICULUM VITAE Born 1977 in Livingston, NJ Lives and works in San Francisco, CA EDUCATION 2006 M.F.A. California College of the Arts, San Francisco, CA 1999 B.F.A. Rhode Island School of Design, Providence, RI French Coursework, Brown University, Providence, RI Study Abroad, Edinburgh College of Art / Edinburgh Printmakers Workshop, Scotland, UK SOLO AND TWO-PERSON EXHIBITIONS 2018 Hired: Wage Gap Report, Minnesota Street Project, San Francisco, CA 2016 Navigator, Patti and Rusty Rueff Galleries, Purdue University, West Lafayette, IN Transmissions, Gallery Wendi Norris, San Francisco, CA 2014 Val Britton: Passage, Gallery Wendi Norris, San Francisco, CA 2013 Cosmology, Foley Gallery, New York, NY Terra Incognita, CES Contemporary, Laguna Beach, CA Intimate Immensity, San Jose Institute of Contemporary Art, San Jose, CA 2012 The Continental Interior, San Francisco Arts Commission Gallery, San Francisco, CA Kala Art Institute: Val Britton, Addison Street Window Gallery, Berkeley, California, CA Infinite Loop: Art + Sound by Val Britton and John Colpitts, Secret Project Robot, Brooklyn, NY 2010 Index to Selected Stars: Recology Artist in Residence Program, Recology, San Francisco, CA 2009 The Echo Fields: Val Britton + Michael Meyers, Johansson Projects, Oakland, CA 2007 Near and Far: New Work by Val Britton, 301 Bocana Gallery, San Francisco, CA SELECT GROUP EXHIBITIONS 2018 Art Dubai, Dubai, United Arab Emirates 2017 Facebook AIR 5-Year Anniversary Show, The Lab, San Francisco, CA Seeking Civilization: Art and Cartography, -
Ethnic Communities of Santa Clara Valley 1848-1920
Smith-Layton Archive Ethnic Communities of Santa Clara Valley Charlene Duval, Executive Secretary [email protected] Leilani Marshall, Archivist 1848-1920 [email protected] Phone: 408-808-2064 by Ralph Pearce Sponsored by Linda L. Lester Your donations help us purchase historic photos. Thank you! © copyright 2018 Sourisseau Academy http://www.sourisseauacademy.org/ 1 Images on file at the Smith-Layton Archive, Sourisseau Academy for State and Local History February 2018 [18] The French. Thousands of French immigrants arrived in California during the Gold Rush, and many eventually settled in Santa Clara Valley. Names like Sainsevain, Lefranc, Masson and Mirassou are now synonymous with wine. Louis Pellier introduced the prune to the Valley, which became the nation’s leading producer of prunes. San Jose streets bear the names of Antoine Delmas and Edward and John Auzerais. The photograph on the left shows early French immigrant Pedro Sainsevain and his sons Carlos and Paul Sainsevain along with Carlos’ wife Lydia Higuera. Don Pedro reservoir is named for Pedro Sainsevain. The de Saisset family is pictured on the right. Pedro de Saisset was an early French resident and served as the honorary Vice-Consul for the French government. The De Saisset Museum memorializes Pedro’s son, artist Ernest de Saisset, shown in the photo waving his hat. The Alcantara Building/Metropole Hotel on South Market Street, built by the de Saisset heirs, is a San Jose Landmark. 2 Images on file at the Smith-Layton Archive, Sourisseau Academy for State and Local History February 2018 [19] Sourisseau Family. Felix Sourisseau was also an early French settler in San Jose. -
HHI Front Matter
A PUBLIC TRUST AT RISK: The Heritage Health Index Report on the State of America’s Collections HHIHeritage Health Index a partnership between Heritage Preservation and the Institute of Museum and Library Services ©2005 Heritage Preservation, Inc. Heritage Preservation 1012 14th St. Suite 1200 Washington, DC 20005 202-233-0800 fax 202-233-0807 www.heritagepreservation.org [email protected] Heritage Preservation receives funding from the National Park Service, Department of the Interior. However, the content and opinions included in this publication do not necessarily reflect the views or policies of the Department of the Interior. Table of Contents Introduction and Acknowledgements . i Executive Summary . 1 1. Heritage Health Index Development . 3 2. Methodology . 11 3. Characteristics of Collecting Institutions in the United States. 23 4. Condition of Collections. 27 5. Collections Environment . 51 6. Collections Storage . 57 7. Emergency Plannning and Security . 61 8. Preservation Staffing and Activitives . 67 9. Preservation Expenditures and Funding . 73 10. Intellectual Control and Assessment . 79 Appendices: A. Institutional Advisory Committee Members . A1 B. Working Group Members . B1 C. Heritage Preservation Board Members. C1 D. Sources Consulted in Identifying the Heritage Health Index Study Population. D1 E. Heritage Health Index Participants. E1 F. Heritage Health Index Survey Instrument, Instructions, and Frequently Asked Questions . F1 G. Selected Bibliography of Sources Consulted in Planning the Heritage Health Index. G1 H. N Values for Data Shown in Report Figures . H1 The Heritage Health Index Report i Introduction and Acknowledgements At this time a year ago, staff members of thou- Mary Chute, Schroeder Cherry, Mary Estelle sands of museums, libraries, and archives nation- Kenelly, Joyce Ray, Mamie Bittner, Eileen wide were breathing a sigh of relief as they fin- Maxwell, Christine Henry, and Elizabeth Lyons. -
Kara Maria (Born: Binghamton, New York, 1968) Tel/Fax: 415-452-3089 • E-Mail: [email protected] • Website
SHARK’S INK. 550 BLUE MOUNTAIN ROAD LYONS CO 80540 303 823 9190 WWW.SHARKSINK.COM [email protected] Kara Maria (born: Binghamton, New York, 1968) tel/fax: 415-452-3089 • e-mail: [email protected] • website: www.karamaria.com Education 1998 MFA, Art Practice, University of California, Berkeley 1993 BA with honors, Art Practice, University of California, Berkeley Selected Solo and Two Person (*) Exhibitions 2012 • Kirk Hopper Fine Art, Amerwarpornica *, Dallas, TX 2011 • Virtuata, Cloud Nine, Milpitas, CA 2009 • b. sakata garo, Inviting the Storm, Sacramento, CA 2008 • Catharine Clark Gallery, Dystopia, San Francisco, CA 2007 • Nathan Larramendy Gallery, Paradise Lost, Ojai, CA 2006 • Arts Visalia, Zigzag, Visalia, CA 2005 • Smith Andersen Editions, Airborne, Palo Alto, CA 2004 • Miller/Block Gallery, Almost Paradise, Boston, MA 2002 • Catharine Clark Gallery, Fools Rush In, San Francisco, CA 2001 • Ampersand International Arts, Fabricator, San Francisco, CA • Babilonia 1808, Emerging Bay Area Artist Exhibition, Berkeley, CA • Catharine Clark Gallery, Plastic Picnic, San Francisco, CA 2000 • a.o.v., Plastic Dreams, San Francisco, CA 1999 • Cité Internationale des Arts, Doggie Doo Hop Scotch *, Paris, France 1998 • Patricia Sweetow Gallery, Introductions, San Francisco, CA Selected Group Exhibitions 2012 • Pratt Manhattan Gallery, Party Headquarters, New York, NY • Smith Andersen Editions, Gender Specific, Take it or Leave it, Palo Alto, CA • National Steinbeck Center, Banned & Recovered, Salinas, CA • SFMOMA Artists Gallery, Sin and -
Toward a Bay Area Science Learning Collaboratory
Toward a Bay Area Science Learning Collaboratory Leveraging San Francisco Bay Area Science-Technology Museums and Other Informal Science Education Programs as a Key Educational Resource for Student Learning and Teacher Professional Development Prepared for The William and Flora Hewlett Foundation Menlo Park, CA By DesignWorlds for Learning, Inc. http://www.designworlds.com In Collaboration with ROCKMAN et cetera San Francisco, CA http://www.rockman-etc.org March 15, 2002 Toward a Bay Area Science Learning Collaboratory Leveraging San Francisco Bay Area Science-Technology Museums and Other Informal Science Education Programs as a Key Educational Resource for Student Learning and Teacher Professional Development Prepared for The William and Flora Hewlett Foundation Menlo Park, CA By Ted M. Kahn, Ph.D. President and CEO DesignWorlds for Learning, Inc. http://www.designworlds.com In Collaboration with Saul Rockman Executive Director ROCKMAN et cetera San Francisco, CA http://www.rockman-etc.org March 15, 2002 ROCKMAN et cetera 49 Geary Street, #530 San Francisco CA 94108 Phone: 415/544-0788 http://www.rockman-etc.org Fax: 415/544-0789 Acknowledgements Acknowledgements The research leading to this report was a result of some initial exploratory work done at the request of Dr. Ida Oberman, former Education Program Associate with the William and Flora Hewlett Foundation (and now at Partners in School Innovation) and Dr. Marshall M. Smith, Education Program Director of the Hewlett Foundation in July- August 2001. The research summarized in this report was supported by Hewlett Foundation grant #2001-7331 to ROCKMAN et cetera, in collaboration with DesignWorlds for Learning, Inc. We would like to express our deep appreciation to Ida Oberman and to Mike Smith and Sally Tracy of the Hewlett Foundation for their interest and generous support of this work in support of education and lifelong learning. -
2000.541Ekxbtha
Memo to the Planning Commission DIRECTOR’S REPORT: AUGUST 31, 2017 Date: August 21, 2017 Case No.: 2000.541EKXBCTHA Project Address: 350 BUSH STREET Zoning: C-3-O (Downtown-Office) 250-S Height and Bulk District Block/Lot: 0269/028 Project Sponsor: Daniel Frattin Reuben, Junius & Rose One Bush Street, Suite 600 San Francisco, CA 94104 Staff Contact: Christy Alexander – (415) 575-8724 [email protected] Recommendation: Informational Only BACKGROUND10 On November 1, 2001, the Planning Commission approved Case No. 2000.541EKXBCTHA for a newly constructed 19-story office building addition to the existing Mining Exchange Building at 350 Bush Street which is located between Montgomery Street and Kearny Street downtown. The project includes 20,400 sf of retail space in two galleria levels and 344,540 sf of office space. Pursuant to Planning Code Section 429, the Project required a public art component valued at an amount equal to one percent of the hard construction costs for the Project as determined by the Director of the Department of Building Inspection. The Project Sponsor has commissioned two artists to provide on-site public art to satisfy this requirement. CURRENT PROPOSAL The artists selected for the public art installations at 350 Bush Street are Zhan Wang and Christopher Brown. As discussed in his biography (attached), Mr. Wang is a Beijing-born sculptor who was a sculpture major at the China Central Academy of Fine Art. His work has appeared in museum exhibitions at the Shanghai Pujiang OCT Ten Year Public Art Project, Shanghai; Mori Art Museum, Tokyo; Shanghai Museum of Contemporary Art, Shanghai; Asian Art Museum, San Francisco; the Milwaukee Art Museum, Milwaukee; National Museum of China, Beijing; and the Ullens Center for Contemporary Art, Beijing. -
Panel Pool 2
FY18-19 PEER REVIEW PANELS Panel Applicants (November deadline) This list contains potential panelists to be added to the pool for peer review panels. Approved panelists may be called upon to serve on grant panels in FY2018-2019 or FY2019-2020. Click a letter below to view biographies from applicants with corresponding last name. A .............................................................................................................................................................................. 2 B ............................................................................................................................................................................... 9 C ............................................................................................................................................................................. 18 D ............................................................................................................................................................................. 31 E ............................................................................................................................................................................. 40 F ............................................................................................................................................................................. 45 G ............................................................................................................................................................................ -
Maria Porges COMPLETE LIST of PUBLICATIONS
Maria Porges COMPLETE LIST OF PUBLICATIONS Catalogue essays “Radiance: Lino Tagliapietra,” exhibition at Montague Gallery San Francisco CA (2019) “Spaces Between: Irene Nelson/ Nancy Selvin,” exhibition at Gearbox Gallery, Oakland CA (2019) “Collaboration: Valerie Otani/ Elizabeth Stanek/ Andree Singer Thompson” (2019) “Unapologetic,” Libby Black/ Taravat Talepasand/ Josephine Taylor at Gallery 16, SF CA (2019) Sheldon Greenberg, for catalogue on current work (2019) “Howard Hersh,” for catalogue accompanying solo show at Peninsula Art Museum, Burlingame CA (2019) “Deborah Miller: Guns and Butter,” multiple venues (2018) “Millionyearseeds: Yoshitomo Saito,” Colorado Contemporary Art Center, Colorado Springs CO (2018) “Nancy Mintz: Tropism,” Traywick Contemporary, Albany CA (2018) “Vanessa Woods: collage,” Jack Fischer Gallery, SF CA (2017) “A place for wild spirits: Bill Stanisich’s Land’s End,” Andra Norris Gallery, Burlingame, CA (2017) “A Year of Knots: Windy Chien,” Themes + Projects Gallery, SF CA (2017) “Hung Liu: Painting history,” Rena Bransten Gallery, SF CA (2017) “DS Friedman: Something from everything,” Berkeley CA (2016) “Susanna Bluhm,” G. Gibson Gallery, Seattle WA (2016) “Janet Bogardus, Towers and Piers, Fairfax CA (2016) “Graylands,” for Deborah Miller solo exhibition, San Pablo CA (2016) “Making It Up: Rebekah Goldstein,” for ‘Another Way In’ at Jack Geary Gallery, NY (2015) “Sara Bright: Frescoes,” George Lawson Gallery, SF CA (2015) “Modi: art and life, interrupted,” Permodur Carlsson retrospective at Listasafn Art -
Reciprocal Museum List
RECIPROCAL MUSEUM LIST DIA members at the Affiliate level and above receive reciprocal member benefits at more than 1,000 museums and cultural institutions in the U.S. and throughout North America, including free admission and member discounts. This list includes organizations affiliated with NARM (North American Reciprocal Museum) and ROAM (Reciprocal Organization of American Museums). Please note, some museums may restrict benefits. Please contact the institution for more information prior to your visit to avoid any confusion. UPDATED: 10/28/2020 DIA Reciprocal Museums updated 10/28/2020 State City Museum AK Anchorage Anchorage Museum at Rasmuson Center AK Haines Sheldon Museum and Cultural Center AK Homer Pratt Museum AK Kodiak Kodiak Historical Society & Baranov Museum AK Palmer Palmer Museum of History and Art AK Valdez Valdez Museum & Historical Archive AL Auburn Jule Collins Smith Museum of Fine Art AL Birmingham Abroms-Engel Institute for the Visual Arts (AEIVA), UAB AL Birmingham Birmingham Civil Rights Institute AL Birmingham Birmingham Museum of Art AL Birmingham Vulcan Park and Museum AL Decatur Carnegie Visual Arts Center AL Huntsville The Huntsville Museum of Art AL Mobile Alabama Contemporary Art Center AL Mobile Mobile Museum of Art AL Montgomery Montgomery Museum of Fine Arts AL Northport Kentuck Museum AL Talladega Jemison Carnegie Heritage Hall Museum and Arts Center AR Bentonville Crystal Bridges Museum of American Art AR El Dorado South Arkansas Arts Center AR Fort Smith Fort Smith Regional Art Museum AR Little Rock